Plans to extend the US-Mexico border wall through Val Verde County, Texas, threaten to damage or destroy hundreds of prehistoric rock art murals in the Lower Pecos region. Archaeologists and local landowners warn that construction vibrations could destabilize the rock surfaces housing these ancient paintings, some of which are over 5,700 years old and span up to 100 feet in length.
Fort Lauderdale is the final Florida city continuing a legal challenge against a state directive to remove painted street art, specifically its rainbow crosswalks. A hearing is scheduled for May. The directive, part of Governor Ron DeSantis's Safe Streets program, prohibits pavement art with "social, political or ideological messages" and threatens cities with the loss of transportation funding if they do not comply.
unt leaders canceled anti ice show texts
Internal communications from the University of North Texas (UNT) reveal that administrators canceled an exhibition featuring anti-ICE (Immigration and Customs Enforcement) artwork due to concerns over political backlash and potential funding threats. The text messages and emails show leadership discussing the "political sensitivity" of the work and the risk of alienating state legislators, leading to the abrupt closure of the show before its scheduled run.
Archaeologists and geologists have uncovered a Postclassic Maya settlement at the Birds of Paradise field complex in the Rio Bravo floodplain of Belize. Utilizing LiDAR mapping and 20 years of field research, the team discovered exceptionally preserved wooden architecture, stone structures, and domestic artifacts dating from 800–1500 CE. These findings reveal that Maya communities successfully migrated to wetland environments after inland urban centers were abandoned due to prolonged droughts.
The city of Austin, Texas, is set to remove a 'Black Artists Matter' street mural and a rainbow crosswalk after Governor Greg Abbott directed the Texas Department of Transportation to comply with a federal order from President Donald Trump. The July 1 directive from Transportation Secretary Sean P. Duffy requires states to eliminate political messages and artwork from roadways, citing driver and pedestrian safety. Austin Mayor Kirk Watson has identified about 16 locations that may be affected and warned that non-compliance could jeopardize $175 million in state and federal grant funding. The mural, painted in June 2020 in Austin's historically Black East side neighborhood by local artists with the Austin Justice Coalition and Capitol View Arts, was created in response to the police killing of George Floyd and the rise of the Black Lives Matter movement.
The Houston Livestock Show and Rodeo School Art Auction set new records at its 2026 event, with student artworks attracting unprecedented bids from donor groups. The grand champion piece, a painting titled 'Between Boots and Moccasins' by Pasadena Memorial High School senior Joshua Washington, sold for a record $525,000, nearly doubling the previous year's top sale. The auction, held at NRG Arena, showcases artwork selected from a statewide competition involving over 200,000 students, highlighting the program's scale and impact on young Texas artists.
Unchained.Art Contemporary Gallery in Austin, Texas, is hosting the opening reception of "you should eat a burger," a solo exhibition by local artist Erin Carle. The show uses food as both subject and symbol, drawing from Carle's background in ballet to explore the coded language and expectations surrounding women's bodies, addressing themes of self-worth, desire, shame, and control through bright colors and stylized figures.
Ruby City in San Antonio is hosting a special celebration of artist Tracey Rose, featuring an exhibition walkthrough led by director Elyse A. Gonzales. The event includes a reception with music, food, and drinks, as well as voter registration resources from MOVE Texas. The walkthrough takes place on June 6, 2026, from 2–3 PM, followed by a reception until 5 PM.
The Fort Worth African American Museum and Cultural Center will officially open on June 12 with its inaugural exhibition, "All ’N All: Artists Embracing Community," in partnership with Kinfolk House and the National Juneteenth Museum. The show features paintings, photographs, and mixed-media works by 11 North Texas artists exploring memory, culture, and the Black experience, and is part of the larger Freedom Vibes festival running June 11-20. The museum, which has been in development since 2020, secured its final funding from the Fort Worth City Council in January and purchased a 5,000-square-foot building on East Rosedale Street last summer.
The article is a photo gallery showcasing the senior art exhibition 'sonder' at the University of Texas Rio Grande Valley (UTRGV). It features the work of graduating art students, highlighting their individual projects and creative processes as part of their final academic showcase.
Artist Jessica Smith, originally from Texas, is opening her first solo exhibition in Salt Lake City titled "35 Years of Not Painting" at the Salt Lake City Public Library's Lower Urban Room Gallery from May 11 to June 21. After a high school art teacher censored her work, Smith abandoned painting for decades, turning to theater and later creating personalized picture books for her son with autism. She returned to art during the COVID-19 pandemic, painting portraits of admired figures like Mr. Rogers, Tupac Shakur, and Stevie Nicks. Smith is an enrolled member of the Cherokee Nation and has become TERO Certified, allowing her to be listed as a potential artist for tribal commissions. She credits the Urban Indian Center of Salt Lake as a key support system.
