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miami bakehouse art complex celebrates 40 years 2715414

The Bakehouse Art Complex in Miami’s Wynwood district is celebrating its 40th anniversary and the 100th anniversary of its Art Deco building, which originally opened as a bakery in 1926. Founded in 1985 by a group of artists who purchased the abandoned industrial bakery for $10, the nonprofit has provided studio space to over 1,500 local artists. The celebration kicked off with an exhibition titled “Bakehouse at Forty: Past, Present, Future,” attended by more than 1,000 guests, and included a gala fundraiser with affordable ticket prices. The organization is now planning to build 60 units of affordable artist housing as part of a revitalized campus.

Where to see art in Houston now: 9 intriguing new exhibits opening in June

Houston's art scene is bustling in June 2025 with nine new exhibitions opening across the city. Highlights include Lawndale Art Center's annual "Big Show," juried by Dr. Phillip A. Townsend, featuring 88 works by 77 local artists; Sawyer Yards' "Be the Art: The Silos Selfie Experience," an immersive, social-media-friendly display; and three new shows at the Blaffer Art Museum, including "a way to mend" focusing on Gulf Coast artists and healing, "¡Cuidado!" by X Arriaga Cuellar and Adán Vallecillo about migrant healthcare workers, and Saif Azzuz's debut museum exhibition "Keet Hegehlpa’ (the water is rising)" addressing land and water privatization. The Museum of Fine Arts, Houston also celebrates new acquisitions spanning luxurious historical works and AI-driven futures.

Professors share art, science, culture via Smithsonian exhibits

Two East Carolina University professors have contributed to Smithsonian museum exhibits this summer. Photography professor Daniel Kariko from the School of Art and Design has a photograph titled "Last Camp on Isle Dernieres" (2017) on display in the Art x Climate exhibition at the Smithsonian National Museum of Natural History. The image documents a recreational fishing camp in South Louisiana that was completely gone by 2019, part of Kariko's ongoing 25-year project "Impermanence" capturing landscape changes in the Barataria-Terrebonne region. Additionally, Dr. Aleia Brown from the Thomas Harriot College of Arts and Sciences curated a collection of quilts by Black artists at the Smithsonian American Art Museum.

Rafał Zajko Is Hatching a Plan

Rafał Zajko's exhibition 'The Egg Egg' at Arsenal Gallery in Białystok, Poland, brings together 50 works from the past decade across two floors of a former power station, organized into nine 'acts'. The show features modular installations like 'Funny Games' (2025), a set of pastel-colored platforms on wheels with ceramic reliefs, and monumental sculptures such as 'Sisyphus' (2025), a suspended ceramic bobbin evoking textile factory tools. Performances by Agnieszka Szczotka, including 'Song to the Siren' (2026), activate works like 'Amber Chamber III Echo' (2025), blending archaism, futurism, and themes of labor and technology.

Faig Ahmed on Representing Azerbaijan at the 61st Venice Biennale

Artist Faig Ahmed will represent Azerbaijan at the 61st Venice Biennale in 2026 with a project exploring the intersections of mystical poetry and quantum physics. Located in the Campo de la Tana, the pavilion aims to create a contemplative space where technology and ancient oral traditions facilitate a personal dialogue for the viewer. Ahmed’s presentation responds to the Biennale’s overarching theme, 'In Minor Keys,' by focusing on subtle, often overlooked phenomena.

After The Complex: The Dublin Art Scene

The Complex, a major multi-artform venue in Dublin, was evicted from its warehouse building in January 2026 after its lease expired. A public campaign to save it, supported by politicians and cultural officials, failed due to a lack of legal mechanisms to protect grassroots cultural organizations. This closure follows a pattern of similar artist-led spaces folding in Ireland, most recently Ormond Studios.

National Gallery Singapore's 'Passion Is Volcanic' exhibition: 5 works to see

National Gallery Singapore has opened its first R18 exhibition, 'Passion Is Volcanic: Desire In South-east Asian Art', featuring around 60% of works from the national collection, many shown for the first time, alongside regional loans. The show includes a 14th-15th century tantric Buddhist sculpture of kissing buddhas, a pastel painting by pioneering gay Singaporean artist Tan Peng, Liu Kang's 1953 painting 'Scene In Bali', and long-exposure photography by Lavender Chang originally commissioned for a Viagra campaign. Co-curators Adele Tan and Kathleen Ditzig contextualize the exhibition with pre-modern works to demonstrate that artists' interest in the body, desire, and sex is enduring in Asia.

