Open Letter on Auction of “Tributes” to the Russian Avant-Garde

An open letter signed by art historians, curators, and researchers protests an upcoming auction at Stanley's Auction House in Zaventem, Belgium, scheduled for April 23, titled “Tributes to the Russian Avant-Garde & Constructivists.” The second sale is organized in cooperation with Drouot, a major French auction platform, and offers approximately one hundred works from the so-called Toporovsky collection, which has been linked to a scandal involving forged Russian modernist paintings at the Museum of Fine Arts Ghent. The alleged suppliers, Igor Toporovsky and Olga Toporovsky, face criminal charges including the sale of 171 forged works for about €20 million, with court proceedings beginning in May in Ghent. The signatories argue that the auction, with works priced around €300 each, is deeply troubling given the pending legal case and the undisclosed consignor identity.

Italian Culture Minister Launches Inspection of Venice Biennale’s Russian Pavilion

Italian Culture Minister Alessandro Giuli has launched an official inspection of the Russian Pavilion at the 61st Venice Biennale, just days before the exhibition opens. An inspector has been sent to Venice to review all documentation related to Russia's participation, focusing on potential irregularities such as visa issues for Russian artists and delegation members. The investigation follows the Biennale's international jury decision to exclude Russia and Israel from awards due to accusations of crimes against humanity. The Russian Pavilion will be open only during the pre-opening vernissage, after which it will close, with digital documentation displayed in its windows.

Notre-Dame : les travaux commencent, le combat se poursuit

Work has begun on replacing the stained-glass windows at Notre-Dame Cathedral in Paris, with scaffolding installed immediately after the work permit was posted. The project involves removing six ornamental windows created in 1864 by Alfred Gérente under Eugène Viollet-le-Duc and installing six new windows by artist Claire Tabouret and the master glassmakers Simon-Marq. The authorization, signed by the prefect, has sparked legal challenges from the heritage association Sites & Monuments, who argue the replacement is neither conservation nor restoration. The article details how the state's own authorization document inadvertently strengthens opponents' arguments by affirming that the entire cathedral, including Viollet-le-Duc's windows, is protected as a historic monument.

Suspect Charged in $45,000 Fraud Incident Involving Floridian Museum

A 31-year-old woman from Boca Raton, Alexandra C. Kaiser, has been charged with grand theft and related felonies for allegedly depositing a forged $45,000 check drawn on the Flagler Museum's bank account. Police affidavits state she admitted to knowingly depositing the counterfeit check at a JPMorgan Chase branch, acting on behalf of an acquaintance who promised her a cut of the funds.

European Commission Tells Venice Biennale to ‘Clear Its Name’ Regarding Russian Pavilion or Risk Losing $2.3 M. Grant for 2028

The European Commission has issued a 30-day ultimatum to the Venice Biennale, threatening to withdraw a €2 million ($2.3 million) grant for the 2028 edition unless the organization addresses concerns regarding the Russian Pavilion's inclusion in 2026. The Commission alleges that hosting a government-funded delegation violates EU sanctions and provides a cultural platform for Russian state interests amidst the ongoing war in Ukraine. The Biennale's president, Pietrangelo Buttafuoco, must respond by May 11, just two days after the exhibition's public opening.

Ukraine Sanctions Russian Culture Figures Linked to Country’s Participation in Venice Biennale

Ukrainian President Volodymyr Zelenskyy has issued a decree imposing sanctions on five Russian cultural figures involved in the Russian Pavilion for the 2026 Venice Biennale. The sanctioned individuals include pavilion commissioner Anastasia Karneeva, former culture minister Mikhail Shvydkoy, and three performers from the Intrada Ensemble. Ukrainian officials argue that these figures use international art platforms to legitimize Russian aggression and spread state propaganda, specifically citing past activities in occupied territories like Crimea and Donetsk.

