The Gallery of Art 850 in Panama City, Florida, hosted an opening reception for 'The Color Blue' art exhibit on Thursday evening. This is the second in a series of themed exhibitions, following last year's 'The Color Red' held in conjunction with the RedFish Film Festival. The show features 75 works in all media, from paintings to sculptures, all incorporating shades of blue, up from 63 entries last year.
At the 60th Venice Biennale, the Sultanate of Oman presents "Zīnah (Adornment)," a pavilion conceived by artist and curator Haitham Al Busafi. The immersive installation, on view at the Arsenale Artiglierie from 9 May to 22 November 2026, draws on the Omani tradition of adorning horses with silver (al-zaanah) to explore themes of relation, movement, and shared presence. Visitors enter through darkness into a field of Omani sand, beneath a canopy of silver elements that respond to movement with sound. The work incorporates drawings by students and emerging artists from a workshop in Muscat, emphasizing collective authorship.
May’s art guide highlights several exhibitions across Dayton, Cincinnati, and Columbus, including "The Future of Female" at the Dayton Society of Artists, a juried show exploring women-identifying artists' perspectives; "At This Moment" at the Main Library's 2nd Floor Gallery, reflecting on contemporary life; "Teresa Olavarria: Lichen" at The Contemporary Dayton, featuring works in vitreous enamel and bronze; and a color-themed collaborative exhibition at the Edward A. Dixon Gallery in partnership with Dayton Collaboratory. The guide also features a 35mm film series by photographer Jake Schneider documenting Greenville’s Swinging 8’s Square Dance Club.
Qatar has made its debut at the Venice Biennale with an official national pavilion, marking a major cultural milestone as the first new national pavilion in the Giardini in 30 years. Led by artist Rirkrit Tiravanija, the project titled "Untitled 2026: A gathering of remarkable people" transforms the space into a living environment featuring live music, film screenings, shared meals, and ongoing performances. The pavilion brings together artists, musicians, and chefs from across the Arab world and its diasporas, emphasizing cultural exchange rather than a single national narrative.
Art House Productions has unveiled "In The Wind," a large-scale public art installation in Lincoln Park, Jersey City, featuring artist-designed flags with original works by Hudson County artists. Curated by Tina Maneca, the exhibition celebrates the organization's 25th anniversary and includes over 80 artists who live, work, or maintain studios in Hudson County. The flags are installed around Edgewood Lake, moving with the wind to create a dynamic, ever-changing exhibition. All flags are priced at $500 and available for purchase. The installation runs from June through November 2026, with an opening reception on June 5, 2026, during ACCESS JC Fridays.
Simon Gee, a much-loved painter and lecturer who taught at Coventry Technical College for over 30 years, died in March 2025. A posthumous exhibition of his portraits, which he insisted on showing in pubs rather than galleries, is being held at Twisted Barrel Brewery in Coventry for one month. The show raises money for Myton Hospices and aims to reunite some of his subjects with their portraits. Gee was known for painting strangers he met in pubs and workmen in hi-vis jackets, and for his gregarious, kind personality.
Carrie Haddad Gallery in Hudson, NY, presents "Between here and home," a group exhibition running from May 22 through July 12, with an opening reception on May 23. The show features works by Fred Cohen, Frank DePietro, Deb Lawrence, Olan Quattro, and ransome, exploring the concept of home as an evolving construct shaped by memory, material, and experience. The exhibition draws on the Welsh idea of hiraeth—a longing for a lost or imagined home—and includes paintings, collages, and mixed media works that reflect each artist's personal engagement with place, interior space, and inherited histories.
Dozens of urban artists from 17 countries have gathered at Germany's Völklinger Hütte (Völklingen Ironworks), a UNESCO World Heritage site, for the Urban Art Biennale 2026 opening this Saturday. The exhibition features 50 artists including Tomas Lacque, Boris Tellegen (Delta), Vortex-X, Ampparito, Remi Rough, and Anders Reventlov, who have created site-specific installations that engage with the industrial landmark's sprawling spaces, rust, dust, and sense of decay. Works range from a van covered in ash-like paint to a massive wooden sculpture and a rooftop text piece visible from 45 meters high.
Nine Fathom Deep, a new gallery in Wellington, New Zealand, is opening its latest exhibition "Soft Cycle" on May 15, 2026. The group show features works by local artists Ruth Thomas-Edmonds, Noa Noa von Bassewitz, and Kate Woods. The gallery, directed by Susanna Bauer, operates on a model that does not seek exclusive artist representation, allowing for a more dynamic exhibition program that focuses on mid-career artists with established practices. Bauer, who has a background as an artist, academic, and arts advisor, emphasizes building genuine relationships, professional integrity, and creating a welcoming space for all visitors.
Iris van Herpen's exhibition "Iris Van Herpen: Sculpting the Senses" opens at the Brooklyn Museum from May 16 to December 6, 2026, featuring over 140 haute couture creations alongside contemporary art, design objects, and natural history specimens. The show, previewed by designboom, is organized around natural themes from water to planetary scale, with the Dutch designer leading a walkthrough that emphasized her inspirations from micro and macro worlds and her process of turning material experiments into wearable sculptures.
