A world of magic and monsters arrives at the CU Art Museum

The CU Art Museum at the University of Colorado Boulder has launched "Fairy Tales and the Power of Wonder," an exhibition that explores the dark and complex origins of folklore. Moving away from sanitized modern interpretations, the show features a diverse array of works including Jaro Hess’s "The Land of Make Believe," Don Ed Hardy’s "Sea Dragon," and rare illustrated books like William Wallace Denslow’s "Wonderful Wizard of Oz." The display utilizes early fantasy maps and historical artifacts to ground visitors in the "geography of the impossible."

Andrée Putman Studio to Reveal Unseen Iconic Furniture Creations at Art Paris

Andrée Putman Studio is set to unveil a series of unseen furniture creations and collectible interior pieces at the Art Paris fair this April. Curated by the late designer’s daughter, Olivia Putman, and CEO Aurélie Laure, the showcase features archival designs reinterpreted in new materials, such as a mirrored version of the 'Mille et Un Carreaux' table and stainless steel 'Trois Carats et Demi' side tables. The presentation coincides with the opening of La Galerie Andrée Putman in Paris, a new space dedicated to the designer's enduring legacy.

Blockbuster exhibition highlights visionary women of abstract expressionism

The Muscarelle Museum of Art at William & Mary has launched "Abstract Expressionists: The Women," a landmark touring exhibition featuring nearly 50 works by 32 female artists. Curated by scholar Ellen G. Landau and drawn from the private collection of Christian Levett, the show includes major figures such as Helen Frankenthaler, Lee Krasner, and Elaine de Kooning. It is the only East Coast stop for this exhibition, which organizes the works chronologically to trace the movement's evolution across New York, California, and Paris.

Rwanda boosts culture infrastructure with new non-profit contemporary art centre

The Gihanga Institute of Contemporary Art (GICA) opened this week in Kigali, Rwanda, as the country's first non-profit centre dedicated to promoting Rwandan art, culture, and history while fostering local and Pan-African artistic exchange. Founded by curator Kami Gahiga and artist-educator Kaneza Schaal, the institute was designed by Rwandan architect Amin Gafaranga and features an exhibition space, reference library, screening room, and residency studios. Its inaugural exhibition, "Inuma: A Bird Shall Carry the Voice," includes works by Rwandan artists and explores themes of faith and subtle expression. The Mellon Foundation provided crucial development support.

Ecuador's Bienal de Cuenca marks 40th anniversary with a playful theme but a serious tone

The 17th Bienal de Cuenca, titled "The Game," opened on 24 October in Cuenca, Ecuador, marking its 40th anniversary. The biennial features 51 artists selected by 17 international curators, with works displayed across multiple venues including museums, gardens, and the airport. The event highlights artists and curators from the Global South, focusing on social and political concerns rather than market priorities. It opened just two days after political protests ended, with a ceremony featuring an Andean ritual led by artist Carmen Vicente, whose installation "Infinite Steps" won the acquisition prize.

Cristina Chacón & Diego Uribe on the art they collect and why

Cristina Chacón and Diego Uribe, a Colombian couple who have been together since their teens, discuss their art collection and philanthropic work. They serve on the chairman’s council of the Institute of Contemporary Art Miami and founded the DC Art Foundation in 2021, which supports mid-career and established artists through exhibitions and residencies. Their collection spans Miami, Bogotá, and Madrid, focusing on Modern and contemporary art from Latin America, with additional works by artists like Christian Boltanski, Ugo Rondinone, and Chiharu Shiota. In an interview, they share their first purchase (a still-life by Alberto Nuño from 1992), a recent acquisition (Gabriel Orozco’s 1999 painted-plywood construction), and regret over not buying a Ruth Asawa piece earlier.

Medieval triptych ventures out of Dorset to sell for £5.7m in London Old Master auctions

A late 15th-century Netherlandish triptych, *The Five Miracles of Christ*, sold for £5.7 million at Sotheby’s London Old Master auction. The work, kept for centuries at St. John’s Almshouse in Sherborne, Dorset, had never before appeared on the market. The charity sold it to fund affordable housing, and the buyer—an unnamed Christian charitable foundation—plans to keep the painting publicly viewable in the town. Other highlights included a Rembrandt reattribution, *Saint John on Patmos*, which sold for £6.8 million, and a record £3.2 million for a Hans Eworth portrait of the 4th Duke of Norfolk.

