The Walters Art Museum has unveiled new Latin American galleries, opening with a work by Peruvian-born artist Kukuli Velarde titled "Wak'a del Agua" (2022-2023). The ceramic piece, inspired by the Inca tradition of stacking stones to mark sacred spaces, features five stacked forms painted in diverse styles that reflect different periods of Peruvian history, from ancient textile patterns to neon-colored figures.
The Newport Art Museum will present 'Howard Gardiner Cushing: A Harmony of Line and Color' from July 12 to December 31, 2025, the first major retrospective in decades of the Gilded Age artist. Curated by Ricardo Mercado, the exhibition features over 55 paintings, many unseen publicly for over 60 years, and will be held in the museum's Cushing Gallery, named after the artist and funded by his patron Gertrude Vanderbilt Whitney.
Uovo, an art logistics and storage company, is planning to build a second, larger facility in Brooklyn. The proposed 240,000-square-foot building at 74 Bogart Street in Bushwick would complement its existing 150,000-square-foot space nearby, offering climate-controlled storage for art, wine, and fashion, along with private viewing galleries and project spaces. The company is seeking municipal approval to upzone a parking lot for the development and has received support from the local community board, though some residents oppose the project, citing concerns about housing shortages and rising rental costs.
Loyola University Museum of Art (LUMA) in Chicago will host "Freedom in Form: Richard Hunt" from July 11 to November 15, 2025, a major exhibition celebrating the late sculptor Richard Hunt (1935–2023). The show features sculptures, maquettes, tools, books, photographs, prints, and video interviews, tracing Hunt’s 70-year career from his early days at the School of the Art Institute of Chicago to international renown. For the first time, it pairs two pivotal works: "Hero’s Head" (1956), created after the funeral of Emmett Till, and "Hero Ascending," a monument designed for Till’s childhood home. The exhibition includes a catalogue with contributions from Christina Shutt, Rev. Michael J. Garanzini, curator Ross Stanton Jordan, biographer Jon Ott, and historian Timothy J. Gilfoyle.
The Zillman Art Museum at the University of Maine in Bangor announces a new solo exhibition, "A Journey to Distant Memories," featuring works by Pennsylvania-based painter O'Neil Scott. Running from May 16 to September 6, 2025, the show includes never-before-seen paintings and some of the artist's largest compositions. Scott, born in Spanish Town, Jamaica, draws inspiration from memories of his youth, exploring themes of community, migration, and the passage of time through works such as "In Case of Emergency" and "Fading Promises." Admission to the museum is free in 2025 thanks to sponsor Birchbrook.
The Smithsonian American Art Museum's Renwick Gallery will present 'State Fairs: Growing American Craft,' the first exhibition dedicated to artists' contributions to U.S. state fairs, from Aug. 22 to Sept. 7, 2026. Featuring over 240 artworks dating from the mid-19th century to the present, the show includes spectacles such as Big Tex's size 96 boots, a life-size butter cow by Iowa State Fair sculptor Sarah Pratt, and a pyramid of preserved fruits by canning champion Rod Zeitler. The exhibition is the result of five years of research involving visits to 15 state fairs, collaborations with artists in five states, and contributions from 43 states and tribal nations.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is opening "Routed West: Twentieth-Century African American Quilts in California" on June 8, the first major museum survey of its vast African American quilt collection. The collection, bequeathed by Oakland collector Eli Leon in 2018, includes over 3,000 quilts, with 100 featured in the exhibition. The show focuses on migration during the Second Great Migration (1940–1970) and highlights artists like National Heritage Fellow Laverne Brackens, Rosie Lee Tompkins, and Arbie Williams, alongside multi-generational quilting families. The exhibition opens despite recent federal funding cuts for conservation work on the quilts.
The Sobey Art Award, Canada's top contemporary art prize, has announced its six finalists for 2025: Tarralik Duffy, Tania Willard, Chukwudubem Ukaigwe, Sandra Brewster, Swapnaa Tamhane, and Hangama Amiri. Each represents a different region of Canada and will receive C$25,000, with the winner taking home C$100,000 on November 8 at the National Gallery of Canada. The finalists were selected by a jury including past winner Laakkuluk Williamson Bathory and international juror Carla Acevedo-Yates, among others.
