art fair conductor powerhouse arts new york

Conductor Art Fair made its debut at Powerhouse Arts in Gowanus, Brooklyn, with a VIP preview night on April 29, ahead of its public run from April 30 to May 3. Led by Powerhouse Arts President Eric Shiner and Fair Director Adriana Farietta, the event drew over 800 guests, featuring installations by Juan Jose Barboza-Gubo, House of Silence by Vuslat, and Sana Frini, along with 28 gallery exhibitors and 20 special projects. A performance by Grammy-nominated artist Lido Pimienta highlighted the evening, and the fair showcased works by numerous artists and gallerists.

Free and Queer: Black Californian Roots of Gay Liberation

The California African American Museum has launched 'Free and Queer: Black Californian Roots of Gay Liberation,' an exhibition dedicated to the often-overlooked history of Black LGBTQ resistance and culture in California. Curated by Susan D. Anderson in collaboration with ONE Archives at the USC Libraries, the show utilizes a vast array of archival materials, photographs, and film to trace a lineage of activism and artistic expression that predates the Stonewall riots. It specifically highlights how Black queer Californians navigated McCarthy-era repression, the civil rights movement, and the AIDS crisis.

Louvre: Emmanuel Macron's Obstinacy

Louvre : l'obstination d'Emmanuel Macron

Emmanuel Macron, less than a year before leaving office, continues to push controversial projects that harm French historical monuments and museums, including the Louvre's Colonnade project. The article criticizes these initiatives as detrimental to cultural heritage, while noting that his only promising project, the Musée de l'Œuvre Notre-Dame, has been shelved. The piece also highlights the appointment of Christophe Leribault as director of the Louvre as a positive step, but argues that Macron's overall record on cultural heritage is damaging.

Notre-Dame : les travaux commencent, le combat se poursuit

Work has begun on replacing the stained-glass windows at Notre-Dame Cathedral in Paris, with scaffolding installed immediately after the work permit was posted. The project involves removing six ornamental windows created in 1864 by Alfred Gérente under Eugène Viollet-le-Duc and installing six new windows by artist Claire Tabouret and the master glassmakers Simon-Marq. The authorization, signed by the prefect, has sparked legal challenges from the heritage association Sites & Monuments, who argue the replacement is neither conservation nor restoration. The article details how the state's own authorization document inadvertently strengthens opponents' arguments by affirming that the entire cathedral, including Viollet-le-Duc's windows, is protected as a historic monument.

Notre-Dame Stained Glass: The Fight Continues!

Vitraux de Notre-Dame : le combat continue !

The French government has authorized the removal and replacement of the 19th-century stained-glass windows designed by Eugène Viollet-le-Duc in Notre-Dame Cathedral with new windows by contemporary artist Claire Tabouret. This decision, posted as a work permit on the cathedral, is being challenged in court by the heritage association Sites & Monuments, which argues the replacement is not a legitimate act of conservation or restoration.

Israel’s Artist Reportedly Pressured Venice Biennale Before Jury’s Resignation

Artist Belu-Simion Fainaru, Israel’s representative at the Venice Biennale, reportedly pressured the exhibition’s organizers before the five-person jury abruptly resigned last week. The jury, tasked with selecting Golden Lion winners, had stated it would not consider nations charged with crimes against humanity by the International Criminal Court—applying to Israel and Russia. According to Italian news agency Adnkronos, Fainaru alleged “racial discrimination” and “antisemitism,” threatened to take his claims to the European Court of Human Rights, and the Biennale warned jury members they could be held personally liable for damages. Hyperallergic confirmed the threats of legal action, and a Biennale spokesperson acknowledged the reports were true.

US Border Wall Construction Damages 1,000-Year-Old Indigenous Land Art in Arizona

Construction crews building a barrier between the United States and Mexico have damaged a 200-foot-long etching of a fish embedded in the land in Arizona, known as the Las Playas Intaglio, which is thought to be 1,000 years old. According to a report in the Washington Post, workers destroyed a 60-to-70-foot portion of the ancient Indigenous land art as part of President Donald Trump’s $46.5 billion border-wall project. Satellite imagery confirmed the destruction, showing bulldozer marks running through about a third of the fish formation. U.S. Customs and Border Protection acknowledged the incident, stating that a contractor inadvertently disturbed the cultural site on April 23, 2026, and that the remaining portion has been secured.

Dutch Commission Recommends New Guardianship for ‘Orphaned’ Nazi-Looted Art

A Dutch government-appointed committee has proposed transferring guardianship of thousands of unclaimed Nazi-looted artworks from a state agency to a Jewish foundation, preferably housed at the Jewish Museum in Amsterdam. The plan includes funding for exhibitions and explanatory labels to publicly display the so-called "orphaned" art from the Netherlands Art Property Collection.

Arts Groups Speak Out Against US Trade Representative’s Potential New Tariffs

The U.S. Trade Representative, Jamieson Greer, has launched a Section 301 investigation into 60 countries to determine if forced labor practices create unfair trade advantages. This move follows President Trump’s continued push for sweeping tariffs after previous attempts were struck down by the Supreme Court. Major art organizations, including the Association of Art Museum Directors (AAMD) and Heritage Auctions, are formally petitioning for works of art and antiquities to be exempt from any resulting duties.

