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Bruno Bischofberger, Art Dealer of Stars Like Andy Warhol and Jean-Michel Basquiat, Dies at 86

Bruno Bischofberger, the legendary Swiss art dealer who championed American artists like Andy Warhol and Jean-Michel Basquiat in Europe, has died at age 86. His Zurich-based gallery announced his death on Saturday. Bischofberger founded his eponymous gallery in 1963, which became one of Switzerland's most important blue-chip art spaces. He forged deep personal and professional relationships with artists, including acquiring a stake in Warhol's Interview magazine, producing Warhol's film L'amour, and famously proposing the collaborative paintings between Warhol and Basquiat in 1984. Bischofberger also maintained a decades-long tradition of placing advertisements on the back page of every Artforum issue.

Artists made their mark at 2026 Met Gala

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art, raised a record $42 million for the Costume Institute, surpassing last year's $31 million. Honorary chairs Jeff Bezos and Lauren Sanchez Bezos contributed at least $10 million, but their involvement sparked protests outside the event, with demonstrators holding signs like "Tax the Rich" and a group called Everyone Hates Elon leaving fake urine bottles labeled with Bezos's face. Inside, artists made a strong impression: Amy Sherald wore a Thom Browne look based on her painting; Jordan Roth donned a Robert Wun outfit inspired by a Met collection work; and Tschabalala Self collaborated with Brandon Blackwood on a gown evoking Degas's ballerina sculpture. The gala's dress code was "fashion is art," and the accompanying exhibition, "Costume Art" (May 10–January 10, 2027), debuts the Met's new 12,000-square-foot Condé M. Nast Galleries.

Kiss and Tell! In Venice, Nude Tino Sehgal Work Is Talk of the Town

Laurent Asscher's AMA Venezia foundation in Venice is showcasing Tino Sehgal's live performance piece "Kiss (Clean Version)" during the 61st Venice Biennale. The work features a nude couple reenacting famous kisses from art history, performed by rotating dancers over hours. Asscher acquired the piece after meeting Sehgal, having previously bought a different Sehgal work at a charity auction. The performance has become a standout attraction amid the Biennale's crowded opening week.

A $35 M. Warhol, a $45 M. Basquiat, and More: Who’s Selling The Top Works in the May Sales?

The article reports on the upcoming May marquee sales at Christie’s and Sotheby’s, detailing high-value consignments from major collections. Christie’s will offer works from the estates of S. I. Newhouse (including a Brâncuși sculpture and a Jackson Pollock painting, each estimated at $100 million), former MoMA board president Agnes Gund (a Rothko estimated at $80 million), and the late dealer Marian Goodman (a Gerhard Richter estimated at $50 million). Sotheby’s counters with a Rothko from the collection of the late Robert Mnuchin (estimated at $100 million) and works from David and Shoshanna Wingate, including a Giacometti sculpture. The article also reveals previously unnamed consignors for top lots, such as collector John Sayegh-Belchatowski for a $45 million Basquiat and the Moore family for an Elizabeth Peyton painting.

Under new ownership, Art Monte Carlo voices 'global ambitions'

The 10th edition of Art Monte Carlo took place from April 29 to May 1 in the Grimaldi Forum, featuring 26 exhibitors ranging from Old Master paintings to contemporary works by Picasso, Warhol, and Richter. The fair was acquired last year by Informa Prestige, a luxury offshoot of Informa, which also owns Miami's Untitled fair. Executive chair John Paton aims to grow the fair, nearly double its size within two years, and expand to another location, leveraging complementary audiences from yachting and supercars.

What Does Damien Hirst Have to Do With This Giant McDonald’s Ball Pit in Milan?

An installation called "POOL. Ti sblocco un ricordo" was on view during Milan Design Week, organized by Nicolas Ballario and presented as part of the Tortona Rocks offsite exhibitions. The centerpiece is a giant swimming pool-shaped pit filled with hundreds of thousands of colorful balls, celebrating McDonald's 40th anniversary in Italy. The installation claims to be "informed by" Damien Hirst's "Spot Paintings" and also features a work from Vedovamazzei's "Early Works" series, which imagines how famous artists might have drawn as children. Other elements include vitrines of Happy Meal toys, a Ronald McDonald replica, and nostalgic McDonald's memorabilia.

