The National Gallery of Art’s Dear America Needs a Postscript

The National Gallery of Art in Washington, D.C. has opened "Dear America," an exhibition organized around the themes of "Land," "Community," and "Freedom" that attempts to survey the entire history of the United States through its collection. The show features works by artists including Mitch Epstein, Victoria Sambunaris, Sedrick E. Huckaby, and Nancy Andrews, with sections on the American landscape, industrialization, and diverse communities. However, the review notes that the exhibition feels overly literal, with American flags prominently featured and a sense of ticking off boxes rather than offering a challenging or intellectually rigorous presentation.

Richard Diebenkorn | Untitled (For Harvey Gantt) | For Sale

Artsy is offering for sale Richard Diebenkorn's work "Untitled (For Harvey Gantt)", a piece by the renowned American painter associated with Abstract Expressionism and the Bay Area Figurative movement. The artwork is listed on the online platform, making it available to collectors and art enthusiasts.

Sebastiaan Bremer: Super Modern Things

Edwynn Houk Gallery presents "Super Modern Things," an exhibition of new works by Sebastiaan Bremer. The artworks blend photography and painting, starting from historical source images such as 17th-century Dutch botanical catalogues and Golden Age still life paintings. Bremer photographs these reproductions and adds ink and acrylic marks—dots, lines, stains, and washes—creating rhythms that evoke language, music, emotion, and constellations. The exhibition continues his long-standing exploration of flowers and the layered histories of still life, addressing themes of beauty, mortality, value, ecology, and global exchange. An accompanying monograph of his flower series is scheduled for Fall 2026.

KAWS | Tide, from KAWS: What Party exhibition at Brooklyn Museum (2021)

The auction for KAWS's 2021 print "Tide" has concluded. The work is an offset lithograph originally created for the artist's "What Party" exhibition at the Brooklyn Museum.

Dallas Art Fair Foundation Art Acquisition Fund 2026 Prizes Announced

The Dallas Museum of Art (DMA) has selected several new works for its permanent collection through the Dallas Art Fair (DAF) Foundation Art Acquisition Fund. During the 2026 edition of the fair, curators and donors chose pieces by artists including Hasani Sahlehe, Caroline Monnet, Gloria Klein, Raymond Saunders, and Nicole Eisenman. The acquisitions span a variety of media, from large-scale abstract paintings and triptychs made of industrial materials to wood reliefs and works on paper.

Expo 2026 Recap | Silver Room Block Party Returns | Pita Inn Opening in the City

Expo Chicago 2026 concluded with a strategic downsizing of its floor plan at Navy Pier, a move that drew praise from dealers for increasing the quality and manageability of the fair. Significant market activity was reported, including six-figure sales of works by Robert Nava and Luftwerk, alongside the distribution of the Northern Trust Purchase Prize which gifted several artworks to institutions like the Denver Art Museum and The Phillips Collection. Beyond the fair, the Illinois Arts Council announced over $325,000 in grants for public art projects commemorating the U.S. semiquincentennial.

From hard borders to soft power: how did the art world fare in 2025?

The article surveys the art world's turbulent 2025, beginning with devastating Los Angeles wildfires that destroyed artworks and the political shockwaves of Donald Trump's re-election. Trump's administration targeted the National Portrait Gallery, whose director Kim Sajet resigned after threats of firing, while immigration crackdowns, tariffs on art imports, and attacks on diversity initiatives chilled the art community. The year also saw Venice residents protest Jeff Bezos's lavish wedding, Trump's gilded Oval Office renovations, and a major Veronese exhibition at the Prado that drew parallels between historical extravagance and decline.

Glasstire’s Best of 2025

Glasstire's staff and contributors have compiled their personal "best of" lists for 2025, highlighting standout Texas-based exhibitions, events, and artworks. Notable mentions include Victoria Gonzales' solo show "Stay" at the Moncrief Cancer Institute, curated by Chris Wicker, which explores memory through dreamlike paintings; the exhibition "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, praised for its bold experimentation with color and texture; the community-driven group show "A Good Gathering" at The Pool in Fort Worth; and the Lorne Michaels Collection exhibition at the Harry Ransom Center, offering an inside look at the Saturday Night Live creator's archive. The list also features the Corsicana Artist and Writer Residency's open studios and a performance by Houston Contemporary Dance Company.