DePaul Faculty, Artists Put Pressure On University To Save Art Museum

DePaul University faculty, students, and community members are mounting a public campaign to reverse the university's abrupt decision to close the DePaul Art Museum (DPAM) on June 30. An open letter led by philosophy professor Sean Kirkland has garnered nearly 3,800 signatures, while the museum's advisory board issued a separate statement condemning the closure as "egregious." Critics argue the decision was made without faculty consultation and undermines the institution's academic mission.

DePaul Art Museum Closing In June: ‘It’s A Huge Loss’

DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM), effective June 30, 2025. University leadership cited the need for long-term financial sustainability and ongoing budget planning as the primary reasons for the decision. The closure follows a period of significant financial strain for the institution, which has already resulted in over 100 staff layoffs and cutbacks to other campus facilities like the Loop library.

Campbell River Art Gallery presents Sacred in All Forms

The Campbell River Art Gallery (CRAG) is presenting a new group exhibition titled "Sacred in All Forms: Artists Reclaim the Divine Feminine Across Bodies, Lands, and Worlds," curated by Jenelle Pasiechnik. The show features four contemporary artists—Sandeep Johal, Xiaojing Yan, Kourtney Jackson, and Aaron McIntosh—whose works in textiles, video, sculpture, installation, and mixed media explore the sacred in everyday life, the body, relationships, and nature. The exhibition runs from May 7 to August 8, 2026, with an opening reception on May 9. Public programs including artist talks, workshops, and community conversations will accompany the show.

McMichael Canadian Art Collection picks architect for museum expansion

The McMichael Canadian Art Collection in Kleinburg, Ontario, has selected Toronto-based Hariri Pontarini Architects (HPA) to lead a transformative redevelopment of its campus, the first major investment in the museum in over 40 years. The announcement was made during the opening night of the Art Toronto fair, where the museum hosted a fundraiser. The project, which includes expanded exhibition, education, and public programming spaces, is backed by up to C$50 million from the Ontario government (contingent on matching funds) and a previous C$25 million federal investment, though additional funding is still being sought.

Historic 16-Venue Art Exhibit Spotlights Local Women Artists

The Greater Washington region launches "Women Artists of the DMV," the largest curated fine arts exhibition ever dedicated to contemporary female artists in the United States. Featuring more than 500 artists across Maryland, Virginia, and Washington, D.C., the landmark survey spans 16 galleries and cultural venues from late August through January 2026, with the American University Museum at the Katzen Arts Center serving as the central hub. Curated by Florencio Lennox Campello, the exhibition highlights both established and emerging voices across genres including painting, sculpture, glasswork, textiles, and public art, with strong representation from Southern Maryland and Prince George's County.

More than 150 US arts organisations pledge to resist political pressure

More than 150 US arts organizations and over 320 artists and cultural workers have signed a public statement affirming their commitment to resisting political pressure. Organized by the National Coalition Against Censorship (NCAC) and the Vera List Center for Art and Politics (VLC) at the New School, the statement does not explicitly name President Donald Trump or his administration's actions, but was precipitated by Trump's pressure campaigns against the Smithsonian Institution and the Kennedy Center, as well as deep cuts to the NEA, NEH, and IMLS. Signatories include institutions from both Democratic- and Republican-controlled states, such as the Museum of Contemporary African Diasporan Arts in New York and Diverseworks in Houston, Texas.

Shalini Le Gall named director of the Ackland Art Museum

Shalini Le Gall, deputy director for curatorial affairs at the Portland Museum of Art in Maine, has been named director of the Ackland Art Museum at UNC-Chapel Hill. She will begin her new role on September 8, 2025, bringing over 20 years of experience in museums and higher education, including expertise in exhibit curation, acquisitions, strategic planning, and community engagement. Le Gall succeeds a period of growth at the Portland Museum of Art, where she oversaw more than $10 million in acquisitions and coordinated traveling exhibitions across the U.S.

Art News: A Preview Of The Lucas Museum Of Narrative Art and A Roberta Flack Auction at Julien’s

The Lucas Museum of Narrative Art, a 300,000-square-foot institution designed by Ma Yansong of MAD Architects with Stantec, will open in Los Angeles' Exposition Park on September 22. The 11-acre campus includes a park by Mia Lehrer of Studio-MLA and will feature over 1,200 objects across 30 galleries, showcasing narrative art from ancient sculptures to modern cinema, drawn from the museum's founding collection. Separately, Julien's Auctions will host "Roberta Flack: Style, Art & Music," a no-reserve auction celebrating the singer's life and cultural impact, including her Bösendorfer Imperial Concert Grand Piano.