Here’s What LACMA’s Lavish New Building Looks Like

The Los Angeles County Museum of Art (LACMA) has finally unveiled its new flagship building, the David Geffen Galleries, designed by Pritzker Prize-winning Swiss architect Peter Zumthor. The concrete-and-glass structure famously straddles Wilshire Boulevard, featuring a continuous glass facade that offers panoramic views of the Los Angeles landscape and newly installed outdoor sculptures. Inside, the layout encourages a non-linear experience, moving visitors through varying light conditions and diverse gallery sizes that house a mix of contemporary and classical works.

Comment | Catherine Opie shows us that in dark times, looking for joy can be radical

The artist Catherine Opie is currently the subject of a major three-decade portrait survey, 'To Be Seen', at the National Portrait Gallery in London. The exhibition highlights Opie’s career-long commitment to representing the LGBTQ+ community, specifically the leather dyke scene in Los Angeles, through a lens that balances defiance with playfulness. Even her most provocative works, such as the 1993 self-portrait featuring a domestic scene carved into her back, are revealed to contain elements of humor and historical allusion that counter the despair of the AIDS crisis and personal heartbreak.

Works from Marian Goodman’s Collection to Anchor Christie’s May Sales

Christie’s has announced that it will auction works from the personal collection of the late legendary dealer Marian Goodman during its May marquee sales in New York. The collection is headlined by seven paintings by Gerhard Richter, including the iconic 1982 work *Kerze (Candle)*, which carries an estimate of $35 million to $50 million. The total group of works from Goodman’s Manhattan home is expected to realize approximately $65 million.

Do We Have Duchamp All Wrong? A Brilliant MoMA Retrospective Reintroduces One of Modernism’s Greats

The Museum of Modern Art has launched a massive retrospective of Marcel Duchamp, featuring over 300 works spanning the artist's career from the early 1900s to the late 1960s. Organized in collaboration with the Philadelphia Museum of Art, the exhibition eschews a heavy-handed narrative in favor of a methodical, factual presentation. Key highlights include the controversial "Genre Allegory" (1943) and his iconic readymades, alongside his early experiments in painting like "Nude Descending a Staircase (No. 2)."

Are We Too Reverent of Marcel Duchamp?

The Museum of Modern Art has launched a major retrospective of Marcel Duchamp, co-organized with the Philadelphia Museum of Art. The exhibition tracks the artist's evolution from his early Cubist experiments and the scandal of 'Nude Descending a Staircase' to his radical invention of the readymade, exemplified by the infamous urinal, 'Fountain'. The show presents a comprehensive look at 'The Duch' through a reverential, church-like atmosphere, concluding with his later years as a dapper, enigmatic figure of the avant-garde.

Paying tribute to storied printmaker Kenneth Tyler at the IFPDA Print Fair

The International Fine Prints and Drawings Association (IFPDA) Print Fair at the Park Avenue Armory is honoring the legacy of master printer Kenneth E. Tyler. A central highlight of the event is the presentation by the National Gallery of Australia (NGA) of a new three-volume catalogue raisonné documenting Tyler Graphics from 1986 to 2001. The 94-year-old Tyler, a foundational figure in American printmaking, collaborated with titans of Modern art including Robert Rauschenberg, Helen Frankenthaler, and Roy Lichtenstein across his storied career at Gemini GEL and Tyler Graphics.

A Duchamp Retrospective at MoMA Presents an Artist Who Challenged the Very Definition of Art

The Museum of Modern Art (MoMA) has launched a major retrospective of Marcel Duchamp, marking the first comprehensive North American survey of the artist’s work in over 50 years. Co-organized with the Philadelphia Museum of Art and the Centre Pompidou, the exhibition traces Duchamp’s evolution from his early Cubo-Futurist paintings to his revolutionary "Readymades" and optical experiments. The show features seminal works such as Nude (Study), Sad Young Man on a Train and explores his various personas, including his female alter ego, Rrose Sélavy.

Museum acquisitions round-up: Andy Warhol in an apron, a solid-silver relief and Christo's luggage rack

Major international institutions have secured significant new acquisitions, ranging from intimate photographic archives to monumental silver reliefs. The Smithsonian’s Archives of American Art received over 400 stereoscopic slides by Ronnie Cutrone documenting Andy Warhol’s Factory, while the Germanisches Nationalmuseum acquired Luigi Valadier’s final silver masterpiece, 'Lamentation of Christ'. Additionally, the Christo and Jeanne-Claude Foundation donated 14 works to the City of Paris, including the early sculpture 'Package on a Luggage Rack' for the Musée d’Art Moderne de Paris.

