The New York Times article examines the artistic kinship between Michelangelo and Auguste Rodin, focusing on how both sculptors sought to animate stone with a sense of living spirit and emotional intensity. It explores their shared techniques, such as leaving surfaces unfinished to suggest movement and inner life, and highlights key works including Michelangelo's "Slaves" and Rodin's "The Gates of Hell."
MOSI (Museum of Science & Industry) in Tampa, Florida, is hosting an exhibition titled "Machines in Motion" that features 20 working machines built from Leonardo da Vinci's 15th-century designs. Created by Italian engineers using period-appropriate materials, the interactive display includes inventions such as ball bearings, an olive oil press, a printing press, and wartime weapons. MOSI President & CEO John Graydon Smith describes da Vinci as "the original innovator" and notes the exhibit aims to inspire creativity in both children and adults. The temporary exhibition runs until May 3.
Robert Longo, the New York-based artist known for monumental charcoal drawings, returns to Japan after thirty years with the solo exhibition 'Angels of the Maelstrom' at Pace Gallery Tokyo, on view until June 17. The show presents recent drawings and sculptures that juxtapose allegorical images of crashing waves, whales, tigers, and peonies with portraits of 20th-century American icons, centered on a large-scale depiction of Japanese baseball star Shohei Ohtani titled *Untitled (American Samurai)*, which Longo frames as a symbol of cultural convergence.
Monica Rohan, a Brisbane-based artist, creates vibrant oil paintings in which domestic objects like patterned tablecloths and bentwood dining chairs appear in remote, natural landscapes. Her recent works, including those from her upcoming solo exhibition "Invitations" at Sophie Gannon Gallery in Melbourne this June, increasingly omit human figures, allowing the objects themselves to become stand-ins for people. The scenes are inspired by her hiking trip through Tasmania, featuring alpine summits, streams, and meadows.
Since February 28, 2026, US-Israeli strikes on Iran have escalated into a major military confrontation across the Middle East, causing heavy casualties and infrastructure damage. Multiple UNESCO World Heritage sites have been hit, including Tehran's Golestan Palace (damaged on March 2), Isfahan's Chehel Sotoun palace and Naqsh-e Jahan Square (attacked March 9), and Tel Aviv's White City Bauhaus architecture, which suffered severe damage from Iranian counterattacks.
In a faculty meeting at Purchase College in New York, an administrator referred to students as "consumers," prompting the author to reflect on the pervasive corporatization and "administrification" of American higher education. The article argues that this language reflects a broader restructuring of universities as businesses, where students are customers, knowledge is a product, and faculty are service providers. It cites data showing that between 1976 and 2011, non-faculty professional positions grew by 369% while tenure-track faculty grew by only 23%, and at Purchase College, administrator salaries rose over 45% from 2016 to 2024 while assistant professor salaries rose just 14%, with inflation at 31%.
The exhibition 'He Who Permeates' is currently on view at Tao Art Gallery in Mumbai, curated by Mihir Thakkar. It features contemporary artists Jayesh Sachdev and NFN Kalyan, exploring how imagery and symbols are reinterpreted across cultural contexts in a hyper-visual age. The show runs daily from 11 am to 6:30 pm until May 28, 2026, and marks NFN Kalyan's first presentation in India.
Giorgio Ascani, known by his partisan nickname Nuvolo, was born 100 years ago in Città di Castello, Italy. He adopted the name during the Resistance at age 17, inspired by his ability to appear and disappear like a cloud. Nuvolo became a painter and taught at the Accademia di Belle Arti di Perugia, serving as director from 1979 to 1984. His works are held in museums and collections worldwide. In 2025, a major exhibition curated by Bruno Corà, Aldo Iori, and Paolo Ascani was held at Palazzo Collicola in Spoleto, and in 2018, New York's Galleria Di Donna mounted a retrospective curated by Germano Celant. Now, the fair AMAB in Assisi joins centenary celebrations with 15 works spanning his career, including pieces from the Genesi cycle, Serotipie, and OIGROIG series.
