The gallery Participant Inc. in New York presented a dual exhibition titled '[minna|منا]of u' featuring the work of artist Salma Sarriedine. The show ran from February 1 to March 22, 2026, and was curated by Ridikkuluz. The exhibition documentation consists of 25 images, with photos credited to Studio Kukla.
Un tableau du Maître de la toile de jean rejoint un musée dans le Tessin
The Pinacoteca cantonale Giovanni Züst in Rancate, Switzerland, has acquired 'Woman Begging with Two Children,' a significant work by the anonymous 17th-century artist known as the Master of the Blue Jeans. The painting was notably featured in a landmark 2010 exhibition at Galerie Canesso that helped define the identity of this Lombard artist, famous for depicting lower-class subjects wearing indigo-dyed denim-like fabric.
The Greater Rutland Central Supervisory Union recently launched its third annual student art celebration at the Vermont State University Castleton Bank Gallery. The exhibition showcases a diverse array of creative works—including paintings, charcoal drawings, pottery, and photography—produced by students ranging from pre-K through high school. The opening reception also integrated live musical performances by local students, creating a multi-disciplinary showcase of regional youth talent.
The H. F. Johnson Gallery of Art at Carthage College is hosting its first round of spring senior thesis exhibitions, featuring the work of graduating students Jake Janovicz, Mauricio Rebollar-López, and Aj Stockdale. The showcase includes a diverse range of media, from Janovicz’s photography and animation projects titled “Stop and Think” and “Distraction,” to Rebollar-López’s politically charged multi-media installation “Oh American the Great,” and Stockdale’s interactive digital and found-object assembly titled “Trepidation.”
The Ranger Station Art Gallery in Harrison Hot Springs has launched "Zodiac Crossroads," a solo exhibition by artist Johnny Tai. The collection features tactile 2-D aluminum etchings that blend Chinese and Western astrological symbols, specifically designed to be experienced through touch. Tai, who is blind and partially deaf, created the works to bridge the gap between traditional visual art and sensory accessibility.
The Grand Palais in Paris has announced a major monographic exhibition dedicated to the Swedish pioneer Hilma af Klint, running from May 6 to August 30, 2026. This comprehensive retrospective aims to showcase the artist's visionary abstract works, which predated the recognized beginnings of the abstract movement by several years.
Atelier Joliet Art Gallery in downtown Joliet is set to host a dual artist opening on April 25 featuring the works of Jeffrey Equality Brooks and Joseph Mayernik. The exhibition showcases the distinct styles of these two nationally and internationally recognized artists, who will both be in attendance for the public event. The collection is currently installed and available for viewing during the gallery's standard weekend hours.
The group exhibition "Virgin Islands Contemporary" is set to open at Salt of the Earth Tattoo in St. Thomas, featuring the work of ten local artists. Curated by Lucien Downes, the show highlights a diverse range of visual mediums that move beyond traditional Caribbean iconography like seascapes and historical narratives. The participating artists, including Brenda L. Cotto and Jon Euwema, explore themes of cultural evolution and identity through experimental materials and modern techniques.
Munson is hosting two juried exhibitions at the Pratt Munson College of Art and Design to showcase the work of its first-year and sophomore students. The First-Year Exhibition, running from April 10 to May 6, highlights foundational skills and interdisciplinary research, while the Sophomore Exhibition, held from April 17 to May 16, features more specialized work across various media. A public reception for both shows is scheduled for April 25 in the Museum’s Root Court.
Boholano mixed-media artist Joseph “Jjawzip” Ingking has launched his debut physical solo exhibition, “April’s Fool,” at Dajon Art Studio & Gallery in Baclayon, Bohol. The showcase features a series of paired paintings and toy sculptures that explore the recurring character "Energy Kid," a figure shaped by the artist’s personal history. Utilizing vibrant colors and recycled materials, the works—such as “Fragile Freedom” and “Radiance Reimagined”—blend fantasy with social commentary on themes ranging from the fragility of peace to the vitality of creative discovery.
The Wynter Gallery in Lambertville, New Jersey, is debuting "Parted Light," a solo exhibition by Detroit-based photographer Tejasvir. The collection features photographs taken in Pakistan that explore the memory, legacy, and cultural identity of a once-unified Punjab. The exhibition opens on April 10, followed by an intimate artist talk on April 12 where Tejasvir will discuss his personal journey and the existential themes behind the work.
The St. John Armenian Church in Metro Detroit is hosting a comprehensive retrospective of the artistic career of Fr. Garabed Kochakian. The exhibition, which spans his decades-long journey as both a priest and an artist, features his work in sacred art, iconography, and architectural design, including his contributions to the bronze doors of St. Vartan Cathedral in Manhattan. Originally scheduled for a shorter run, the show's popularity has led to an extension through April 24 to coincide with Martyrs’ Day commemorations.
The Art Bridge Gallery in Yangon is hosting a group exhibition titled 'The Beginning,' which showcases the work of multiple contemporary artists. A standout feature of the event is the inclusion of live painting sessions, allowing visitors to witness the creative process firsthand as artists develop new works within the gallery space.
Mexican artist Elina Chauvet has accused Romanian news anchor Alessandra Stoicescu of plagiarizing her famous installation, "Zapatos Rojos" (Red Shoes). The dispute arose after Stoicescu organized a public intervention titled "Dragostea poartă pantofii roșii" outside the Romanian Athenaeum to mark new femicide legislation, featuring hundreds of red shoes in a manner nearly identical to Chauvet’s long-running global project. Chauvet claims this is the second time Stoicescu has co-opted her work without authorization or credit, following a similar incident in 2018.
