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Various Small Fires OC pulls back the Orange Curtain in Tustin

Various Small Fires (VSF) founder Esther Kim Varet opened a new gallery space, VSF OC, in Tustin, Orange County, in April 2025. The inaugural exhibition, “The Orange Curtain,” features Southern California contemporary artists Edwin Arzeta, Jackie Castillo, and Marcel Alcalá, all born and raised in Orange County. Curated by Varet, the show explores the cultural and political divide between Orange County and Los Angeles, and runs through May 31. The opening drew local art leaders, collectors, and families, including Heidi Zuckerman, CEO of the Orange County Museum of Art.

Sharpsburg’s ZYNKA Gallery turns 5: reflecting on growth and future exhibitions

ZYNKA Gallery in Sharpsburg, Pennsylvania, celebrates its fifth anniversary. Founded by Jeff Jarzynka in November 2019, the gallery represents over 50 mostly regional artists. Its current exhibition, “Time Between Echoes,” features Dutch-born artist Hans Neleman and runs through June 8. The gallery faced an early challenge when it had to close just months after opening due to the COVID-19 pandemic, but it reopened in summer 2020 with timed visits. Jarzynka has since expanded his curatorial work, including curating exhibitions for The Portal Art Gallery at Bakery Square in East Liberty since February 2024.

Review: "Home, Love & Loss" at the Art Museum of South Texas

The Art Museum of South Texas is presenting "Home, Love & Loss," the third exhibition from a partnership between the Amon Carter Museum of American Art and the Art Bridges Foundation Cohort Program. The show brings together artworks from five institutional collections, organized into four themes: Home, Family, Honor, and Loss. Featured works include Raymond Bonilla's "Escuchas" (2009), a diptych about Puerto Rican family traditions; Terry Evans's aerial photograph of Fourth of July gatherings; Earlie Hudnall, Jr.'s intimate portrait of Black children; Ave Bonar's stark image of Border Patrol detainees; and Francisco Delgado's serigraph referencing immigration politics. After closing in Corpus Christi, the exhibition will travel to the Amarillo Museum of Art and the Ellen Noël Art Museum in Odessa.

Thinking small and dreaming big in Isabel Nolan’s imaginary world

Dublin-born artist Isabel Nolan discusses her Ireland pavilion exhibition "Dreamshook" at the Venice Biennale, developed with curator Georgina Jackson. The show explores the liminal state between dreaming and waking, weaving a fictional narrative around Renaissance humanist Aldo Manuzio, who popularized portable books. Nolan draws on late Medieval and early Renaissance visual language, using intimate forms like textiles to tackle big ideas about cosmology, religion, and humanism. She describes her ambivalent relationship with European cultural inheritance and the need to recover occluded voices.

Philadelphia’s New Art Fair Is Betting Big on Community

Philadelphia is set to launch a new contemporary art fair called Elsewhere on June 4, organized by Megan Galardi, founder of Blah Blah Gallery. The fair will take over the Yowie Hotel, a pair of 1900s rowhouses, featuring 26 galleries from cities including Los Angeles, Toronto, and London. Booth prices are kept low—around $3,000 for the largest rooms—and some exhibitors can sleep in their spaces to reduce costs. Participating galleries include Harlesden High Street, DARLA, and Blah Blah Gallery, with artists such as Patricia Renee’ Thomas, Emmanuel Massillon, and Qualeasha Wood. The fair also includes panels, DJ sets, reciprocal museum tours, and VIP studio visits.

Chicago’s Neighbors and Barely fairs show the strengths of smaller, alternative formats

Chicago’s art week is being defined by the success of alternative, small-scale satellite fairs like Barely Fair and Neighbors, which offer an intimate counterpoint to the massive Expo Chicago. Barely Fair, located in a storefront in McKinley Park, features 32 exhibitors presenting works in 20-inch-square miniature booths. This format encourages rigorous curation and creative risk-taking from a mix of artist-run spaces and established galleries, with price points ranging from $20 to $8,000.

Rising Artist Veronica Fernandez’s Uneasy Monument to Childhood Imagination

Artist Veronica Fernandez opened a solo exhibition titled "Prey" at the Anat Ebgi gallery. The show features a notable shift in her practice, moving from typically monumental canvases to smaller-scale paintings that explore themes of claustrophobia, survival, and the uneasy tension between comfort and foreboding in domestic and communal spaces.

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A severe nor’easter in New York City has disrupted travel plans for numerous East Coast dealers and gallery staff heading to Los Angeles for Frieze Week. With nearly two feet of snow grounding direct flights, art professionals have been forced into grueling multi-stop itineraries through cities like Pittsburgh, Salt Lake City, and Fort Lauderdale to reach the West Coast in time for fair openings.