Sculptor Alma Allen officially selected to represent US at 2026 Venice Biennale

The US State Department has officially confirmed that sculptor Alma Allen will represent the United States at the 2026 Venice Biennale, following earlier delays caused by a 43-day government shutdown. Allen's exhibition, titled "Alma Allen: Call the Breeze," will run from May 9 to November 22, 2026, at the US Pavilion, organized by commissioner Jenni Parido of the American Arts Conservancy and independent curator Jeffrey Uslip. The show will feature around 30 sculptures, including new site-specific works, and the state department announcement explicitly aligns the presentation with President Donald Trump's "America first" ideology, framing the artworks as symbols of collective optimism and American excellence.

An Exhibition of Silenced Artists Sends a Warning in New York City

An exhibition titled "Don’t Look Now: A Defense of Free Expression" has opened at Nathalie Karg Gallery in New York City, organized by the nonprofit Art at a Time Like This and co-founded by curator Barbara Pollack. The show features artworks by artists who have experienced censorship, including Danielle SeeWalker’s painting "G is for Genocide" (2024), which led to the revocation of her artist residency in Vail, Colorado, and Andil Gosine’s altered photograph "Magna Carta" (2025), which was removed from a planned exhibition at the Art Museum of the Americas. The works address suppression linked to President Trump’s crackdown on DEI, anti-Palestine sentiment, and other forms of censorship, with some institutions self-censoring due to funding cuts from entities like the National Endowment for the Arts.

Review: “50th Anniversary Exhibition Part I” at Moody Gallery, Houston

Moody Gallery in Houston opened “50th Anniversary Exhibition Part I” on September 13, showcasing 38 artworks by gallery-affiliated artists. The show is deliberately non-chronological and non-comprehensive, featuring works ranging from 2006 to 2025, including pieces by Melissa Miller, William “Bill” Steffy, Michael Kennaugh, Dan Sutherland, Pat Colville, Tracye Wear, Al Souza, and the collaborative MANUAL (Ed Hill & Suzanne Bloom). The exhibition spans three spaces and highlights the gallery’s eclectic, open-minded approach and its commitment to promoting Texas-based artists.

A Ballet Based on the Life of Josephine Baker Opens the Fall Season at Théâtre des Champs-Elysées, and Other News

The Théâtre des Champs-Elysées opened its fall season with *Josephine*, a ballet by Germaine Acogny based on the life of Josephine Baker, tracing her 1925 Paris debut, activism in the French Resistance, and civil rights advocacy. Costumes by Chanel's specialty atelier Paloma feature in the solo performance, which is paired with Pina Bausch's *The Rite of Spring*. In other news, London's National Gallery announced a new wing under its Project Domani initiative, funded by $502 million in private donations including record pledges from the families of Michael Moritz and Julia Rausing, set to open in the early 2030s. Phillips will auction a juvenile triceratops skeleton nicknamed "Cera" in its November modern and contemporary art sale, with a presale estimate of $2.5–3.5 million. Kelly Reichardt's art heist film *The Mastermind* will screen at the New York Film Festival, and Thomas Heatherwick discussed his role as general director of the Seoul Architecture Biennale.

‘Making Their Mark: Works from the Shah Garg Collection’

The article announces the exhibition 'Making Their Mark: Works from the Shah Garg Collection' at Washington University in St. Louis (WashU). The show features works from the collection of Shah Garg, highlighting a selection of contemporary artworks.

Tefaf New York: determination in the face of Trump’s tariff chaos

Tefaf New York returns to the Park Avenue Armory with 91 exhibitors from four continents, presenting 7,000 years of art amid uncertainty caused by President Donald Trump's recently announced tariff regime. The fair's director, Leanne Jagtiani, sent a letter to exhibitors acknowledging the "significant impacts" on the industry, assuring them of close communication with shippers and legal advisers, and advocating for the exclusion of artworks from potential EU reciprocal tariffs. While artworks are understood to be exempt, antiques and contemporary works in unconventional materials may be subject to the new tariffs, creating confusion among dealers and collectors.