Hard Truths: Can an Artist Exact Revenge on a Dealer Treating Her Like a Pariah?

An artist seeks advice after severing a 25-year relationship with a gallery that enforced a restrictive two-year non-compete clause. Following the split, the artist discovered $50,000 in damaged inventory and alleged that the dealer lied to insurance companies while commissioning other artists to produce knockoffs of their work. A second inquiry involves a high-ranking art world figure distressed over being dropped from a prominent "Power 100" list, questioning whether to confront the publication.

Barcelona museum refuses to return Sijena murals to monastery

The Museu Nacional d’Art de Catalunya (MNAC) in Barcelona is refusing to comply with a Spanish Supreme Court order to return the 12th-century Sijena murals to their original monastery in Aragón. Tensions escalated after the museum hosted a listening party for pop star Rosalía in the same hall where the Romanesque masterpieces are housed, leading to accusations from the municipality of Villanueva de Sijena that the museum is endangering the fragile works. MNAC director Pepe Serra has dismissed these concerns as scientifically unfounded, sparking threats of a defamation lawsuit from local officials.

Reaching for the stars: enduring symbols of Soviet science – in pictures

Photographer Eric Lusito documents Soviet-era scientific institutes across former USSR states in his book "Soviet Scientific Institutes," published by FUEL. The photo essay captures decaying facilities and enduring equipment at locations including the Institute of Radio Astronomy in Kharkiv, Ukraine; the Byurakan astrophysical observatory in Armenia; the Andronikashvili Institute of Physics in Tbilisi, Georgia; and the Fesenkov Astrophysical Institute in Kazakhstan, among others.

"Hier darf laut gelacht werden"

During the opening week of the Venice Biennale, multiple reports detail controversies surrounding the Israeli and Russian pavilions. According to Hyperallergic, artist Belu-Simion Fainaru of the Israeli pavilion threatened legal action against the Biennale after the jury sought to exclude Israel and Russia from prizes over alleged human rights violations, citing antisemitism and nationality-based discrimination. This may have prompted the jury's sudden resignation. Meanwhile, taz reports that Russia's pavilion is a macabre 'dance of death' blending techno and political denial, while Israel's pavilion faces a 'silent boycott' and social ostracism. Zeit describes protests by Pussy Riot and Femen outside the Russian pavilion as a defining image, with activists chanting 'blood sticks to the art of this country.'

Painted Screenshots from Dreams

Gemalte Screenshots aus Träumen

The Staatliche Kunsthalle Baden-Baden is presenting a comprehensive retrospective of Berlin-based painter Katharina Wulff, titled 'Arabesken in Arabesken'. Curated by Christina Lehnert, the exhibition features around 40 works that explore dreamlike, enigmatic spaces blending reality, memory, and the unconscious, with paintings like 'Landschaft für glückliche Hexen' (2008) and 'Der Waldspaziergang' (2002) exemplifying her unique style.

Hedwig Fijen to Depart as Founding Director of Manifesta

Hedwig Fijen, the founding director of Manifesta, the nomadic European biennial launched in 1996, has announced she will depart on October 5. Fijen began working on the platform in 1991 under a commission from the Netherlands Office for Fine Arts, and oversaw editions in cities including Rotterdam, Palermo, Pristina, and Barcelona. The supervisory board has appointed Emilia van Lynden as general director and Catherine Nichols as artistic director to lead future editions, starting with Manifesta 16 in Germany’s Ruhr Valley this year and Manifesta 17 in Coimbra, Portugal, in 2028.

We Spent a Week Quarantined on an Uninhabited Island with 80 Artists

A journalist from Colossal spent a week on an uninhabited island in the Balearic Islands with nearly 80 artists for a residency program called Quarantine, conceived by artist Carles Gomila. Participants follow a rigorous, opaque schedule of talks, workshops, and mentorship sessions, with phones and internet banned, and must stay on the island from early morning until late evening. The April 2026 edition, themed "Tears in Rain" after a Blade Runner monologue, began with a theatrical tour by an actor playing Captain Horacio Hollynwood, who introduced the historic Lazaretto of Mahón, an 18th-century fortress and infirmary.

What Did the Golden Lion Die Of? On Judgment and Disavowal at the Venice Biennale

The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.

Women in Art Fair Returns to London

The Women in Art Fair (WIAF), the UK's leading fair dedicated exclusively to women artists, will return to London's OXO Gallery for its fourth edition from May 7-10, 2026. The event will showcase 80 artists selected from 600 applicants through a blind review process, featuring a program of exhibitions, awards, and events, including a Creative Health & Wellbeing Day.

Federal Panel Considers Plan to Paint Granite Eisenhower Executive Office Building White

The Trump administration has proposed painting the granite Eisenhower Executive Office Building in Washington, D.C., white. The National Capital Planning Commission met on May 7, 2026, to review the plan, which was also submitted to the U.S. Commission of Fine Arts on April 16. That commission approved the idea conditionally, pending successful paint testing. The project, estimated to cost $7.5 million, has drawn over 2,000 public comments, most negative.

