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UNT Gives No Reason for Sudden Closure of Victor Quiñonez Show

The University of North Texas abruptly cancelled the solo exhibition "Ni de Aqui, Ni de Allá" by artist Victor Quiñonez in its College of Visual Art & Design Gallery just nine days after its opening. The university covered the gallery windows with brown paper, removed all promotional material from its website and social media, and informed the artist via a misspelled email that it had terminated its loan agreement with Boston University Art Galleries, which originated the show. The artist was not notified in advance and learned of the closure from students.

Philadelphia Museum of Art Names Katherine Anne Paul as the Newly Appointed Stella Kramrisch Curator of Indian and Himalayan Art

The Philadelphia Museum of Art has appointed Katherine Anne Paul as the Stella Kramrisch Curator of Indian and Himalayan Art, a role named after the pioneering scholar and curator. Paul previously served as Assistant and Associate Curator of Indian and Himalayan Art at the PMA from 2002 to 2008, and most recently held the Virginia and William M. Spencer III Curator of Asian Art position at the Birmingham Museum of Art, where she also served as Lead Curator. She holds a PhD from the University of Wisconsin–Madison and has curated notable exhibitions including "Silver & Ceremony from Southern Asia 1830–1930" and "Expanding Darshan: Manjari Sharma, To See and Be Seen."

Opening Gala for DIVA

The Denver Art Museum is hosting the opening gala for "DIVA," a touring exhibition originally created by the Victoria and Albert Museum (V&A) in London. The event is supported by premier sponsors Joy and Chris Dinsdale, with additional funding from several prominent donors and organizations including U.S. Bank and the Scientific and Cultural Facilities District (SCFD).

Art Museum Announces Spring 2026 Exhibitions

The Syracuse University Art Museum has announced three new exhibitions for spring 2026: “Possible Worlds: 20 Years of the Wynn Newhouse Awards,” “Afterimages: Legacies of the Thirteenth Amendment,” and “Undressed: The Nude in Dutch Art, circa 1550-1800.” These shows will join the permanent collection exhibition “Human/Environment: 4,000 Years of Art” and an Art Wall Project by artist Bhen Alan. The exhibitions explore themes of disability, race, and the human body, with curator talks and programming scheduled throughout the semester.

Routed West: Twentieth-Century African American Quilts in California

The exhibition 'Routed West: Twentieth-Century African American Quilts in California' will run from September 18, 2026, to January 17, 2027, at BAMPFA. It traces the flow and flourishing of quilts during the Second Great Migration (1940–1970), when approximately five million African Americans moved from the rural South to the North and West, with hundreds of thousands arriving in California carrying quilts as containers of ancestral memory and cultural survival. The show features more than 80 artworks organized across several themes, highlighting repurposed work clothes, improvisational piecing, and pattern-based quilting by migrants from Arkansas, Louisiana, Mississippi, Oklahoma, and Texas. Works by contemporary artists show how these traditions remain alive today.

Remembering the fight for equality: Tuskegee Airmen project enters next chapter at Cleveland History Center

The Cleveland History Center has opened a new exhibition honoring local Tuskegee Airmen, featuring hand-drawn portraits by students from the Cleveland School of the Arts. The exhibition, part of the Cleveland Heroes Project, is displayed at the Crawford Auto-Aviation Museum and runs through April 30. It highlights airmen with Northeast Ohio roots, including 2nd Lt. Gilbert Cargill, Capt. Erwin Bernard Lawrence Jr., and Cpl. Howard Arthur Tibbs.

Louvre closes again due to staff strikes

Staff at the Louvre museum in Paris staged another strike on Monday, January 19, the ninth such action in a month, forcing the museum to close completely for the third time since mid-December. The strike, voted unanimously by 350 employees, concerns pay, working conditions, and infrastructure, with unions demanding salary alignment with other national museums and monuments, and calling for the €666m new entrance project to be dropped in favor of basic maintenance. The closure costs the museum about €400,000 per day, and negotiations with France's culture ministry are scheduled for January 29.

Buena Vista Artist Family Prominently Featured in Denver-Area Art Exhibition

Buena Vista area artists Bob Gray and his daughter Jamie Gray have been selected for the upcoming exhibition "Family Ties: Continuing the Creative Legacy" at the Arvada Center Galleries in metro Denver, running from January 15 to March 26, 2026. They are one of two local families featured, alongside the Strawn family (Ben, Daniel, and their late parents Bernice and Mel). The show includes twenty creative families, highlighting how artistic identity is shaped within family contexts. Both Grays work with wood: Bob creates turned-aspen vessels inspired by local landscapes, while Jamie produces abstract wall sculptures using beeswax, pigment, and hand-carved lines.