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Jonny Tanna, founder of the London gallery Harlesden High Street, has launched a pop-up project in Mayfair during Frieze Week, in collaboration with Düsseldorf- and Berlin-based gallery Setareh. The inaugural exhibition, “Forces of Nature,” features London-based artists Abbas Zahedi and Jamiu Agboke, presenting conceptual installation and atmospheric painting. Tanna emphasizes that this is not a permanent relocation but an itinerant extension of his gallery, which exclusively shows artists of color and is known for its community-focused, unvarnished approach.

Mario Schifano in mostra a Roma, non solo a Palazzo delle Esposizioni. Alla Galleria Lombardi il pittore che sapeva osservare

A major retrospective of Mario Schifano (1934–1998) continues at Palazzo delle Esposizioni in Rome through May 27, showcasing over 100 works from his entire career—from early informal and material pieces to the first monochromes of the 1960s, TV Landscapes, oversized 1980s paintings, and 1990s works. Concurrently, a smaller exhibition titled "Mario Schifano | Io guardo" is on view until May 16, 2026, at Galleria Lombardi in Rome. Curated by Lorenzo and Enrico Lombardi, it features about twenty works spanning thirty years of the artist's activity, including monochromes, advertising signs, anemical landscapes, the Futurism revisited cycle, equestrian paintings, and chromatic materials of the 1990s. The show is accompanied by a catalog with a critical text by Silvia Pegoraro.

Art Dubai to Present Significantly Smaller Event After Iran War Forces Postponement

Art Dubai has announced a significantly scaled-down 'special edition' fair to be held in May, replacing its postponed twentieth-anniversary event. The new iteration will feature just fifty exhibitors, down from the originally planned 120, and will be held at its traditional venue, Madinat Jumeirah.

In 2025, new ‘independent and nimble’ art fairs began redrawing the market map

In 2025, several established art fairs were cancelled or postponed, including the Art Dealers Association of America's Art Show in Manhattan, Taipei Dangdai, Photofairs Hong Kong, and the India Art Fair's Mumbai expo. Amid these retrenchments, a wave of smaller, alternative art fairs emerged in cities like New York, Paris, and the Berkshires, organized by gallerists and curators seeking new formulas focused on coalition, affordability, and intimacy. Examples include Esther in Manhattan (co-founded by Margot Samel and Olga Temnikova), the Arrival Art Fair in North Adams (co-founded by Yng-Ru Chen, Crystalle Lacouture, and Sarah Galender Meyer), 7 rue Froissart in Paris (organized by Sara Maria Salamone and Brigitte Mulholland), and Post-Fair in Santa Monica (founded by Chris Sharp).

A New Contemporary Art Triennial Sets Its 2026 Debut in New York, and Other News

Medina, New York will host its inaugural contemporary art triennial in 2026, running from June 6 to September 7 across more than a dozen indoor and outdoor venues along the Erie Canal. The event will feature over 50 local, domestic, and international artists with site-responsive commissions, and a Medina Triennial Hub will open this September with programming in collaboration with Western New York arts institutions. Initiated by the New York Power Authority and the New York State Canal Corporation, the triennial is co-directed by Kari Conte and Karin Laansoo. In other news, Sotheby's RM will host a major Formula 1 auction titled 'The Champions – Schumacher and F1 Legends' from July 24–30; the Bakehouse Art Complex in Wynwood, Miami plans to build 60 affordable artist apartments; and artist Khaled Sabsabi has been reinstated as Australia's representative for the 2026 Venice Biennale after an external review found Creative Australia mishandled his withdrawal.

U-Haul Gallery’s Mobile Model Takes Art to the Streets

U-Haul Gallery, founded by James Sundquist, is a nomadic art initiative that uses rented U-Haul trucks as mobile exhibition spaces. During New York art week, the gallery parked outside major fairs and openings, drawing crowds into its cargo bay for shows like Ben Nuñez's video work "Today, Last Year." The gallery operates on a budget of $29.99 per day for truck rental, bypassing the high costs of traditional brick-and-mortar spaces. Sundquist, along with head of global strategy Jack Chase, curates collaborative, adaptable exhibitions that respond to their surroundings.

At a Los Angeles exhibition, contemporary artists face off with decommissioned Confederate statues

The exhibition "Monuments" opens on 23 October in Los Angeles, co-curated by Hamza Walker, Bennett Simpson, and artist Kara Walker, and staged at both the Museum of Contemporary Art, Los Angeles (MOCA) and the Brick. It features nearly 20 decommissioned Confederate statues—including the melted-down Robert E. Lee monument from Charlottesville—displayed alongside contemporary works by artists such as Leonardo Drew, Martin Puryear, Nona Faustine, Kahlil Robert Irving, Bethany Collins, and Walter Price. The show was inspired by the 2017 Unite the Right rally and the subsequent removal of dozens of monuments across the US.

