From Minor Keys to Uproar: The Crisis of the Venice Biennale

DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA

The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.

A reading room for the Epstein files opens in New York

A pop-up exhibition in Tribeca, New York, has transformed Mriya Gallery into the Donald J. Trump and Jeffrey Epstein Reading Room, displaying over 3,000 bound volumes of printed Epstein files. Organized by the Washington, DC-based Institute for Primary Facts, the room holds 3,437 volumes encompassing 3.5 million pages of released documents, printed over about a month. The free exhibition runs until 21 May and requires advance booking.

Fabian Perez Gallery Showcases 20 Artists in Neo-Emotionalism Exhibition

Fabian Perez Gallery in Los Angeles is hosting the Neo-Emotionalism Group Exhibition, featuring 20 artists working in painting, photography, and sculpture. The show, running through May 23, centers on feeling and memory, with artists like Shaylen Nelson, Awadé Wade, James Smith, and Martinos Aristidou presenting works that explore personal and cultural narratives. Nelson, an Afrocentric Realism painter, uses Black figures and music to place culture within traditional painting, while Wade’s piece "Abstract Love" draws on a Prince song and uses a tree as a symbol of life and transition.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

'Father' exhibit to make US debut at Armenian Museum. When it opens

The Armenian Museum of America in Watertown, Massachusetts, will debut the exhibition “Father” by internationally acclaimed artist Diana Markosian, running from May 29 to September 13. The show uses photography, archival materials, video, and text to document Markosian’s journey to reconnect with her estranged father, exploring themes of family, memory, and identity. Curated by Anahit Gasparyan, the exhibition is co-produced by Les Rencontres d’Arles and Foam, Amsterdam, and sponsored by the JHM Charitable Foundation. A private member preview on May 28 will feature a conversation between the artist and curator.

A Milano c’è la prima mostra omaggio all’artista Giovanni Campus dopo la morte

BUILDING Gallery in Milan has opened "Tempo e passione," the first posthumous exhibition dedicated to Giovanni Campus (1929–2025), who died less than five months ago at nearly 100 years old. Curated by Marco Meneguzzo, the two-floor show spans Campus’s career from his Sardinian roots to his Milanese performances, featuring works that measure space using materials like springs and cords, alongside vintage video documentation of his actions in Piazza Palazzo Reale and Sardinia.

Agitate, Educate, Organize. A Conversation with the Indonesian Collective That Is in Venice with Two Projects

Agitare, educare, organizzare. Una conversazione con il collettivo indonesiano che è a Venezia con due progetti

Sale Docks, an activist art space born from a 2007 occupation in Venice, has invited the Indonesian collective Taring Padi to collaborate on two projects. The first is the exhibition "Taring Padi: People's Liberation," which reactivates banners as tools for propaganda, mobilization, and resistance. The second is a public intervention in Venice, where the collective and local community will repaint the walls of the historic social center Laboratorio Occupato Morion. The article includes an interview with Taring Padi, which was founded in 1998 in Yogyakarta by students and activists, and discusses their use of wayang shadow-puppet imagery and collaborative processes to agitate, educate, and organize communities.

Punching the light: Sydney’s 90s raves – in pictures

Simon Burstall, at age 17, began photographing Sydney's underground rave scene in the 1990s, using borrowed school cameras and sneaking out in the family car to capture the burgeoning subculture. His images from that era were later compiled into the photobook '93: Punching the Light, published by Damiani in 2019.

Was This Anne Boleyn’s Seat? Rare 500-Year-Old Chair Linked to Tudor Queen

A rare, intricately carved wooden chair, potentially used by Anne Boleyn during her time in the French courts between 1510 and 1520, has been acquired and is now on display at Hever Castle. The chair was purchased by antiques dealer Paul Fitzsimmons from an online American auction in 2022, and its carvings—featuring dolphins, a Tudor rose, and the initials "AB" intertwined with a cordelière emblem of Queen Claude—suggest a strong link to the Tudor queen's early life.