Azerbaijan Destroys Armenian Holy Mother of God Church in Artsakh

Satellite imagery obtained by Caucasus Heritage Watch (CHW) confirms that the Azerbaijani regime has demolished the Holy Mother of God Church in Stepanakert, the former capital of the Republic of Artsakh (Nagorno-Karabakh). The church, consecrated in 2019 after 12 years of construction, was destroyed within the last eight weeks, as evidenced by Sentinel-2 satellite images from March 3 and April 2. The Artsakh Tourism and Cultural Development Agency announced the destruction on April 21, three days before the 111th anniversary of the Armenian Genocide. This demolition follows a pattern of damage to Armenian religious and cultural sites since the forced displacement of over 130,000 Armenians in September 2023.

In Bloom: How Plants Changed our World – a ‘consistently illuminating’ exhibition

The Ashmolean Museum in Oxford has opened a new exhibition titled "In Bloom: How Plants Changed our World," timed for spring. The show draws from Oxford University's collections, featuring 17th-century flower paintings, preserved plant specimens, and contemporary artworks to explore the role of plants in art and science.

Accessibility through art broadening experiences at expanded Gallery

Newcastle Art Gallery in Australia has unveiled two groundbreaking accessibility commissions: a digital guide named Nancy and architectural-scale sculptures by artist Fayen d'Evie. The digital guide offers a 24-stop tour with audio, Auslan-interpreted video, and written descriptions, developed through a 'by community, for community' model involving d/Deaf consultants, Auslan interpreters, and First Nations consultants. The sculptural solution addresses the gallery's original floating staircases, providing safe navigation for visitors who are blind or have low vision. A panel talk and Auslan-interpreted tour on Saturday will highlight these initiatives.

Healing From the Burns: How The Getty Recovered From the LA Fires

On January 7, 2025, a wildfire driven by extreme winds reached the Getty Villa in Los Angeles. Thanks to years of preparation, staff efforts, and firefighter support, the museum buildings and art collection survived undamaged, though the landscape suffered severe damage. The Villa closed for about six months, during which staff removed 1,400 burned trees, cleaned soot and ash, restored water service, and installed a new exhibition. It reopened in late June 2025, welcoming visitors back to the galleries and gardens.

Review | An abruptly postponed Smithsonian show of African LGBTQ+ art is now open

The Smithsonian's National Museum of African Art has opened "Here: Pride and Belonging in African Art," its first major exhibition dedicated to African LGBTQ+ artists. The show, which was abruptly postponed earlier, features works that celebrate queer life through themes of joy, family, and belonging, while also addressing the darkness and loss faced by LGBTQ+ communities globally.

THE ART OF SCALE: LARGE WORKS | An Online Exclusive Exhibition

JoAnne Artman Gallery presents 'The Art of Scale: Large Works,' an online exclusive exhibition running from April 27 to June 1, 2026. The show features 11 large-scale artworks by artists including America Martin, Mandy Racine, Martin Adalian, Mary Finlayson, Greg Miller, Anja Van Herle, CRASH (John "Crash" Matos), and Chris Watts, with prices ranging from $9,500 to $72,000.

Beyoncé, Bezos, baubles and bustiers: What to know about the 2026 Met Gala

The 2026 Met Gala, scheduled for May 4, will serve as the fundraiser for the Metropolitan Museum of Art's Costume Institute, with a theme inspired by the new exhibition "Costume Art." The event is co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with lead sponsorship from Jeff Bezos and Lauren Sánchez Bezos, and will inaugurate the museum's new Conde M. Nast Galleries.

Painted Up: This vibrant exhibition challenges colonial perceptions of Aboriginal art

Artist and cultural practitioner Dean Biŋkin Tyson presents "CREATE EXCHANGE: Painted Up," a dual-venue exhibition at Redland Art Gallery that showcases his multidisciplinary approach to Quandamooka and Gurang traditions. Moving beyond stereotypical "dot art," Tyson utilizes canvas, animal skins, and carved artifacts to translate his background as a dancer and songman into visual form. The exhibition features large-scale murals, traditional tools like boomerangs, and "shadow boxes"—a unique craft form developed in Aboriginal missions during the 1970s.

Berlin Modern Museum Construction Delayed Until 2030

Museumsbau Berlin Modern verzögert sich bis 2030

The completion of Berlin Modern, a major new museum in Berlin, has been delayed again until 2030 due to moisture damage and microbial infestation found in parts of the raw structure. The Stiftung Preußischer Kulturbesitz (SPK) announced an estimated eight-month postponement, though no construction stop was required. The museum, designed by Herzog & de Meuron, is being built near Potsdamer Platz to expand the Neue Nationalgalerie's exhibition space. Costs have risen from an initial €200 million to a projected €507 million.

Sécurité dans les musées

This issue of Le Journal des Arts (No. 676, May 2, 2026) covers a range of visual art news: the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling back the Bourges 2028 project, the opening of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

L’architecte du Musée Gandur

The article covers several art news items from the May 2, 2026 issue of Le Journal des Arts, including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about the resized Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.