3 New Galleries to launch at No.1 Poultry

Hypha Studios has announced the launch of three new galleries at No.1 Poultry, the iconic James Stirling-designed postmodern building in the City of London. Opening on 24 September with celebratory events, the galleries will host a year-long programme of culture, each presenting eight unique exhibitions. Galleries 1 and 3 will feature contemporary artists and curators, while Gallery 2, in partnership with recessed.space, will focus on exhibitions related to the living environment. The inaugural shows include "The Turn" curated by Shakthi Shrima, featuring artists such as Cajsa von Zeipel and Janine Antoni, and a group exhibition led by maker Nina Oltarzewska from Blackhorse Lane Makers.

Gallery openings and exhibits in Central Oregon this week

Central Oregon’s art scene is hosting a diverse array of exhibitions this week across Bend, Sisters, Sunriver, and Redmond. Notable highlights include Jana Charl’s mixed-media showcase "This is not a Love Story" at Art Adventure Gallery, Hilary Baker’s moth-themed "Prophets" at the High Desert Museum, and a collection of literary-inspired quilts at the Deschutes Historical Museum. The offerings span various mediums, from nomadic woven macramé and custom jewelry to volcanic science explorations and historic cartography.

Genuflecting Before “Don Colossus”

A 15-foot-tall gold-leafed bronze statue of Donald Trump, titled "Don Colossus," was unveiled at his National Doral golf club in Miami, Florida, ahead of the G20 summit. The statue, funded by $450,000 raised by cryptocurrency moguls and sculpted by Alan Cottrill (founder of Four Star Pizza), depicts Trump raising a triumphant fist with a plaque reading "FIGHT, FIGHT, FIGHT!" The unveiling was organized by televangelist Mark Burns of "Pastors for Trump," who posted that the statue was "not a golden calf," and was attended by evangelical Christian leaders and reportedly some Hassidic rabbis.

The Paradox of Contemporary Art: The World Is Violent, but the Works Are Correct and Inoffensive

Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive

The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.

Curiosities at the 2026 Venice Biennale: the Tanzania Pavilion is full of Italian artists

Curiosità alla Biennale di Venezia 2026: il Padiglione della Tanzania è pieno di artisti italiani

The Tanzania Pavilion at the 2026 Venice Biennale, titled "Minor Frequencies: The Inner Life of a Nation," features a significant number of Italian artists alongside Tanzanian voices. Curated by Lorna Benedict Mashiba and Martina Cavallarin, the exhibition is housed across the Gervasuti Foundation, Palazzo Canova, and Supernova in Cannaregio. It includes works by 14 Italian artists such as Alice Andreoli, Christian Balzano, and Silvia Canton, as well as artists from Europe and Asia, while centering the practices of Tanzanian artists like Turakella Editha Gyindo, Lazaro Samuel, Valerie Asiimwe Amani, and Amani Abeid.

Interview to discover Theo Eshetu, the only Italian artist at the 2026 Venice Biennale

Intervista per scoprire Theo Eshetu, unico artista italiano alla Biennale di Venezia 2026

Theo Eshetu (London, 1958), the only Italian artist invited to the central exhibition "In Minor Keys" of the 2026 Venice Biennale curated by Koyo Kouoh, is profiled in an interview. Born to an Ethiopian father and Dutch mother, Eshetu trained in the Netherlands and London before settling in Rome in the early 1980s. He discusses his cosmopolitan background, his early struggles with belonging, and how he transformed that into artistic strength. The interview covers his career, his memories of the Roman art scene in the 1980s and 1990s, and his current work presented at the Biennale, including the piece "The Return of the Axum Obelisk" (2010).

The project that brings Michelangelo's David to the Swiss Alps: a full-scale copy will be installed among the mountains

Il progetto che porta il David di Michelangelo sulle Alpi della Svizzera: verrà installata tra le montagne una copia a grandezza naturale

A full-scale marble replica of Michelangelo's David will be installed in the Swiss Alpine village of Klosters (Canton of Grisons) starting July 2, 2026. The copy, carved in 2017 from Michelangelo's preferred Polvaccio marble in Carrara, weighs over nine tons and was produced by Studi d’Arte Cave Michelangelo under Franco Barattini. The project is organized by Scultura Viva, a cultural initiative based in Klosters that focuses on reactivating sculptural heritage through public installations and educational programs.