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Lebanon’s Ministry of Culture has formally petitioned UNESCO to secure enhanced protections for the nation’s cultural heritage sites as regional conflict intensifies. Culture Minister Ghassan Salamé urged the UN agency to intervene with belligerent parties to ensure the safety of irreplaceable landmarks, including the National Museum of Beirut and the Roman ruins of Baalbek. UNESCO confirmed it has shared the coordinates of these World Heritage sites with all involved parties to prevent accidental or intentional targeting during military operations.

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Artist Judy Baca and the Social and Public Art Resource Center (SPARC) are facing allegations of financial misconduct from ten former employees. The whistleblowers claim that Baca improperly used a $5 million grant from the Andrew W. Mellon Foundation to fund her private business operations and personal commissions. Specific concerns include a significant salary increase for Baca following the grant award and the blurring of lines between the nonprofit's staff duties and Baca's private studio work.

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Hope McMath, an artist and art history teacher at Douglas Anderson School of the Arts in Jacksonville, Florida, was removed from the classroom in September 2024 after posting about the assassination of Charlie Kirk on her private social media. An investigation by Duval County Public Schools found only a minor violation for profanity, but the district refused to reinstate her due to a concurrent state education board investigation. McMath is suing the school district, state officials, and Moms for Liberty, alleging her removal was politically motivated and violated her free speech rights.

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Newly released documents from the House Oversight Committee reveal Jeffrey Epstein's involvement in the art world, including emails from February 2017 in which Epstein and associates Etienne Binant and Darren Indyke discussed buying art directly from emerging artists, bypassing galleries and fairs. Binant proposed a strategy to "have an impact on the ecosystem" by supporting artists early, and Indyke confirmed $1 million was available for purchases. Separate emails show Epstein commenting on the disputed painting *Salvator Mundi*, claiming it was worth only $1.5 million and linking its sale to Saudi Crown Prince Mohammed bin Salman via Dmitry Rybolovlev.

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Artist Alex Vellis responded to criticism from conservative commentators, including Elon Musk and US Vice President JD Vance, over a graffiti-style art installation at Canterbury Cathedral. The installation, titled “HEAR US,” features questions posed to God, such as “What is the architecture of heaven?” and “Why are you indifferent to suffering?” Created through workshops with marginalized communities—including the Punjabi, black and brown diaspora, neurodivergent individuals, and the LGBTQIA+ population—the work uses spray-paint-like lettering but was not actually painted onto the historic building. Vance called the installation “ugly,” while Musk accused it of being “anti-Western propaganda.” Vellis responded on Instagram with a crude retort and the hashtag #freepalestine.

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A 2nd-century Roman gravestone inscribed for a sailor named Sextus Congenius Verus was discovered in March 2025 by Daniella Santoro and Aaron Lorenz while doing yard work at their New Orleans home. University of New Orleans archaeologist D. Ryan Gray, working with colleagues at the University of Innsbruck and Tulane University, traced the stone to a missing object from a museum in Civitavecchia, Italy. Researchers believe it was brought to the U.S. as a souvenir by a member of the 34th division of the Fifth Army after the liberation of Rome in 1944. The FBI’s Art Crime Team is now involved in repatriating the headstone to Italy.

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Archaeological treasures from Gaza's five main archaeological sites were evacuated from the French Biblical and Archaeological School of Jerusalem's storehouse in Gaza City, following an Israeli order to vacate the building before a threatened military strike. The operation, described by school director Olivier Poquillon as a "high-risk" and "last-minute rescue," involved improvised transport and logistics in a context where almost no international actors remain on the ground. The relics include artifacts from a fourth-century monastery designated as a UNESCO World Heritage site.

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Former US ambassador to France and Monaco Jamie McCourt has purchased a historic Palm Beach house known as the "Fore and Aft House" or "The Boat House" for $19.2 million. The sellers were Pace Gallery CEO Marc Glimcher and his wife, designer Fairfax Dorn, who bought the property in 2021 for $14.3 million and made further updates. The 1937 lakefront home features a ship-like design with porthole windows and curved lines, sitting on a third of an acre with waterfront access.