New Joyful Noise exhibition coming to Salisbury Cathedral

Salisbury Cathedral will host a new art exhibition titled 'Joyful Noise' from May 16 to October 25, featuring works by international artists including Denzil Forrester, Christine Sun Kim, Yuri Suzuki, Sokari Douglas Camp, Phyllida Barlow, Caroline Walker, Tim Etchells, and Emeka Ogboh. The exhibition reimagines the biblical call to 'make a joyful noise unto the Lord' and spans painting, sculpture, video, text, and sound, with installations both inside and outside the cathedral. Highlights include Tim Etchells' neon piece 'Songs (2026)' in the North Porch, Phyllida Barlow's six-metre-high sculpture 'untitled: megaphone (2014)' on Choristers' Green, and Emeka Ogboh's outdoor choral sound installation 'Abide with me (2026)' featuring the Salisbury Cathedral Choir. Entry is included with cathedral admission and free for local residents in SP1 to SP5 postcode areas.

Arts Center donates works for library sale

The Davis Arts Center (DAC) has donated approximately 100 artworks from its permanent collection to the Friends of the Davis Public Library for a sale starting this weekend. The works, mostly from the 1960s-1980s, include pieces by notable Davis-area artists such as Richard Nelson, Robert Arneson, Margery Mann, and Roland Petersen, and are priced under $100. The donation follows DAC's 2019 transformation from an exhibition space to a studio-focused nonprofit offering classes and camps, which led to most of its collection being placed in storage. DAC executive director Sam King enlisted Davis High School art teacher Luke Turner—a former museum professional—to help curate and place select pieces with institutions like the Mills College Art Museum and the Manetti Shrem Museum, while the remaining works are now being offered to the community at bargain prices.

Southern Guild Stakes Its Claim in Tribeca

Southern Guild, a South African gallery founded by Trevyn and Julian McGowan in 2008, has opened a new outpost in Tribeca, New York, after closing its Los Angeles location. The gallery, which began in Cape Town and expanded to a 32,000-square-foot campus, now occupies a 19th-century heritage building with 17-foot ceilings and cast-iron columns. Its inaugural exhibitions feature South African artists Usha Seejarim and Mmangaliso Nzuza, showcasing large-scale works that take advantage of the dramatic vertical space.

Northern California museum and sculpture park puts its property up for sale

The di Rosa Center for Contemporary Art, a museum and sculpture park in Napa Valley, California, has listed its 217-acre property for $10.9 million due to ongoing financial struggles. The center has scaled back programming, reduced staff, and increased wedding rentals to generate revenue, but operational costs remain unsustainable. The art collection is not included in the sale, and the center hopes a philanthropist might purchase the property and lease it back to them for a nominal fee. The Napa campus and a satellite gallery in San Francisco will stay open during the sale process.

Bay Area Then

Yerba Buena Center for the Arts in San Francisco presents 'Bay Area Then,' an exhibition running from August 1, 2025, to January 25, 2026, that surveys the Northern California art scene between 1990 and 2005. Guest curated by Eungie Joo, the show features works by nineteen artists or collaborations, including Manuel Ocampo, Margaret Kilgallen, Bill Daniel, Ruby Neri, and Carolyn Castaño, mixing historical pieces with recent productions by artists who emerged during that era.

The National WWII Museum Hosting Special Exhibit Highlighting Nazi Campaign against Modern Art

The National WWII Museum in New Orleans has opened a special exhibit titled 'Degenerate! Hitler’s War on Modern Art,' on loan from the Jewish Museum Milwaukee and running through May 10, 2026. The exhibit features over 65 works by artists deemed 'degenerate' by the Nazi regime, including Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall, alongside documents and artifacts that explore how modernist art was suppressed and weaponized as propaganda. The museum has expanded the original exhibit to include a focus on suppressed music, featuring instruments from the era, such as a tenor saxophone played by Eddie Powers and a clarinet played by George Lewis, on loan from the New Orleans Jazz Museum.

This Historic Art Museum In Seattle Now Has Free Admission For All

Seattle's Henry Art Gallery, located on the University of Washington campus, has permanently waived its admission fee, making entry free for all visitors at any time. Previously, tickets cost between $6 and $10, with free admission limited to the first Thursday of each month and certain groups such as students, children, and military personnel. The museum, which opened in 1927 as Washington state's first public art museum, now spans 40,000 square feet and includes galleries, a cafe, a 154-seat auditorium, and the James Turrell Skyspace installation.

