‘House of Galleries (Volume 11)’: Niquu Eyeta and Ghizlane Sahli in a Shared Field of Care, Memory, and Material Becoming.

Artists Niquu Eyeta and Ghizlane Sahli are featured in a dual presentation titled ‘House of Galleries (Volume 11),’ showcased by the gallery Sakhile&Me. The exhibition creates a dialogue between Eyeta’s organic compositions, which utilize plant pigments and clay, and Sahli’s intricate 'alveoli' structures made from silk and repurposed plastic. Both artists emphasize the concept of material as a living archive, focusing on themes of ecological consciousness, ritualistic repetition, and the reanimation of discarded matter.

FLESH, FREQUENCY, FLIGHT: Acra’s Angels descend on the ICA

The Institute of Contemporary Arts (ICA) in London is hosting 'Angels', a new exhibition of paintings by the multidisciplinary Venezuelan artist Arca. Returning to the venue where she gave her first live vocal performance over a decade ago, Arca presents a series of works created with paint, marker, and mixed media. These pieces explore themes of instability and transformation, featuring fluid forms that hover between figuration and abstraction.

HARRY CHÁVEZ: DONDE MUERDE EL MITO

Harry Chávez: Donde muerde el mito was the first presentation of Peruvian artist Harry Chávez's work at the Museo de Arte de Lima (MALI), held as part of the MALI Colecciones. Intervenciones contemporáneas program. The exhibition recently won the Premio Luces 2026 from El Comercio in the best exhibition category, a public-vote award reflecting its impact. The show explores symbolic conflicts between serpent and feline in Andean and Amazonian mythology, featuring works like 'Salto mortal' and 'Nacimiento del dragón' that depict cosmic struggles and hybrid transformations.

Artist Murari Jha sculpts memory and home in his New Delhi exhibition

Artist Murari Jha presents *The Future of Nostalgia*, a solo exhibition at Nature Morte in New Delhi, running through May 17, 2026. The show features abstract sculptures in stone, bronze, wood, brass, aluminum, and synthetic putty that explore themes of home, migration, memory, and belonging. A live durational performance is scheduled for May 16, with Jha describing the gallery as a stage and his sculptures as performative objects. The works are deliberately untitled to invite viewers to become co-creators of meaning.

Exhibition | 'New Voices in Paris Now: Between Memory and Matter' at Alisan Fine Arts, Alisan Atelier, Hong Kong

Alisan Fine Arts is presenting 'New Voices in Paris Now: Between Memory and Matter' at Alisan Atelier in Hong Kong as part of its 45th anniversary programme. The exhibition features four contemporary Chinese artists—Li Donglu, Qi Zhuo, Shi Qi, and Yao Qingmei—who currently live and work in Paris. Each artist explores themes of memory, cultural identity, and material transformation through diverse media including oil painting, eroded film, paper reliefs, and blown-glass sculptures. The show runs parallel to 'The Chinese Avant-Garde in Paris' at the gallery's Central location, both part of the French May Arts Festival.

An Ancient Ballad at Emami Art Brings Generations of Artists Together in Kolkata

A new group exhibition titled 'An Ancient Ballad' opens at Emami Art in Kolkata on 22 May 2026, bringing together 12 artists across generations. The show examines recurring motifs of nature, the human body, and animal forms in modern and contemporary art through photography, painting, printmaking, textile, ceramics, and sculpture. Historical works by L. M. Sen and K. C. Pyne are displayed alongside contemporary artists including Arunima Choudhury, Ajit Kumar Das, Alakananda Sengupta, Raja Boro, and Rahul Sarkar, creating an intergenerational dialogue on memory, mythology, and lived experience.

'Intersection: Kisho Kakutani and Kosuke Harasawa' at Whitestone Gallery, Hong Kong on 16 May–4 Jul 2026

Whitestone Gallery Hong Kong presents 'Intersection', a duo exhibition featuring Japanese artists Kisho Kakutani (b.1993) and Kosuke Harasawa (b.1997), running from 16 May to 4 July 2026. Kakutani's works capture bright, humid mornings with frosted, detailed depictions of beaches and cityscapes, while Harasawa focuses on rain-soaked Hong Kong night scenes populated by ghostly figures with transparent umbrellas, blending nostalgia with urban transformation.

