On International Lego Day, the article ranks Lego Art sets inspired by famous artworks, including Vincent van Gogh's *Sunflowers* and *Starry Night*, Hokusai's *The Great Wave*, and others. The ranking is done by the author and their brother, an Adult Fan of Lego, who rate each set from both an art critic and a Lego builder perspective.
The Institute of Contemporary Art San Francisco announced a major public art commission by Jeffrey Gibson for Super Bowl LX festivities. The work, an adaptation of Gibson's 2022 video installation "THIS BURNING WORLD," will be installed as a 433-foot-long vinyl mural on the former Bloomingdale's building at San Francisco Centre, wrapping an entire city block. It will be fully unveiled on February 2, 2026, coinciding with the FOG Design+Art Fair. The project is funded by the San Francisco Downtown Development Corporation and the Yerba Buena Partnership, which have previously supported public art by Sarah Sze and Hank Willis Thomas.
The New Museum in New York has announced that its OMA-designed expansion will open to the public on March 21, following nearly a decade of planning and a two-year closure. The 60,000-square-foot addition, located next to the original flagship on Bowery Street, doubles the institution's footprint and features new residency studios, exhibition spaces, a restaurant, a forum, and a Sky Room. The inaugural exhibition, "New Humans: Memories of the Future," will showcase 150 artists including Sophia Al-Maria, Meriem Bennani, Hito Steyerl, Tau Lewis, and Jamian Juliano-Villani, alongside permanent commissions by Tschabalala Self and Sarah Lucas. The building, designed by Shohei Shigematsu and Rem Koolhaas of OMA with executive architect Cooper Robertson, is one of the few museums worldwide designed by two Pritzker Prize winners.
The New Museum in New York will reopen on March 21, 2026, after a two-year closure for a major expansion. Designed by OMA / Shohei Shigematsu and Rem Koolhaas, the project adds 60,000 square feet to the existing SANAA-designed building, bringing the total footprint to nearly 120,000 square feet. New features include expanded exhibition space, a 74-seat Forum, an enlarged Sky Room, artist commissions by Tschabalala Self, Klára Hosnedlová, and Sarah Lucas, a larger bookstore, and a restaurant by Henry Rich with executive chef Julia Sherman. The reopening weekend will offer free admission funded by trustee Charlotte Feng Ford, and the museum will debut the exhibition “New Humans: Memories of the Future,” featuring over 200 artists including Francis Bacon, Salvador Dalí, and contemporary figures like Meriem Bennani and Hito Steyerl.
Five new art hotels opened in 2025, including Hotel Saint Augustine in Houston, Texas, and Capella Taipei in Taipei, Taiwan. Hotel Saint Augustine, located near the Menil Drawing Institute, features minimalist interiors by Post Company with custom furnishings and Art Deco-style lighting, while Capella Taipei boasts an art program curated by The Artling, showcasing works by artists such as Chen-Lin Lee, Jasper Huang, Tara Vaughan, Joel Escalona, and Etan Pavavalung. Both properties emphasize craftsmanship and cultural connection through curated art and design.
Artnet News published a roundup of 10 art historical deep dives from 2025, curated by an editor who expresses a deep passion for art history. The article highlights several featured stories, including the eccentric tale behind Carl Kahler's monumental cat painting "My Wife's Lovers" (1891), commissioned by Gilded Age patron Kate Birdsall Johnson; the record-breaking sale of Gustav Klimt's "Portrait of Elisabeth Lederer" for $236.4 million at Sotheby's New York, with its rich symbolism and Imperial Chinese motifs; the online resurgence of August Friedrich Schenck's obscure 19th-century painting "Anguish" (ca. 1878), popularized by TikTok; and the centenary of F. Scott Fitzgerald's "The Great Gatsby" with a deep dive into Francis Cugat's iconic cover art "Celestial Eyes" (1924).
The article reflects on the closure of several notable contemporary art galleries in 2025, including Clearing, Blum, High Art, Venus Over Manhattan, Sperone Westwater, Galerie Francesca Pia, Tilton Gallery, Altman Siegel, Kasmin, Rena Bransten Gallery, L.A. Louver, and Canal Projects. It opens with a eulogy for Florine Stettheimer by Georgia O'Keeffe, drawing a parallel between the artist's unique way of life and the distinctive, charismatic spirit of galleries that have shuttered. The author recounts personal experiences at now-closed spaces like Metro Pictures, JTT, and Clearing, and quotes dealer Olivier Babin and the legendary Leo Castelli on the fleeting importance of galleries.