The Denver Art Museum has announced the upcoming exhibition "Southwest Impressions: Prints from the Barbara J. Thompson Collection," opening June 29, 2025, and running through June 14, 2026. The show features works on paper by artists who lived or traveled in the American Southwest between the late 1800s and mid-1900s, drawn from a collection of over 100 prints gifted to the museum's Petrie Institute of Western American Art in 2024 by Barbara J. Thompson in honor of her grandfather, printmaker C. A. Seward. The exhibition will be presented in two rotations of about fifty prints each, covering intaglio, block printing, lithography, and serigraphy, with interpretive videos and a digital publication.
The Museum of Fine Arts, Boston, has opened a new exhibition titled "Witnessing Humanity: The Art of John Wilson," featuring 110 works by the late Boston artist. Born in 1922 to immigrants from British Guyana, Wilson spent over six decades creating paintings, prints, drawings, sculptures, and illustrated books that center on portraits of himself, his family, and his friends. The exhibition, co-curated by Edward Saywell, highlights Wilson's lifelong commitment to reclaiming the dignity and humanity of Black Americans in art, a response to the caricatured and dehumanized representations he saw as a student.
The Utah Museum of Contemporary Art (UMOCA) is presenting two early summer exhibitions: "Out Loud 2025" and the "2025 Gala Art Auction: The Factory." Out Loud 2025 features work by 17 young artists from Utah high schools who completed a 12-week workshop series, exploring themes of queer identity, childhood nostalgia, and coming-of-age through diverse media including painting, ceramics, collage, and video. The 2025 Gala Art Auction showcases works by 57 Utah artists available for purchase.
New York's Metropolitan Museum of Art is reopening its Galleries of the Arts of Oceania to the public for the first time since 2021, following a major renovation that allowed curators to reimagine the presentation of art from the vast Pacific region. The galleries feature more than 600 artworks from Melanesia, Polynesia, Micronesia, Australia, and New Zealand, including the iconic Kwoma ceiling installation from Papua New Guinea, which has been reconfigured with input from the artists' descendants to accurately reflect clan groupings. The renovation is part of a broader $70 million overhaul of the Michael C. Rockefeller Wing, which also houses collections from the ancient Americas and Africa.
The Metropolitan Museum of Art's Michael C. Rockefeller Wing will reopen to the public on May 31 after a $70 million renovation. The wing houses the museum's collections of art from Africa, the Ancient Americas, and Oceania, and features a new sloped glass wall, a dedicated gallery for light-sensitive Andean textiles, and over 1,800 works spanning five continents. The reopening day celebration includes live music, art-making activities, and a conversation between Met director Max Hollein and architect Kulapat Yantrasast.
The Gallery Children’s Biennale returns for its 5th edition at National Gallery Singapore, launching on 31 May 2025. Themed “Tomorrow We’ll Be…”, the exhibition features eight interactive artworks by Singaporean and Asian artists, including Fern Wong, Wyn-Lyn Tan, Hiromi Tango, Souliya Phoumivong, and Vicente Delgado. For the first time, the Biennale is baby-friendly, with zones designed for infants and toddlers. The event runs in conjunction with the National Gallery’s 10th anniversary and SG60, celebrating Singapore’s 60th year of independence.
The Art Gallery of Greater Victoria (AGGV) opens its summer season with three contemporary exhibitions centered on Indigenous perspectives, identity, and land. The anchor show is Meryl McMaster's "Bloodline," opening June 18, featuring large-scale photographs, sculptural elements, and immersive video that trace her mixed Plains Cree, Métis, Dutch, and British heritage through the lives of her grandmothers from the Red Pheasant Cree Nation. Alongside it, "Lekwungen: Place to Smoke Herring" by Brianna Bear and Eli Hirtle presents a film installation on Songhees Nation language and land stewardship, while "Architectures of Protection," curated by Dr. Toby Lawrence, features works by Dana Claxton, Jessica Karuhanga, Emilio Rojas, Beth Stuart, and France Trépanier exploring care and resistance.
