Zurbarán review: Even the godless will be enraptured by this drama

The article reviews a major exhibition of 17th-century Spanish painter Francisco de Zurbarán, highlighting his dramatic religious works such as a stark crucifixion, a depiction of St. Peter crucified upside down, and a series of saintly princesses. It notes the exhibition's effective hanging, the artist's use of vivid color and theatrical lighting, and includes recently attributed works like a mysterious giant head. The review emphasizes the blend of high drama, emotion, and Catholic piety in Zurbarán's paintings, as well as his still lifes that rival those of Velázquez.

Diverse Materials and Perspectives in Upstairs Artspace’s Two Spring Shows

Upstairs Artspace in Tryon is launching two concurrent exhibitions, "Fight or Flight" and "Birds of a Feather," opening April 19. The solo show by Asheville-based artist Erika Diamond features textile sculptures crafted from bulletproof Kevlar and mirrored vinyl, exploring themes of queer safety, resilience, and survival. The accompanying group show, curated by Diamond, brings together eight artists whose works in photography, glass, and painting examine identity and the human body's relationship to the natural world.

Art exhibitions explore Appalachian identity and newcomer experiences

The Virginia Tech Carilion School of Medicine is launching a dual exhibition featuring "From These Hills" and "Making it in America," opening April 14 in Roanoke. "From These Hills," on loan from the William King Museum of Art and curated by Kathy Foley, showcases contemporary Appalachian art across various media that explore regional identity and memory. Complementing this, photojournalist Heather Rousseau’s "Making it in America" documents the lived experiences of immigrants and refugees in Southwest Virginia, capturing the resilience of Afghan, Ukrainian, and Latino newcomers through five years of visual storytelling.

Philadelphia Museum of Art Names Katherine Anne Paul as the Newly Appointed Stella Kramrisch Curator of Indian and Himalayan Art

The Philadelphia Museum of Art has appointed Katherine Anne Paul as the Stella Kramrisch Curator of Indian and Himalayan Art, a role named after the pioneering scholar and curator. Paul previously served as Assistant and Associate Curator of Indian and Himalayan Art at the PMA from 2002 to 2008, and most recently held the Virginia and William M. Spencer III Curator of Asian Art position at the Birmingham Museum of Art, where she also served as Lead Curator. She holds a PhD from the University of Wisconsin–Madison and has curated notable exhibitions including "Silver & Ceremony from Southern Asia 1830–1930" and "Expanding Darshan: Manjari Sharma, To See and Be Seen."

“Come in and learn” - Sunrise Moon Art Gallery now open in High River

Virginia Aldoff-Pinay, a Cree Kokum from the Foothills School Division, has opened the Sunrise Moon Art Gallery in High River, Alberta. The gallery features Indigenous art, artifacts, and educational displays representing the Blackfoot Confederation, Métis, and Inuit cultures, along with a tea room and library. Aldoff-Pinay, who comes from a family of artists, named the gallery after a morning prayer when she saw both the sunrise and moon. The business is managed by her grandson Ethan Carpenter, and the sign was made by her daughter Vanessa.

The Chateau Show offers a stylish exhibition full of surprises for artistic insiders

Each October, the Chateau Show takes over the historic Aldredge House on Swiss Avenue in Dallas, a Gilded Age home built in 1915-17. Founded by artists Joel Murray and Clint Bargers, the four-year-old exhibition invites a select crowd of curators, museum directors, and art world insiders to view envelope-pushing works by emerging, mid-career, and established artists. This year’s edition features 21 participants, including Alicia Eggert, Luke Harnden, Virginia L. Montgomery, and Arthur Peña, with installations ranging from site-specific pieces to more commercial works. The show is free and open by appointment from Oct. 19-25.

Bowdoin College Museum of Art Announces Major Exhibition and Long-Term Loan Partnership with Wyvern Collection

The Bowdoin College Museum of Art (BCMA) has announced a major exhibition and long-term loan partnership with the Wyvern Collection, a prestigious London-based private collection of medieval art. The first exhibition, "Medieval Art from the Wyvern Collection: Global Networks and Creative Connections," will open this fall, featuring more than 57 artworks on long-term loan combined with objects from BCMA's own holdings. The show highlights cross-cultural connections across a vast geographic range—from Japan to Mexico, northern Europe to Africa—challenging traditional Eurocentric views of the Middle Ages.