Artist Auudi Dorsey's recent exhibition, 'What's Left, Never Left,' at the Jonathan Carver Moore gallery in San Francisco, focuses on Black leisure and collective joy through paintings of Lincoln Beach in New Orleans. The works, which depict Black families and community members, use a surrealist visual vernacular to archive and celebrate Southern Black experiences and the building of self-esteem.
The gallery Taon in Ivry-sur-Seine, France, is presenting a two-person exhibition featuring the works of artists Bruno Pélassy and Perla Zuñiga. The show runs from March 6 to April 14, 2026, and is documented with installation photography.
Lawrence Leaman at Roland Ross
Lawrence Leaman has opened a solo exhibition of new photoprints at the Roland Ross gallery in Kent. The show, which runs from February 21 through March 29, 2026, is comprehensively documented with fourteen installation photographs, providing a detailed visual record of the presentation.
Artist David Morrison has released a new series of hyperrealistic botanical drawings, created with colored pencil. The works, including pieces titled "Botanical Series No.4 Drawing" and "Iceland Poppy," focus on flowers, seeds, and plants, capturing intricate textures and organic forms with delicate lines and smooth gradients that create a soft, luminous effect.
Photographer Camille Lemoine presents a series titled 'Down Tower Road,' capturing the intimate landscapes and rhythms of rural life in Baldernock, Scotland. The work focuses on the atmospheric moorland, rolling fields, and the relationship between the female body and the natural environment, aiming to evoke a sense of deep connection and aliveness.
Artist Hu Yuehua presented a large-scale textile installation titled "Weaving Nature" at the 13th edition of Design Shanghai. The work is a dense, wall-like garden composed of stitched and dyed cotton and linen elements in indigo and ochre, forming leaves, blooms, and growths that highlight the artist's hand through loose threads, raw edges, and pleats.
Artist Henry Wood has created a series of wooden figures depicting doomed explorers on Mars, titled 'We went to Mars and it was a disaster.' Each lanky, meticulously carved figure represents a colonist with a specific tragic history, such as being stranded or buried, imagining a future archaeological dig on the terraformed planet. The work reflects on humanity's ambitious but potentially flawed drive to colonize other worlds, using the medium of wood and ancient relic aesthetics to critique grand narratives of exploration and progress. Wood's process, influenced by travel and traditional techniques, transforms speculative science fiction into tangible artifacts that question the costs of expansion and the stories we tell about our future.
Photographer Thomas Jackson creates striking images featuring multi-colored fabric installations billowing in natural landscapes. His work, which appears digitally manipulated but is captured in-camera with minimal post-production, explores the tension between nature and artificiality.
The working collective Atelier dell’Errore has opened a new exhibition titled "PINKING UP" at the Ar/Ge Kunst art gallery in Bolzano, Italy. The show features a collaborative project by a large group of artists, each identified by a pseudonym, presenting a unified artistic statement.
Artist Bat-Ami Rivlin has opened a new site-specific installation titled 'Untitled (radiators, zip ties)' at Management gallery in New York. The work features an assembly of locally sourced radiators bound by zip ties, presented in a sparse arrangement that transforms the gallery space.
Laisul Hoque, winner of the 2025 East London Art Prize, has opened a solo exhibition titled 'The Ground Beneath Me' at the Nunnery Gallery, Bow Arts in London. The show features a new installation, film, and works on paper.
The Address gallery in Brescia is presenting the group exhibition "Tales from Fractured Minds," which explores the psychological concept of dissociation through the work of contemporary artists. The show examines how artists translate this complex mental state, characterized by a separation from reality across memory, identity, and perception, into visual form.
The Colors Festival has returned to Paris with a new immersive exhibition titled "Colors Light," located in the 15th arrondissement. Running from April 16 to July 26, 2026, the show features over 35 artists who have transformed a 700-square-meter building into a sensory playground using blacklight, fluorescence, and phosphorescence. The works are designed to shift and reveal hidden compositions as visitors move through the darkened space, marking a technical evolution for the festival toward light-based urban art.
DA2 Domus Artium in Salamanca has opened the first Spanish retrospective of Gabriela Bettini, titled "Cierta tarde, la más bella de las tardes de mi vida." The exhibition surveys the Spanish-Argentine artist's career, centering on themes of memory, exile, and the trauma of the Argentine military dictatorship. A focal point is the work "Memoria del agua," inspired by an unfinished poem found in a book belonging to her grandfather, who was disappeared during the regime.
A Milano si organizza un pranzo collettivo per discutere dei problemi del settore culturale. Ecco come partecipare
The nomadic assembly "OMTU – Organized Meals for Times of Uprising" is heading to Milan on April 19, 2026, coinciding with the miart art fair. Organized by a coalition of independent spaces including terzospazio, Osservatorio Futura, Parsec, and Arts of the Working Class, the event features a collective lunch followed by a public discussion at the Baséll space. The gathering aims to address the systemic precariousness of the cultural sector, focusing specifically on the scarcity of affordable social and cultural spaces in Milan.
Sottrarsi al lavoro troppo intenso. Si parla di ‘quite quitting’ in una mostra a Milano
Artist Niccolò de Napoli explores the phenomenon of "quiet quitting" in his solo exhibition, "I’m here, but not entirely yours," hosted at Studio Lombard DCA in Milan. The exhibition, produced by PROGETTO LUDOVICO, utilizes the unconventional setting of a strategic consultancy firm to showcase works that critique modern labor expectations. Key pieces include a blue neon sign mimicking corporate aesthetics, a sound installation referencing the 1983 film "Vieni avanti cretino," and monochromatic cases made of switchable glass that obscures itself as viewers approach, symbolizing the withdrawal of the self from the workplace.