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Seeing Silence: The Paintings of Helene Schjerfbeck

This article introduces the work of Finnish modernist painter Helene Schjerfbeck (1862–1946), whose career spanned eight decades and evolved from naturalism to near abstraction. Born in Helsinki, she studied in Paris under French naturalist painters and initially gained recognition for history paintings celebrating Finnish heritage. Later, retreating to Hyvinkää to care for her mother, she abandoned naturalism, paring down her figure paintings and still lifes to simplified, materially intense compositions. The exhibition features key works such as 'View of St Ives' (1887) and 'Clothes Drying' (1883), highlighting her shift toward ethereal, boundary-testing imagery that early Finnish critics dismissed.

Del Mar Fairgrounds to host Banksy-themed art exhibition

“The Art of Banksy: Without Limits,” a touring exhibition dedicated to the anonymous British street artist Banksy, will open January 30 at the Del Mar Fairgrounds in San Diego. Featuring 200 pieces including certified originals from private collectors and replicas, the show presents prints, photographs, sculptures, murals, and video-mapping installations, along with an infinity room, a hologram installation, and a room focused on Banksy’s Ukraine-related works. The exhibition, which debuted in Istanbul in 2016, is not officially sanctioned by Banksy but serves as a tribute to his provocative, satirical art.

Comment | Fine balance: fairs up the exclusivity while appealing to younger clients

Art Basel Paris in October introduced a new ultra-exclusive preview called Avant Première, catering to top-tier galleries with seven- and eight-figure works, while some emerging exhibitors felt sidelined. Meanwhile, the fair's organizers dropped the term "VIP," renaming its dedicated department to "collector and institutional relations," as CEO Noah Horowitz explained that the term could be off-putting to a new generation of buyers. Parallel events like Trauma, a curatorial platform founded by artist Adrian Ghenie, and the Basel Social Club offered more inclusive, youth-driven alternatives, though they still maintained guest lists.

Museum acquires massive Martin Wong triptych from Art Basel Miami Beach

Martin Wong's monumental 12-foot-wide triptych *Tai Ping Tien Kuo (Tai Ping Kuo)* (1982) sold for $1.6 million to a US museum during Art Basel Miami Beach. The work, shown publicly for only the second time ever, was displayed at the booth of New York gallery PPOW. It had previously been exhibited in 1987 at New York's Asian Arts Institute and remained in storage for decades. The painting will next travel to Wrightwood 659 in Chicago for a forthcoming Wong exhibition.

Medieval triptych ventures out of Dorset to sell for £5.7m in London Old Master auctions

A late 15th-century Netherlandish triptych, *The Five Miracles of Christ*, sold for £5.7 million at Sotheby’s London Old Master auction. The work, kept for centuries at St. John’s Almshouse in Sherborne, Dorset, had never before appeared on the market. The charity sold it to fund affordable housing, and the buyer—an unnamed Christian charitable foundation—plans to keep the painting publicly viewable in the town. Other highlights included a Rembrandt reattribution, *Saint John on Patmos*, which sold for £6.8 million, and a record £3.2 million for a Hans Eworth portrait of the 4th Duke of Norfolk.

Concrete cars for coral reefs: Miami's underwater eco-sculpture park takes shape

The first phase of the Reefline project, an underwater sculpture park off the coast of Miami Beach, has been installed with 22 submerged concrete cars created by Argentine artist Leandro Erlich. The sculptures, titled "Concrete Coral" (2025), sit 20 feet below the surface and are designed to support coral regeneration and marine biodiversity. The project was developed by cultural placemaker Ximena Caminos with a masterplan by architect Shohei Shigematsu of OMA, and will expand over ten years to reach seven miles in length. Visitors can access the site via swimming, diving, or electric paddleboards, and a floating marine learning center is anchored nearby during Miami Art Week.

Comrades in art: meet the artists who fought against fascism

Andy Friend's book "Comrades in Art" chronicles the founding and first decade of the Artists International Association (AIA), a radical union of artists established in London in the 1930s. The AIA, born from a belief in art's power to revolutionize society, grew from a small group of mostly underemployed communist-affiliated commercial artists into a popular front against fascism and war, eventually including over 1,000 members such as Henry Moore and Paul Nash. The book focuses on lesser-known figures like Felicia Browne, the first British female combatant killed in the Spanish Civil War.

Bay Area Then

Yerba Buena Center for the Arts in San Francisco presents 'Bay Area Then,' an exhibition running from August 1, 2025, to January 25, 2026, that surveys the Northern California art scene between 1990 and 2005. Guest curated by Eungie Joo, the show features works by nineteen artists or collaborations, including Manuel Ocampo, Margaret Kilgallen, Bill Daniel, Ruby Neri, and Carolyn Castaño, mixing historical pieces with recent productions by artists who emerged during that era.