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Endeavor Group Holdings has sold Frieze, the company behind the influential art magazine and several international art fairs, to a new company formed by former Endeavor CEO Ari Emanuel. The deal, valued at nearly $200 million, is expected to close by the third quarter of this year. Frieze's current leadership, including CEO Simon Fox, will remain in place. The sale follows Endeavor's full privatization by Silver Lake and marks the end of a long-rumored ownership transition. Notably, two tennis tournaments initially bundled in the negotiations—Miami Open and Madrid Open—are not included in this deal.

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President Donald Trump issued an executive order directing the Smithsonian Institution to be purged of "divisive, race-centered ideology." The order tasks Vice President J.D. Vance and Secretary of the Interior Doug Burgum with overseeing the review of the Smithsonian's 21 museums, the National Zoo, and other sites. However, the article focuses on Lindsey Halligan, a former property lawyer from Fort Lauderdale, who is named twice in the order as the only individual specifically charged with co-piloting the initiative alongside Vance. Halligan, a former Trump legal team member involved in the Mar-a-Lago classified documents case and a defamation lawsuit against CNN, has a background in property law and little public record on cultural or historical matters.

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“Bad Bridget,” an archival research project about Irish women who emigrated to New York, Boston, and Toronto between 1838 and 1918 and engaged in criminal and sexually deviant activities, is being adapted into a Hollywood film. The project, launched by historians Elaine Farrell and Leanne McCormick in 2015, has already produced a podcast, a book, and a museum exhibition at the Ulster American Folk Park. The film will be produced by Margot Robbie’s LuckyChap Entertainment, directed by Rich Peppiatt, and star Daisy Edgar-Jones and Emilia Jones as two Irish sisters navigating scandal in 19th-century New York.

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Archaeologists and volunteers in Haldensleben, Germany, have reconstructed the Küsterberg megalithic tomb, a Neolithic burial chamber dating back roughly 5,500 years. The project, based on excavations by the German Research Foundation between 2010 and 2013, involved reassembling 19 upright stones and seven capstones, restoring the tomb's original form after it was altered by Iron Age peoples and damaged over millennia. The restored tomb was unveiled on the European Day of Megalithic Culture in April.

Nikyle Begay Resurrects Century-Old Diné Weavings

Nikyle Begay, a Diné shepherd and weaver based in the Navajo Nation, is revitalizing ancestral weaving techniques that were historically marginalized by the colonial trading-post economy. By breeding Navajo Churro sheep and mastering complex twill patterns once used for functional saddle blankets, Begay bridges the gap between traditional agricultural practice and contemporary fine art. Their work involves the entire lifecycle of the medium, from shearing and processing wool to reconstructing intricate designs that fell out of favor when commercial markets prioritized specific regional styles for non-Native buyers.

Jeremy Frey: The Generational Impact of a New Artistic Path

Indigenous weaver Jeremy Frey, a 2025 MacArthur Fellowship recipient, will participate in an upcoming public conversation with Hyperallergic Editor-at-Large Hrag Vartanian. The discussion will explore Frey’s unique practice of Passamaquoddy basketry, which involves harvesting natural materials like black ash and sweetgrass to create intricate vessels and innovative relief prints that bridge the gap between traditional craft and contemporary sculpture.

‘It’s a huge, futuristic space with massive skylights’: Ali Zolghadri’s best phone picture

Ali Zolghadri, a Tehran-born fine art photographer, captured a composite image of the central atrium of the Iran Mall in Tehran—the world's largest shopping mall—which was shortlisted in the creative category of the 2026 Sony World Photography Awards. The photograph, taken four months before the US and Israel launched their war on Iran, depicts the mall's futuristic architecture with sweeping curved lines, metallic surfaces, and massive skylights, and includes a lone passerby to emphasize scale. Zolghadri emphasizes that his process involves manual editing in Photoshop without AI, blending three frames and removing unnecessary elements to construct meaning.

“In corpo presente” at IED, Florence

On Tuesday, April 28, at IED Firenze (former Teatro dell'Oriuolo), the collective performance "In corpo presente" took place as the final act of a research project exploring contemporary meanings of freedom, presence, belonging, and collective action. Since December 2025, 50 students from various disciplines at IED Firenze have been involved in the project, guided by artist Jacopo Benassi.

