East Coast artist Prudence Davis has unveiled her latest exhibition, "Going with the Flow," at the Matawhero Art Gallery. The collection features a series of paintings deeply inspired by the local landscape and the artist's personal connection to the ocean. Davis, who comes from a significant artistic lineage, uses this body of work to explore her environment through fluid, nature-focused compositions.
The Motown Museum in Detroit has unveiled its latest exhibition, "Psychedelic Soul: A Journey Through Rhythm and Time," hosted at the Esther Gordy Edwards Centre for Excellence. The showcase features a diverse array of artifacts from Motown’s experimental era, including Stevie Wonder’s Minimoog Model D synthesizer, vintage Neumann engineering equipment, and flamboyant stage costumes worn by members of The Miracles.
Israeli artist Zoya Cherkassky-Nnadi has unveiled a new body of work that utilizes the visual language of Old Masters and classical mythology to process the collective trauma of the October 7 attacks. By referencing iconic compositions from art history, Cherkassky-Nnadi creates a bridge between historical depictions of suffering and the immediate, raw experiences of contemporary Israeli life, offering a formal structure to otherwise unspeakable events.
Gisborne-based artist Melanie Tangaere Baldwin has unveiled her latest solo exhibition, Ā Mua, at the Tairāwhiti Museum. The showcase features a departure from her previous multi-disciplinary work, focusing heavily on sculptural hand-stitched textile art that depicts powerful female forms, alongside light boxes exploring the symbolism of fire.
Four graduating seniors at Shippensburg University—Drew Weaver, Greg Schultz, Ally Richwine, and Katelyn Bard—unveiled their capstone art exhibition at the Huber Arts Center. The showcase features a diverse array of media, including surrealist paintings of liminal spaces, printmaking focused on mental health and friendship, experimental ceramics, and biblical-themed paintings exploring personal identity.
The Rollins Museum of Art has unveiled "Souvenir," a new exhibition that explores the intersection of physical objects and personal or collective memory. Featuring works such as Cruz Castillo’s "Loss Came First"—a piece constructed from discarded lottery tickets—the show examines how everyday items, from kitsch keychains to historical relics, serve as vessels for nostalgia and reminders of the past.
Graduating seniors at California Lutheran University have unveiled their capstone projects in the Visual Arts Senior Exhibition at the William Rolland Art Center. The showcase features a diverse range of media, including digital design, photography, and fine art, resulting from two semesters of self-directed research and experimentation. Notable works include Bella Dinovitz’s ink-based explorations of mental health and Stephanie Nolasco’s pieces addressing identity and the U.S.-Mexico border.
The Slater Memorial Museum at Norwich Free Academy has unveiled its spring lineup, featuring a diverse range of historical and contemporary programming. Highlights include a lecture by historian Tricia Staley on Norwich’s revolutionary history to mark the nation’s 250th anniversary, a youth-oriented storytime event in partnership with Otis Library, and the final days of a traveling exhibition by French artist Laurence Saunois.
Singaporean artist Suzann Victor has unveiled a major installation at Art Basel Hong Kong, showcasing her signature blend of large-scale spectacle and deep conceptual inquiry. The Sydney-based artist, recognized as a pioneer of contemporary art in Southeast Asia, utilizes her multidisciplinary practice to challenge viewers to confront the enduring psychological and cultural impacts of postcolonialism.
Northwest Missouri State University has unveiled "Art Left Behind: Exploring Decades of Creativity," an exhibition featuring student artworks discovered in the storage rooms of the Olive DeLuce Fine Arts Building. Curated by students Brooke Reyes, Jeri Walters, and Sammy Ward, the show presents a selection of prints dating from the late 1960s to the present day. The collection largely consists of works created under the guidance of former professor Phil Laber, ranging from abstract compositions to social and political commentaries.
Telfair Academy in Savannah has unveiled the Walter and Linda Evans Gallery of African American Art, a permanent gallery dedicated to late 19th and early 20th-century African American artworks. The gallery is named for collectors Walter and Linda Evans, who donated 28 works from their collection in 2023. The space, originally the Dining Room, underwent a full restoration and opens to the public on February 6, 2025, after a sold-out reception. The exhibition highlights the challenges and successes of African American artists and the emergence of cultural centers in the Midwest and Northeast, while also reflecting on Telfair's historical relationships with local African American artists.