London's pre-contemporary art market gets boost from two new summer events

Two new summer events for pre-contemporary art are launching in London: Classic Art London (CAL), running from 23 June to 4 July, and Studiolo, a one-day showcase on 26 June. CAL fills the gap left by London Art Week, which ended in 2024, and features gallery exhibitions across Mayfair, St. James's, Cecil Court, and Belgravia, along with a talks programme at the Society of Antiquaries. Highlights include a rediscovered Titian, a solo show of Paul Nash landscapes, and a focus on Swedish Cubo-Futurist Gösta Adrian-Nilsson (GAN). Studiolo, held at Spencer House, presents art, antiquities, and sculpture.

“Living Archive” Converge+Vertex: Traversing the Minor Gesture of Timeliness concludes exhibition at Barrett Art Gallery

Barrett Art Gallery at Santa Monica College held a closing reception for "Converge+Vertex: Traversing the Minor Gesture of Timeliness" on May 6, featuring DJ sets by artist Leah King, dinner from Alta Adams, and works by Black artists from Los Angeles. Curator Cole James described the exhibition as a "living archive" exploring positive Black representation in a post-racial environment. The show, which had been delayed after a shooting at SMC's media campus, marked the first gallery display for artist Cassidy Everage, recipient of the Otis College Charles White scholarship.

LA’s Getty Center to Close for Renovations Beginning in 2027

The Getty Center in Los Angeles has announced a year-long closure for extensive renovations, scheduled to begin in March 2027. This marks the first major modernization of the Richard Meier-designed campus since its opening in 1997. The project will focus on updating the galleries, the Welcome Hall, and the tram system, while also introducing new artist commissions and improving infrastructure like HVAC systems and digital connectivity.

royal ontario museum director nicholas r bell 1234775700

The Royal Ontario Museum (ROM) in Toronto has appointed Nicholas R. Bell as its new director and CEO, effective July 6. Bell, who currently leads the Glenbow museum in Calgary, succeeds Josh Basseches following a decade-long tenure. During his time at Glenbow, Bell was noted for securing a $250 million capital campaign and implementing a landmark free-admission policy, the first of its kind for a major Canadian museum.

philadelphia art museum executive rebrand resigns 1234770289

Paul Dien, the chief marketing officer behind the Philadelphia Museum of Art's controversial rebranding, has resigned effective February 1. Dien, who joined the museum in 2023, oversaw the institution's name change to "Philadelphia Art Museum" and a new visual identity that drew widespread public mockery on social media. The rebranding was intended to boost attendance, but faced backlash from locals and critics. Dien's departure follows the ouster of former director and CEO Sasha Suda in November, who has since filed a wrongful dismissal lawsuit against the museum.

dorset museum sherborne almshouse triptych 1234763609

The Dorset Museum & Art Gallery in England has launched a fundraising campaign to acquire a rare 15th-century Netherlandish altarpiece, known as *The Master of the Sherborne Almshouse Triptych*, valued at up to £3.5 million ($4.6 million). The work is set to be auctioned by Sotheby’s in an Old Master evening sale next month, and the museum aims to prevent it from entering a private collection or being exported. The triptych, which depicts five healings of Jesus Christ, was hidden during periods of iconoclastic destruction and rediscovered in St. John’s Almshouse in Sherborne in the 19th century; it has only left the site twice, for exhibitions at the Royal Academy in 1923 and the Victoria and Albert Museum in 2003.

mowaa archeological project findings benin city nigeria 1234760131

The Museum of West African Art (MOWAA) in Benin City, Nigeria, will open its MOWAA Institute next week, the first completed building of a planned 15-acre campus that will also include the Rainforest gallery and other facilities by 2028. In advance of the opening, Antiquity magazine published an updated report on the MOWAA Archeological Project (2022–2024), a collaboration among MOWAA, the British Museum, and Nigeria’s National Commission for Museums and Monuments, with Cambridge Archaeological Unit and Wessex Archaeology as delivery partners. The excavations, the first at the royal palace complex since the 1960s, used both digs and ground-penetrating radar, with radiocarbon dating revealing artifacts spanning from before the Benin Kingdom through its collapse and colonial and postcolonial eras.

fine arts museums san francisco de young staff layoffs 1234747884

The Fine Arts Museums of San Francisco (FAMSF), which operates the de Young Museum and the Legion of Honor, announced the layoff of 12 staff members on July 18, 2025. Director and CEO Thomas P. Campbell cited a prolonged period of softening tourism in San Francisco, with visitor numbers down nearly 20 percent compared to pre-pandemic levels, as the reason for the reduction. The layoffs primarily affect FAMSF's nonprofit side and follow a March discussion to cut city-funded positions by nearly a quarter after the mayor's office mandated a 15 percent reduction in general spending.