Record sales and a tax break close out blockbuster year for South Asian Modern market

Two record-breaking auctions closed a blockbuster year for the South Asian Modern art market. On 27 September, Saffronart in New Delhi sold 85 lots for $40.2 million—the largest single sale ever in South Asia—while on 29 September, Sotheby’s in New York sold 54 lots for $25.5 million, a record total for South Asian art in the West. These followed Christie’s March sale of M.F. Husain’s mural *Gram Yatra* (1954) for $13.7 million, the highest price ever for an Indian painting. India also enacted a major tax reform, cutting the Goods and Service Tax (GST) on art from 12% to 5%, further stimulating the market.

Our chief art critic’s nine best UK museums — you may be surprised

Laura Freeman, chief art critic for The Times, shares her personal list of nine favorite UK museums and galleries, ranging from London institutions like Sir John Soane’s Museum and the V&A to smaller venues such as Pallant House in Chichester and Kettle’s Yard in Cambridge. She emphasizes character and collection over flashy renovations, noting that her picks are based on decades of visits, family outings, and emotional resonance.

Alfonso Gonzalez Jr. Gives New Context to Street Art and Commercial Signage in New LACMA Show

Alfonso Gonzalez Jr., a second-generation Los Angeles artist with roots in graffiti, sign painting, and muralism, has opened his first museum exhibition at LACMA. Titled “In Between Stops,” the show features 12 benches installed along the museum’s Kendall Concourse, each serving as a functional sculpture that honors the street art and vernacular signage of LA. Gonzalez Jr., who learned the sign-painting trade at Los Angeles Trade Tech College and worked for outdoor advertisement companies like Wall Dogs and Colossal Media, draws on his background to create fictitious ads that critique advertising tactics while preserving rapidly disappearing elements of LA culture, such as mom-and-pop shops and barber shops.

The Relentless Avant-Garde of The Renaissance Society

The Renaissance Society at the University of Chicago, founded in 1915, has consistently championed avant-garde contemporary art from its modest gallery space on the fourth floor of Cobb Hall. Under the leadership of current director Myriam Ben Salah (since 2020), the institution continues its legacy of presenting visionary works by artists who later become household names, including Henri Matisse, Pablo Picasso, Man Ray, and Félix González-Torres. The article traces the society's history through its pioneering female directors—Eva Watson Schütze, Frances Strain Biesel, and Suzanne Ghez—who shaped its forward-thinking exhibition program, from early modernist shows to local Chicago talent and cross-disciplinary collaborations.

How Expo Chicago’s One-of-a-Kind Curatorial Forum Came to Be

Expo Chicago has distinguished itself within the global art fair circuit through its unique Curatorial Forum, a partnership with Independent Curators International (ICI) that began in 2014. Originally conceived by Tony Karman and Renaud Proch, the program has evolved from a small gathering into a major national convening that provides curators with professional development, networking opportunities, and a platform for thought leadership. The initiative has been so successful that ICI established its only year-round satellite office in Chicago to support the local curatorial community.

One of London’s Most Unmissable Art Exhibitions in 2026 Will Open This Week

The Courtauld in London is opening 'Seurat and the Sea,' the first exhibition dedicated to Georges Seurat's seascapes, on February 13, 2026. The show will feature 26 paintings, oil sketches, and drawings created by the artist between 1885 and 1890, including works like 'The Beach at Gravelines' and 'Seascape at Port-en-Bessin, Normandy.'

Fondation Louis Vuitton in Paris opens epic Gerhard Richter retrospective

The Fondation Louis Vuitton in Paris is opening a massive retrospective of Gerhard Richter's work, featuring 275 pieces spanning his entire career from the 1960s to recent ink-cloud drawings. Curated by Dieter Schwarz and Nicholas Serota at Richter's own suggestion, the exhibition is strictly chronological and occupies over 3,000 square meters of Frank Gehry-designed gallery space. It includes iconic works like *Uncle Rudi* (1965) and *Table* (1962), alongside very recent small-scale drawings, and draws from both public and private collections.

Southeast Asia’s biggest impressionist art show is coming to Singapore

The National Gallery Singapore will host Southeast Asia’s largest exhibition of French Impressionist art, titled “Into the Modern: Impressionism from the Museum of Fine Arts, Boston,” from November 14, 2025, to March 1, 2026. The show features over 100 paintings on loan from the Museum of Fine Arts, Boston, including works by Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Paul Cézanne, Berthe Morisot, and Camille Pissarro, with 17 Monet paintings such as ‘Poppy Field in a Hollow near Giverny’ and ‘Cap Martin near Menton.’ None of the artworks have been displayed in Southeast Asia before.