The 61st Venice Biennale has scrapped its traditional Golden Lion awards, replacing them with public-voted “Visitor Lions” after the entire award jury resigned on April 30. The jury had previously announced its intention to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court, effectively targeting Russia and Israel. The Biennale Foundation, however, stated that all official national pavilions—including Russia and Israel—will be eligible for the new Visitor Lions, citing principles of inclusion and equal treatment. The awards ceremony has been moved from May 9 to November 22, the final day of the Biennale, to allow ticket holders to vote throughout the event.
Artist and writer Sarah Hotchkiss recounts two personal experiences where galleries and residency programs used standard contracts to limit artists' rights. In the first, a new gallery refused to shorten a six-month consignment period after an exhibition, leaving her work in "contractual limbo" where she would owe the gallery half of any sale even if she found the buyer herself. In the second, a residency required her to waive moral rights under the Visual Artists Rights Act, protections that allow artists to prevent distortion and control attribution of their work.
Photographer Jon McCormack, who grew up in the Australian Outback and has traveled to all seven continents, has a new book titled "Patterns: Art of the Natural World," forthcoming from Damiani Books. The project emerged during the pandemic when limited travel led him to revisit local spots and develop a patient, attentive approach to capturing nature's hidden harmony and symmetry. The book features 90 images ranging from microscopic crystals to aerial views of flamingos in Kenya, along with text contributions from fellow photographers and conservationists.
Liu Shuai, a multimedia artist from Shandong province, China, presented an interactive installation titled "The Kiss" (2025) at VILLA tbh in Shanghai during the 15th Shanghai Biennale (2025–26). The work, co-created with carpenter bees, features bamboo stalks punctured by the insects and transformed into hanging instruments. It was part of the biennale's "City Projects" and housed in Liu's temporary studio within the Shanghai Botanical Garden, offering a poetic exploration of interspecies collaboration.
The Indonesian Pavilion at the Venice Biennale presents "Printing the Unprinted: The Reversal of World Discovery," a project that reimagines global history by casting an Indonesian kingdom as the explorer who discovers the West. Seven Indonesian artists—Agus Suwage, Syahrizal Pahlevi, Nurdian Ichsan, R.E. Hartanto, Theresia Agustina Sitompul, Mariam Sofrina, and Rusyan Yasin—participated in a two-month residency at the Scuola Internazionale di Grafica in Venice, collaboratively creating works through printmaking and expanded forms. The pavilion includes exhibitions, workshops, and symposiums that challenge dominant narratives and highlight Indonesia's contributions to maritime technology, commerce, arts, and knowledge.
The international jury of the 61st Venice Biennale has excluded the Israeli and Russian pavilions from consideration for official prizes, citing that countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible. Israel’s foreign ministry condemned the decision as a political boycott, and Israeli representative Belu-Simion Fainaru called it a hostile act that exceeds the jury’s mandate. The Biennale’s president, Pietrangelo Buttafuoco, has distanced the institution from the jury’s action, insisting the exhibition remain open to all nations recognized by Italy.
The Henrike Grohs Art Award concludes its final edition, naming Tanzanian artist Rehema Chachage as the 2026 laureate. Chachage, who works across performance, video, text, scent, and installation, creates a "performative archive" in collaboration with her mother and grandmother, transforming personal and ancestral memory into shared sensory experiences. The two finalists are Younès Ben Slimane, a Tunisian filmmaker and visual artist whose silent, disorienting works challenge cinematic narrative structures, and Egyptian artist Rania Atef, whose participatory practice turns domestic spaces into stages for revealing power dynamics. The award received over 600 applications from more than 30 African countries.
This article provides a weekly listing of art and museum exhibits in Kenosha and Racine counties in Wisconsin, including details on hours, locations, and current or permanent exhibitions. Featured venues include the Anderson Arts Center, Artists Gallery, Carthage College Art Gallery, Civil War Museum, Dinosaur Discovery Museum, Kenosha History Center, Kenosha Public Museum, Lemon Street Gallery, OS Projects, and Photographic Design Gallery & Framing.