Many Hands Make Great Work at the Weatherspoon’s Student-Curated Show

Cannon Crawford-Wilson, a sculpture and ceramics student at UNC Greensboro, took Art History 490: Museums and Exhibition Spaces and helped curate the exhibition “Embodied: Finding Meaning in the Human Form” at the Weatherspoon Art Museum. Under the guidance of Dr. Emily Stamey, she and her classmates selected artworks, wrote labels, and designed the gallery layout for the Spring 2025 season, working with museum staff like preparator Susan Taaffe. The show features pieces such as Toyin Ojih Odutola's “What’s in a Mistake?” (2014) and Do Ho Suh's “Bowl with Hands.”

Art Brussels 2025 Is Keeping Up with Its European Art Fair Cousins

Art Brussels returned for its 41st edition from April 24-27, 2025, at Brussels Expo Hall on the Heizel Plateau in Laeken, Belgium. The fair featured 165 galleries from 35 countries, 38% of which were first-time exhibitors, showcasing works by over 800 artists across five curated sections: Prime, Solo, Discovery, '68 Forward, and Invited. New initiatives included The Screen, a curated video art section selected by KANAL-Centre Pompidou’s Eliel Jones and filmmaker Alex Reynolds, and Monumental Artworks, a large-scale sculpture section curated by Carine Fol. Highlights included works by Kai-Chung Chang, Guy Van Bossche, Mircea Suciu, Bendt Eyckermans, and others, alongside a special edition of the Belgian Art Prize marking its 75th anniversary.

An Unlikely Friendship Between Artist and Forger

The article reviews Steven Soderbergh's 2026 film "The Christophers," which follows an unlikely friendship between two painters in London: Julian Sklar (Ian McKellen), an older artist facing cancellation, and Lori Butler (Michaela Coel), a young painter who restores and forges artworks. The film explores themes of attention, artistic legacy, and the purpose of art, contrasting with darker narratives like "Tár" by offering a comedic yet profound take on these issues.

Vincenzo Trione's new book aims to redefine the concept of the avant-garde (reviews by his students)

Il nuovo libro di Vincenzo Trione vuole ridefinire il concetto di avanguardia (le recensioni dei suoi allievi)

On March 9, 2026, at IULM University in Milan, Vincenzo Trione presented his new book *Rifare il mondo. Le età dell’avanguardia* (Einaudi, 2025). The event was part of the cultural program *Leonardo alla IULM*, which also featured pages from the Codex Atlanticus on loan from the Biblioteca Ambrosiana. Trione, a professor at IULM, discussed the book with four of his students: Anna Luigia De Simone, Vincenzo Di Rosa, Anna Calise, and Alessia Scaparra Seneca. The talk, titled "Nessuna parola caratterizza l’arte contemporanea più di avanguardia," explored the concept of the avant-garde, its historical legacy, and its contemporary reactivation through movements, manifestos, collectives, and cultural phenomena.

Historic $116M Gift Endows Lending Program at National Gallery of Art

The National Gallery of Art (NGA) has received a historic $116 million donation from the Mitchell P. Rales Family Foundation to permanently endow its 'Across the Nation' lending program. This initiative loans artworks from the NGA's collection to smaller regional museums across the United States, covering all associated costs. In its pilot year, the program reached an estimated 900,000 visitors at ten institutions, bringing works by artists like Georgia O'Keeffe, Rembrandt, and Mark Rothko to communities from Alaska to Michigan.

Woman With Her Back to the Viewer in Gallery Photos Speaks Out

A satirical article features an exclusive interview with the fictional archetype "Woman With Her Back to the Viewer in All Those Gallery Photos." She describes her daily routine of posing ambiguously next to artworks, her artistic influences like Caspar David Friedrich, and the challenges of her unseen labor, including a lack of sales commission and the need for side hustles like making herself blurry in photos.

Fastest Art Heist in History?

Thieves stole three valuable paintings by Cézanne, Matisse, and Renoir from a small museum in northern Italy in a heist that reportedly took less than three minutes. The combined value of the artworks is estimated at around $10 million.