Suman Dey’s new solo in Kolkata gives form to the abstract notions around us

Artist Suman Dey presents his second solo exhibition, titled *Chance, Remains of Another Time*, at Emami Art in Kolkata. The show features large-scale works on wood and other materials that explore abstract notions of memory, time, and nature through fragmented forms, textures, and narrative. Key pieces include a series of frames capturing everyday surface textures and a work titled *Journey* that uses boat shapes to depict transformation. The exhibition runs until May 9.

Dual Exhibitions at Emami Art Kolkata Explore Memory, Materiality, and City Life

Emami Art in Kolkata is set to launch two concurrent exhibitions on March 20, 2026, titled "Nothing Twice" and "Chance Remains of Another Time." "Nothing Twice," a group show curated by Ushmita Sahu, features nine emerging women artists exploring themes of impermanence and domesticity through diverse media including textiles, ceramics, and video. Running alongside it is a solo presentation by Kolkata-based artist Suman Dey, whose new polyptych works utilize abstract fragments to mirror the complexities and decay of contemporary urban life.

Imbued, Between Flower and Wind: Lee Chae Solo Exhibition

South Korean artist Lee Chae will present a solo exhibition titled "Imbued, Between Flower and Wind" at Whitestone Gallery Taipei from April 11 to May 16, 2026. The show features new series including "Afterimage of Wind" and "Wind-Infused," which utilize metaphors of flora and wind to explore the relationship between external stimuli and the human inner soul. Lee’s technique involves layering translucent pigments and then wiping them away to create poetic afterimages that visualize the transformation of emotions over time.

JD Malat Gallery brings Paris-based artist Sophie-Yen Bretez to Dubai

JD Malat Gallery Dubai is presenting *The Unsaid Remains Remembered*, the debut solo exhibition in the Middle East by Paris-based artist Sophie-Yen Bretez. The show features large-scale canvases that move beyond the human figure to explore landscapes, domestic objects, and natural motifs, using symbolic thresholds like windows, tables, clocks, and fruit to evoke memory, silence, and transformation. Bretez describes her approach as a 'dramaturgy of passage,' capturing unseen moments when time overlaps and absence carries presence.

The Cosmic Entanglements and Inner Transformations of ‘Metamorphosis’.

Isaac Julien has created a new site-responsive film installation titled 'All That Changes You. Metamorphosis' at The Cosmic House in London. The work, which features protagonists Lilith and Naomi, explores themes of transformation, cosmology, and interdependence through a non-linear narrative that moves from Californian redwoods to Renaissance interiors, using the postmodern architecture as an active participant in the dialogue.

charlie kirk statue florida new college

New College of Florida, a public liberal arts school in Sarasota that was overhauled by Governor Ron DeSantis in 2023 to become a conservative institution, announced on September 17, 2025, that it will commission a statue of Charlie Kirk, the right-wing activist and founder of Turning Point USA who was assassinated in Utah the previous week. The statue, privately funded by community leaders, will depict Kirk seated at a table with two empty chairs, speaking into a microphone, and is intended to honor his legacy and commitment to free speech and civil discourse on campus.

the view from jonathan crockett

Jonathan Crockett, deputy chairman of Phillips in Asia, reflects on the auction house's 10-year journey in the region, from a small Hong Kong office to a major presence in the West Kowloon Cultural District. He recounts his career path from Christie's and Sotheby's to founding his own advisory firm, then joining Phillips to launch its Asian operations, overcoming brand confusion and building a robust client network.

art udo kittelmann julia stoschek los angeles

German curator Udo Kittelmann and leading time-based art collector Julia Stoschek have collaborated on "What a Wonderful World," an audiovisual poem on view at Los Angeles's Variety Arts Theater from February 6 through March 20. The project interweaves early film entries by Alice Guy-Blaché, Georges Méliès, and Walt Disney with contemporary video works from Stoschek's collection, featuring artists such as Lu Yang, Bunny Rogers, and Paul Chan. Kittelmann and Stoschek insist the work is not an exhibition but a "poem," designed to challenge how audiences consume art and moving images, urging viewers to move beyond entertainment toward a raw, emotional experience.