Bowen artist behind 'Above the Flood, Watching for the Light'

Bowen Island artist Corey Bulpitt presents his new series "Above the Flood, Watching for the Light" at the Hearth Gallery Community Centre, on view until July 28. The six-painting series follows his earlier "Daalkaatlii Diaries" works, which depicted the great flood of Haida territories and are now held in collections including Paris’ Musée du Quai Branly–Jacques Chirac and Gallery Jones in Vancouver. This new body of work shifts from historical catastrophe to speculative imagination, drawing on Haida cosmology while embracing invention and exploring unseen energies, microscopic spaces, and ephemeral light.

A circle of Cuban art at Westchester Regional Library

The Westchester Regional Library in Miami is hosting "Circular Reflections," an exhibition featuring over 80 contemporary Cuban artists, each working within a 21-inch circular format. Organized in collaboration with the Miami-Dade Public Library System, the show opened on April 3 and runs through June 25. Curated by Miami-based artist and independent curator Miguel Rodez, the project began nearly a decade ago and has evolved into a traveling, ongoing documentation of Cuban visual culture. Artists like Ismael Gómez Peralta discuss how the circular constraint challenged traditional rectangular composition, pushing them to rethink spatial organization while maintaining their individual visual languages.

This Day in History, 1986: A Gianthropologist documents Expo 86 at new Surrey Art Gallery exhibit

The Surrey Art Gallery in British Columbia is presenting a new exhibition titled "In the Shadow of the Pavilions: Expo 86 and Contemporary Art," running from April 18 to June 7, 2026. The show features over 50 artists, including a project by Michael de Courcy who took 1,700 photos of Expo 86 visitors, and works by Henri Robideau, a self-described 'Gianthropologist' who photographed giant roadside attractions across Canada in the 1980s.

New exhibit shows how Hermès designer inspires Waco art

A new exhibition titled "From Hermès to Home" at the Waco Welcome Center showcases the work of internationally acclaimed artist Kermit Oliver alongside local artists Cade Kegerreis and Vincent Thomas, who were mentored by Oliver. Oliver is the only American artist to have designed scarves for Hermès, and the show features his iconic scarf designs alongside paintings and self-portraits by all three artists, marking the first time their work has been exhibited together. The exhibition coincides with a limited-edition re-release of Oliver's scarf design "Faune et Flore du Texas" and the upcoming publication of a book about him by Texas A&M University Press.

Flinders exhibition revives the ’60s-’70s

Flinders University Museum of Art (FUMA) presents 'Anarchive: knowledge follows form', a solo exhibition by South Australian artist Bridget Currie running from 27 April to 19 June 2026. The show reimagines the archive as a living force, drawing on FUMA's 'Post-object and Documentation Art' collection from the 1960s and 1970s. It features works by Bonita Ely, Alison Goodwin, Poppy Johnson, Dorothy Thompson, and Eva Yuen Man-Wah, including Thompson's playful protest performances in bird costumes. The exhibition is co-presented with Adelaide Contemporary Experimental and includes a guest-edited issue of Artlink magazine.

Rare documents from National Archives’ Freedom Plane tour draw history buffs and more to USC Fisher Museum

The USC Fisher Museum of Art is hosting the "Freedom Plane National Tour: Documents That Forged a Nation," a traveling exhibition of rare founding-era documents from the U.S. National Archives. The show, which runs through May 3, includes items such as a rare engraved copy of the Declaration of Independence, the Treaty of Paris (1783), and a Senate markup of the Bill of Rights (1789). USC is the only university stop on the eight-city national tour, and the documents arrived in Los Angeles on a special Boeing 737. The exhibition has drawn history students, faculty, and the public, with USC Distinguished Professor Peter C. Mancall bringing his class to study the documents up close.

Venice Biennale: In Photos and Video

The Venice Biennale, one of the most anticipated events in the art world, is showcased through a collection of photos and video. The article presents visual scenes from the prestigious international art exhibition, capturing the atmosphere and installations on display.

A review of the 2026 Venice Biennale without naming a single artist

Una recensione della Biennale di Venezia 2026 senza nominare neppure un artista

This review of the 2026 Venice Biennale describes an exhibition that overcame dire circumstances—the death of curator Koyo Kouoh early in preparations, losses of key artists, and international political controversies—to deliver a surprisingly joyful and engaging show. Titled "In Minor Keys," the Biennale features a well-conceived, flowing presentation across the Giardini and Arsenale that prioritizes beauty, craftsmanship, and hope over a punitive or documentary tone.

