New Zealand artist Peter Stichbury presents 'Grand Guignol', a solo exhibition at Lett Thomas gallery on Karangahape Road in Auckland. The show takes its name from the Parisian theatre known for its graphic horror performances, suggesting Stichbury's paintings explore themes of the grotesque and macabre.
Ten artists serving life sentences at SCI-Phoenix, a Pennsylvania state prison, have their work on display at Morton Contemporary Art Gallery in Philadelphia in an exhibition titled "The Weight of Time." The show is co-curated by artist Keith Andrews, who has been incarcerated for nearly 30 years, and gallerist Debbie Morton. Andrews' painting "Defiant Mercy" explores themes of time, isolation, and confinement, reflecting his own experience. The exhibition includes nearly 50 works by ten artists, each accompanied by biographies detailing their lives inside and outside the carceral system.
The article announces a series of May art exhibitions across multiple galleries in Key West, Florida. The Studios of Key West opens four solo shows: Tim Marshall Curtis's "Giants Among Us" featuring towering sculptures, Carole Faye's "Reverence/Irrelevance" with works made from scavenged materials, Andree B. Carter's "Roots of a City" textile paintings, and Wayne Garcia's "Once There Was a Railroad" hand-carved reliefs. Other venues include the Key West Collective featuring Steve Bikis and Brad Gruss, Harrison Gallery showcasing Santa Fe artist Melinda K. Hall, Gallery on Greene honoring Peter Vey, and Shade and Shutter Gallery highlighting Mark Klammer's pottery.
Studio SALES in Rome presents "Concetto Pozzati. 50 years later," an exhibition revisiting the artist's 1976 retrospective at the Palazzo delle Esposizioni. Organized in collaboration with the Archivio Concetto Pozzati, the show focuses on Pozzati's experimental work from the 1970s, featuring four large canvases from the original exhibition alongside works on paper displayed using plexiglass. The pieces, some unseen since 1976, explore mixed techniques like spray painting and screen-printing, highlighting a period when Pozzati moved away from his signature style.
Easton's downtown art scene came alive during the May First Friday event, with multiple galleries opening their doors to the public. At the Zach Gallery inside the Prager Family Center for the Arts, a new exhibition of paintings by Paton Miller was curated by interior designer Jeffrey Parker. The TRA Gallery, run by the Talbot Arts Council, featured a photography show by Steve Waltrich, Mike Miller, and Maire McCardle. Troika Gallery, Easton's original fine art gallery, also participated, with artist Deborah Elville showing her work. Looking ahead, Zach Gallery announced a June 4 solo exhibition by Rhode Island artist Breath Day Wyndham titled "Gathering the Chesapeake," featuring cyanotypes created from flora and fauna collected from the Chesapeake Bay region.
Farm Projects in Hudson, New York, will host two concurrent exhibitions from May 2 through 18, 2026: "Susan Carr: Little Happiness" and "Nancy Berlin: Considering Change." Carr's exhibition features colorful wooden sculptures that treat color as structure, while Berlin's show explores climate change and shifting knowledge through layered paintings and works from her series "Flight Patterns" and "Constant Revisions." An opening reception is scheduled for May 9.
New Mexico State University's University Art Museum will host its annual BFA and MFA thesis exhibitions, opening May 1. The MFA exhibition, 'Where We Ended Up,' features interdisciplinary artists Arch Jones and Ezekiel Martey, while the BFA show, 'Raw Perception,' showcases works by nine graduating students across diverse media including painting, sculpture, photography, and ceramics.
Photographic artist Clara Chiu is presenting her debut solo exhibition, 'Water's Awakening,' at Gallery Lane Cove. The show, curated by Miguel Olmo, features abstract photographic works focused on water, exploring its fleeting forms and movement to question perception and offer contemplative sanctuary. The exhibition runs from May 13 to June 6, 2026.
Ngununggula, the Southern Highlands regional art gallery, has opened a major all-women exhibition titled 'Old Days, New Days | Arlta-imankinya, Arlta-errama.' The show features works from artists associated with Tangentyere Artists and Yarrenyty Arltere Artists, alongside celebrated artist Thea Anamara Perkins. It includes paintings, sculptures, video, textiles, and works on paper, exploring the role of women in family and community life across generations, and will be on view until June 14.
The National Gallery of Australia has officially opened 'Ngura Puḻka — Epic Country,' a landmark exhibition featuring 30 large-scale paintings by 49 First Nations artists from the APY Lands. The show, which features works predominantly measuring three-by-three meters, highlights the Tjukurpa (lore and ceremony) of the Aṉangu Pitjantjatjara Yankunytjatjara regions. The opening follows a significant three-year delay caused by an independent investigation into allegations of improper interference by non-Indigenous staff.
The Vancouver Art Gallery is opening a major exhibition titled 'That Green Ideal: Emily Carr and the Idea of Nature' on February 6. This is the most comprehensive show of Carr's work in over two decades, focusing on her evolving vision of nature and drawing primarily from the gallery's own collection of her paintings.