Smithsonian’s National Museum of Asian Art returns three sculptures to Cambodia

The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has voluntarily returned three sculptures to the Cambodian government after an internal provenance investigation determined the objects were likely removed from Cambodia during the country’s civil war (1967-75). The returned artifacts include a tenth-century sandstone head of Harihara, a tenth-century sandstone sculpture of the goddess Uma, and a bronze statue of Prajnaparamita from around 1200. The museum’s director, Chase F. Robinson, stated that strong evidence linked the pieces to problematic dealers and a context of war and violence, and that no documentation supported their lawful export. The objects were donated to the NMAA by Arthur M. Sackler and Gilbert and Ann Kinney without proper provenance papers.

Barbican announces In Other Worlds, the first UK solo exhibition by Liam Young

The Barbican has announced In Other Worlds, the first UK solo exhibition by artist, director and BAFTA-nominated producer Liam Young, set to open from 21 May to 6 September 2026. The immersive exhibition will feature films, costumes, miniature models, comics and sound-led environments exploring speculative futures shaped by climate change and emerging technologies. A new commission, World Machine (2026), will serve as the centrepiece, imagining a planetary-scale AI system where nature and computation coexist. Other works include Planet City (2021), The Great Endeavour (2023), and After the End (2024), co-authored with Aboriginal actor Natasha Wanganeen.

Art Galleries Emanate a Warm Glow in Winter

Winter on Cape Cod presents a challenge for local artists and galleries, as off-season landscapes often go unsold. However, several gallery owners are embracing the season with experimental programming: Liz Carney of Four Eleven Gallery in Provincetown is hosting a group show titled "Long Blue Shadow" and planning artist residencies and a "Knitney Biennial." Gary Marotta Fine Art and Schoolhouse Gallery remain open on weekends, while Susie Nielsen's Farm Projects in Wellfleet features a group exhibition of works on paper. These gallerists find that winter visitors are more engaged, fostering richer conversations and a stronger sense of community.

Barbican Immersive announces 2026 exhibition from Liam Young

Barbican Immersive, the touring exhibition arm of London's Barbican Centre, has announced its 2026 exhibition "In Other Worlds," the first UK solo show by artist, director and BAFTA-nominated producer Liam Young. The exhibition will debut at the Barbican Centre from 21 May to 6 September 2026 as part of the Barbican's Summer season, before touring internationally. It features films, costumes, props, miniature models, comics, tapestries, and soundscapes that imagine hopeful futures amid environmental and technological challenges. Highlights include the world premiere of Young's film "World Machine" (2026), which envisions an AI-powered planetary supercomputer, alongside earlier works such as "Planet City" (2021), "The Great Endeavour" (2023), and "After the End" (2024).

Louvre closes gallery ‘until further notice’ citing structural problems

The Musée du Louvre in Paris has closed its Campana Gallery, which houses nine rooms of ancient Greek ceramics, after a technical report revealed structural weaknesses in beams supporting the second floor of the Sully Wing. The gallery will remain closed 'until further notice' as a precaution, and 65 staff members will be relocated, though the artworks will not be moved. The closure comes amid the Louvre's ambitious New Renaissance renovation project, announced by French President Emmanuel Macron, which includes a new visitor entrance under the Perrault Colonnade by 2031 and is now valued at €1.15bn.

INTERSTATE art exhibition set to open this week

Central Washington University's Sara Spurgeon Gallery is hosting a national juried exhibition titled “INTERSTATE: Where I-90 meets I-82,” opening November 6 in Ellensburg. Juror Alexis L. Silvia, Curatorial Assistant at the Frye Art Museum in Seattle, selected works by 46 artists from across the United States, including Brandin Barón, Neil Berkowitz, Shivani Bhalla, and others. The exhibition runs through December 6, with an opening reception from 5 to 7 p.m. following a 4 p.m. presentation.