Provincia Cosmica. A Foggia per scoprire la fotografia sociologica di Maria Palmieri

Maria Palmieri (Foggia, 1986) is a photographer who uses her camera as a tool for observation, understanding, and social improvement. After studying law, she turned to visual arts, blending reportage with vernacular photography to uncover truth amid the 'noisy horror' of contemporary life. In an interview with Artribune, she discusses her sociological approach to photography, her return to her hometown of Foggia, and her ongoing documentation of the region's fragilities, including the largest migrant ghetto in Europe.

Colombia of the 1970s arrives in Milan with an exhibition that feels like a film

La Colombia degli Anni ’70 arriva a Milano con una mostra che pare un film

Ever Astudillo (Cali, 1948–2015) is the subject of a new exhibition at Velo Project in Milan, titled "Latin Fire." The show brings together photographs and drawings from the 1970s and 1980s, capturing the Colombian city of Cali as a silent theater of anonymous, often isolated figures. The installation also features kinetic sculptures by filmmaker Virgilio Villoresi (Fiesole, 1979), creating a dialogue between Astudillo's still images and Villoresi's fragile, hypnotic movement. The exhibition runs until May 16, 2026.

Creating Variety in Contemporary Rome: The Story of the Conventicola degli Ultramoderni on Sky Arte

Fare varietà nella Roma contemporanea: la storia della Conventicola degli Ultramoderni su Sky Arte

On Sunday, May 3, Sky Arte will premiere the documentary "Ultramoderni," which chronicles the rise of the Conventicola degli Ultramoderni, a unique artistic collective in Rome. Founded by Sior Mirkaccio and Madame de Freitas, who met in 2011, the group operates from a small hidden venue in the San Lorenzo district, blending music, cabaret, burlesque, and contemporary variety shows with a retro-futuristic aesthetic. The documentary, filmed in their Roman space, features interviews with the duo and excerpts from their performances, tracing how they built a diverse community of enthusiasts around their reinvention of past traditions.

‘Layers of Us’ show examines culture through art

Mothership Studios is hosting the opening reception and a brunch for the "Layers of Us" exhibition, featuring nine artists from Texas State University. The show explores the concept of culture through individual representation and community, using diverse media like video, painting, photography, and sculpture.

Stilllive Documents 2019–2025 @ The 5th Floor

The 5th Floor in Tokyo is hosting "Stilllive Documents 2019–2025," a retrospective exhibition running from May 14 to June 7, 2026, that reviews the activities of the performance platform Stilllive. The show features unpublished photographs and video materials from 2019 to 2025, presenting them not as mere traces of events but as records of relationships, tensions, and responses that emerged in each moment. Stilllive was founded in 2016 by Yuki Kobayashi and graduates of the Royal College of Art's Performance program, and has held annual events since 2019 at venues including the Goethe-Institut Tokyo. A new performance, "Stilllive 2026," will take place on May 16–17 at BUoY in Senju Nakamachi, Tokyo, connecting past accumulations to future practice.

A War Souvenir for Düsseldorf

Un souvenir de guerre pour Düsseldorf

The Kunstpalast museum in Düsseldorf has acquired a war-related painting by Bordeaux-born artist William Laparra, who was mobilized in 1917 into the French camouflage section during World War I. Laparra served as a brigadier-chief in the 1st group of the 10th Army at the Chantilly workshop, a unit created in 1915 by figures including Eugène Corbin, Louis Guingot, and painter Guirand de Scévola, who developed earth-toned uniforms and painted canvas to conceal artillery from German aircraft.

Young Cham artist revives fading Muslim traditions through first solo exhibition

Young Cham artist Kaeu Sreypeou has opened her first solo exhibition, titled "Remembering," at SNA Arts Management in Phnom Penh, running from May 21 to August 8. The show features 18 acrylic paintings that depict traditional Cham Muslim ceremonies, such as the Mawlid Festival and the Tolak bala cleansing ritual, which are now practiced by only a few communities in Cambodia. Sreypeou, a 2023 graduate of the Royal University of Fine Arts, draws on her own memories and participation in these rituals to document and preserve Cham cultural identity.