The Walters Art Museum in Baltimore has appointed Kate Burgin as its new director, succeeding Dr. Julia Alexander, who left the museum after 11 years to run a foundation in New York and passed away suddenly at age 57 earlier this month. Burgin, previously the museum's deputy director, now leads the institution while the community mourns Alexander's loss. Meanwhile, the museum has opened its first permanent exhibition of Latin American art, featuring works from over 40 cultures across North, Central, and South America and the Caribbean.
In 1973, three pioneering women artists—Lela Autio, Dana Boussard, and Nancy Erickson—proposed an exhibition of their soft sculpture at the University of Montana in Missoula, but were denied because their work was dismissed as "women's work." Undeterred, they staged their own exhibition in the empty Carnegie Library building in 1974, a year before the Missoula Art Museum (MAM) was founded. Now, MAM's special exhibition "Women's Work" celebrates the museum's 50th anniversary by showcasing the works of these three artists, including several pieces by Nancy Erickson (1935-2022) such as "Rainbow Flight" (1974), "Montana Selective Cut: Official Visit" (1974), and "Pattee Canyon Fire" (1977).
Greek Prime Minister Kyriakos Mitsotakis and Foreign Minister Giorgos Gerapetritis attended the opening of the art exhibition 'Thalatta' at the United Nations in New York on May 20, coinciding with Greece's Presidency of the UN Security Council. The exhibition features 11 contemporary paintings by Greek artists from the National Gallery in Athens, curated around the theme of the sea. Ambassador Evangelos Sekeris delivered welcoming remarks, and Syrago Tsiara, Director of the National Gallery – Alexandros Soutsos Museum, spoke about the sea's role in cultural diplomacy and international cooperation.
On April 26, 2025, the School of the Arts held its annual MFA Thesis Exhibition at the Miriam and Ira D. Wallach Art Gallery, featuring twenty-nine emerging and established artists. Curated by Amal Issa, the show spans a wide range of mediums including installations, videos, paintings, drawings, and sculptures, with many works exploring themes of memory, ancestry, and identity. Notable pieces include Maya Dixon's immersive installation using gourds and found objects, Daniel Castro's surreal cityscapes, and Ridwana Rahman's interactive carpet piece that invites reflection on direction and prayer.
The Metropolitan Museum of Art's Michael C. Rockefeller Wing reopened in May 2025 after a multiyear renovation, presenting reimagined galleries for the arts of Africa, the ancient Americas, and Oceania. The 40,000-square-foot space, designed by Kulapat Yantrasast of WHY Architecture, now houses the three collections as independent entities, featuring digital features, commissioned films, new wall text, and objects on view for the first time—including major acquisitions of historic and contemporary works, a gallery for light-sensitive ancient Andean textiles, and contemporary commissions by Indigenous Pacific artists.
The Cedar City Art Exhibit, running from 1940 to 2008, was an annual community art exhibition initiated by junior high school art teacher Eugene Jorgensen. Organized by the Cedar City Art Committee, it featured works by local, regional, and national artists, including Maynard Dixon, Eve Drewelowe, and Jimmie Jones. Each year, at least one artwork was purchased for the city, and students also saved money to buy art for their schools. The exhibition highlighted pieces now held by Southern Utah Museum of Art (SUMA) and the Iron County School District.
The United States' participation in the 2026 Venice Biennale is in jeopardy due to the Trump administration's campaign to defund the arts. According to a Vanity Fair report by Nate Freeman, the US government's preparation is behind schedule, with the typical 18-month planning timeline now reduced to just 12 months before the opening. The National Endowment for the Arts (NEA) faces funding cuts, staff reductions, and a vacant position for coordinating biennale affairs, while the application process has been altered to emphasize "American values" and remove references to diversity, equity, and inclusion.
Michigan State University's Broad Art Museum is presenting "Nabil Kanso: Echoes of War," the first Michigan exhibition of the Lebanese-American artist's work. On view through June 29, the show spans over four decades of Kanso's large-scale, expressive paintings that document the human toll of war, including works addressing the Lebanese Civil War, the Gulf War, and the Syrian conflict. Curated by Rachel Winter in collaboration with the Nabil Kanso Estate and professor Salah Hassan, the exhibition features "Scorching Sparks" (1980s), a painting never before publicly exhibited. Winter first encountered Kanso's work in 2022 and worked with his family to bring the show to fruition, timed to coincide with the 50th anniversary of the Lebanese Civil War and Arab American Heritage Month.