Go figure – when Barnaby Barford took over the Wallpaper* fashion pages

Barnaby Barford is marking 20 years of collaboration with David Gill gallery through the exhibition 'We Are Where We Are', featuring 35 ceramic sculptures and large-scale drawings. The show includes a new work titled 'Ascension'. To celebrate, Wallpaper* magazine revisits its November 2007 issue, in which Barford took over the fashion pages, dressing his found porcelain figurines in designer labels such as Missoni, Versace, Gucci, Christian Dior, and Prada, photographed by Theo Cook with fashion styling by Sophie Dean and Sébastien Clivaz.

Young artists take over Slidell's city gallery

Student artists from across St. Tammany Parish participated in the 35th annual Salad Days Juried Exhibition of Student Art at the George Dunbar Gallery in Slidell. The event featured an opening reception and awards ceremony, with 80 artists submitting 174 works, of which roughly 30% were selected for display. Artist and arts advocate Joshua Wichterich served as the juror for the competitive show.

Exhibitions on view in July at Southwest Florida art centers

Southwest Florida is home to over a dozen art centers, and in July 2025, 24 exhibitions are on view across venues from Sarasota to Marco Island. Highlights include Art Center Sarasota's 'Vice and Virtue: Annual Juried Regional Show,' juried by curator Jessica Todd, exploring morality and duality; Venice Art Center's solo shows by Karen Weih and Cosette Kosiba; the 'Over the Bridge' exhibition at Visual Arts Center in Punta Gorda featuring B.A. Wikoff and Lily Obsitnik; and the 'Member’s Showcase Exhibit' at the same venue. Satellite shows and the DeSoto Arts Center's annual art show round out the month's offerings.

Museum Sculptures in Park Sanssouci Return Restored

Musen-Skulpturen im Park Sanssouci kehren restauriert zurück

Eight 18th-century marble sculptures depicting Greek muses have been reinstalled in the western pleasure garden of Park Sanssouci in Potsdam following a six-month restoration project. The works, created by Berlin sculptor Friedrich Christian Glume, represent figures like Melpomene (Tragedy), Klio (History), and Thalia (Comedy) and have been cleaned, repaired, and given a protective coating.

NEVERCREW Explores Our Tenuous Relationship with Nature in Huge Murals

The artist duo NEVERCREW, composed of Christian Rebecchi and Pablo Togni, has unveiled a series of large-scale murals across Europe that confront the deteriorating relationship between humanity and the natural world. Their recent works, including the mural "Souvenir" in Vienna and "Switch" in Wuppertal, utilize surrealist imagery—such as polar bears merged with plastic toy components or whales encased in architectural structures—to illustrate how nature is increasingly viewed as an artificial, distant object rather than an integrated system.

Hoffman Gallery hosts works by art instructors

The Hoffman Center Gallery in Manzanita, Oregon, is hosting a May exhibition featuring works by faculty members from the Pacific Northwest College of Art in Portland. Titled "The Goat Island project," the show includes pieces by Teresa Christiansen, Kristin Bradshaw, Emily Ginsburg, Yoshi Kitai, David Eckard, Matthew Letzelter, Michelle Ross, and Kate Copeland, opening April 30 and running through May 30, with a free public reception on May 2.

From gallery to gavel: investment-grade art collection open to public

The Ann Bryant Art Gallery in East London, South Africa, is hosting a public viewing of an investment-grade art collection from a deceased estate before it goes to online auction through Thompson Property Sellers. The collection includes over 800 paintings, 600 collectables, a 1975 VW Beetle, and a 1976 Vespa, featuring works by artists such as Gabriel and Tinus de Jongh, Hargreaves Ntukwana, Amos Langdown, Christian Nice, Chris Tugwell, Jack Lugg, Tony Durheim, and Otto Klar. The event is part of the "Jazz in the City" festival, pairing jazz music with visual art to create a cultural experience.

Al Museo Egizio di Torino ora c’è un centro di ricerca per studiare la scrittura dell’Antico Egitto attraverso tremila anni di storia

The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.