The Leslie Powell Gallery in Lawton, Oklahoma, will open two art exhibitions in May 2026. "Beauteous Maximus" features paintings by New Zealand-born Polynesian artist Tania Landers, whose work explores memory, identity, and generational storytelling through vibrant colors and collage. "Between the Front Door and the Kitchen Sink" showcases artwork by Texas artist Abigail Rainey, focusing on themes of home, inheritance, and the sacred within the mundane. Both exhibitions open with a reception on May 16 and run through June 26.
The Herndon Gallery at Antioch College is opening a group exhibition titled 'Rightstarter: Resistance, Rap and the Golden Era,' curated by artist Joshua Whitaker. The show, launching with a reception on May 9, explores the rap counterculture of the late 1980s and early 1990s, featuring works by artists from Dayton and beyond. It includes drawings, paintings, sculpture, installations, video, and performance, with a live jazz performance by G. Scott Jones and the Freedom Ensemble. The exhibition highlights how hip-hop served as a platform for social commentary against the backdrop of Reaganomics, the crack epidemic, the war on drugs, and the AIDS crisis.
Yoann Cormier curates 'In Mali, When Animals Dance' at the Musée des Confluences, an exhibition dedicated to sogo bò, a Malian performance tradition blending theater, dance, music, and community. Rejecting static displays, Cormier uses immersive scenography—light, sound, film footage from the early 2000s by Sonia and Albert Loeb, and reconstructed masks made with the Lyon Opera costume workshop—to evoke the festive atmosphere of sogo bò, moving visitors through a simulated Malian day from afternoon to night.
The Wildlife Photographer of the Year exhibition has opened at Shrewsbury Museum and Art Gallery (SMAG) in Shropshire, UK, running until 20 June 2026. On loan from the Natural History Museum in London, the show features over 60,000 entries judged anonymously by an international panel, including a striking image of a lioness and cobra by Gabriella Comi. Alongside the main exhibition, a community photography competition highlights local Shropshire photographers focusing on 'Wildlife on your doorstep'.
Reston Art Gallery and Studios (RAGS) in Reston, Virginia, is presenting its May exhibition titled “Down the Shore,” featuring acrylic paintings by gallery director and artist Pat Macintyre. The show depicts coastal scenes from the Eastern Shore, Isle of Wight Bay, and Ocean City, including images of rural villages and large shells on pale canvases. A reception will be held on May 10 from 2-4pm, and the exhibit runs through May 31.
The Miller Art Museum in Sturgeon Bay, Wisconsin, announced the award winners of the 52nd-annual Salon of Door County High School Art at a free public reception on April 6. The exhibition features original artwork by 105 students from five local high schools—Gibraltar, Sevastopol, Southern Door, Sturgeon Bay, and Washington Island. Awards of Excellence were given to Abigail DeMeuse, Lilian Saltou, Audrie Schley, Rowan Ploor, and Thomas Pratt, while honorable mentions went to Molly Virlee, Lola Georgenson, Angelina LeCloux Herrera, Ryan Felhofer, and Teagan McGrane. Gianna Roman of Sevastopol won the fourth-annual Jim Rericha Legacy Award, named after a longtime art teacher, which included a $100 cash prize. The museum also announced a Potter’s Panel on May 9 featuring master potters discussing the legacy of Abraham Cohn, and the return of its Art and Treasures fundraiser starting May 30.
The 15th Annual High School Juried Art Show at the Mann Art Gallery in Prince Albert, Saskatchewan, held its awards ceremony at the E.A. Rawlinson Centre, drawing students, families, teachers, and community leaders. Peter Smallboy, a Grade 12 student from Big River Public High School, won Best in Show for his charcoal work "Inner Sight," inspired by the beauty of the human eye. Other award winners included Alice Rosetti, Tatianna Trautmann, Cristyn Mitchell, Jorja Hanson-Lemaigre, Arrow Anderson, Kiara Levesque, and Abeedah Saka-Bello, with 67 artists exhibiting works in media ranging from painting and sculpture to photography and textiles.