Konstantin Akinsha, a prominent curator and art historian of Russian and Ukrainian art, has identified 14 artworks in the collection of the Palazzo de Nordis museum in Cividale del Friuli, Italy, as likely forgeries. In a Substack post and interview with ARTnews, Akinsha scrutinized the De Martiis Collection, donated in 2015 by the late collector Giancarlo De Martiis, which includes works attributed to Russian and Ukrainian modernist painters. He points to suspicious provenances involving Jean Chauvelin, a disgraced French art dealer, and Boris Gribanov, a convicted forger. A specific still life attributed to Olga Rozanova (1915-17) is nearly identical to a 1999 painting by contemporary Russian artist Andrei Saratov, who confirmed he did not paint the museum's version. Elisabetta Gottardo, the municipal head of culture, acknowledged Akinsha's authority and pledged further investigation.
The Whitney Biennial has announced the 56 artists selected for its 82nd edition, opening March 8, 2026. Curated by Marcela Guerrero and Drew Sawyer, the exhibition explores themes of relationality, kinship, infrastructure, and the US role in global affairs. The curators visited over 300 studios worldwide, and the list includes many emerging and lesser-known artists, with most participants under 45 and a significant number identifying as queer.
The article recounts the author's personal rediscovery of Art Nouveau, sparked by encountering an iron doorknob shaped like a Belgian endive at the Bröhan Museum in Berlin. It explores the movement's history, its German variant Jugendstil, and the philosophical debate between Walter Benjamin and Theodor Adorno over its merits—Benjamin criticizing it as a superficial escape from industrial reality, Adorno defending its utopian desire to reconcile art, nature, and technology. The piece also notes a contemporary resurgence of interest in the style.
The New York Botanical Garden's 34th annual "Holiday Train Show" features miniature replicas of New York landmarks crafted from natural materials by the botanical artists of Applied Imagination. This year's edition adds two new models: the recently renovated Delacorte Theater in Central Park and the Whitney Museum of American Art's Meatpacking District flagship, designed by Renzo Piano. The Whitney replica, built over three months by artist Ava Roberts and fabrication director Kaitlin Schmidt, uses a new two-way mirrored acrylic glass technique for the windows and incorporates materials like purple smoke bush branches, horse chestnut bark, and fallen Zelkova bark. The company, founded by Paul Busse in 1991 and now run by his daughter Laura Busse Dolan, creates whimsical versions of landmarks using leaves, sticks, fungi, and other dried plant materials.
A four-minute bidding war erupted at Christie’s 20th-century evening sale in New York on November 17 over John Singer Sargent’s watercolor *Gondolier’s Siesta* (1902–03). The work sold for $7.4 million with fees, more than double its $3 million high estimate, setting a new auction record for a work on paper by the artist. Another Sargent painting, *Capri* (1878), also performed strongly in the same sale, fetching $11.5 million with fees.
Frida Kahlo's painting *El sueño (La cama)* (1940) sold at Sotheby's New York for $54.7 million on Thursday night, setting a new auction record for any artwork by a female artist. The sale, which lasted under five minutes, exceeded the previous record held by Georgia O'Keeffe's *Jimson Weed/White Flower No. 1* ($44.4 million in 2014). The painting was backed by an irrevocable bid and came from the collection of Selma Ertegun, offered as part of a Surrealist group titled "Exquisite Corpus." Anna Di Stasi, Sotheby's head of Latin American art, placed the winning bid on behalf of a client.
The childhood home of legendary singer and activist Nina Simone in Tryon, North Carolina, has been fully restored after nine years of effort by an artist coalition led by Adam Pendleton, alongside Julie Mehretu, Rashid Johnson, and Ellen Gallagher. The restoration, completed with a $6 million boost from a charity auction and gala co-hosted by tennis star Venus Williams and Pace Gallery, preserved the 650-square-foot clapboard house to its 1933–1937 condition, including historically accurate materials, an ADA ramp, geothermal climate control, and a century-old magnolia tree named “Sweetie Mae.” The African American Cultural Heritage Action Fund announced the completion, and the property remains closed to the public while community programming and ethical cultural tourism are being planned.
The New York Gallery History Project has launched its first installment: an online archive of Jay Gorney Modern Art, which operated from 1985 to 1998. The archive documents over 90 exhibitions held at the gallery, featuring artists such as Catherine Opie, Jessica Stockholder, Gillian Wearing, Haim Steinbach, and Martha Rosler. The material includes installation views, artwork images, and original invitations, all digitized from analog transparencies and slides. The project is an initiative of the Independent art fair and the Contemporary Art Library, a Los Angeles nonprofit.
Trustee Patsy Marino resigned from the Palm Springs Art Museum board just one week after Christine Vendredi was appointed director on September 29, 2024. In a resignation letter reported by the Los Angeles Times, Marino alleged that the hiring committee failed to interview any outside candidates, despite two "exceptional" candidates being considered, and cited "inappropriate interference" by the executive committee, individual trustees, and museum staff. Two other board members also left the 22-member body, though the museum claims their departures were unrelated. Vendredi, previously chief curator and interim CEO, has a background in luxury brand management at Louis Vuitton and holds multiple advanced degrees but no prior museum directorship experience.