The Rugby Open 25 exhibition has opened at Rugby Art Gallery and Museum, showcasing works from contemporary artists across the Midlands. A panel of judges, including Arts Council Collection director Alona Pardo and Art Riot Collective creative director Kyla Craig, selected the pieces. Paul Anthony Goalby won the overall prize of £1,000 for his painting 'The Placeholder,' plus £500 for a solo exhibition, while Dexter Rudkin won the Youth Open for 'Boo!' Other award winners include Ella Black, Victoria Wyton-Mills, Jo McChesney, Carmen Tilley, Jane Tilley, James Tallon, Katherine Taylor, Sandra Jenkins, and Hannah Venkatasamy. The exhibition also features a supporting show, '25 for 25,' celebrating the venue's 25th anniversary.
Students from Aldine ISD's Impact Leadership Academy will debut their collaborative artwork in the Shared Grounds exhibition, hosted by the Contemporary Arts Museum Houston (CAMH). The opening takes place on November 18, 2025, at the University of Houston's 3rd Space Art Gallery, featuring large-scale paintings created under the guidance of teaching artist Carlos Mendoza and art teacher Toby McCraw. The works explore themes of place, memory, and the future.
The Vera Gallery is set to open in Georgetown Town Square in April 2025, replacing the long-standing Georgetown Antique Mall which closed in January after over three decades. Owner Gregory Sharp announced the gallery will feature thousands of original artworks by American artist Vera Neumann (1942-1993), along with modern, contemporary, and local art, custom framing services, boutique items, archived Neumann scarves, and new hand-rolled silk scarves. The space will also host art-focused events like live painting. Sharp co-owns the gallery with Christina Sharp.
A Nazi-looted painting, *Portrait of a Young Girl* by Dutch artist Toon Kelder, has been discovered in the home of descendants of Hendrik Seyffardt, a Dutch SS collaborator who aided the Nazis during World War II. The work, stolen from the renowned Goudstikker collection, was allegedly displayed for decades by Seyffardt's family. An anonymous descendant contacted art detective Arthur Brand after learning of his family's past and seeing the painting in the hallway of Seyffardt's granddaughter. The family member told Dutch newspaper *De Telegraaf* that he feels "deep shame" and insists the painting must be returned to the Jewish rightful heirs.
Ray Burgoyne, a self-taught painter, carpenter, and musician, has died at the age of 80. After a career as a carpenter and set builder, he began exhibiting his paintings in the late 1980s and spent the next three decades organizing numerous exhibitions along the Essex and Suffolk coastline. His work, characterized by thick oil paint, abstract forms, and deep colors, drew on carnivalesque characters and forgotten landscapes. He also played drums in the 1960s mod band the Flowerpots, which opened for the Animals and the Who.
On June 7, Manila-based Léon Gallery Art and Antiquities held its Spectacular Mid-Year Auction, kicking off the gallery's 15th-anniversary celebrations. The sale featured modern and contemporary works by leading Filipino artists, including Fernando Zóbel, Juan Luna, and Vicente Manansala. A standout lot was Anita Magsaysay-Ho's *Water Carriers / Taga-igib* (1947), an egg tempera work that sold for over PHP 60 million (about $1.08 million). Another key highlight was Fernando Amorsolo's *The Burning of Manila* (1942), which set a record for the artist's wartime paintings at PHP 36.04 million ($645,460). The painting, from the collection of Don Enrique “EZ” Zóbel, had been on loan to the National Museum of Fine Arts, Manila, for about a decade before auction.
Kye Christensen-Knowles, a 32-year-old figurative painter based in New York, is featured in Cultured's 2025 Young Artists list. A recent solo exhibition at Lomex in New York showcased his range, from unnerving contemporary society portraits to epic science-fiction scenes. His work is also on view in a group show at the Warehouse, a private museum in Dallas. In an interview, he discusses his readymade work "Painting" (2019–23), a studio rug covered in accumulated paint, and cites influences such as Vito Acconci and Louise Bourgeois.
CULTURED magazine interviews David Salle at his East Hampton home, discussing his new "Windows" series of paintings debuting at Seoul's Storage by Hyundai Card space as part of the exhibition "David Salle: Under One Roof." The Neo-Expressionist artist explains how the series evolved from an idea for a digital game, placing characters from his "Tree of Life" paintings into apartment windows against backgrounds drawn from details of his own past works spanning 40 years. Salle also reflects on his long history with the Hamptons, first visiting in 1976 through his connection to CalArts dean Paul Brach, and the area's deep ties to Abstract Expressionist history.
John Gachot, a Manhattan-based designer, has transformed a shed on his Shelter Island property into a studio where he can finally pursue drawing and painting after decades of relegating his practice to notebooks and bar napkins. The space also houses sculptures by his late father, Richard Gachot, an artist who worked out of an ice house on the family's Long Island estate and created animated, politically charged works. The article, structured as an interview, explores how the shed became a creative sanctuary for John and a continuation of his father's artistic legacy.