An art exhibition titled 'No Strings' has opened in Ann Arbor, inspired by the city's guaranteed income program. The show features works from local artists who explore themes of economic security, dignity, and community support, drawing directly from the experiences and principles of the universal basic income initiative.
A new exhibition titled "From Hermès to Home" at the Waco Welcome Center showcases the work of internationally acclaimed artist Kermit Oliver alongside local artists Cade Kegerreis and Vincent Thomas, who were mentored by Oliver. Oliver is the only American artist to have designed scarves for Hermès, and the show features his iconic scarf designs alongside paintings and self-portraits by all three artists, marking the first time their work has been exhibited together. The exhibition coincides with a limited-edition re-release of Oliver's scarf design "Faune et Flore du Texas" and the upcoming publication of a book about him by Texas A&M University Press.
Conroe-based artist Dirk Strangely is set to debut a new series of portraits titled "Souls of the Titanic" during a commemorative exhibition and dinner in Texas. The artworks are created using a unique process the artist calls "Artifactism," which incorporates authenticated coal recovered from the Titanic wreckage in 1994. By grinding the coal into a pigment through levigation, Strangely has produced watercolor paintings of notable figures such as Captain Edward John Smith and Molly Brown, accented with 24k gold leaf and 1912-era paper.
The Museum of the Southwest in Midland, Texas, is launching a diverse spring season featuring a blend of regional art and scientific exploration. Key highlights include the "West Texas Triangle" exhibition showcasing local talent, a specialized exhibit on space exploration at the Blakemore Planetarium, and the annual "Septemberfest" community fundraiser. The programming aims to bridge the gap between fine arts and the region's scientific interests.
The University of Texas at Austin abruptly closed an exhibition at its Visual Arts Center after a single day because it included a piece critical of U.S. Immigration and Customs Enforcement (ICE). The artwork, a neon sign reading "Fuck ICE" by artist Tammie Rubin, was part of a group show curated by the university's own art faculty. The administration cited concerns about the work's "vulgarity" and potential to distract from the university's educational mission as reasons for the closure.
The Citadelle Art Museum in Canadian, Texas, will open a contemporary figurative portrait exhibition titled 'Human Resonance: Portraits with Presence' on February 14, 2026. The show, running through June 13, features internationally known painter David Kassan's portraits of Holocaust survivors, alongside works by artists Chelsie Murfee, Annie Murphy-Robinson, Shana Levenson, Barbara Hack, Karen Offutt, and Tanja Gant.
Giant Runt, an artist-run gallery in Fort Worth, Texas, has announced an open call for a 2026 juried group exhibition. One selected artist will receive a $500 prize and a solo exhibition at the gallery in 2027. The call is open to artists of all media and locations, with the only requirement that artworks fit through a standard seven-by-three-foot door. Co-owners Cosmo Jones and Max Marshall will jury the show, which is scheduled to run from February 23 to April 11, 2026. Applications are due January 31, 2025.
Chicago-based multidisciplinary artist Yvette Mayorga, in collaboration with Austin’s nonprofit MASS Gallery, has announced an open call for artists living in the Greater Austin area to submit existing works for an exhibition titled *Lost and Found*, scheduled for January 17 through February 14, 2026, at MASS Gallery. The open call is part of the community engagement phase of Mayorga’s major public art project for the new concourse at Austin-Bergstrom International Airport (ABIA), set to open in 2030. Her project draws on her ancestral ties to the Bracero Program, exploring the emotional resonance of personal objects carried across borders and generations. The exhibition aims to give visibility to local artists while building community around themes of migration, ecology, and the flora and fauna of Texas and Mexico.
The Amarillo Art Institute’s Vermillion Gallery opened the “Mother Road — Open Air, Open Road” exhibition, a juried show featuring plein air paintings of Route 66 landmarks in Texas and New Mexico. Awards were presented at a reception, with Wendy Ahlm winning Best in Show for “Help Wanted,” Lisa Flynn earning an Honorable Mention for “Café Stop,” and Dick Wimberley receiving the People’s Choice Award for his painting of the Blue Swallow Motel. Other winners included Carolyn Lindsey (second place) and Michele Byrne (third place).
