The Musée d’Orsay in Paris has opened a new room in its permanent display featuring 13 artworks recovered from Germany and Austria after World War II, whose provenance remains unknown. The museum is inviting visitors to help identify the original owners of these pieces, which were looted or displaced during the war and later restituted to France.
The iconic Rocky statue, long situated outside the Philadelphia Museum of Art as a popular tourist attraction, has been moved inside the museum. It now serves as the centerpiece of an exhibition that explores themes of race, activism, and violence.
The 1990 theft of 13 artworks from Boston's Isabella Stewart Gardner Museum remains unsolved, generating countless theories about the perpetrators. A new book by the former FBI agent who led the investigation for over a decade systematically debunks many prominent public theories, arguing they distract from the actual investigation.
The Fairfield University Art Museum has launched "For Which It Stands…," a landmark exhibition featuring over 70 artworks that utilize the American flag as a central motif. Curated by Carey Mack Weber, the show spans more than a century of artistic production, from World War I-era paintings by Childe Hassam to contemporary works by artists such as Julie Mehretu and Danielle Scott. The exhibition is a centerpiece of the university's America250 programming, marking the 250th anniversary of the United States.
A coalition called Health Workers 4 Palestine has organized an art auction, Seeds of Solidarity, to support medical professionals in Gaza. Taking place on 1 February at the Savoy hotel in London, the auction features works donated by 21 visual artists including Antony Gormley, Brian Eno, Mona Hatoum, Lisa Brice, Caroline Walker, and Hassan Hajjaj. Proceeds will benefit the Gaza Medics Solidarity Fund, which provides stipends to doctors, supports mobile clinics, and helps reconstruct maternity wards in the enclave. The sale is curated by Zayna Al-Saleh, known for her Voices of Palestine auctions that have raised over $1.4 million.
The Institute for Primary Facts has transformed New York's Mriya Gallery into the Donald J. Trump and Jeffrey Epstein Reading Room, a pop-up exhibition displaying all 3.5 million pages of the released Epstein files in 3,437 bound volumes. Open from May 8 to May 21 in Tribeca, the installation is the group's first live project, requiring visitors aged 16 and over to book appointments via a platform called Trumpsonian. Only accredited press, Congress, law enforcement, and victims' advocates may open the volumes, due to the Department of Justice's failure to properly redact victims' names.
Un artista ha raccontato l’incredibile storia di un borgo della Calabria che non c’è più. L’intervista
Italian artist Martin Errichiello has created [campanamuta], a six-part audio work broadcast on RAI Radio 3's Zazà program in late 2025 and now available on RaiPlay Sound. The piece tells the story of Eranova, a farming community founded in 1896 near Reggio Calabria that was destroyed by 1980 after the Christian Democratic party planned—but never built—a steel center on its land, now the site of the Port of Gioia Tauro. Errichiello weaves together interviews with former residents and his own original texts, using non-linear narration to explore the village's utopian origins and forced disappearance.
On May 24, the Collegio Ghislieri in Pavia inaugurated the Giardino della Ricerca, a garden dedicated to photojournalist Andy Rocchelli, who was killed in 2014 in the Donbas region of Ukraine alongside human rights activist Andrei Mironov. The garden, opened on the twelfth anniversary of his death, features a commemorative plaque and includes speeches by Gherardo Colombo and Michele Serra, as well as a podcast by Agostino Zappia and Enrico Rotondi. Italian courts have ruled that Rocchelli and Mironov were killed by Ukrainian army fire, but no one has been convicted.
A satirical statue has appeared in Waterloo Place, London, depicting a man in a suit with his face covered by a large waving flag. Initially met with skepticism due to its unusual chalk signature and three-dimensional form—departing from Banksy's typical stencil and mural work—the artist later claimed the piece via an ironic video on his Instagram page. The statue stands near the Crimean War Memorial and statues of Edward VII and Florence Nightingale, and is interpreted as a critique of authoritarian trends in democracies.
Il mito di Sandokan in mostra a Monza tra storia e immaginario. Parola ai curatori
A new exhibition titled "Sandokan. La Tigre ruggisce ancora" has opened at the Reggia di Monza, exploring the enduring myth of the fictional pirate Sandokan, who first appeared in Italian serialized fiction in 1883. Curated by Francesco Aquilanti and Loretta Paderni, the show brings together ethnographic materials, costumes from the 1970s television series, weapons, books, illustrations, and archival items, including the original Dayak collection donated by Sir Charles Brooke to the King of Italy. The exhibition traces Sandokan's evolution across literature, comics, film, and television, presenting him as a layered, ambivalent hero—both ruthless pirate and justice fighter—whose story remains relevant today.