Special art exhibition unites works of late CSUF alumna

Cal State Fullerton's Nicholas and Lee Begovich Gallery has opened "Carole Caroompas: Mystical Unions," a special exhibition celebrating the life and legacy of the late contemporary artist and CSUF alumna Carole Caroompas. Curated by College of the Arts Director Jennifer Frias and Caroompas's longtime friend Mary Anna Pomonis, the show features paintings, mixed-media works, and personal ephemera drawn from the artist's archives at the Getty Research Institute, including journals, letters, and sketches that offer an intimate look at her creative process.

In his own words: Antwerp museum uses AI to recreate Magritte's voice

The DEK Royal Museum of Fine Arts Antwerp (KMSKA) has used artificial intelligence to recreate the voice of Surrealist artist René Magritte for its exhibition "Magritte. La ligne de vie." The AI-generated voice delivers Magritte's 1938 lecture—the only time he spoke publicly about his work—which was never recorded but survived through slides and a transcript by fellow Surrealist Marcel Mariën. The exhibition, on view until February 2026, features over 100 works and is structured around key themes from that lecture.

Live conservation reveals hidden surprises of unfinished Spencer painting

A new exhibition at the Stanley Spencer Gallery in Cookham, titled *Revealing Genius, Conserving Art: Stanley Spencer’s Final Masterpiece*, offers visitors a rare chance to watch conservator Olivia Leake work on Spencer’s unfinished painting *Christ Preaching at Cookham Regatta*. The large canvas, which Spencer labored over for over a decade but left incomplete at his death in 1959, has been lowered from its usual high hanging for live conservation. Using UV light and paint analysis, Leake has discovered surprising details: extremely thin paint layers, a green water area later overpainted in blue, and multiple changes to underdrawings—contradicting anecdotes that Spencer never altered his initial drawings.

In a Billionaire’s Playground, Six Artworks Could Predict the Market

The New York Times reports on a closely watched auction at Christie's in Palm Beach, where six high-value artworks from a billionaire's collection are expected to set market benchmarks. The sale, taking place in the exclusive playground of the ultra-wealthy, features works by artists such as Basquiat and Richter, and is seen as a barometer for the current state of the art market amid economic uncertainty.

Impressionist and Modern Works on Paper & Impressionist and Modern Art Day Sale Achieve $56.5 Million - Christie's

Christie's New York held back-to-back Day Sales on November 18, 2025, featuring Impressionist and Modern Works on Paper in the morning and Impressionist and Modern Art Day Sale in the afternoon. The two sales achieved a combined total of $56.5 million, with top lots including Edgar Degas's *Danseuses sur la scène* ($1.14 million), Childe Hassam's *The Flower Seller* ($2.15 million), and Robert Delaunay's *Portrait de Jean Metzinger* ($2.03 million). The sales drew from notable collections such as those of Robert F. and Patricia G. Ross Weis, Carol and Terry Wall, and Arnold and Joan Saltzman, with strong bidding across American, Latin American, and European artists.

Jacksonville-born Whitney Oldenburg with exhibition at hometown museum

The Museum of Contemporary Art Jacksonville (MOCA) will open "Whitney Oldenburg: left behind" on November 20, 2025, the first institutional survey of the artist's paintings and drawings. The exhibition features 23 sculptures and 19 drawings exploring the complex relationship between humans and objects in contemporary culture, and will remain on view through April 19, 2026. Oldenburg, a Jacksonville-born artist now based in New York, incorporates repurposed consumer items, personal belongings, and craft materials into her work, which challenges viewers to question their attachments to material possessions.

Wilson College unveils anti-war art show by Callot on Nov. 19

Wilson College in Chambersburg, Pennsylvania, will open a new art exhibition titled “Jacques Callot and Those Who Came After” on November 19, 2025, in the first-floor gallery of the John Stewart Memorial Library. The show features 18 etchings from Callot’s 1633 series “Les Grandes Misères de la Guerre,” widely regarded as the first anti-war statement in Western art, alongside works by artists he inspired, including Francisco Goya, Otto Dix, and Ernst Barlach. Curated by assistant professor Adam DelMarcelle, the exhibition was a collaborative effort involving students from multiple courses—Western Art History 1000–1800, Graphic Design II, Typography and the Letterform, and digital photography—who conducted research, designed the visual language, built the catalog, and contributed photographic elements.