Pond Gallery in Fayetteville, Arkansas

Pond Gallery, a new artist-run exhibition space, has opened in the basement of a former flower shop on the downtown square in Fayetteville, Arkansas. Founded in May 2024 by artist-friends Taylor Loftin, Ty Barnes, and Christian Schultz, the gallery operates on a DIY model, with the founders handling construction, curation, and rent. Its programming, including recent shows by Akeylah Imani Wellington and Natalie Conway, focuses on creating a communal hub for local artists.

parties salon 21 east hampton alex bass

Salon 21 by Alex Bass hosted an intimate garden dinner at the Maidstone Hotel in East Hampton, celebrating its summer exhibition “La Dolce Vita” and previewing the gallery’s fall reopening in a new WSA space. The event brought together art world insiders, design leaders, and creative peers, including curator Sharon Coplan Hurowitz, Watermill Center Managing Director Elise Herget, and lifestyle expert Katie Sands Bochner, for an Italian coast-inspired evening of seafood, rosé, and conversation.

Doosan Yonkang Foundation Backs Venice Korean Pavilion

The Doosan Yonkang Foundation has announced its sponsorship of the Korean Pavilion at the 61st Venice Biennale, which will take place from May 9 to November 22, 2026, at Giardini Park in Venice, Italy. The Korean Pavilion, titled "Liberation Space: Fortress and Nest," explores political events and historical transitions in Korean society from 1945 to the present, under the artistic direction of Choi Bitna. Participating artists include Noh Hyeri and Choi Goeun, along with fellows such as novelist Han Kang, farmer and activist Kim Huju, writer and singer Lee Lang, photographer Hwang Yeji, and artist Christian Nyampeta. Notably, Noh Hyeri and Choi Bitna are alumni of the foundation's support programs, Doosan Art Lab and Doosan Curator Workshop, respectively.

Massive Cache of 42,000 Pottery Shards Reveals Daily Life in Ancient Egypt

Archaeologists from the University of Tübingen and the Egyptian Ministry of Tourism and Antiquities have unearthed a massive collection of over 42,000 inscribed pottery shards, known as ostraca, at the ancient site of Athribis. The shards, dating from the 3rd century B.C.E. to the 11th century C.E., contain tax receipts, religious texts, school exercises, and personal notes written in Demotic, Greek, Hieratic, Coptic, and Arabic scripts, offering an unprecedented window into the daily lives of ordinary people.

phillips juvenile triceratops fossil auction

Phillips auction house sold a juvenile Triceratops skeleton named Cera for $5.4 million at its Modern and contemporary evening sale in New York, marking the company's first foray into dinosaur fossils. The specimen, discovered in South Dakota's Hell Creek Formation, is the first juvenile Triceratops ever uncovered and features two-thirds of its original skeleton. The sale exceeded its low estimate of $2.5 million, and other natural history lots, including a preserved marine crocodile, were also offered.

nonprofit russia ukraine icc systematic and organized plunder

A French nonprofit, For Ukraine, For Their Freedom and Ours!, has filed a complaint with the International Criminal Court (ICC) accusing Russia of the systematic and organized looting of Ukrainian cultural heritage since the 2022 invasion. The complaint, submitted on July 11, calls for arrest warrants for Vladimir Putin and eight senior Russian officials, alleging that the plunder was planned at the highest state level and constitutes war crimes under international law. The group identified a modus operandi involving Russia's Ministry of Culture, museum directors, and intelligence chief Sergei Naryshkin.

cerne abbas giant genitalia almost covered by trees 1930s

Historian Karen Heaney discovered that in 1932, the UK Home Office considered covering the Cerne Abbas Giant's erect penis with trees after a complaint from Dorset resident Walter Long, who called the 180-foot chalk figure an "obscene" offense to Christian values. Home Office official Cecil Yates proposed the tree-planting to the National Trust, but the Chief Constable of Dorset Police consulted the Home Office, which ultimately denied the request to avoid distorting the national monument.

icom russia president slams calls to eject russia from icom for violating code of ethics as political libel

ICOM Russia president Vasilij Pankratov has denounced calls for Russia's expulsion from the International Council of Museums (ICOM) as "political libel." The controversy follows an open letter published in Le Monde on May 5, in which a group of art experts—including art historian Konstantin Akinsha, Francesca Thyssen Bornemisza, and Vitalit Tytych—accused Russia of systematically erasing Ukraine's cultural identity since the 2022 invasion. The signatories threatened to take ICOM to court in France if it failed to oust Russia for violating the organization's code of ethics. Pankratov dismissed the accusations as unfounded, arguing that Russian museum workers operate within the country's constitution and local ethical criteria, and denied claims that Ukrainian cultural property has been appropriated by Russian museums.