A group of about 40 artists from Easthampton, Massachusetts, have mounted a new exhibition titled “Cottage Street Studios, Past and Present” at Easthampton City Arts, nearly a year after rising rents forced many of them out of their longtime studio building at One Cottage Street. The former factory, owned by nonprofit Riverside Industries, had housed a mix of painters, potters, and woodworkers for half a century, but a management change led to rent increases that doubled some tenants’ costs, prompting roughly half of the 80 artists to leave. Fiber artist Andrea Zax organized the show as a defiant act of community reconnection, while artists like Piper Foreso and Matthew Simons described the scattering as devastating to their creative ecosystem.
The Louise Hopkins Underwood Center for the Arts (LHUCA) in Lubbock, Texas, has launched an open call for exhibition proposals for its 2026 season. Individual artists, artist groups, and curators are invited to submit proposals across all visual media, including painting, sculpture, digital art, and video. Proposals must be submitted as a single PDF by September 1, 2025, to curator Taylor Ernst, with exhibitions running for two months and opening during the First Friday Art Trail, which draws over 5,000 attendees monthly.
The Austin Central Library has issued an open call for exhibition proposals from Texas-based artists, collectives, curators, and creatives for its fall 2026 and spring 2027 seasons. Selected works will be displayed in the library’s 2,700-square-foot gallery for 12-week periods, with opportunities for artists to lead workshops or demonstrations. Applications are due by August 31, 2025, and will be reviewed by juries of local artists, curators, educators, and community leaders, with selected applicants announced in fall 2025.
The Woodlands Art Gallery & Studios in Texas hosted the opening reception for “Dreaming through the Woods,” a retirement exhibition featuring artist and gallery owner Emily P. Chiles. The show, held on May 15, 2025, marks one of Chiles's final exhibitions as she steps away from running the gallery to focus on her own artwork. The gallery will remain open by appointment until August 15, with a final group show scheduled for June 21 featuring artist Adam Hesse, alongside a pop-up exhibition by Julia Kravets.
Meow Wolf Grapevine's exhibition "The Real Unreal" has been named the 2025 Top Location-Based Experience in the world at the IAAPA Honors, held at Europa-Park in Germany. The award, from the International Association of Amusement Parks and Attractions, recognizes creativity and impact across the global attractions industry. Additionally, Meow Wolf Houston won Best Food & Beverage Building Renovation or New Build for its Cowboix Hevvven bar and grill, and took home two Webby Awards for its Radio Tave experience.
Penn State New Kensington Art Gallery will open "Eddie Adams: Vietnam" on May 8, featuring over 50 photographs by the late Pulitzer Prize-winning photojournalist. The exhibit includes his iconic "Saigon Execution" (1968) and "Boat of No Smiles" (1979), with a reception on May 28 featuring Adams' widow Alyssa Adams and former Associated Press photo editor Hal Buell. The free show runs through August 27.
Fort Worth Contemporary Arts presents 'Chasing Shadows: BFA Studio Art Thesis Exhibition' from April 17 to April 24, 2025, featuring works by Ellie Evans, Jasmine Ramirez, Lydia Welling, and Madeline Smith. The exhibition explores surreal and ethereal spaces, inviting viewers to reconsider ordinary objects through eerie and celestial perspectives.
Construction workers building the Trump administration's border wall between the US and Mexico accidentally damaged a two-hundred-foot-long Indigenous land art figure known as the Las Playas Intaglio, a colossal fish etched into the earth near Ajo, Arizona, that is thought to be over a thousand years old. Satellite imagery showed bulldozer tracks cutting a sixty-to-seventy-foot-wide path across the intaglio, and a Customs and Border Protection spokesperson confirmed the disturbance, stating the remaining portion had been secured and would be protected in place.
Paris-based Opera Gallery plans to open its first Texas location in Houston's River Oaks District, with a $7 million build-out of a 3,000-square-foot space at 4444 Westheimer, Suite A115. Construction is scheduled from early September to December 2025, and the gallery has hired Houston-based Abel Design Group as the design firm. Opera Gallery, which began in 1994 with simultaneous openings in Paris and Singapore, caters to high-wealth collectors.
The Woodlands Arts Council (TWAC) presents 'ENTWINED,' its first exhibition featuring a married couple, artist-educators Bob Mosier and Karen Fearon. The show, on view from May 12 to August 6, 2026, highlights their individual practices—Mosier's intricate thread paintings that evolve into three-dimensional fabric sculptures, and Fearon's expressive drawings, paintings, and assemblages rooted in intuitive mark-making. Both artists incorporate found and reclaimed materials, and their work explores light, form, and the yin-yang of creative process. An opening reception is scheduled for June 18, 2026.