Sara Stern '17 Opens Latest Solo Exhibition, 'STALL,' at Turley Gallery

Sara Stern, a 2017 alumna of the Visual and Environmental Studies program at Harvard, has opened her fifth solo exhibition, 'STALL,' at Turley Gallery in Hudson, New York. The installation transforms the gallery's interstitial space, The Light Well, into a horse stall featuring a toy theater that plays a video of horseshoe crabs spawning. The exhibition runs from July 19 to September 7, 2025, and includes elements such as straw, a velvet curtain, and an adorned horseshoe crab shell, creating a mise en abyme effect.

Historic 16-Venue Art Exhibit Spotlights Local Women Artists

The Greater Washington region launches "Women Artists of the DMV," the largest curated fine arts exhibition ever dedicated to contemporary female artists in the United States. Featuring more than 500 artists across Maryland, Virginia, and Washington, D.C., the landmark survey spans 16 galleries and cultural venues from late August through January 2026, with the American University Museum at the Katzen Arts Center serving as the central hub. Curated by Florencio Lennox Campello, the exhibition highlights both established and emerging voices across genres including painting, sculpture, glasswork, textiles, and public art, with strong representation from Southern Maryland and Prince George's County.

Selina Roman photo exhibition at Sarasota Art Museum provides new take on femininity and beauty

Selina Roman's new exhibition "Abstract Corpulence" at the Sarasota Art Museum presents abstract photographs created from tightly cropped images of her own body, wearing pastel bodysuits and tights to transform her physique into rolling landscapes and modernist-inspired compositions. The show runs from August 31, 2025 through March 29, 2026, featuring works from her XS series, including pieces like 'Ballhead, 2021' and 'Blockhead, 2025', printed as dye sublimation on aluminum. Roman, a Tampa-based artist and former print journalist, was named a 2024 Critical Mass Top 50 Artist for this series.

Why these Confederate monuments from Richmond are headed to California

Several Confederate monuments removed from Richmond, Virginia, including the Vindicatrix sculpture from the Jefferson Davis Monument and the Matthew Fontaine Maury sculpture and globe, are being loaned to a national temporary art exhibition in Los Angeles. The Valentine and the Black History Museum & Cultural Center of Virginia are sending these artifacts, along with granite slabs from various monument bases, to be part of a show running from October to May that reimagines their place in history. More than 15 monuments from across the U.S. will be featured, and the museums have gathered over 6,000 survey responses from the community to guide future decisions.

Artist Paul Rucker’s Klan Robes Expose America’s Racist Underbelly

Artist Paul Rucker's exhibition "Rewind Resurrection" returns to New York a decade after its debut, featuring his iconic Klan robes reimagined in bold fabrics like pink, Kente cloth, and camouflage. The show, which was censored at York College of Pennsylvania in 2017 following the Charlottesville white supremacist rally, includes KKK memorabilia, data visualizations of prison proliferation, and wooden relief sculptures honoring victims of racial violence. It is Rucker's first New York show, self-funded in a rented Chelsea gallery, and he hopes an institution will acquire the entire installation.

Holy ground: why Persian carpets played an important symbolic role in the funeral of Pope Francis

Persian carpets from northwest Iran were used in the funeral proceedings of Pope Francis, placed beneath his casket in St. Peter's Basilica and later in St. Peter's Square. The article traces this tradition back over 600 years, explaining how carpets from Islamic lands—first Anatolia, then Iran, Egypt, and the Levant—were depicted in Renaissance religious paintings as markers of sacred space, appearing at the feet of the Virgin Mary and other holy figures.

Conservation of Tintoretto painting in UK reveals ‘layer of history hiding under the surface’

A two-year conservation project by the National Trust has uncovered significant compositional changes in Jacopo Tintoretto's painting *The Wise and Foolish Virgins* (around 1546), which returns to public display at Upton House in Warwickshire, UK on 28 April. X-ray imaging revealed a hidden stone balcony beneath the final architectural setting, matching a balcony in a related version at the Museum Boijmans Van Beuningen in Rotterdam. Infrared scanning and paint analysis also showed that Tintoretto removed criss-cross elements and a balcony section, replacing them with a servant laying a table, while previous restorers had misinterpreted these pentimenti as part of the intended composition.

Exhibition at Mons Museum of Fine Arts explores Belgian art and the communist utopia

The Mons Museum of Fine Arts has launched "Plural Perspectives: Belgian Art and the Communist Utopia in the 20th Century," an exhibition running from April 11 to August 16. The showcase traces nearly a hundred years of Belgian artistic production influenced by the communist movement, featuring a diverse array of mediums including painting, sculpture, and monumental works by figures such as René Magritte and Frans Masereel.