This episode of WYSO's Studio Visit series takes listeners to the Cincinnati Art Museum to meet Cynthia Amnéus, the museum's Chief Curator and Curator of Fashion and Textile Arts. Amnéus discusses her focus on women fashion designers, highlighting iconic figures such as Rei Kawakubo (Comme des Garçons), Bonnie Cashin (Coach), Ann Lowe (who designed Jackie Kennedy's wedding dress), and the lesser-known 1930s designer Elizabeth Hawes, whose progressive views on comfort and gender-neutral clothing were ahead of her time. Amnéus also reflects on past exhibitions, including a 2017 show on Iris Van Herpen's 3D-printed sculptural fashion, and her current interest in sustainable designers like Collina Strada and Chopova Lowena.
Craft Contemporary will host its 2025 Benefit & Art Auction on May 10 at the museum in Los Angeles, honoring founder Edith R. Wyle (1918–1999) and contemporary artist Bari Ziperstein. Wyle, who opened the Egg & The Eye in 1965—a hybrid gallery and omelet restaurant—will receive the Legacy Award, while Ziperstein, known for ceramics exploring consumerism and propaganda, will receive the Visionary Award. The sold-out dinner is followed by a 1960s-themed afterparty with cocktails, music, a puppet show, and a drag performance.
London's National Gallery has acquired a mysterious altarpiece, "Virgin and Child with Saints Louis and Margaret and Two Angels" (1500-10), for just over $20 million in a private sale arranged through Sotheby's. The painting, funded by the American Friends of the National Gallery London, was sold by a descendant of the Blundell family and had been kept on the Lulworth Estate in Dorset. The artist remains unknown, with proposed names including Jan Gossaert, Jean Hey, and the Master of Saint Giles, and no other works by the same hand are known. The altarpiece was last publicly exhibited in 1960 and has only recently been shown privately to specialists, who remain divided on its attribution.
Since President Donald Trump took office, his administration has rapidly dismantled parts of the U.S. cultural infrastructure through executive orders and the Department of Government Efficiency (DOGE), led by Elon Musk. Key federal funding bodies—the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services (IMLS), and the National Endowment for the Arts (NEA)—have faced staff cuts, grant cancellations, and threats of further reductions. Trump has also replaced leadership at the Kennedy Center and signaled similar moves against the Smithsonian Institution, while DOGE visited the National Gallery of Art to discuss its legal status. Arts organizations and advocates are scrambling to assess the damage and find alternative funding.
The Worcester Art Museum is opening a new exhibition, "From the Vault: Collecting Tapestries at the Worcester Art Museum," on May 3, 2025, running through July 27. The show features nearly 30 works, including 12 large-scale tapestries and 18 fragments, many unseen for decades. The centerpiece is the museum's iconic 16th-century "The Last Judgment" tapestry, restored after 35 years in storage. Other highlights include a contemporary piece by Diedrick Brackens, a Flemish tapestry depicting Emperor Titus, and works by Jean Lurçat.
The Church History Museum in Salt Lake City has unveiled 150 artworks selected for the 13th International Art Competition of The Church of Jesus Christ of Latter-day Saints, themed "Lift Up the Hands Which Hang Down" after Doctrine and Covenants 81:5. The exhibition opened on April 24, 2025, featuring works by 584 artists from 26 countries, including pieces like "Deposition" by Sarah Hawkes and "The Parable of the Gardner: The Garden of the Lord" by Pamela Salinas Bernal. Curator Laura Paulsen Howe and BYU art history professor James Swensen, a juror, highlighted how artists visualized themes of succoring the weak and strengthening others through diverse media and personal testimony.
Erika Holmquist-Wall, chief curator of the Speed Art Museum in Louisville, Kentucky, discussed the museum's new exhibition "Brilliant Exiles: American Women in Paris, 1900-1939" in a televised interview. The show, on loan from the Smithsonian Institution's National Portrait Gallery, features nearly 80 works including paintings, photographs, works on paper, and sculptures that portray American women who moved to Paris during the early 20th century to pursue careers in the arts. The exhibition includes portraits of figures such as singer Ethel Waters, and offers interactive elements like a participatory portrait-making room and curated Spotify playlists.