Grohmann Museum Exhibit Focuses on Veterans and Service

The Grohmann Museum in Milwaukee has opened a new exhibition pairing two shows by contemporary American artists focusing on military service. Ohio-born Mary Whyte's "We the People: Portraits of Veterans in America" features 50 large-scale watercolor portraits of veterans from various wars and backgrounds. Milwaukee photographer Dennis Darmek's "Boots and Sand: The Marines of 29 Palms" presents two dozen color photographs taken at the Marine Corps base in California's Mojave Desert, where Darmek himself trained in 1969. The photos capture both posed and candid moments, highlighting diversity within the modern Marine Corps, including women in combat roles.

National Artist Call for Juried Art Exhibition at Minneapolis Institute of Art, Allegories of a Better World

Artists nationwide are invited to submit original works to a juried exhibition titled "Allegories of a Better World," which will be held at the Minneapolis Institute of Art on June 28, 2026. The submission deadline is May 15, 2026. The exhibition is organized in conjunction with the premiere of the documentary film "The Making of America," directed by Monique Linder and produced by OMG Studios in partnership with the Minnesota Humanities Center. Submissions should explore themes such as virtue, moral courage, truth, justice, liberation, reconstruction, memory, history, and cultural healing. Selected works may also be featured in the film.

Bondi exhibition ‘Holding Light’ turns grief into collective response

Four months after the Bondi Beach terror attack that killed 15 people during a Chanukah celebration, a major exhibition titled 'Holding Light' has opened at Bondi Pavilion Art Gallery. Curated by Shalom Collective and supported by Waverley Council, the show brings together 29 artists and 28 works selected through a community call-out, spanning visual art, installation, and digital media. Artists including Ella Dreyfus, Munganbana Norman Miller, Beck Feiner, Bibi Solimani, and David Solomons respond to themes of loss, memory, courage, and hope, with works such as Dreyfus's 'Nature Morte – Zikaron' documenting the spontaneous memorial near the beachfront.

Bailey Art Gallery Exhibit Celebrates Life on the Water

The Bailey Art Gallery in Hobe Sound, Florida, will open a new exhibition on April 24 featuring works by local painter Dan Mackin and photographer M.E. Gruber. Mackin’s highly stylized paintings—created with airbrush and traditional techniques—depict idyllic coastal scenes on canvas, navigation maps, surfboards, and a guitar, and include collaborations with Brian Wilson of The Beach Boys. Gruber’s mid-century Kodachrome transparencies, drawn from an archive of over 5,000 images, document the emerging surf culture of Palm Beach County and the Treasure Coast. The exhibition will display 50 full-frame prints from this collection.

Through the eyes of artist T.C. Steele: IU’s campus 100 years ago

Indiana University's University Collections at McCalla has opened "Capturing the Campus: T.C. Steele," a collaborative exhibition with the Indiana State Museum and Historic Sites that brings together many paintings by Hoosier artist T.C. Steele for the first time in decades. Steele, who served as IU's first artist in residence from 1922 until his death in 1926, created impressionist works depicting campus scenes, portraits of university presidents and faculty, and landscapes that capture what the campus looked like a century ago. The exhibit, which opened April 17, features paintings sorted by geographic location on campus, alongside a historic map, letters, documentaries, and 3D renderings.

The boundary between inner world and reality in Gak Yamada's photography on show in Friuli

Il confine tra mondo interiore e realtà nella fotografia di Gak Yamada in mostra in Friuli

Japanese artist Gak Yamada's exhibition 'Cosmic Prayer' is on view until June 14 at Die Gelbe Wand, a new exhibition space in Pordenone, Italy, which will be the Italian Capital of Culture in 2027. The show traces Yamada's shift from photography as representation to an experiential medium, featuring series such as 'HIGAN' (where urban landscapes dissolve), 'Red' (where chemical decomposition reveals dominant red tones), and the latest 'Flower of the Universe,' inspired by cosmic connectivity. Yamada, who once abandoned photography entirely to paint, immerses prints in water to alter their chemical stability, with Fujifilm papers dissolving quickly and Kodak papers slowly, producing varied chromatic and material effects.