The Meadows Gallery Announces Open Call for its 41st Annual International Exhibition

The Meadows Gallery at the University of Texas at Tyler has announced an open call for its 41st Annual International Exhibition, scheduled to run from January 20 to February 27, 2026. Interdisciplinary artist Alicia Eggert, an associate professor at the University of North Texas, will serve as juror. Artists over 18 may submit up to three two-dimensional works created within the last three years, with a $35 fee. Entries are due November 12, 2025, and selected works may be purchased for the university's permanent collection.

The existential answers

Artist Ai Jing has launched a major solo exhibition titled "Walking in the Sun" at the Shenzhen Museum of Contemporary Art and Urban Planning. Curated by He Guiyan, the multidisciplinary showcase features music, painting, installation, sculpture, and video, all centered around the conceptual theme of "walking" as a philosophical journey. A centerpiece of the show involves a literal connection to the artist's roots, featuring 150 bags of black soil transported from her hometown of Shenyang to create an immersive installation exploring memory and belonging.

‘I had all kinds of altercations’: the photographer who captures humanity at close quarters

A new book titled 'Trespass' introduces the work of photographer Mark Cohen, known for his invasive, close-quarters street photography primarily in Wilkes-Barre, Pennsylvania. Cohen's method involved using flash and fast color film to capture unsuspecting subjects, often leading to physical altercations, and his images are characterized by extreme blur and sudden points of sharp focus.

What Future for Art Centers?

Quel avenir pour les centres d’art ?

The article examines the uncertain future of contemporary art centers in France, a category that encompasses vastly different institutions from major venues like the Palais de Tokyo to smaller regional spaces. These non-collecting institutions, dedicated to exhibiting emerging artists and experimentation, face fragility due to heavy reliance on local government funding and difficulty proving their utility to elected officials. Their core mission is further challenged by more robust regional contemporary art funds (Fracs), which have greater resources for similar goals of exhibiting ultra-contemporary art and cultural democratization.

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An August 15 audit by the Maryland Department of Legislative Services uncovered serious financial irregularities at Baltimore’s Reginald F. Lewis Museum of Maryland African American History & Culture. The audit found corporate credit card charges without a clear business purpose, payments made to an employee’s PayPal account, a former employee pocketing parking fees, and a practice of pre-signing blank checks stored in an unsecured office. Though only $10,115 was unaccounted for between April 2021 and January 2025, the museum’s annual budget is $6.3 million, and it receives up to half its funding from taxpayers. The museum’s president Terri L. Freeman and board chairman Drew Hawkins have since destroyed all pre-signed checks and implemented 12 of 18 audit recommendations, with four more in progress. The employees involved are no longer at the museum, and findings were referred to the Maryland Attorney General.

Comment | All hail the rise of the art internship

Sotheby's auction house and Sotheby's Institute of Art, through their parent company Edconic, have launched a formalized, paid fellowship program. The initiative places 20 master's students from the Institute's New York program into 12-week paid internships at the auction house, with plans to expand to London and eventually involve 60 students. The program aims to provide practical, credit-earning work experience directly within the art market.

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Silke Thomas, co-manager of Munich-based Galerie Thomas, has been in custody since mid-December as part of a criminal investigation into the gallery's bankruptcy filing last summer. Munich prosecutors are investigating her and her father, founder Raimund Thomas, on suspicion of delaying insolvency, fraud, and breach of trust, with outstanding debts estimated at over $10 million. Raimund Thomas's whereabouts are unknown, and the gallery's absence from Art Basel in June 2024 hinted at financial trouble before the bankruptcy filing.

Louvre Museum to Install Locks on Doors After Heist

The Louvre Museum announced it will install locks on its doors for the first time in its history, following a brazen heist last fall where robbers stole priceless items in under seven minutes. The new "state-of-the-art entry inhibition protocol" will involve locking doors and windows after hours, with visitors being checked for bobby pins and paper clips, deemed the greatest security threats.