Kathryn Williams, a Liverpool-born singer-songwriter and visual artist based in Newcastle, opens her first solo North East exhibition, "Striking Image," at The Biscuit Factory in Ouseburn on May 8. The show features tiny, expressive portraits painted on matchboxes, reimagining historical miniatures on humble household objects. Williams, who has released 17 albums, written a novel, and hosted a podcast, approaches this exhibition as another strand of her lifelong creative practice, emphasizing freedom and process over product.
This article highlights a variety of art exhibitions and events taking place in Alexandria, Virginia, during May 2026. Featured shows include the "Floret 2026" floral exhibit and the May 2026 Open Exhibit juried by Jowita Wyszomirska at the Art League Gallery of the Torpedo Factory Art Center, as well as the Alexandria City High School Titan Student Art Exhibition at Del Ray Artisans Gallery. Other offerings include a mask exhibit at Mount Vernon Unitarian Church, multiple ART + WINE + CHEESE soirées at Nepenthe featuring artists like Leah Sturgis, Sunny Goode, and Evelyn Dunphy, and special print exhibits at Printmakers, Inc. honoring Avis Fleming.
Bildmuseet in Umeå, Sweden, will host the Master's exhibition "Of Love and Care" from the Umeå Academy of Fine Arts at Umeå University, opening on 22 May 2026 with an Art Friday event featuring talks, performances, tours, live music, and a DJ. The exhibition showcases works by ten graduating artists—Christian Abrahamsson, Amanda Angeli Blombäck, Time Bohlin, Renan De Menezes Anan, Elna Dani Liljedahl, Joanne Löfling, Måns Palmberg, Sofia Tien, Fanny Åberg, and Tin Åling—whose pieces explore themes of love, care, mysticism, and the wonder of existence, moving beyond overtly political and consumerist messages. A media preview will be held on 20 May, and the exhibition runs through 23 August 2026.
The Madison Museum of Contemporary Art (MMoCA) announced a lecture by linguist Dr. Salikoko S. Mufwene, exploring the evolution of language and symbols, alongside an exhibition of Gelsy Verna's artwork "Mother, Father, Please Help Me" (May 7–September 27, 2026). Verna, a Haitian-born Canadian artist and former University of Wisconsin–Madison professor, created the piece as a palimpsest over several years in collaboration with David Dunlap; the reverse side has been reproduced for display. MMoCA has added the work to its permanent collection.
On May 4, 2026, the Metropolitan Museum of Art previewed the Costume Institute's new permanent galleries and its inaugural exhibition, "Costume Art," ahead of the Met Gala. The exhibition features over 400 objects from the Met's collections, organized around themes of the body such as "The Classical Body" and "The Disabled Body," with mannequins featuring mirrored faces to reflect viewers. Speakers at the press event included Anna Wintour, Venus Williams, and Lauren Sánchez Bezos, with the Met Gala raising over $42 million for the museum.
The National Museum of Korea has opened a new exhibition titled *Danwon Kim Hong-do, Painting the Era* in its renovated painting and calligraphy gallery, showcasing 96 works from 50 collections. The exhibition highlights Kim Hong-do's versatility beyond his famous genre paintings, featuring landscapes, documentary paintings, and floral art, including the first public display of *Chongseokjeongdo* (1795) from a private collection. Director You Hong-june emphasizes Kim's unmatched lyrical depth and technical skill across all genres.
Art Formes presents a multi-disciplinary group exhibition curated by Jean Dreyer at The Old Biscuit Mill in Cape Town, running from 16 April to 11 June 2026. The show features 21 artists including Maja Marx, Katherine Glenday, Gerhard Marx, and others, with works that explore themes of soil, text, and interconnection through painting, ceramics, and sculpture. The exhibition emphasizes dialogue between works and the gallery's architecture, with a press release highlighting the gallery's focus on contemporary African sculpture.
The article reviews a major exhibition of 17th-century Spanish painter Francisco de Zurbarán, highlighting his dramatic religious works such as a stark crucifixion, a depiction of St. Peter crucified upside down, and a series of saintly princesses. It notes the exhibition's effective hanging, the artist's use of vivid color and theatrical lighting, and includes recently attributed works like a mysterious giant head. The review emphasizes the blend of high drama, emotion, and Catholic piety in Zurbarán's paintings, as well as his still lifes that rival those of Velázquez.
Chinese artist Gulistan, based in Beijing, presents her solo exhibition "Time Garden" at the National Gallery of Modern and Contemporary Art (GNAMC) in Rome. Curated by Gabriele Simongini and supported by the Foundation for Chinese Art in Italy and the International Federation of Women Artists 923 Art Space, the show explores a fusion of Eastern and Western aesthetics through painting, drawing on the legacy of the Silk Road. The exhibition features series such as "Fragments of Time," "The Nature of Memory," and "Memory of the Portraits," blending Chinese ink traditions with classical Western portraiture and archaeological motifs.