fashion anthony vaccarello saint laurent designer

Anthony Vaccarello, creative director of Saint Laurent, has opened a new Paris flagship store at 37 Avenue Montaigne, housed in the former Canadian embassy. The store reflects his vision with a mix of modern design and vintage furniture, including pieces by Jean-Michel Frank and François-Xavier Lalanne, alongside contemporary artworks by Mark Bradford, Camille Henrot, and Thomas Houseago on loan from the Pinault Collection. Vaccarello discusses the two-year transformation, his approach to retail as a context for the clothes, and his broader creative expansions into film with Saint Laurent Productions and the revival of Charlotte Perriand furniture designs.

sanford biggers sag harbor parrish museum

Sanford Biggers, a 54-year-old Los Angeles-born artist known for his "conceptual patchworking" across quilts, sculpture, and Afrofuturist themes, will be honored by the Parrish Museum at its annual Midsummer Gala in July, ahead of a solo exhibition opening next summer. In an interview with CULTURED's Hamptons Editor Jacoba Urist, Biggers discusses his connection to Sag Harbor, the museum's architecture, and his use of antique quilts inspired by Underground Railroad histories.

The Many Sheddings of Valie Export

Die vielen Häutungen der Valie Export

Valie Export, the Austrian media and performance artist known for using her body as a site of social critique, has died at age 85 in Vienna. Her final works include a black-and-white photo series of her forearm resting on a stone snake sculpture at the University of Vienna, exploring themes of skin, transformation, and mimesis. From the 1970s onward, she created iconic "Body Configurations" in which she placed her body on streets and against buildings along Vienna's Ringstrasse, tracing architectural forms to expose institutional power and patriarchal authority.

Shit has the power to destabilize systems of order

"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"

Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.

I Try to Allow Chaos

"Ich versuche, Chaos zuzulassen"

Florentina Holzinger presents her exhibition "Seaworld Venice" at the Austrian Pavilion of the Venice Biennale, a spectacular underwater-themed installation that combines a theme park, sacred building, and sewage treatment plant. The work explores transformation from dirt to cleanliness, featuring water, dolphins in the lagoon, and boundary-pushing performance elements.

Industrial Dreams of the GDR

Industrieträume der DDR

The exhibition "Robotron – Arbeiterklasse und Intelligenz" has opened at the Hartware Medienkunstverein (HMKV) in Dortmund, following its initial run in Leipzig. Centered on the history of the GDR’s largest computer manufacturer, the show features 20 artistic positions including photography, film, and sculpture, alongside a significant five-meter oil sketch by Socialist Realist painter Werner Tübke. The presentation bridges East and West German industrial histories by juxtaposing state-commissioned propaganda with progressive, unofficial works by artists like Ruth Wolf-Rehfeldt and A.R. Penck.

From simple blue to haute couture suit: workwear studied at the Musée Postal

Du simple bleu au tailleur haute couture, le vêtement de travail étudié au musée Postal

The Musée Postal in Paris has reopened with a new name and identity, launching its first exhibition titled "Sous toutes les coutures" ("Under All Seams"). Curated by Elodie Goëssant and Didier Filoche, the show brings together 420 pieces, artworks, and archival objects to explore the history of workwear in France, from uniforms and protective clothing to high-fashion collaborations. It traces the evolution of work attire from the 18th century to the present, highlighting how women lacked dedicated work clothing until the 1970s and how airlines like Air France pioneered partnerships with luxury houses such as Christian Dior to dress flight attendants as national ambassadors.

À Marseille, l’installation textile monumentale d’Adrien Vescovi déploie ses couleurs

Artist Adrien Vescovi has installed a monumental textile work titled "Dormir comme le soleil" at the Vieille Charité in Marseille. The installation features over 600 dyed sheets suspended across 108 arches of the former hospice, using natural pigments from plants, spices, and ochres. The fabrics, dyed in a labor-intensive process involving large wooden spoons and cauldrons, are designed to fade and evolve over the eight-month exhibition, responding to wind, humidity, and Mediterranean light.