Opening of Museum of West African Art in Nigeria delayed after protests

The official preview weekend of the Museum of West African Art (MOWAA) in Benin City, Nigeria, was disrupted on Sunday when a group of protestors broke into the main building. Over 250 invited guests, including donors and diplomats, had gathered for a cultural program featuring the exhibition "Nigeria Imaginary: Homecoming," which was an expanded presentation of the Nigerian Pavilion at the 2024 Venice Biennale. The protestors, wearing red hats, blocked access, shouted accusations about former governor Godwin Obaseki, and forced their way inside, leading to the indefinite cancellation of remaining events. MOWAA subsequently announced a postponement of public opening events, citing the protests and misconceptions about its role, while welcoming a presidential committee to resolve related matters.

A look inside the ‘Dreamworld’ of surrealism at the Philadelphia Art Museum

The Philadelphia Art Museum opened 'Dreamworld: Surrealism at 100,' a traveling exhibition marking the centenary of surrealism, which originated in France in 1924. The show, curated by Matthew Affron, features about 180 works from the museum's own collection and loans from Europe and the Americas, including pieces by Salvador Dalí, Max Ernst, Remedios Varo, and Joseph Cornell. The opening occurred the day after the museum's board abruptly fired CEO Sasha Suda, with interim director Louis Marchesano declining to comment on the termination and focusing on the exhibition instead.

Andy Warhol’s ‘Vanishing Animals’ Series Is a Meditation on the Natural World

Artnet Auctions is offering three prints from Andy Warhol's 1986 'Vanishing Animals' series in its Post-War and Contemporary Art sale, alongside a graphite study from his earlier 1983 'Endangered Species' portfolio. The 'Vanishing Animals' series features ten silkscreen prints of endangered species such as the California Condor and Sömmering Gazelle, executed in Warhol's signature style. The sale is open for bidding through November 20, 2025, with estimates ranging from $25,000 to $50,000 per work.

The National WWII Museum Hosting Special Exhibit Highlighting Nazi Campaign against Modern Art

The National WWII Museum in New Orleans has opened a special exhibit titled 'Degenerate! Hitler’s War on Modern Art,' on loan from the Jewish Museum Milwaukee and running through May 10, 2026. The exhibit features over 65 works by artists deemed 'degenerate' by the Nazi regime, including Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall, alongside documents and artifacts that explore how modernist art was suppressed and weaponized as propaganda. The museum has expanded the original exhibit to include a focus on suppressed music, featuring instruments from the era, such as a tenor saxophone played by Eddie Powers and a clarinet played by George Lewis, on loan from the New Orleans Jazz Museum.

Degenerate! Hitler’s War on Modern Art

The National WWII Museum in New Orleans will host the traveling exhibition "Degenerate! Hitler's War on Modern Art" from November 6, 2025, through May 10, 2026. Originally created by the Jewish Museum Milwaukee, the show examines the Nazi campaign against modern art and music, featuring over 65 original works by artists such as Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall. It explores how modernist art was labeled "degenerate" by the Third Reich, used as propaganda, and systematically suppressed, with many works seized, destroyed, or sold. The exhibition also expands into music, highlighting the suppression of jazz and works by Jewish composers.

Comment | Exhibitions comparing artists can be problematic, but the Barbican brings Giacometti, Bhabha and Hatoum together with perfect judgement

The Barbican in London has opened two new exhibition spaces in a redesigned former restaurant, showcasing the work of Alberto Giacometti alongside contemporary artists Huma Bhabha and Mona Hatoum. Curated by Shanay Jhaveri and Émilie Bouvard, the shows pair Giacometti's sculptures with Bhabha's and Hatoum's works, drawing formal and thematic connections without forcing comparisons. The exhibitions highlight shared preoccupations with the human body, vulnerability, and resilience, while allowing each artist's distinct approach—Giacometti's figuration versus Hatoum's found-object manipulation—to remain clear.

Southampton Arts Center Celebrates Opening of "Second Skin" Exhibition

Southampton Arts Center has opened its "Second Skin" exhibition, curated by Latin American art scholar Estrellita B. Brodsky. The show explores clothing as a medium for identity, gender, cultural expression, and political activism, featuring approximately 30 works by international artists and designers, including prints from Martine Gutierrez's "Indigenous Woman" series and Andy Warhol works on paper from the Jordan D. Schnitzer Foundation. The exhibition runs through December 28.

Happy 100th Mirthday, Robert Rauschenberg

The New York Times celebrates the centennial of artist Robert Rauschenberg, born in 1925, reflecting on his groundbreaking career and enduring influence. The article highlights his innovative combines, which blurred the boundaries between painting and sculpture, and his collaborative spirit that reshaped postwar American art.