ARTnews has added 20 new collectors to its prestigious Top 200 Collectors list for 2025, reflecting the expanding global reach of serious art collecting. The new cohort includes figures from Latin America, the Gulf region, Southeast Asia, and the United States, such as Catherine Petitgas, Ariel Marcelo Aisiks, Sara Alireza, Faisal Tamer, Basma Al Sulaiman, Sheikh Hamad bin Abdullah Al Thani, Purat “Chang” Osathanugrah, Belinda Tanoto, Andreas Teoh, artist Rashid Johnson, Solomon R. Guggenheim Foundation president Wendy Fisher, Napster cofounder Sean Parker, Fanatics founder Michael Rubin, and Oscar L. Tang and Agnes Hus-Tang, who donated $125 million to the Metropolitan Museum of Art. Several new additions are second-generation collectors, and many have built private spaces to show their collections, such as Alexander Petalas’s Perimeter in London, Osathanugrah’s upcoming Dib Bangkok, and Basma Al Sulaiman’s virtual museum BASMOCA.
Altman Siegel, a key gallery in San Francisco's art scene, will close in November 2025 after 16 years. Founder Claudia Altman-Siegel attributed the closure to a challenging market for mid-size galleries, stating it became too difficult to scale in the current climate. The gallery's final show is a solo exhibition by Shinpei Kusanagi, ending November 22. Its roster included artists such as Simon Denny, Lynn Hershman Leeson, Trevor Paglen, and others. The closure follows a trend of galleries shutting down or scaling back, including Blum and LA Louver in Los Angeles, and Clearing and Venus Over Manhattan in New York.
The Fondation Cartier pour l’art contemporain will reopen its new space at 2 Place du Palais-Royal in Paris on October 25, 2025, during Paris Art Week. Designed by architect Jean Nouvel, the building—originally constructed for the 1855 Exposition Universelle and later a hotel, department store, and antiques center—has been transformed with a modular system of five movable platforms, a glass canopy, and transparent ground-floor windows to create an open, flexible exhibition environment. The inaugural show, titled “Exposition Générale,” features nearly 600 works by over 100 artists from the foundation’s history.
On September 18, ARTnews celebrated the 2025 edition of its annual Top 200 Collectors list with a launch party at the newly opened Faena New York in Chelsea. The event was cohosted by collectors Beth Rudin DeWoody and Miyoung Lee, both trustees of the Whitney Museum. ARTnews Editor-in-Chief Sarah Douglas introduced the hosts, highlighting DeWoody's role as a supportive art patron and Lee as a representative of a younger generation of collectors. Other Top 200 Collectors in attendance included Michael Ovitz, Lonti Ebers, Lisa Goodman, Rodney Miller, Pete Scantland, and James Keith “JK” Brown and Eric Diefenbach. The evening featured a performance by pianist Arsha Kaviani, Cognac from LOUIS XIII, wines from Rioja, luxury perfumes from Xerjoff, and photo cards from Chubb.
Ebony L. Haynes, a director at David Zwirner since 2020 and founder of the gallery's affiliated space 52 Walker in 2021, has been promoted to the newly created position of global head of curatorial projects. In this role, she will oversee special exhibitions, projects, and collaborations with Zwirner's artists globally, while continuing to direct 52 Walker in New York's Tribeca neighborhood. The space has hosted 16 shows since opening in October 2021, featuring artists such as Kandis Williams, Nikita Gale, Nora Turato, and Raymond Pettibon, whose wrestling-themed drawings and live matches open tonight.
The Aspen Art Museum is undergoing a strategic shift under director Nicola Lees, moving away from its reputation as a collector's clubhouse toward becoming a global institution. The museum's annual ArtCrush gala and fundraiser week, once centered on wealth-displaying collector home visits and glitzy parties, now emphasizes intellectual programming like the inaugural AIR festival, a $20 million artist-led interdisciplinary initiative featuring talks by Werner Herzog and Hans Ulrich Obrist. This change comes amid soaring local real estate prices, including a $108 million home co-purchased by Steve Wynn and Thomas Peterffy, and contrasts the area's deep pockets with the museum's free admission since 2008.