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David Hockney has launched a critique against the prevalence of abstract art while debuting his latest exhibition, "A Year in Normandie and Some Other Thoughts About Painting," at the Serpentine Galleries. The 88-year-old artist, recovering from an infection at his Kensington studio, presented a nearly 300-foot-long frieze of iPad drawings depicting the seasonal shifts of his Normandy gardens. The show emphasizes Hockney's commitment to figurative representation and observation, utilizing new stippling techniques and reverse-perspective compositions.

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Christie’s and Sotheby’s recently concluded their 2026 mid-season contemporary art auctions, signaling a shift toward higher-value inventory in what were traditionally lower-stakes sales. The standout result was the $7.6 million sale of Jeff Koons’s sculpture 'Winter Bears' (1988) at Christie’s, setting a record for the highest-valued work ever sold in a mid-season auction. Meanwhile, Sotheby’s held its first 'Contemporary Curated' sale at its new Breuer building headquarters, achieving $19.4 million led by a $3.8 million Alma Thomas painting.

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British portrait artist Jonathan Yeo is bringing his augmented reality exhibition, "Spectacular," to South by Southwest (SXSW) in Austin following its debut at the Centre Pompidou. Developed in collaboration with Snap Inc., the showcase utilizes AR glasses to animate Yeo’s traditional oil paintings, including his famous portrait of King Charles III and a depiction of Cara Delevingne. The experience allows viewers to interact with the works, such as having a digital butterfly from the King's portrait land on their hand, while exploring the intersection of static portraiture and immersive technology.

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Artist Victoria Dugger has launched her third solo exhibition, "Freak Flags," at Sargent’s Daughters in New York. The show features six mixed-media works that reimagine the American flag through a maximalist, Southern Gothic lens, utilizing materials like gingham, glitter, nipple tassels, and barbed wire. Drawing inspiration from Jasper Johns’s iconic flag paintings, Dugger’s versions replace traditional colors with hot pinks and bright greens, with several displayed upside down to signal national distress.

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David Hockney will create a monumental 22-by-32-foot window installation for the Sunley Gallery at Turner Contemporary in Margate, UK. The work, based on a 2020 iPad painting of a Normandy sunrise, will be illuminated at night and is scheduled to be on view from April 1 to November 1 as part of the gallery's 15th-anniversary celebrations.

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Christie's will offer three major paintings by Gerhard Richter in its March evening sales in London and Hong Kong. The London sale on March 5 features the 1984 photo-painting 'Schober (Haybarn)', estimated at £6 million, and a 1991 'Abstraktes Bild' abstract work, estimated at £4.5-6.5 million. The Hong Kong sale on March 27 will offer a larger 1991 'Abstraktes Bild', estimated at HK$78-98 million ($10-13 million), coinciding with Art Basel Hong Kong.

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A reproduction of Rembrandt's stolen masterpiece, *Christ in the Storm on the Sea of Galilee* (1633), appears in the new Netflix film *Knives Out: Wake Up Dead Man*. The painting, one of 13 works stolen from Boston's Isabella Stewart Gardner Museum in 1990, is seen briefly in a character's study. The museum confirmed the use was not a collaboration, noting the image was used without permission.

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Yu Nishimura, a Japanese painter born in 1982, is experiencing a rapid rise in the art world, marked by major gallery shows in New York and Paris in 2025, a record auction price of $711,200 for his work "thicket" (2020) at Sotheby's, and an upcoming institutional exhibition at Lafayette Anticipations Foundation in Paris in 2026. His paintings, which blend landscape, still life, and figuration with layered washes and melancholic tension, have attracted representation from David Zwirner, Sadie Coles HQ, and Galerie Crèvecoeur, with collectors and institutions increasingly drawn to his quiet, introspective style.

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David Hockney's double portrait *Christopher Isherwood and Don Bachardy* (1968) sold for $44.34 million at Christie's New York on November 17, 2025, just shy of its $50 million high estimate. The sale ranks among the highest prices ever for the artist at auction. The article also reviews Hockney's top five auction results, including *The Splash* (1966), which fetched $29.92 million at Sotheby's London in 2020, and *Nichols Canyon* (1980), which sold for $41.07 million at Phillips New York in 2020. All five of Hockney's most expensive works have sold within the past seven years, reflecting sustained demand for his early and mid-career masterpieces.