The Sartorial Is Political in “The New York Sari”

An exhibition titled "The New York Sari" is on view at the New York Historical Society, exploring the sari as a living art form, heirloom, document, and political statement for the South Asian diaspora in New York City. The show features contemporary artworks, historical materials, and personal garments, framing the sari not as a static cultural artifact but as a dynamic site of identity, labor, and community history.

picasso global raffle alzheimers research christies

A charity raffle organized by France's Fondation Recherche Alzheimer offers participants the chance to win a Pablo Picasso painting valued at €1 million ($1.2 million) for a €100 ticket. The work, a 1941 gouache on paper titled *Tête de femme*, will be drawn on April 14, 2026, at Christie’s Paris. The raffle is the third of its kind involving a Picasso to support charitable causes, following previous editions in 2013 and 2020 that each raised €5 million for different organizations. The initiative was spearheaded by French TV host Péri Cochin, with the support of the artist's late son Claude Picasso.

edgar davids art collection theft

A London court heard that Edgar Davids, the former Netherlands soccer star known as “the Pitbull,” was defrauded by a trusted friend who allegedly stole his $255,000 art collection. Nabila Habiby, who had keys to Davids’ mansion, removed 37 artworks—including 33 pieces by Paul Insect and two by Ron English—and pawned them for loans totaling just $42,800. When she failed to repay, pawnbrokers sold the works at auction. Davids only discovered the theft in 2017 after a buyer in Hong Kong contacted him via Instagram. Habiby admitted to two counts of fraud and faces up to 34 months in prison.

kaws victory counterfeit art lawsuit

Artist Brian Donnelly, known as KAWS, won a $900,000 damages award from a U.S. District Court on May 2 against Dylan Joy An Leong Yi Zhi and two Singapore-based companies, the Penthouse Theory and the Penthouse Collective, for counterfeiting replicas of KAWS's signature "Companion" figure, toys, skateboards, and artworks. The court also ordered the defendants to stop producing the knockoffs, with KAWS's attorney Aaron Richard Golub calling it a significant international case that can now be enforced globally, including in Singapore.

"Etwas zaghaft, etwas ängstlich, etwas sicher"

The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.

The must-see exhibitions of 2026: from Duchamp in New York to Baldessari in Beijing

The article previews major art exhibitions scheduled for 2026, highlighting two standout shows. At Basel's Fondation Beyeler, a Cezanne exhibition from January to May will focus on the artist's later works, featuring around 60 oil paintings and 20 watercolours, half from private collections. Highlights include a privately owned oil study of 'The Bathers' (around 1902-06) and 'The Boy in the Red Vest' (1888-90), with curator Ulf Küster emphasizing Cezanne's fragmentary, radical perspective. Separately, the traveling exhibition 'Edmonia Lewis: Said in Stone' will premiere at the Peabody Essex Museum in February, showcasing 30 sculptures by the 19th-century Black and Indigenous artist, organized after a 2016 acquisition by the Georgia Museum of Art spurred curators to track down her works.

Orsay inaugure une salle destinée aux œuvres « MNR »

The Musée d'Orsay in Paris has opened a new dedicated gallery, Room 10b, to display works from its MNR (Musées nationaux Récupération) collection—artworks looted or acquired under dubious circumstances during the Nazi era. The room features detailed labels and educational texts, with some works shown verso to reveal provenance labels. The initiative is funded by the American Friends of the Musée d'Orsay and the Musée de l'Orangerie with €1 million over four years, and includes a fake Monet, a Degas subject to a restitution claim, a Rodin sculpture, and a debated Cézanne. The museum's provenance research team, led by Inès Rotermund-Reynard, collaborates with the French Ministry of Culture's M2RS mission.

Les jardins de Monet à l’épreuve du surtourisme

Claude Monet's gardens in Giverny, France, which were recreated in 1980 after being abandoned in the 1950s, are now suffering from severe overtourism. The site, which attracted 70,000 visitors in its first year, is expected to exceed one million visitors in 2026, the centenary of Monet's death. Crowds are so dense that visitors report feeling unable to experience any emotion, and gardeners spend hours each morning repairing damage from trampling. The gardens have become a kind of industrial product, with 15,000 plants propagated each season to replace those destroyed.

Cluny Deepens the Myth of the Unicorn

Cluny approfondit le mythe de la licorne

The Musée de Cluny in Paris has opened a new exhibition, "Cluny approfondit le mythe de la licorne," which delves deeper into the symbolism of the unicorn. Building on a 2018 show, this iteration presents a more extensive and scholarly selection of artworks, including prestigious loans facilitated by a partnership with the Museum Barberini in Potsdam. The exhibition showcases the creature's diverse representations across cultures, from medieval tapestries to scientific illustrations.