The article provides a comprehensive listing of art galleries and events in Oregon's Rogue Valley for the month of May. It highlights recurring monthly art walks in Jacksonville and Phoenix, and details exhibitions at ten local galleries including American Trails, Art & Soul Ashland, Art du Jour Gallery, Art on First, Art Presence Art Center, Ashland Art Works, and Collier Gallery. Featured artists include David Mensing, Kelly Anderson, Corbin Brashear, Nancy Darte, Elizabeth Ellingson, John Weston, and Dave Leibowitz, with a variety of media from painting and sculpture to photography and jewelry.
This article announces the first comprehensive U.S. exhibition on Raphael, titled "Raphael: Sublime Poetry," which offers an immersive look at the artist's meteoric career through drawings, paintings, prints, and tapestries. It traces Raphael's journey from his birth in Urbino in 1483, through his training under his poet-painter father Giovanni Santi and later Pietro Perugino, to his rise as a peer to Leonardo and Michelangelo in Florence and his final decade as the favorite artist of the popes in Rome, where he was celebrated as the "prince of painters."
The Milwaukee Art Museum is hosting "Gertrude Abercrombie: The Whole World is a Mystery," a nationally touring retrospective featuring 83 paintings by the surrealist artist. The exhibition, which runs through July 19, is the only stop in the Midwest for the tour and includes works such as "Witches Switches" and "Inheritance," alongside wearable art from the 1950s. The gallery is designed as a maze to reflect Abercrombie's complex mind, and the museum is offering related events like Kohl's Family Sunday and MAM After Dark.
The Portland Art Museum is hosting the first major museum retrospective of Yoshida Chizuko (1924–2017), a pioneering Japanese modernist painter and printmaker. The exhibition features over 100 works, including early oil paintings, monotypes, woodblock prints, lithographs, and mixed media pieces, many never before exhibited. It traces her career from avant-garde abstraction in the 1940s and 1950s through op art and photoetchings in the 1960s and 1970s to nature-inspired late works, and includes a planned major acquisition from the Yoshida family estate.
Oshorenoya David Francis presents a solo exhibition titled *In Solitude, Fantasies & Becoming* at 1853 Studios in Manchester, running from 15 to 17 May 2026. Co-curated by Obi Nwaegbe and Natasha Virli, the show features new acrylic paintings on canvas and paper that explore themes of solitude, identity, and emotional transformation through expressive figurative compositions. Key works include *Hug*, *Thoughts in Blue*, *Chapters in Atomic Habits*, and *Thy Wish*, each employing bold color, intimate perspectives, and narrative ambiguity to evoke psychological depth.
The Langen Foundation in Neuss, outside Düsseldorf, is hosting a rare public exhibition of the Ringier Collection, featuring 500 works from artists including Cindy Sherman, Barbara Kruger, Richard Prince, John Baldessari, and Sylvie Fleury. Titled 'Drawing, Painting, Sculpture, Photography, Film, Video, Sound', the show was curated by Beatrix Ruf and artist Wade Guyton, and spans sketches to large-scale oils and photographic works from the 1960s to the present. The collection is owned by Swiss publishing mogul Michael Ringier, who began collecting 30 years ago and now holds 5,000 works.
Fare arte tra luce e buio. Succede in una mostra in Veneto ad Arzignano
The group exhibition "L’ombra delle lucciole" (The Shadow of the Fireflies) is on view at the Atipografia gallery in Arzignano, Veneto. Curated by Alfonso Cariolato and Luigi de Marzi, it features works by Mats Bergquist, Marco Tirelli, Silvia Inselvini, and Loes van Roozendaal, all exploring the tension and coexistence between light and darkness through diverse painting techniques.
Japanese artist Yuka Kashihara presents her new exhibition “Stardust” at Acquavella Galleries in Palm Beach, running through December 8. The show was inspired by a scuba diving experience in Okinawa where she saw bubbles rising like stars, and by the book *The Magic Furnace* by Marcus Chown, which explores the cosmic origins of matter. Her paintings, such as *Bubble Star* (2025), blend abstract landscapes with microscopic imagery, reflecting on the interconnectedness of all things.
Sanya Kantarovsky, a Russian-born, Upstate New York-based artist known for his haunting, darkly humorous figurative paintings, discusses his studio practice in an interview with CULTURED. He works across painting, video, animation, and sculpture, and at Frieze London, the British gallery Modern Art will present 15 new stoneware sculptures by Kantarovsky, which showcase his dedication to the art and science of painting through glazes incorporating copper carbonate, cobalt oxide, and manganese dioxide.
Los Angeles-based artist Austyn Weiner presents her latest exhibition, “Half Way Home,” at Lévy Gorvy Dayan in Manhattan, on view through June 21. The show features large-scale floral paintings inspired by her surroundings in Frogtown, the LA River, and personal experiences of marriage and loss. Weiner collected flowers at various stages of life and decay in New York to create a bouquet displayed at the gallery entrance, reflecting her fascination with the life cycle of blooms. The exhibition draws early inspiration from Monet’s “Water Lilies” at the Musée de l’Orangerie, but Weiner’s distorted color fields and emotional depth mark a distinct departure.