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The article details the ongoing release of documents related to disgraced sex offender Jeffrey Epstein, revealing his extensive ties to prominent art world figures. Key connections include former MoMA chairman Leon Black, who paid Epstein tens of millions for tax advice and engaged in art transactions involving a Giacometti sculpture and a Cézanne watercolor; retail mogul and art collector Leslie Wexner; and artist Andres Serrano. It also highlights the story of artist Maria Farmer, who was assaulted by Epstein and Maxwell and faced threats against her art career when she tried to report them in the 1990s.

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Vanity Fair published a two-part feature with unprecedented imagery of the Trump administration, shot by photographer Christopher Anderson. Diet Prada annotated the photos, highlighting that a floral still life by French impressionist Berthe Morisot, titled *Peonies* (1869), appears behind press secretary Karoline Leavitt and is currently available as a print through Walmart. The painting belongs to the National Gallery of Art in Washington, D.C., which lists it as not on view and declined to comment on whether it is on loan to the White House. The Trump administration has not responded to inquiries about the artwork's provenance or whether it was newly installed or left over from a previous administration.

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Artnet News editors compiled a list of the worst artworks they encountered in 2022, including a chaotic performance by Poncili Creación at NADA Miami, an overproduced Danish Pavilion installation by Uffe Isolotto at the Venice Biennale, and a Paul Cézanne painting at the Barnes Foundation that disappointed a critic. The article offers subjective, critical takes on these works, describing the NADA performance as bizarre and jolting, the Danish pavilion as graphic and lacking a powerful message, and the Cézanne as a disappointment within an otherwise memorable museum visit.

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Frieze New York opened on a warm Wednesday morning, with a packed spring art week schedule that saw the fair and TEFAF's US edition separated by just 24 hours. The VIP day was animated with strong sales, including Jeff Koons's *Hulk (Tubas)* reportedly selling for $3 million at Gagosian, which presented the artist's first collaboration since he left the gallery in 2021. Other notable sales included works by Liza Lou, Joan Snyder, David Salle, and Adam Pendleton, with Pace Gallery selling all six of Pendleton's paintings within hours. Galleries reported a slower but deliberate pace of buying, with collectors taking more time to make decisions.

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Christie's 21st-century evening sale in New York on Wednesday night achieved $123.6 million, just below its $126 million high estimate and 16% above last year's sale. The sale featured 19 lots from the collection of the late Stefan Edlis and his widow Gael Neeson, which brought in $49.2 million against a $30 million estimate. The top lot was Christopher Wool's "Untitled (RIOT)" (1990), selling for $19.8 million. New auction records were set for Firelei Báez ($1.1 million) and Olga de Amaral ($3.1 million). Only one of 45 lots failed to sell—a Cecily Brown painting estimated at $4–6 million. The sale was characterized by careful use of third-party guarantees and lowered reserves, with art advisor Aileen Agopian noting bidding was "deep and robust" despite a flat atmosphere.

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Shanghai's West Bund Art & Design fair and Art021 opened last week with unexpectedly strong sales, despite economic headwinds and regional competition. Many galleries reported brisk first-day sales, with Thaddaeus Ropac placing five works including a Martha Jungwirth painting for €500,000, and Hauser & Worth selling two works for over $1 million. However, major blue-chip galleries like Gagosian and Pace opted out entirely, while others like Almine Rech, White Cube, and David Zwirner scaled back their participation. The fairs took place against a backdrop of China's ongoing property slump and the overlapping Art Collaboration Kyoto, which siphoned attention from international collectors.

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Christie's, Sotheby's, and Phillips are holding their marquee fall 2025 sales in New York next week, with an unusually high volume of inventory. Christie's alone will offer 80 works on Monday night, and across the week 27 lots carry estimates above $10 million—a stark contrast to the tepid May sales. The season is top-heavy, with the $2 million–$5 million range considered the trickiest. Notable consignments include the estate of Leonard Lauder and the collection of Stefan Edlis and Gael Neeson, while many discretionary sellers remain absent. Day sales feature works with significant price drops, such as a Steve Parrino painting last sold for nearly $1 million now estimated at $300,000–$500,000, and an Avery Singer work that sold for $3 million in 2022 now estimated at $600,000–$800,000. Several pandemic-era speculative purchases are also returning to market at steep discounts.