Jackson Art Studio & Gallery in Jackson, New Hampshire, is hosting its 3rd annual Open Studio Art Sale from Friday, May 1, through Sunday, May 3. The sale features over 500 original works from award-winning New England artists, including oil paintings, acrylics, watercolors, pastels, woodblock prints, and mixed media. Items such as plein air studies, demonstration pieces, older artwork, and orphaned paintings are offered at significant discounts. Featured works include "Jackson Falls" by gallery owner Melanie Levitt and "Spring Haze" by nationally recognized artist George Van Hook.
The Hazleton Art League will present "Potpourri," a one-woman retrospective featuring over 99 paintings by artist Marcy Lanza Oldham. The exhibition opens with a gallery reception from 5 to 8 p.m. on Friday, May 1, and runs through May 24, with an artist talk scheduled for May 3. The show is free and open to the public at the Hayden Family Center for the Arts in Hazleton.
Mitchell Fine Art in Brisbane's Fortitude Valley is hosting a free solo exhibition titled 'Unbound' by Sunshine Coast-based artist Odessa Mahony-de Vries, running from May 5 to May 16, 2026. The show features large-scale abstract expressionist oil paintings, with a launch event on May 8 offering the public a chance to meet the artist. Mahony-de Vries, a finalist in the 2025 Redland Art and 2024 Stanthorpe Art Prize, creates works that balance control and unpredictability, leaving earlier brushstrokes visible to embed the history of each piece.
Renowned Victoria artist and philanthropist Tanya Bub is presenting a new exhibition titled "Wild Art for the Big of Heart" at the Gage Gallery in Victoria’s Bastion Square from May 12th to 31st. The show features dozens of sculptural works made from driftwood, wire, and paper, with prices ranging from $30 to $8,000. Twenty-five percent of all sales will go to the charity of the buyer’s choice, with 10 local charities benefiting, including Broken Promises Rescue, Elder Carl Olsen — Goldstream / SELE₭TEȽ Watershed, CNIB Victoria, Georgia Strait Alliance, Mustard Seed, Rainbow Haven, Soap for Hope, The Thinking Garden, Victoria Therapeutic Riding Association, and Voices in Motion. The exhibition also includes three weeks of talks, performances, and interactive events in partnership with the charities.
Melanie Mullan interviews three women redefining the art world: contemporary artist Petria Lenehan, who transitioned from fashion design to painting and now works from her studio in Wicklow, Ireland, promoting her work via Instagram; and Trish Lambe, CEO and Artistic Director of Photo Museum Ireland, who began her career at the museum in the 1990s and now leads its curatorial team. The article highlights Lenehan's intuitive painting process and Lambe's hands-on approach to exhibition production.
The Prairie Arts Council in Princeton, Illinois, is hosting a May exhibition featuring mixed-media artist Jennifer Eustis. The show runs weekends in May 2026, with an opening reception on May 1. Eustis, based in Peru, Illinois, works across 2D and 3D sculpture, silversmithing, and textile arts, often described as "Modern Folk." Her work reimagines historical influences like Santos Cage Dolls through contemporary techniques, including copper etching. Her pieces have been exhibited across the Midwest and East Coast and are held in private collections internationally.
The 73rd annual Greeley Park Art Show, hosted by the Nashua Area Artists Association, will take place August 29-30, 2026, at Greeley Park in Nashua, New Hampshire. The two-day outdoor juried show is open to artists 18 and older working in 2D and 3D media, with an early registration deadline of May 30. New features this year include options for one- or two-day participation, tent sharing, tent rentals, senior discounts, and expanded entertainment. Awards will be given in categories including 3D, acrylic, drawing, mixed media, oil, pastel, photography, watercolor, digital art, Best in Show, and Viewer’s Choice. The show is free and open to the public, drawing thousands of visitors from New Hampshire and Massachusetts.