Vermeer’s vandal: the untold story of a vicious attack at London's National Gallery in 1968

In 1968, Vermeer's painting *Young Woman Seated at a Virginal* (1670-72) was vandalized at the National Gallery in London. An unidentified attacker used a sharp instrument, likely a razor blade, to cut around the woman's head, attempting to remove it entirely. The damage was discovered hours later by a visitor, and the painting was swiftly restored; previously unreleased photographs of the attack have now been supplied to The Art Newspaper. The vandal was never caught, and their motivation remains unknown.

Allen Rosenbaum, former director of Princeton University Art Museum with a keen curatorial eye and astute administrative foresight, dies at 88

Allen Rosenbaum, the former director of the Princeton University Art Museum who led the institution from 1980 to 1999, died on August 3, 2025, at Calvary Hospital in New York City at age 88. Rosenbaum joined Princeton in 1974 as assistant director under Peter Bunnell, and during his 25-year tenure as director, he significantly expanded the museum's collections, adding major works such as Giulio Cesare Procaccini's "The Martyrdom of Saint Justina," Pinturicchio's "Saint Bartholomew," and Pietro da Cortona's "Saint Martina Refuses to Adore the Idols." He also oversaw the 1989 opening of the Mitchell Wolfson Jr. Wing, which added 27,000 square feet of exhibition space.

Pennsylvania college moves to sell its entire art collection amid $20m budget shortfall

Albright College, a liberal arts institution in Reading, Pennsylvania, is selling its entire art collection of mostly works on paper to address a $20 million budget shortfall. The online-only sale, held on July 16 at Pook & Pook auction house, includes 524 lots featuring works by artists such as Karel Appel, Romare Bearden, Jasper Johns, Jacob Lawrence, and Bridget Riley. College administrators, including vice-president James Gaddy, describe the collection as "not core to our mission" and estimate the consigned pieces are worth $200,000, while the cost of maintaining the gallery and collection exceeds $500,000 annually. The sale is part of broader cost-cutting measures that have already included laying off 53 employees and selling non-contiguous properties.

Wonderstruck: an art exhibition that will make even weary adults feel like kids again

Queensland's Gallery of Modern Art (QAGOMA) in Meanjin/Brisbane has opened 'Wonderstruck', a major free exhibition featuring over 100 works from its collection. The show includes large-scale installations by artists such as Patricia Piccinini, Ron Mueck, Michael Parekōwhai, Yayoi Kusama, and Tobias Putrih, with interactive elements encouraging visitors to touch the art. Highlights include Kusama's 'The Obliteration Room', a participatory installation where visitors cover a white space with colorful stickers, and works created by local high school students in a workshop with artist Gemma Smith.

New Colour Shape Pattern exhibition now open in Ipswich

A new exhibition titled 'Colour Shape Pattern' has opened at the Wolsey Art Gallery in Christchurch Mansion, Ipswich, featuring modern artworks by leading international artists. The show includes prints by David Hockney and René Magritte on loan from the Fitzwilliam Museum, Cambridge, alongside highlights from Ipswich’s own collection of modern and contemporary art. Artists and sculptors represented include Bridget Riley, Barbara Hepworth, Henry Moore, Josef Albers, Sonia Delaunay, Margaret Mellis, Graham Crowley, and Dale Devereux Barker. A new bird-inspired artwork by Suffolk artist Lily Hammond was created especially for the exhibition. The show is sponsored by Kerseys Solicitors LLP and runs until 22 February 2026.

Remembering Pope Francis, for 12 years head of the Catholic church and proprietor in trust of the Vatican's library and art collections

Pope Francis, the 266th pope and the first from the Americas and the Global South, has died. He was the spiritual leader of 1.3 billion Catholics, head of state of the Vatican, and proprietor in trust of the Vatican's vast art and architectural collections. Born Jorge Mario Bergoglio in Argentina, he was the first Jesuit pope and the first to take the name Francis, signaling a commitment to austerity and social justice. His papacy, beginning in 2013 after Benedict XVI's resignation, addressed theological controversies, church culture wars, interfaith relations, Vatican financial reform, the clergy sexual abuse crisis, and cultural restitution from the Vatican's holdings.

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A 4,000-year-old limestone relief depicting the three seasons of the ancient Egyptian calendar has been stolen from the Saqqara necropolis near Cairo. The relief, measuring 16 by 24 inches, was cut from the wall of a Fifth Dynasty tomb belonging to high-ranking official Khenti Ka using an electric saw. Egypt's Ministry of Tourism and Antiquities reported the theft on Sunday, and an archaeological committee has been formed to inventory the tomb's contents while the matter is under investigation by the Public Prosecution.