Whitestone Gallery in Beijing will present the group exhibition 'Time in the Interstices' from April 25 to June 6, 2026. The show features four Korean artists—Soonik Kwon, Seungtaik Jang, Kim Deok Han, and Lee Chae—whose painting practices explore time as an internal, structural element of the work, rather than a linear narrative or backdrop.
Vian Sora’s solo exhibition "Tepe Gawra" at Bortolami Gallery marks her debut with the gallery, featuring a series of large-scale paintings that bridge ancient Mesopotamian history with contemporary Iraqi experience. The works, such as 'Celestial capsule' and 'Scarlet', utilize a complex layering process of poured acrylics and precise oil applications to explore themes of mortality, survival, and the aftermath of conflict.
The Ishara Art Foundation in the UAE has launched 'Urdu Worlds,' the region's first contemporary art exhibition dedicated to the Urdu language. Curated by Hammad Nasar, the show features a visual dialogue between the late Indian-born artist Zarina and Pakistani multimedia artist Ali Kazim. The exhibition showcases Zarina’s delicate woodcut prints, including her seminal 'Home is a Foreign Place,' alongside an expansive survey of Kazim’s paintings, sculptures, and his new 'Alphabets' series, marking his institutional debut in West Asia.
South Korean artist Lee Chae will present a solo exhibition titled "Imbued, Between Flower and Wind" at Whitestone Gallery Taipei from April 11 to May 16, 2026. The show features new series including "Afterimage of Wind" and "Wind-Infused," which utilize metaphors of flora and wind to explore the relationship between external stimuli and the human inner soul. Lee’s technique involves layering translucent pigments and then wiping them away to create poetic afterimages that visualize the transformation of emotions over time.
Seattle-based artist Lauren Boilini has reached a significant career milestone with the simultaneous opening of her first museum exhibition at the San Juan Islands Museum of Art and her first solo gallery show, "The Good Death," at J. Rinehart Gallery. Boilini’s practice is rooted in deep scientific research, including residencies at biological stations and insectariums, which she translates into large-scale, frenetic paintings of animals and ecosystems. Her current work explores the intersection of animal behavior and the human condition through dense, layered compositions that blur the lines between struggle and pattern.
Southwest Florida's art scene is experiencing a significant surge this April, with over a dozen art centers from Sarasota to Marco Island hosting 29 distinct exhibitions. Highlighting this seasonal peak, Art Center Sarasota is featuring major solo and group shows, including Herion Park’s fiber sculpture installation "UnBroken," Kendra Frorup’s exploration of cultural memory in "At Home Anywhere," and a curated group exhibition titled "Rooted in Community" focusing on historically Black neighborhoods.
Kid Cudi announced the debut of his documentary 'Echoes of the Past' on Instagram, revealing his transition into visual art under the painting persona Scotty Ramon. The film, directed by Joshua Charow and produced by MADSOLAR, explores Cudi's fine art journey and features an original score by the artist. A corresponding exhibition, also titled 'Echoes of the Past,' will open at Ruttkowski;68 in Paris on January 30, running through early March.
Brooklyn-based artist Charis Ammon presents "Pedestrian," an exhibition of oil paintings depicting storefronts from her Bushwick neighborhood and other parts of New York City, at Sargent's Daughters Gallery in Tribeca. The works, inspired by photographs taken during her daily walks, feature scenes of Chinese takeout places, bodegas, dry cleaners, and laundromats, often incorporating reflections of buildings across the street. The exhibition runs through January 24 and is Ammon's second with the gallery, which is owned by Allegra LaViola.
Award-winning artist Adriana Groza has announced the grand opening of the Adriana Groza Art Gallery & Studio at 38 Spring Street in Princeton, New Jersey, in the former Kopp’s Cycle building. The ribbon-cutting event takes place on Tuesday, November 25, from 5:25 to 7:25 p.m., coinciding with the 21st anniversary of Groza and her husband's arrival in the United States. Groza has been an active member of the Princeton arts community since 2021, maintaining a studio at Princeton Makes, an artist cooperative founded by Jim Levine. The new gallery will showcase her original paintings and serve as a hub for workshops, exhibitions, and community engagement.
Rob Zombie, the musician known for his horror-themed lyrics and shock rock performances, is holding his first-ever art exhibition in Connecticut. Titled "What Lurks on Channel X," the show is on view at the Morrison Gallery in Kent from October 25 to November 16, 2025. The exhibition features over ten large-scale paintings that blend pop culture iconography, juxtaposing sinister figures like Bela Lugosi and Charles Manson with innocent characters from Archie comics and classic comedians such as Laurel and Hardy.
Morrison Gallery in Kent, Connecticut, will host 'What Lurks On Channel X?', the first-ever gallery exhibition of musician and filmmaker Rob Zombie's paintings, from October 25 to November 16, 2025. The show features over ten large-scale works on canvas that blend pop culture icons—from Bela Lugosi and Charles Manson to Archie Comics characters and classic comedians—reflecting Zombie's childhood immersion in television.