The Biggs Museum of American Art is presenting "The Art of Elizabeth Catlett from the Collection of Samella Lewis," on view through June 21, 2026. The exhibition features Catlett's prints and sculptures, drawn from the collection of her former student and lifelong friend Samella Lewis, and also includes works by Lewis and Catlett's husband, Francisco Mora. Catlett, who studied with Grant Wood and worked with the Taller de Gráfica Popular in Mexico City, focused her art on the lives of Black women, addressing themes of identity, equity, labor, family, and freedom.
The Henry Art Gallery hosted its fall opening celebration on October 3, transforming the museum into a lively social event with a DJ set by KEXP's Diana Ratsamee and an open bar. The evening featured four exhibitions: "Spirit House," exploring life and death through works by 34 Asian diasporic artists; Charlene Liu's single painting "Scallion"; Rodney McMillian's "Neighbors," a multimedia reflection on social and civic violence; and Kameelah Janan Rasheed's "we leak, we exceed," an immersive text-based installation. The event drew crowds who engaged with the art and each other, creating a vibrant atmosphere that contrasted with the museum's usual quietude.
The New Art Exchange (NAE) in Nottingham, UK, is hosting its fifth Open Exhibition, a competitive open-call showcase for contemporary artists from the Global Ethnic Majority and all artists based in Nottinghamshire. The exhibition features a wide range of mixed-media works—including painting, video, live art, photography, textiles, and sculpture—selected by a diverse panel of neighbors, artists, and curators. Standout pieces include Broken Glass's 'Deforestation (Desmatamento),' a critique of environmental destruction in Brazil; Mamu Umu's 'Capitalist Champion,' exploring the tension between artistic passion and economic survival; Emily Catherine's photorealistic charcoal portrait 'Phuong'; and Aida Wilde's 'BUTCHERED.'
Women's History Museum, the collaborative duo of Mattie Barringer and Amanda McGowan, presents their first institutional solo exhibition in the U.S., "Grisette à l'enfer," at Amant in Greenpoint, Brooklyn. The show reimagines the 17th-century French grisette—a working-class woman who was both a laborer and a style icon—through a blend of past video, fashion, and sculpture, staged as a re-creation of a shopping experience. Works like "For a Moment I Have No Pain" (2025) and "Lit Reliquaire de Mary Magdalene" (2025) explore femininity, desire, and the price of beauty, with references to the 1911 Triangle Shirtwaist Factory Fire and the artists' own history meeting at that site.
Sculptor K. S. Radhakrishnan personally led an exclusive walkthrough of his exhibition "Once Upon a Sculptor" at Chawla Art Gallery. The event offered attendees an intimate look at his artistic evolution, from early works to his iconic Maiya and Musui figures, with the artist sharing insights into his ideas and processes.
Chawla Art Gallery in New Delhi hosted an artist-led walkthrough for the exhibition “Once Upon a Sculptor,” featuring the renowned Indian sculptor K. S. Radhakrishnan. The event allowed visitors to engage directly with the artist as he discussed his creative evolution, the development of his visual language, and the philosophical layers behind his iconic bronze figures, Musui and Maiya.
Arts Mid North Coast is organizing an exhibition titled 'Balance the Scales' to coincide with International Women's Day. The show will run from February 22 to March 8 at the MAKE/SPACE gallery in Coffs Central Shopping Centre, featuring works by local artists from the Mid North Coast region that explore themes of gender balance, power, and social change.
The article highlights five must-see art exhibitions in San Francisco during the winter season, centered around San Francisco Art Week in January. Featured shows include 'Labor Is on Our Mind' at CCA Wattis Institute, exploring labor through three interconnected exhibitions; 'Emory Douglas: In Our Lifetime' at the African American Art & Culture Complex, celebrating the artist's 50-year career in activism; 'Moving San Francisco' at City Hall's North Light Gallery, showcasing public transit history through photographs; and '1-800 Happy Birthday,' a participatory project beginning on Martin Luther King Jr. Day.
The Guardian reviews Aura Satz's art film "Preemptive Listening," which explores the cultural and political meanings of sirens as warning devices. The film features a drone shot of a siren in a residential area, a soundtrack by composer Laurie Spiegel, and commentary from British-Egyptian actor Khalid Abdalla on sirens during the 2011 Arab Spring protests. It also covers sirens on Nakba day in Palestine, a US activist linking emergency vehicle lights to danger for Black women, clocks frozen at the time of the Fukushima disaster, and a Maori activist discussing environmental catastrophe. The reviewer finds the film's ideas interesting but notes it lacks coherence as a feature-length experience, suggesting it would be better suited to a gallery setting.
Leon Botstein, president of Bard College since 1975, announced his retirement on Friday following the release of an independent report by the law firm WilmerHale, commissioned by Bard's board of trustees. The report found that Botstein had not been "fully accurate" in his public accounts of his relationship with convicted sex offender Jeffrey Epstein, revealing visits to Epstein's private island, personal messages, a joint watch purchase worth $56,000, and invitations to campus. While no illegal conduct was identified, the report raised serious concerns about Botstein's leadership and judgment. Botstein will step down on June 30 but remain at Bard as a professor.