Glimpsing the future: William Kentridge opera has its New York premiere in Brooklyn

William Kentridge's award-winning chamber opera *Waiting for the Sibyl* (2019) makes its New York premiere this week at Powerhouse Arts in Brooklyn, as part of the inaugural Powerhouse: International arts festival. The opera, which won an Olivier Award in 2023, features an original score by Nhlanhla Mahlangu and Kyle Shepherd, and incorporates Kentridge's animated ink drawings, collages, text projections, and sculptures. Inspired by the Cumaean Sibyl of ancient legend, the work explores themes of fate and uncertainty, with paper leaves from texts like Dante's *Divine Comedy* symbolically blowing through the action. The production was originally commissioned by the Rome Opera as a companion piece to Alexander Calder's 1968 *Work in Progress*.

Aichi Triennale confronts war, memory and environmental collapse

The sixth edition of the Aichi Triennale, titled "A Time Between Ashes and Roses," opened in Japan in September and runs until 30 November. Curated by Hoor Al Qasimi, the first non-Japanese artistic director of the triennial, the exhibition confronts themes of war, displacement, memory, and environmental collapse. Works include Kubo Hiroko's tapestry marking the 80th anniversary of the Hiroshima atomic bombing and a video installation by Palestinian duo Basel Abbas and Ruanne Abou-Rahme. Al Qasimi explicitly linked the triennial to the situation in Gaza, stating, "Free Palestine," during a press conference. Controversy erupted over the Aichi-Israel Matching Program, a separate prefectural initiative pairing Israeli startups with local companies, leading to protests and the resignation of vice chairman Hideyuki Tomita from the organizing committee.

24th Tehran Auction realizes about $1.5m

The 24th Tehran Auction, dedicated to contemporary Iranian art, concluded with total sales of $1,472,130 on Friday. The top lot was Reza Derakhshani's painting “One Golden Winter Hunt,” which sold for $154,000. The auction featured 120 works by 117 artists, including established names like Masoud Arabshahi, Kourosh Shishegaran, and Parviz Kalantari, with only six pieces remaining unsold.

Win pre-launch tickets to Paradigm Shift at 180 Studios

180 Studios in London will debut 'Paradigm Shift: New Dimensions in Moving Image' on October 14, 2025, during Frieze Week. Curated by Jefferson Hack and Mark Wadhwa, the exhibition features over a dozen artists including Andy Warhol, Nan Goldin, Arthur Jafa, Pipilotti Rist, and Telfar TV, tracing the evolution of moving image culture from Super 8 film to AI-powered glasses. The show is hosted in partnership with Ray-Ban Meta, and a private view on October 13 offers exclusive early access via a ticket lottery run by Dazed and AnOther.

A Massive Fire Destroyed Her Brooklyn Studio. She Has Only 10 Works Left

A massive fire destroyed Claudia Kaatziza Cortínez's Brooklyn studio in the Beard and Robinson Stores building in Red Hook on September 18, just days before her solo exhibition "Salt and Bone" opened at the Furnace: Art on Paper gallery in Falls Village, Connecticut. The blaze, which required 250 firefighters and a barge to contain, consumed 15 years of archives, tools, and equipment, leaving only the 10 works in the exhibition as the entirety of her art practice. The cause remains under investigation, and the building is off-limits.

Naples, Marco Island, Everglades CVB pays tribute to local Hispanic cultures in a year-long celebration

The Naples, Marco Island, Everglades Convention and Visitors Bureau (CVB) has launched ¡ARTE VIVA!, a yearlong celebration honoring the Hispanic cultures that make up nearly 30% of the region's population. The 2025-2026 season includes Día de los Muertos events at venues like the Marco Island Center for the Arts, Naples Botanical Garden, and Artis—Naples, featuring Calaveras sculptures by Ricardo Soltero, photography by Lizette Morales, and performances by Ballet Folklorica Jaliscience. Visual arts highlights include a Joan Miró exhibition at Naples Art Institute, a permanent collection show at The Baker Museum, and a public art installation by Michelle Tricca at Lipman Farms. Musical programming features Gulfshore Opera's Carmen, Latin Grammy nominee Leslie Cartaya, and Opera Naples Festival under Ramón Tebar.

Japanese museum’s collection of Western art could bring $60m at auction

The Kawamura Memorial DIC Museum of Art, a private museum near Tokyo that closed permanently in March 2025, has consigned 80 works from its collection of Western modernism to Christie’s. The consignment is expected to generate at least $60 million across multiple sales in New York this autumn, led by a 1907 Claude Monet *Nymphéas* painting estimated at $40 million. Other highlights include a Pierre-Auguste Renoir *Baigneuse* from 1891, two Marc Chagall paintings, and works by artists such as Mark Rothko, Pablo Picasso, and Cy Twombly. The museum’s parent company, DIC Corporation, plans to retain only about 100 works and sell the remaining roughly 280 pieces gradually.