Florida State University's Museum of Fine Arts and College of Fine Arts have unveiled their spring 2026 schedule of exhibitions and public programs. The lineup includes student and faculty exhibitions across multiple campus gallery spaces, a series of public workshops on topics like experimental cartography and basket weaving, and special events like an art crawl and family storytime sessions. Key exhibitions include "A Place Within," "Horizon: Speculative Worlds and Interdisciplinary Research," and the MFA thesis shows.
A new art installation has opened at Springfield Town Center in Fairfax County, Virginia, featuring seven works by three local artists—Tumôhq Abney, Jován Bethel, and Isabella Merlos. The exhibition, titled “ArtsFairfax Presents at Springfield Town Center,” is a collaboration between the mall and ArtsFairfax, the county's official arts agency, and was unveiled on October 16, 2025, with a ribbon-cutting ceremony. The show is part of ArtsFairfax’s month-long artoberVA celebration, organized in partnership with CultureWorks, and will remain on display through March 31, 2026, with all works available for purchase.
The Northern Territory government has unveiled revised plans for the Aboriginal and Torres Strait Islander Art Gallery of Australia (ATSIAGA) in Alice Springs/Mparntwe. The redesigned project, led by BVN, Susan Dugdale and Associates, and Clouston Associates, has been reduced from five storeys to three, with 1,300 square metres of exhibition space. A development consent application was submitted earlier this month and is now on public exhibition until 22 August, following cost blowouts that prompted a "re-scoping" of the original scheme. Construction is expected to take 18–24 months, with an opening targeted for late 2027.
Grammy-winning jazz percussionist Pete Escovedo, father of Sheila E., unveiled his latest art exhibition, "The California Art Tour (Oakland chapter)," at The Grand Gallery in Oakland on July 17, 2025. The event doubled as a celebration of his 90th birthday. The exhibit features abstract paintings of faces, primarily women, in vibrant reds, oranges, and yellows, including a self-portrait from 2003 on loan from his private collection. Escovedo, who began painting as a student at McClymond's High School, attended the reception with family members, including his son Juan Escovedo, and longtime friends.
Ai-Da, the AI humanoid robot artist, unveiled a portrait of King Charles III titled *Algorithm King* at the UK Mission in Geneva during the UN's 2025 'AI for Good Summit'. The robot, created by Oxford gallerist Aidan Meller, previously painted the late Queen Elizabeth II and set a record in November 2024 when her work *A.I. God. Portrait of Alan Turing* sold for over £1 million at Sotheby's New York.
The humanoid robot Ai-Da, one of the most advanced in the world, unveiled a new oil painting titled "Algorithm King" at the United Nations' AI for Good summit in Geneva. The portrait depicts King Charles III and was created using artificial intelligence algorithms. Late last year, Ai-Da made history when its portrait of Alan Turing became the first artwork by a humanoid robot sold at auction, fetching over $1 million. The robot, created in 2019 by a team led by Aidan Meller with specialists from the universities of Oxford and Birmingham, is designed to resemble a human woman with interchangeable robotic arms.
The Museum of Dufferin and the Dufferin County Multicultural Foundation unveiled the fourth annual Unity in Diversity art exhibition on June 7 at the museum's Silo Gallery. The juried multicultural show features works by 18 artists from across Ontario and presented four awards: Juror's Choice, Youth Artist, Emerging Artist, and Best in Show. Barrie-based artist Faryal Shehzad won the Juror's Choice Award for her piece "Homecoming," while Kaiya Davoodian received the Youth Artist Award for "Glory to Ukraine." Other winners include Vishwa Patel (Emerging Artist) and Melissa Boodoo (Best in Show).
Creative Pinellas has unveiled Sightline, a new art gallery inside St. Pete–Clearwater International Airport (PIE), featuring a debut exhibition titled "Made in the Shade." The show highlights works by three St. Petersburg-based artists: Elizabeth Barenis (abstract paintings), Matthew Drennan Wicks (sculpture), and Babette Herschberger (ceramics). Located post-security near Gates 7–11, the gallery offers travelers a free, immersive art experience. Additionally, the airport opened Liquid Provisions, a bar and eatery by SSP America serving craft cocktails and locally inspired food, aiming to bring a taste of Pinellas County to the terminal.