Heritage experts call for international task force to plan Palmyra rebuild

Heritage experts, antiquities officials, and Syrian community members convened at a conference organized by the University of Lausanne and the Aliph foundation in Switzerland, marking the first comprehensive international meeting on Palmyra since the fall of Bashar Al Assad's regime in 2024. The group issued recommendations including the creation of an international expert task force to work toward removing Palmyra from the UNESCO List of World Heritage in Danger, and outlined three key priorities: rehabilitating the looted and damaged Palmyra museum, restoring artefacts currently held at the Damascus Museum, and repairing the foot bridge to the site. Aliph executive director Valery Freland aims to begin work in January 2026.

In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

“Young Lords in Chicago” Reminds Us, the Struggle for Social Justice Only Ends if We Concede

The DePaul Art Museum is presenting "Tengo Lincoln Park en mi corazón: Young Lords in Chicago," an exhibition that chronicles the history of the Young Lords Organization (YLO), a Puerto Rican street gang turned socio-political movement founded by José "Cha Cha" Jiménez. Through artifacts like Jiménez's purple beret, newly-commissioned murals by Sam Kirk, and a range of ephemera, the show traces the YLO's fight against displacement and for social justice in Chicago's Lincoln Park neighborhood, linking past struggles to present-day activism.

The Chateau Show offers a stylish exhibition full of surprises for artistic insiders

Each October, the Chateau Show takes over the historic Aldredge House on Swiss Avenue in Dallas, a Gilded Age home built in 1915-17. Founded by artists Joel Murray and Clint Bargers, the four-year-old exhibition invites a select crowd of curators, museum directors, and art world insiders to view envelope-pushing works by emerging, mid-career, and established artists. This year’s edition features 21 participants, including Alicia Eggert, Luke Harnden, Virginia L. Montgomery, and Arthur Peña, with installations ranging from site-specific pieces to more commercial works. The show is free and open by appointment from Oct. 19-25.

Putting young galleries at the front: Frieze London’s bold strategy holds

Frieze London's 22nd edition in October 2025 will retain a bold floor plan debuted in 2024 that places emerging galleries near the main entrance, pushing blue-chip heavyweights like Gagosian and David Zwirner further inside. Fair director Eva Langret confirms the layout is permanent, citing overwhelmingly positive feedback and renewed energy. The Focus section for galleries under 12 years old gets a boost, with a rotating system ensuring fresh stands near the entrance each year. A new curated section, Echoes in the Present, explores artistic links between West Africa, Brazil, and their diasporas. Meanwhile, Frieze Masters, dedicated to pre-20th-century art, will be run by new director Emanuela Tarizzo.

Piecing together ancient Andean stories at Krannert Art Museum

Krannert Art Museum has reopened its reimagined exhibition 'Fragmented Histories: Andean Art before 1600' after a year-long closure, following nearly a decade of collaborative research. Co-curators Allyson Purpura and Kasia Szremski worked with pre-contact Andean art historians and Peruvian archaeologists to restore context to looted artifacts from the Fred Olsen Collection, donated in 1967. The exhibition is organized into four themes—Unfinished Stories, The Mobile Life of Objects, Powerful Images, and Object Biographies—and includes digital displays that acknowledge the violent histories of looting and aim to share knowledge with descendant communities in Peru.

Figge Art Museum marks 100 years with new exhibition

The Figge Art Museum in Davenport, Iowa, is celebrating its 100th anniversary with a new exhibition titled "100 Years of Collecting," opening September 13 and running through January 11, 2026. The show highlights major gifts and donations that have shaped the museum's collection, including American, Haitian, Spanish Colonial, and contemporary works, tracing back to founder Charles August Ficke's initial 334-piece donation in 1925.

Sara Stern '17 Opens Latest Solo Exhibition, 'STALL,' at Turley Gallery

Sara Stern, a 2017 alumna of the Visual and Environmental Studies program at Harvard, has opened her fifth solo exhibition, 'STALL,' at Turley Gallery in Hudson, New York. The installation transforms the gallery's interstitial space, The Light Well, into a horse stall featuring a toy theater that plays a video of horseshoe crabs spawning. The exhibition runs from July 19 to September 7, 2025, and includes elements such as straw, a velvet curtain, and an adorned horseshoe crab shell, creating a mise en abyme effect.

Museums Are Under Fire. Silence Isn’t an Option

James Steward, director of the Princeton University Art Museum, argues that museums are under coordinated attack in a polarized political climate. He cites threats including scrutiny of the Smithsonian Institution for its narratives, pressure on directors who uphold diversity and inclusion principles, and immigration agents targeting museums serving communities of color. Steward calls on museum leaders to resist the impulse to remain silent and instead double down on their role as spaces for dialogue, debate, and the holding of contradictory ideas.