Jasmine Lezema, an art history major and museum intern at the Janet Turner Print Museum, has organized a peer-led exhibition tour titled "Through an Art Historian’s Lens," scheduled for Wednesday from 5 to 5:30 p.m. The tour focuses on printmaking at Chico State and encourages students to engage deeply with artworks. Lezema selected three pieces from the current exhibition that personally resonated with her, drawing on her art history training to interpret symbolism, materials, and context. The museum’s director, Rachel Skowoski, and education assistant, Dylan Charlton, emphasize that student interns are empowered to shape programming around their interests, making this tour a product of that philosophy.
DePaul Art Museum (DPAM) in Chicago is presenting the exhibition "For Chicago, With Chicago," running from May 21-31, 2026. The show features works from the museum's collection, including pieces by Melissa Ann Pinney, Josh Dihle, and Claudio Dicochea, and was curated with input from DePaul students, staff, alumni, and the public. The exhibition is organized by DPAM interns, fellows, and delegates, highlighting a collaborative, community-driven approach.
The Martha Invitational and MarfaMUST are collaborating on a two-day arts weekend in Marfa, Texas, from May 29-30, 2026. The event, themed 'Home Coming,' features a pop-up opening at Rule Gallery for the Martha Invitational, a closing event for MarfaMUST, and open studios throughout the town, all free to the public. It reunites the founding organizers of the Martha Invitational and incorporates new participants, celebrating the local artist community across generations.
Warum fürchtet sich die Gegenwartskunst vor der Gegenwart?
The article critiques the 2024 Whitney Biennial, which emphasizes themes of compassion, vulnerability, and community. It argues that the exhibition feels like a capitulation to reality, failing to confront the rise of contemporary fascism and the political urgency of the present moment.
Was die Sanierung des Pergamonmuseums kostet
The Pergamon Museum in Berlin is undergoing a major renovation with a total budget of €1.5 billion for both construction phases, including cost risks. The Federal Office for Building and Regional Planning (BBR) has announced that current projections indicate the overall costs will not be exceeded. Phase A, which includes the hall housing the famous Pergamon Altar, is expected to open on June 4, 2027, with a potential cost increase of up to 5% over the originally approved €489 million. Phase B, covering the Ishtar Gate and Babylonian Processional Way, has seen its cost forecast reduced by €27 million to €722.4 million, with an additional €295.6 million set aside for risks and price increases. The museum will fully reopen only in 2037.
The first section of Berlin's Pergamon Museum will reopen to the public on June 4, 2027, after years of renovation. The Prussian Cultural Heritage Foundation (SPK) announced the date, ending months of uncertainty. The museum has been completely closed since autumn 2023 for comprehensive refurbishment, and the reopening will finally make the famous Pergamon Altar accessible again. However, the south wing, housing the Ishtar Gate and Babylonian Processional Way, will remain closed until 2037, with full museum access expected that year.
Yves Goldstein, the general director of the Brussels branch of the Centre Pompidou, has announced his departure just before the scheduled opening of Kanal-Centre Pompidou on November 28. Goldstein stated that his mission is nearly complete and that the museum's daily management phase requires a different leader. A call for applications will be launched by the board of directors, with the selection made by the board of the Fondation Kanal based on profiles proposed by a jury led by president Michèle Sioen. The new director will face immediate challenges, including negotiating a new management contract with the Brussels Region for 2029-2033 and securing an increased annual subsidy, currently set at €10 million, which is deemed insufficient.
Los Angeles is undergoing a major cultural expansion in 2026, with several high-profile museum openings and immersive art experiences set to debut between June and December. Key developments include Dataland 3.0, the world's first dedicated Museum of AI Arts, created by Refik Anadol Studio at The Grand LA; the Lucas Museum of Narrative Art, a 100,000-square-foot gallery in Exposition Park designed by MAD Architects; and a new permanent installation by the art collective Meow Wolf. These are joined by recurring events such as LA Pride 2026, Cali Vibes 2026, the German Currents Film Festival, the Hollywood Christmas Parade, and the L.A. County Holiday Celebration, creating a dense cultural calendar.
Ocula, an online platform for contemporary art, has published a promotional piece highlighting its services: partnering with leading galleries to showcase artists and artworks, offering vetted gallery membership by application and invitation, and providing art advisory with access to influential galleries, collectors, and auction houses. The article also mentions Ocula's editorial content that celebrates people and ideas shaping contemporary art.
The Zimmerli Art Museum at Rutgers University's College Avenue campus is hosting 'Andy Warhol: On Repeat,' an exhibition running through July 31st. The show features Warhol's Polaroids, Polacolor prints, 'Crosses' series (1982), and 'Screen Tests'—silent, looping film portraits that place visitors in an immersive, repetitive visual environment. An interactive element allows guests to sit before a camera and become part of the artwork, echoing Warhol's exploration of identity under observation.
Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.