Arts District Liberty Station in San Diego has launched a new open-air gallery and unveiled several new installations for 2025. The initiative transforms outdoor spaces within the former naval training center into a public art experience, featuring works by local and national artists. The new installations include sculptures, murals, and interactive pieces designed to engage visitors and integrate art into the community's daily environment.
In una chiesa di Piacenza la luce del designer Davide Groppi diventa un sussurro sospeso nel tempo
Renowned lighting designer Davide Groppi has unveiled a major anthological exhibition titled "Un’ora di luce" (An Hour of Light) at Volumnia, a gallery housed within the deconsecrated Church of Sant’Agostino in Piacenza. Curated by Marco Sammicheli, the retrospective spans forty years of Groppi’s career, featuring iconic works like Sampei and Moon alongside new site-specific debuts. The exhibition is structured in two parts: a series of enclosed "utopias" that create intimate light environments, followed by a dialogue between his minimalist fixtures and the soaring, historic architecture of the church.
James Cope Gallery has unveiled a new exhibition where the primary focus shifts from individual subjects to the evocative power of atmosphere. The presentation prioritizes mood, lighting, and spatial resonance, inviting viewers to engage with the sensory qualities of the environment rather than traditional narrative structures.
The New Museum in New York has unveiled a sensory-driven installation that utilizes scent as a primary medium, challenging the traditional ocular-centric experience of contemporary art spaces. Visitors are greeted by a distinct, musky aroma that permeates the galleries, part of a curated effort to explore the intersection of olfaction, memory, and physical space.
Artist Sultana Hasan has unveiled a new solo exhibition titled "Rooted in Nature" in Bengaluru, featuring 29 works including mixed-media paintings on canvas and paper, as well as pen and ink drawings. The pieces are grouped into themes such as still life, forest and park walks, landscapes, rockscapes, and floral designs, inspired by her reflections on nature during the Covid-19 pandemic.
The Gallery Lake Forest has unveiled "Wax Poetic," a solo exhibition featuring the encaustic works of Deerfield-based artist Karen Ross. This marks Ross’s first solo showcase in Lake Forest, highlighting her mastery of the ancient and technically demanding medium of encaustic painting, which involves using heated beeswax and pigments. The exhibition focuses on themes of emergence and the seasonal transition of spring, drawing parallels between the natural world and the physical process of layering and revealing wax.
OMA and its research arm AMO have unveiled a new exhibition design for Maison Margiela in Shanghai, utilizing industrial shipping containers as the primary architectural framework. The installation creates a modular, raw environment that reflects the fashion house’s deconstructivist aesthetic while navigating the expansive industrial space of the Chinese venue. By repurposing these steel structures, the design team has constructed a series of interconnected rooms that guide visitors through the brand's latest collections and archival pieces.
Local artist Brenda Bryant has unveiled her latest exhibition, "Shadows and Light," at the Bastion Lane Espresso Bar in Uki. The collection features eight oil and pastel paintings inspired by the Gondwana rainforest and the remnants of the Big Scrub in Australia's Northern Rivers region. Bryant’s work utilizes a soft, misty aesthetic to capture the atmospheric tranquility of the forest, occasionally incorporating fantastical elements influenced by J.R.R. Tolkien.
Emerging multidisciplinary artist Isabella Kennedy has unveiled her installation 'Ballast' at Firstdraft in Sydney, a site-specific work that blends paper sculpture, video projection, and sound. The exhibition draws on the unfinished research of her late father, journalist Les Kennedy, regarding the 1941 disappearance of the HMAS Sydney II. Through delicate stitched paper forms and immersive blue light, Kennedy explores themes of familial grief, maritime history, and the meditative acts of remembrance that bridge personal and national narratives.
A San Francisco art exhibition has unveiled hidden histories through a stunning display of works that challenge conventional narratives. The show brings together diverse artists whose pieces explore overlooked stories, using mixed media and installation to reveal layers of cultural and personal memory. The exhibition is presented at a prominent local venue, drawing attention for its provocative and deeply researched content.