A group exhibition titled "Magnum O-Pspsps" at Cornell University’s Olive Tjaden Gallery in Ithaca, New York, features over 40 artists paying tribute to cats through paintings, sculptures, and mixed-media works. Curated by Cornell MFA students Michael Morgan and Elina Ansary, the salon-style show runs for 10 days through September 25, drawing inspiration from Edward Anthony's 1922 fairytale "The Pussycat Princess" and illustrator Louis Wain's anthropomorphic cat drawings. The exhibition includes works by artists such as Lisa Lebofsky, Tatiana Tatum, Steve Keister, Erika Ranee, Juan Hinojosa, Emily Weiskopf, and Leeza Meksin, with some pieces serving as memorials for deceased feline companions.
Southwest Florida's art centers are hosting 29 exhibitions in August, spanning venues from Sarasota to Marco Island. Highlights include Art Center Sarasota's juried show 'Vice and Virtue' exploring morality, Jacob Z. Wan's LGBTQ+ intimacy-themed mixed media installation 'Me, Myself and I, Vol. 3', a youth exhibition 'INK: Quilt of Identity' by ALSO Youth, and Dorothea (D') Calvert's ceramic series 'Praxis'.
A new interactive art exhibition called "HORSE" has opened in downtown Detroit at 1001 Woodward Avenue, transforming a basketball court into an artistic installation. The centerpiece is a seven-armed sculpture featuring 21 basketball hoops at various angles and heights, inviting visitors to shoot hoops and play the game HORSE. Created by California-born, Detroit-based artist Tyrrell Winston—known for repurposing objects like basketballs—the project was developed in collaboration with landlord Bedrock and gallery Library Street Collective. The exhibition also includes a 30-by-50-foot painting, a sculpture made of old basketballs, a merchandise store, and a photo spot. It runs through October 5, with hours from Wednesday to Sunday.
Art Basel has unveiled its lineup of newcomer galleries for the upcoming fair, featuring seven emerging and rediscovered artists from around the world. The debutants include Kyiv-based Sana Shahmuradova Tanska, whose monumental painting addresses the war in Ukraine; Japanese textile artist Junko Oki, showing embroidered vintage garments; and Italian feminist poet Mirella Bentivoglio, represented by a participatory tree sculpture. Other highlights include Parisian Ndayé Kouagou's video work on mass media, conceptual feminist Tina Girouard's wallpaper pieces from the 1970s, London-based Alexandra Metcalf's deconstructed grandfather clocks, and Georgian artist Nika Kutateladze's installation about rural depopulation. The galleries presenting these artists are Gunia Nowik Gallery (Warsaw), Kosaku Kanechika (Tokyo), Repetto Gallery (Lugano), Nir Altman (Munich), Anat Ebgi (Los Angeles), Ginny on Frederick (London), and Gallery Artbeat (Tbilisi).
Artist Tammy Nguyen presents her new exhibition "A Comedy for Mortals: Paradiso" at Lehmann Maupin New York, running from June 5 to August 15. The show is the final installment of a three-part series inspired by Dante's Divine Comedy, following earlier presentations in Seoul (Inferno) and London (Purgatory). Nguyen, a 40-year-old painter, professor at Wesleyan, and founder of Passenger Pigeon Press, creates dense, polymathic canvases that weave together imagery from Dante's celestial journey with contemporary references, including Frankenstein, President Eisenhower's military-industrial complex warning, and drones. The exhibition explores paradise as a journey of endless knowledge, while also delving into darker historical events like the 1815 Mount Tambora eruption.
Artist Austyn Weiner presents her latest exhibition "Half Way Through," on view through June 21 at Lévy Gorvy Dayan in Manhattan. The show features floral paintings inspired by her Los Angeles studio environment, the LA River, and her personal experiences of marriage and loss—including the deaths of her father, close friend, and grandmother within months. Weiner collected blooms at various stages of life and decay for the gallery installation, reflecting her fascination with flowers' life cycles.
The Marjorie Barrick Museum of Art in Las Vegas is presenting "Perception," an exhibition drawn from its permanent collection that explores the relationship between sight and cognition. Featuring works by over twenty artists—including new acquisitions by Thomas Burke, Denise R. Duarte, Dirk Staschke, and Thomas Ray Willis—the show includes paintings, sculptures, photography, and neon pieces that challenge viewers' trust in visual perception. The exhibition runs from June 20 to December 20, 2025, with an opening reception on September 5.
The Musée d'art et d'archéologie in Valence, France, is presenting an exhibition titled "Hubert Robert & Fragonard. Le sentiment de la nature" from March 7 to June 21, 2026. The show traces the artistic friendship between Hubert Robert and Jean-Honoré Fragonard, who met as young French artists sketching in the ruins of Rome under the guidance of Charles-Joseph Natoire. It features works from the museum's renowned collection of sanguine drawings, notably those from the foundational bequest of Julien Victor Veyrenc (1835-1836), and includes new attributions proposed by curator Sarah Catala, a graduate conservator from the Institut National du Patrimoine.