Social Practice City University of New York (SPCUNY), an artist-led initiative supporting social justice-minded art across the CUNY system, will cease operations in February 2027. Founded in 2021 by artists Chloë Bass and Gregory Sholette with support from the Mellon Foundation, the program distributed over $535,000 in fellowships to 129 faculty and student fellows. The closure is prompted by the departure of both co-directors from their academic positions at Queens College, leaving the independent project without a clear institutional pathway for leadership transition.
The American Library Association (ALA) and the American Federation of State, County and Municipal Employees (AFSCME) have reached a settlement with the U.S. Department of Justice to halt the Trump administration’s efforts to dismantle the Institute of Museum and Library Services (IMLS). The agreement ensures the federal agency will continue its operations, reinstates previously terminated grants, and reverses staff reductions. This legal victory follows a period of significant uncertainty where the agency's budget was slated for a 98% reduction, threatening its role as the primary federal supporter of museums and libraries.
Photographer and filmmaker Misan Harriman has opened a permanent installation titled 'The Purpose of Light' at London's Hope 93 gallery. The exhibition features over 100 black-and-white photographs taken over seven years at protests in the UK, US, and South Africa, including demonstrations related to Black Lives Matter, Gaza, and other social justice movements. The project debuted as a solo show last summer and, due to significant public response, has now been established as a long-term fixture with support from private collectors.
advocates incarcerated protest removal artworks courts uk
A report from the independent monitoring body Lay Observers revealed that government contractor Serco ordered the removal of artworks from court custody suites in England and Wales. The artworks, created by inmates at Doncaster prison, were commissioned by the Prisoner Escort and Custody Services to brighten the often bleak, underground holding areas where detainees await court appearances.
Courtney McClellan's exhibition "Simulations" at the Shirley Fiterman Art Center in Lower Manhattan features deadpan photographs of empty mock courtrooms at universities across the American South, including a haunting simulation of the Supreme Court's chambers at Liberty University, an evangelical Southern Baptist college in Virginia. The show, which includes images taken over six years, is installed with blue borders and wainscoting that blur the line between architecture and image, placing viewers in the position of judge and jury while highlighting the theatricality of these spaces.
Bulgarian authorities, with support from Europol, arrested 35 individuals and conducted 131 searches across Bulgaria, seizing over 3,000 cultural artifacts valued at more than €100 million. The operation targeted a criminal network trafficking artifacts from Thracian and Greco-Roman civilizations across Europe, with connections to illegal excavations in Bulgaria and the Balkans. The investigation, which began after a 2020 house raid that uncovered 7,000 artifacts, involved law enforcement from Albania, France, Germany, Greece, Italy, and the UK, and was coordinated from Sofia and Eurojust in The Hague.
On July 23, U.S. Senator John Fetterman introduced the Art Market Integrity Act, a bill that would apply anti-money laundering (AML) and counter-terrorism financing regulations to art dealers, auction houses, galleries, advisers, consultants, custodians, museums, collectors, and other intermediaries in the art market. The legislation amends the Bank Secrecy Act, requiring these entities to conduct client due diligence, maintain records, and report suspicious transactions. It exempts artists selling their own work, nonprofits, and businesses with under $50,000 in annual art transactions. The bill is co-sponsored by Senators Chuck Grassley, Sheldon Whitehouse, Bill Cassidy, Andy Kim, and David McCormick.
The Ford Foundation has appointed Heather Gerken, dean of Yale Law School, as its next president. She will succeed Darren Walker and become the 11th president of the foundation, as well as the second woman to lead the organization in its nearly 90-year history. Gerken will officially assume the role on November 1, following a national search launched after Walker announced his departure after 12 years.
A federal district court judge has indicated he is inclined to block the Trump administration's dismantling of the Institute of Museum and Library Services (IMLS). The agency, which distributes federal funding to museums and libraries nationwide, was gutted last month by the Department of Government Efficiency (DOGE), with its entire 75-person staff placed on leave. A lawsuit seeking a preliminary injunction was filed by the American Library Association and the American Federation of State, County and Municipal Employees. Judge Richard J. Leon, appointed by George W. Bush, said in court he is inclined to grant a temporary restraining order and is expected to rule shortly.
Storm Ascher, an artist and curator who has spent years in the Hamptons, founded the Hamptons Black Arts Council in 2020 to support public programming for Black artists and arts organizations. This summer, the council is marking milestones including the "Mami Wata" benefit exhibition at the Eastville Community Historical Society, which explores themes of water, healing, and Black women's history, and the establishment of a permanent contemporary art collection at Eastville with works by artists like Sanford Biggers and Derrick Adams.