[Interview] Framing Space Through the Human Experience: Michael Najjar x Samsung Art Store

German artist and future astronaut Michael Najjar has partnered with the Samsung Art Store to feature his work "europa" (2016) as part of the Art Basel Hong Kong 2026 Collection. Najjar, who is scheduled to become the first contemporary artist in space via a 2027 Virgin Galactic flight, uses his practice to explore the intersection of technology, space exploration, and human ambition. The collaboration allows his large-scale digital constructions to be displayed on Samsung Art TVs, bridging the gap between the physical art fair and domestic environments.

‘He always had spirituality’: Spanish exhibition unpicks Picasso's religious influences

The cathedral of Burgos in Spain is hosting "Picasso: Biblical Roots," the first-ever exhibition of Pablo Picasso’s work to be held within a cathedral setting. Featuring 44 works, the show explores how the artist’s Catholic upbringing and religious iconography influenced his oeuvre, despite his self-proclaimed atheism. The exhibition includes early devotional paintings, Renaissance-inspired depictions of the Crucifixion, and secular adaptations of the Virgin and Child and the Good Shepherd.

Museum of Contemporary Art Los Angeles acquires Kara Walker sculpture made from dissected Confederate monument

The Museum of Contemporary Art (MOCA) Los Angeles has acquired "Unmanned Drone" (2023), a significant bronze sculpture by Kara Walker. The work was created by dissecting and reassembling a decommissioned 1921 monument of Confederate General Stonewall Jackson, which was removed from Charlottesville, Virginia, following the 2017 "Unite the Right" rally. The acquisition was announced alongside more than 150 other new additions to the museum's permanent collection, including major works by Cynthia Daignault and Paul Pfeiffer.

Comment | Reflecting on my father’s art and life on the occasion of his posthumous exhibition

The article is a personal essay by the author reflecting on the life and art of their father, Samuel Kahn (1927-2007), a self-taught artist and clinical psychologist who struggled with bipolar depression. A posthumous exhibition titled "Samuel Kahn, Ph.D. + Friends" opens on 29 January at the Gordon Art Galleries at Old Dominion University in Norfolk, Virginia, featuring around 50 of his wood-carvings, paintings, and sketches. The author describes how they once believed their father had wasted his life, but now sees his vibrant, untrained works as a source of joy and connection.

Art Museum and Galleries at W&L: Winter 2026 Programs and Exhibitions

Washington and Lee University's Art Museum and Galleries is hosting five temporary exhibitions through Winter Term 2026, including "Edward Burtynsky: Taking Place" at the Reeves Museum of Ceramics, "Moffat Takadiwa: Recoded Memories" at the Watson Galleries, and "Luminous Layers: Glazed Surfaces and the Art of Reflection" alongside "Points of Exchange: Asian Ceramics in the Reeves Collection" at the Reeves Museum, plus "Expressions of Color: Paintings by Evelyn Dawson" at the McCarthy Gallery. The museum is also offering free public programming such as Artful Yoga sessions and an MLK Week Open House featuring artworks connected to the Civil Rights movement.

Ecuador's Bienal de Cuenca marks 40th anniversary with a playful theme but a serious tone

The 17th Bienal de Cuenca, titled "The Game," opened on 24 October in Cuenca, Ecuador, marking its 40th anniversary. The biennial features 51 artists selected by 17 international curators, with works displayed across multiple venues including museums, gardens, and the airport. The event highlights artists and curators from the Global South, focusing on social and political concerns rather than market priorities. It opened just two days after political protests ended, with a ceremony featuring an Andean ritual led by artist Carmen Vicente, whose installation "Infinite Steps" won the acquisition prize.

Savannah Penven creates a space for young artists to thrive

Savannah Penven, a 2024 graduate of Virginia Tech, has returned to the Center for the Arts as exhibitions program manager, a decade after her own artwork was featured in the center's first "Young Artists" exhibition in 2014. She now coordinates the current "Young Artists: dreamscapes" show, featuring 39 students from Craig County High School, and works to create validating, professional-level exhibition experiences for young creatives.

The Heseltine Gallery showcases regional artists

The Heseltine Open Exhibition 2025 is currently on view at the Heseltine Gallery in Middleton Cheney, UK, through December 14. Featuring over 60 adult artists and a record 17 youth entries, the show includes paintings, drawings, prints, pottery, glasswork, textiles, photography, and mixed media. Awards were presented by John Childs, Chief Art Examiner for OCR and gallery founder, and Tom Christy, Head of Art and Design at Chenderit School. Commended artists include ceramicists Julia Taylor and Sue Clayton, glass artist Jill Tilsbury, wire sculptor Linda Johns, and several painters and photographers. Two young artists, Lottie Clarke and Annika Dowden, received the Brian Goodey memorial prize.