The Musée d'Angoulême will host the exhibition "De Montmartre à Angoulême, Maurice Utrillo intime…" from April to September 2027, focusing on the artist's lesser-known years in the Charente region. Curators Pamela de Montleau and Philippe Cassereau are seeking archives, correspondence, photographs, testimonies, and paintings to illuminate Utrillo's two-year stay in Angoulême (1935–1937), where he married painter and writer Lucie Valore. The show will also feature works by his painter friends, including Maurice de Vlaminck, Alphonse Quizet, and others.
Un portrait de Gauguin pour Budapest
The Szépművészeti Múzeum (Museum of Fine Arts) in Budapest has acquired a portrait by Paul Gauguin. The painting was part of the collection of André and Françoise Kostolany, which was recently dispersed at auction by De Baecque & Associés in Versailles. The sale saw strong results, particularly for Hungarian paintings from the late 19th and early 20th centuries, with works by József Rippl-Rónai fetching high prices.
Vu[e]s de dos. Une figure sans portrait
The exhibition "Vu[e]s de dos. Une figure sans portrait" at Les Franciscaines in Deauville, running from February 28 to May 31, 2026, explores the artistic motif of figures seen from behind. Curated by director Annie Madet-Vache, the show was inspired by a small painting from the museum's own collection, André Hambourg's *L'Enterrement de Poincaré*. Unable to secure loans of iconic works such as those by Friedrich, Delacroix, Ingres, or Vermeer, Madet-Vache instead displays large black-and-white reproductions of these masterpieces alongside contemporary works they inspired, turning the absence of the originals into a conceptual strength.
Days before Argentina’s Congress approved an amendment to the glacier law that weakens protections for glacial regions to facilitate mining, President Javier Milei’s government removed a monumental painting of the Perito Moreno Glacier from the Casa Rosada presidential palace. The work, Helmut Ditsch’s photorealist *The Triumph of Nature* (2006), had been on loan and on display since 2012. The government cited “maintenance reasons” and “structural damage,” but the artist says he was not notified and has contacted lawyers. A portrait of Juan Domingo and Evita Perón was also removed the same day, with the same vague explanation.
Artists worldwide are using social media platforms like Instagram and TikTok to barter their artwork for goods and services instead of money, in a viral trend responding to the cost of living crisis. Participants trade paintings for items such as handmade clothes, jewelry, tattoos, accommodation, meals, and professional services like video editing or framing, with some simply inviting offers. Artists like Lin Snow, Oli Fowler, and Andrea Mongenie cite economic pressures and anti-capitalist motivations, viewing bartering as a way to build community and bypass financial systems that leave creatives struggling.
Art detective Arthur Brand announced the discovery of a Nazi-looted painting, *Portrait of a Young Girl* by Toon Kelder, in the home of the heirs of Hendrik Seyffardt, a notorious Dutch SS commander. The painting was part of the more than 1,100 works plundered from Amsterdam art dealer Jacques Goudstikker by German occupiers. An anonymous heir, who changed his family name, contacted Brand after learning of his ancestry, expressing shame and demanding the painting be returned to the rightful Jewish owners. The current owner, a relative, claims ignorance of its provenance and says the family is discussing restitution.
The Trump administration has proposed painting the granite Eisenhower Executive Office Building in Washington, D.C., white. The National Capital Planning Commission met on May 7, 2026, to review the plan, which was also submitted to the U.S. Commission of Fine Arts on April 16. That commission approved the idea conditionally, pending successful paint testing. The project, estimated to cost $7.5 million, has drawn over 2,000 public comments, most negative.
The Belarus Free Theatre, an exiled underground theater group, will stage its first official collateral exhibition at the 61st Venice Biennale, titled “Official. Unofficial. Belarus.” The show, held in the historic La Chiesa di San Giovanni Evangelista di Venezia, features site-specific paintings, a sound installation, and large-scale sculptures that aim to immerse visitors in the experience of repression under authoritarian rule. This marks only the fifth time Belarus has been present at the Biennale, and the first time it appears not as a state but as a self-governing cultural body, challenging the official narratives of nations like Russia.
Archaeologists from Mexico’s Instituto Nacional de Antropología e Historia (INAH) have identified 16 petroglyphs and cave paintings near the Tula River in Hidalgo. The artworks span over 4,000 years, ranging from prehistoric times through the Mesoamerican Postclassic period and into the early colonial era. The discovery, which includes depictions of the rain god Tláloc and various anthropomorphic figures, was made during archaeological salvage work for a new passenger rail line connecting Mexico City and Querétaro.
A new biography by art historian Andrew Graham-Dixon reveals that nearly two-thirds of Johannes Vermeer's known works were commissioned and owned by a single family, the Van Ruijvens, and later inherited by their daughter Magdalena and her husband Jacob Dissius. The collection of 20 Vermeer paintings remained intact within this family for nearly 40 years after the artist's death, only being dispersed after Jacob's death in 1695.
The Centre for Heritage, Arts and Textile (Chat) in Hong Kong has opened the exhibition 'Threading Inwards,' which explores the deep connection between textiles and spirituality across Asia. The show features 14 artists from the region, working in media from painting to video, who use fabric and fiber to create portals, shrines, and installations that bridge the material and spiritual realms.