The Musée d’Ixelles at the Crossroads of Different Perspectives

Le Musée d’Ixelles à la croisée de différents regards

The Musée d’Ixelles in Brussels, closed for eight years for expansion and renovation, is nearing completion of its architectural transformation with a reopening scheduled for spring 2027 (March 19). Founded in 1892 in a former slaughterhouse, the museum has grown through successive donations and a continuous acquisition policy, now holding over 15,000 works spanning Belgian art from the 19th century to the contemporary period. Director and curator Claire Leblanc, who has led the institution since 2006, emphasizes a participatory approach that integrates diverse public perspectives, including a project called "Musée comme chez soi" during the closure where locals hosted artworks in their homes.

Anoushka Mirchandani Conjures Ancient Mythological Nature Spirits in Vibrant Oil Paintings

San Francisco-based artist Anoushka Mirchandani presents a solo exhibition, 'My Body Was a River Once,' at ICA San José. The show features vibrant oil paintings that depict apsaras, ancient Southeast Asian mythological nature spirits associated with water and transformation, drawing from the artist's Indian heritage and childhood memories of sites like the Ajanta and Ellora caves.

New Exhibition Explores Albuquerque’s “Big I” as a Crossroads of Culture, Memory, and Movement

A new group exhibition titled 'At the East of My Past and the West of My Future' opens at the South Broadway Cultural Center Gallery in Albuquerque, running from May 28 to July 17. Curated by multidisciplinary artist Watermelon7, the show features 14 artists who reinterpret the city's iconic Big I interchange as a symbol of movement, identity, and transformation. Inspired by Jack Kerouac's 'On the Road' and Route 66, the works explore personal and collective journeys through paintings, mixed-media pieces, and installations.

With ‘Doonesbury,’ Garry Trudeau Found a Way to Inform and Entertain a Generation of Newspaper Readers, One Panel at a Time

A new biography, "Trudeau & Doonesbury: The Cartoonist Who Turned the News Into Art," chronicles the life and career of reclusive cartoonist Garry Trudeau. Journalist Joshua Kendall's work, based on archives and interviews, traces Trudeau's evolution from a Yale student creating the strip's precursor to the creator of a politically potent daily comic that ran for over four decades.

Naho Kawabe "Flos Filicis: Flower of the Fern" @ WAITINGROOM

川辺ナホ「Flos Filicis：羊歯の花」@ WAITINGROOM

The Tokyo gallery WAITINGROOM is hosting "Flos Filicis: Flower of the Fern," a solo exhibition by Naho Kawabe featuring new installations, photo collages, and drawings. The exhibition centers on the paradoxical concept of the "fern flower" to explore the relationship between fossil fuels, industrial infrastructure, and the myth of progress. Kawabe utilizes materials like charcoal and electrical components alongside research-based lithographs to examine the history of Japanese migrant coal miners in Germany and the broader ecological impact of energy consumption.

Ohio State’s Billy Ireland Cartoon Library & Museum to reopen Saturday with new exhibitions

Ohio State University's Billy Ireland Cartoon Library & Museum, home to the world's largest cartoon and comic collection, will reopen on Saturday after being closed since November 10, 2025. The reopening features renovated galleries, a new permanent exhibition titled "Story of Comics" that traces 400 years of cartoon art, and the U.S. debut of cartoonist Chris Ware's major international exhibition "Life Is Complicated," on display until January 3, 2027. The museum houses 300,000 original cartoons and 2.5 million newspaper comic strip pages and clippings.

Two artists, two different generations, two views of everyday Anchorage

The Anchorage Museum is hosting "Everyday Anchorage: Duke Russell & Ward Wells," an exhibition pairing two artists from different generations who capture ordinary life in Anchorage, Alaska. Ward Wells, a commercial photographer, documented the city after World War II, while Duke Russell uses paint to record post-pipeline scenes. The show runs through August 2027.