Jacksonville-born Whitney Oldenburg with exhibition at hometown museum

The Museum of Contemporary Art Jacksonville (MOCA) will open "Whitney Oldenburg: left behind" on November 20, 2025, the first institutional survey of the artist's paintings and drawings. The exhibition features 23 sculptures and 19 drawings exploring the complex relationship between humans and objects in contemporary culture, and will remain on view through April 19, 2026. Oldenburg, a Jacksonville-born artist now based in New York, incorporates repurposed consumer items, personal belongings, and craft materials into her work, which challenges viewers to question their attachments to material possessions.

Torggler Celebrates African American Artists And Their Stories

The Mary M. Torggler Fine Arts Center in Virginia will present two new exhibitions this fall: "Gateways: African American Art from the Key Collection" and "Transcendence" featuring works by Norfolk artist Luisa Adelfio. "Gateways" showcases ninety works from the collection of Eric Key, a Smithfield native who began collecting African American art in the 1990s as a means of exploring his identity and supporting Black artists, including pieces by Henry Ossawa Tanner, Jacob Lawrence, and Elizabeth Catlett. "Transcendence" presents Adelfio's paintings, drawings, and sculptures from the last five years, blending Classical architecture, Renaissance panel painting, and Surrealism, with a series titled "Corona Chronicles" that juxtaposes domestic objects with pandemic-era headlines.

Monarch Alumna to Lead Next Chapter for Art Museum

Alison Byrne, who began as an intern at the Virginia Museum of Contemporary Art (MOCA) in 2000, has been named the museum's executive director as of late September 2024. Over 25 years, she rose through roles including curator of education and deputy director, and was named Museum Art Educator of the Year by the Virginia Art Education Association in 2020. Byrne will lead the museum's relocation in 2026 to a new 35,000-square-foot facility at Virginia Wesleyan University, featuring a 21% increase in gallery space. The inaugural exhibition will showcase works by contemporary artist Nina Chanel Abney.

UK government bans export of £10m Botticelli painting

The UK government has imposed an export bar on Sandro Botticelli's painting *The Virgin and Child Enthroned* (1470s), valued at £10.2 million. The work was sold at Sotheby’s London in December 2024 for £9.7 million (with fees). The export bar, effective until 8 August, gives a UK gallery or institution time to acquire the painting and prevent it from leaving the country. The Department for Culture, Media and Sport (DCMS) has set a recommended price of £9,960,000 plus VAT. The painting, which had been kept at Betterton House in Berkshire since 1944, was previously owned by collector Harriet Sarah Jones Loyd (Lady Wantage) and has not been seen in public for nearly a century.

Winterthur’s ‘Almost Unknown’ offers immersive look at Black history and art

Winterthur Museum in Delaware has opened a new exhibition titled "Almost Unknown: The Afric-American Picture Gallery," which brings to life a fictional gallery imagined in 1859 by Black writer and schoolteacher William J. Wilson, writing under the pseudonym Ethiop. In a series of columns for the magazine "The Anglo-American," Wilson described an imaginary museum of Black history and art, featuring works like a depiction of a slave ship, a bust of poet Phillis Wheatley, and images of Crispus Attucks and Haitian Revolution heroes. Curator Jonathan Square has transformed Wilson's fantasy into an immersive, haunted-attraction-style exhibition using objects from Winterthur's collection, with dark lighting, sound effects, and false walls that evoke a carnival ride inspired by Jordan Peele films and "The Shining."

Art on Location

The article introduces 'Art on Location,' a curated focus on outdoor art experiences, covering public art, sculpture parks, urban and rural artist trails, and location-specific technology. It highlights examples such as Caravaggio's Rome, John Constable's Dedham Vale, and public sculptures from the Colossus of Rhodes to Anish Kapoor's Cloud Gate. The piece also features a guide to all existing paintings by Leonardo da Vinci by expert Martin Kemp, a Vincent van Gogh artist trail by Martin Bailey, and discussions of exo-architecture, memorial art, land art, and virtual repatriation through location-specific technology.

In Florence, Art Creates Community and Dialogue in the Bagasseria Space: An Interview with its Founder

A Firenze l’arte crea comunità e confronto nello spazio Bagasseria. Intervista al suo fondatore

Painter Samuele Alfani has launched Bagasseria, a new independent art space and studio in the Sant’Ambrogio district of Florence. Named after the Catalan word for a house of prostitution as a gesture of reclamation and freedom, the venue functions as a porous community hub that blends artistic production with public engagement. Its inaugural exhibition, "Bau Bau Baby," is a group show curated by Luigi Presicce and Anna Capolupo featuring artists such as Francesco Lauretta, Davide Serpetti, and Thomas Berra.