Frieze London and Frieze Masters have announced highlights for their 2025 editions, running concurrently October 15–19 in Regent’s Park. Frieze London will feature ceramics and textiles, including a presentation titled “Three Generations of Female California Ceramics” at The Pit, stoneware sculptures by Sanya Kantarovsky at Modern Art, and textile works by Antonio Pichillá Quiacaín at Portas Vilaseca. Major galleries like Gagosian, Pace, Lehmann Maupin, White Cube, and Lisson will present new works by artists such as Lauren Halsey, William Monk, Do Ho Suh, and Marguerite Humeau. The fair’s curated section “Echoes in the Present” by Jareh Das includes artists like Diambe and Tadáskía, while the Focus section emphasizes installation-based works. Frieze Masters highlights include a booth of 19th- and 20th-century paintings curated by Nicolas Party at Hauser & Wirth, a solo of Peter Hujar’s drag portraits at Pace, and a new Reflections section organized by Abby Bangser focusing on decorative art.
Patrizia Sandretto Re Rebaudengo, a top European art collector and founder of a Turin-based foundation, is partnering with New York's New Museum for a series of commissions. The first commission will be realized by Italian artist Diego Marcon, known for his uncanny videos, with his work titled 'Krapfen'—a musical dance film blending American animation and Italian opera. The New Museum, currently undergoing a renovation and expansion with a seven-story annex, is set to reopen this fall. 'Krapfen' was also co-commissioned by Chicago's Renaissance Society, Paris's Lafayette Anticipations, and the Vega Foundation, run by Canadian collector Elisa Nuyten, and will debut at the Renaissance Society before its New Museum run.
French Post-Impressionist artist Pierre Bonnard was known for his compulsive habit of retouching his paintings long after they were considered finished, even allegedly sneaking into museums and collectors' homes with a hidden palette and brush to make adjustments. According to the article, Bonnard would enlist friends like fellow artist Édouard Vuillard to distract guards while he worked, and the poet Jane Hirschfield coined the term "bonnarding" to describe this obsessive practice. The article recounts a persistent rumor that Bonnard was once arrested in the Louvre while retouching his own work, though this is likely a myth.
Hauser & Wirth and Société are collaborating on a large-scale group exhibition titled "States of Being" during Berlin Art Week 2025. The show, running from September 11 to November 1, will feature over 30 artists across two floors of Hauser & Wirth's Berlin space, including Alina Szapocznikow, Rashid Johnson, Lee Lozano, Louise Bourgeois, Lu Yang, Mika Rottenberg, Tina Braegger, Darren Bader, Phyllida Barlow, and Petra Cortright. The initiative stems from a friendship between Hauser & Wirth president Marc Payot and Société CEO Daniel Wichelhaus, and marks Hauser & Wirth's first project in Berlin, though the gallery has no plans to open a permanent outpost there.
Art advisors Barbara Guggenheim and Abigail Asher, who ran the blue-chip advisory Guggenheim Asher Associates for 37 years, are now locked in a bitter legal dispute. Lawsuits filed in New York Supreme Court allege fraud, tax evasion, misappropriation of funds, abuse, and exploitation. Guggenheim claims Asher misappropriated over $20.5 million in revenue, while Asher counters with accusations of unethical behavior, including using sex and kickbacks to secure artworks and lying to collectors. The firm’s clients included celebrities like Steven Spielberg and Tom Cruise and corporations such as Sony and Coca-Cola.
The article reports on a record-breaking auction sale of a 4-foot-4-inch Labubu doll, which sold for RMB 1.08 million ($150,300) at Yongle International Auction in Beijing, with premium reaching RMB 1.24 million ($174,000). The character was created by Hong Kong artist Kasing Lung, who also collaborated with Art Basel on a limited edition. Other key developments include the closure of the Art Basel Hong Kong satellite fair Supper Club after two editions, Frieze announcing a new year-round space called Frieze House Seoul in Yaksu, and Blum gallery taking on global representation of Japanese ceramic artist Kimiyo Mishima's estate. The article also covers upcoming exhibitions by Christine Ay Tjoe at White Cube New York, Seulgi Lee at Ikon Gallery Birmingham, Kenny Scharf at the Modern Art Museum Shanghai, and Trevor Yeung's adaptation of his Venice Biennale show at M+ Hong Kong.
Tate chair of trustees Roland Rudd has suggested that naming rights to the Turbine Hall at Tate Modern could be sold for a minimum of £50 million ($68 million) to support the newly launched Tate Future Fund, which aims to raise £150 million by 2030. Rudd also indicated that naming opportunities might extend to curatorships and director positions, though a Tate spokesperson called the quoted figure "hypothetical" and declined to confirm active sponsorship negotiations.
Performance Space New York is auctioning naming rights to the stalls in its fourth-floor unisex restroom as a fundraising campaign. Artist Bailey Hikawa will create custom resin toilet seats and commemorative plaques for each stall, collaborating with donors to reflect their personal aesthetics. One stall remains available and will be auctioned online this summer. The campaign coincides with a sound installation by Kevin Beasley that transforms the restroom into an immersive acoustic environment. Senior director Pati Hertling produced a promotional video using AI tools, featuring a synthetic newscaster announcing the fundraiser.