US museums urged to stop lobbying against Nazi loot restitution bill

US museums, including the Metropolitan Museum of Art, are lobbying against a bipartisan bill that would strengthen the ability of Holocaust survivors and their families to reclaim Nazi-looted art. The Association of Art Museum Directors (AAMD) paid $8,000 to oppose the bill, which eliminates technical legal defenses such as statutes of limitation and laches that museums have used to dismiss claims. New York Mayor Eric Adams and the World Jewish Restitution Organisation have publicly urged museums to drop their opposition, arguing that the stance contradicts the values of justice and accountability.

Tens of thousands sign petition to stop loan of ‘extremely fragile’ Bayeux Tapestry to UK

Nearly 50,000 people have signed a petition to block the loan of the Bayeux Tapestry to the British Museum, citing warnings from textile restorers that moving the 1,000-year-old embroidered linen could cause irreparable damage. The petition, launched by art historian Didier Rykner, opposes the planned exhibition in London from September 2026 to July 2027, which coincides with the closure of the Bayeux Tapestry Museum in Normandy for renovations. The loan was announced in July by French President Emmanuel Macron and British Prime Minister Keir Starmer. Prominent French cultural figures, including former museum director Isabelle Attard, have voiced strong concerns, and Rykner hopes to ally with British opponents of the exchange, which would also send Anglo-Saxon and Medieval treasures from the British Museum to France.

Artist Flees Thailand After China Exerts Influence on Museum Exhibition

A Myanmar artist, Sai, has fled to the U.K. and is seeking asylum after Chinese officials pressured the Bangkok Art and Culture Centre to censor an exhibition on authoritarianism. The show, titled "Constellation of Complicity: Visualizing the Global Machine of Authoritarian Solidarity," included works by Tibetan, Uyghur, and Hong Kong artists. Following demands from the Chinese embassy, transmitted through Thai authorities, the center removed sensitive artworks, obscured artists' names, and covered flags and references to Tibet, Hong Kong, and Xinjiang. Sai and his wife, who co-curated the exhibition, were allegedly told Thai police were looking for them, though police denied this.

White House Lists Smithsonian Exhibits It Finds Objectionable

The White House has released a list of Smithsonian Institution exhibits it finds objectionable, targeting displays that it claims promote divisive narratives or undermine traditional American values. The list includes specific exhibitions across multiple Smithsonian museums, such as those related to race, gender, and historical figures, which the administration argues should be revised or removed.

Thai Art Center Censors Exhibition After “Pressure” From China

The Bangkok Art and Culture Center (BACC) censored an exhibition titled 'Constellation of Complicity: Visualising the Global Machinery of Authoritarian Solidarity' after pressure from the Chinese Embassy in Thailand. Works by artists from Hong Kong, Tibet, and the Uyghur diaspora were blacked out or removed to avoid 'diplomatic tensions between Thailand and China.' The curators fled the country after Chinese officials and Thai police visited the museum. Affected artists include Doc Tenzin, Mukaddas Mijit, Clara Cheung, and Gun Cheng Yee Man, whose names were blacked out, along with Tibetan and Uyghur flags and a graphic comparing China to Israel.

‘A more complex picture’: Singapore marks 60th anniversary of independence from British rule with slew of cultural offerings

Singapore is celebrating its 60th anniversary of independence from British rule on 9 August with a series of cultural offerings under the banner SG60. National Gallery Singapore launched a signature exhibition, *Singapore Stories: Pathways and Detours in Art*, featuring over 400 works from the 19th century to the present, housed in the former supreme court and city hall buildings. The show, curated by Adele Tan, reduces colonial imagery and opens with John Turnbull Thomson's *The Esplanade from Scandal Point* (1951) to present a more complex, multicultural picture of Singapore's history.

Why these Confederate monuments from Richmond are headed to California

Several Confederate monuments removed from Richmond, Virginia, including the Vindicatrix sculpture from the Jefferson Davis Monument and the Matthew Fontaine Maury sculpture and globe, are being loaned to a national temporary art exhibition in Los Angeles. The Valentine and the Black History Museum & Cultural Center of Virginia are sending these artifacts, along with granite slabs from various monument bases, to be part of a show running from October to May that reimagines their place in history. More than 15 monuments from across the U.S. will be featured, and the museums have gathered over 6,000 survey responses from the community to guide future decisions.