The Thailand Biennale has opened in Phuket, featuring contemporary artists from Thailand and other countries. The exhibition aims to engage with and honor the island's deep history of applied arts, including traditional crafts and local artistic heritage.
The Sherman Fund has acquired works by emerging artists for donation to US museums, supporting new talent and expanding institutional collections. The initiative focuses on acquiring pieces from lesser-known contemporary artists and placing them in public institutions to increase accessibility and representation.
Come cambiano le aste d’arte se online tutto sembra un video game?
The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.
Alla Biennale di Venezia c’è un padiglione di merda! Il Lussemburgo partecipa con un progetto che fa parlare la cacca
The Luxembourg Pavilion at the 2026 Venice Biennale features an installation titled "La Merde" by artist Aline Bouvy, centered on a cinematic manifesto that uses excrement as a metaphor to explore shame, social classification, and bodily discipline. The immersive environment includes a film, spatialized sound composition, and a steel-and-mirror architecture, with an anthropomorphic talking, walking, and farting excrement puppet interacting with visitors. The work also includes a sculptural alter ego titled "E.T. The Excremential," blending Bouvy's body with Spielberg's extraterrestrial figure.
Alla Festa della Rivoluzione. Un film per raccontare l’impresa a Fiume di Gabriele D’Annunzio
Director Arnaldo Catinari’s new film, *Alla Festa della Rivoluzione*, explores the 1919 occupation of Fiume led by the poet-soldier Gabriele D’Annunzio. Distributed by 01 Distribution and set for a mid-April release, the film depicts the city-state as a visionary laboratory where art served as a structural foundation and social hierarchies were temporarily dismantled. The narrative follows three fictional characters—a spy, a government official, and a deserter—whose lives intersect amidst the political and aesthetic fever of the D’Annunzio enterprise.
Paris-based Opera Gallery plans to open its first Texas location in Houston's River Oaks District, with a $7 million build-out of a 3,000-square-foot space at 4444 Westheimer, Suite A115. Construction is scheduled from early September to December 2025, and the gallery has hired Houston-based Abel Design Group as the design firm. Opera Gallery, which began in 1994 with simultaneous openings in Paris and Singapore, caters to high-wealth collectors.
Father-and-son artists William and Hugh Jennings have closed the Hitching Post Gallery in Buffalo, Wyoming, after 30 years of operation. The gallery, which opened in November 1993 on Main Street, was a longstanding fixture in the community, showcasing works from many area artists alongside gifts, books, and tobacco products. William stepped away about seven years ago, and Hugh recently decided to retire, locking the doors for the last time at the beginning of May. Hugh expressed no regrets, saying he wanted to focus more on his own art.
The Guimet Museum in Paris is presenting Europe's first-ever exhibition dedicated to the ancient Korean kingdom of Silla. The show features archaeological treasures, including gold crowns, jewelry, and Buddhist artifacts, highlighting the cultural and artistic achievements of Silla, which flourished from 57 BCE to 935 CE.
The New Britain Museum of American Art (NBMAA) has received a $200,000 grant from the Henry Luce Foundation to support a new project titled "Puerto Rico in Focus: Historical Interventions." The initiative is part of a multi-year museum effort to explore Puerto Rico’s complex relationship with the United States through exhibitions, research, and community programs.
More than 300 museums and art institutions across South Korea will participate in the 2026 Museum and Gallery Week, a nationwide cultural festival organized by the Ministry of Culture, Sports and Tourism, running from May 1 to May 31. The event adopts the theme "Museums Uniting a Divided World" from the International Council of Museums, and features three main programs: "Museum × Meet" highlighting 50 signature objects, "Museum × Enjoy" with exhibitions and performances at 18 institutions, and "Museum × Wander" offering guided tours connecting galleries with historic sites.
The Petit Palais in Paris is hosting the first French retrospective dedicated to Károly Ferenczy, a seminal figure in Hungarian art history. Running from April 14 to September 6, 2026, the exhibition features nearly 140 paintings and drawings, many on loan from the Hungarian National Gallery and private collections in Budapest. The showcase traces Ferenczy’s stylistic evolution from naturalism to symbolism and impressionism, highlighting his role as a founder of the Nagybánya artists' colony and a pioneer of en plein air painting in Central Europe.
The Dayton Art Institute has opened a new gallery dedicated to feminist art, featuring works by women artists and addressing themes of gender, identity, and social justice. The space aims to highlight underrepresented perspectives within the museum's collection and contemporary art discourse.
D’ART Gallery has opened in Baku’s White City district with its inaugural exhibition, “From Generation to Generation,” featuring nearly 50 works by Azerbaijani artists spanning multiple generations, including People’s Artists, Honoured Artists, and emerging painters, graphic artists, and sculptors. The gallery aims to bridge Azerbaijan’s historical artistic heritage with contemporary art, and all exhibited works are available for sale. The opening ceremony included remarks from notable figures such as sculptor Ömər Eldarov, Executive Director Rəvan Həsənov, Vice-Rector Fuad Salayev, and gallery co-founder and director Dilara Muzaffarli.
At Frieze Masters, dealer Peter Finer presents a stand filled with historical arms and armour, including a gilded horse-and-rider suite priced at £1.8 million, an Italian Renaissance sword with a Medusa hilt, and a late 16th-century crossbow. Prices range from £6,500 to seven figures. Finer, whose dealership was founded in 1967, is the sole specialist in this category at the fair, with clients ranging from major museums to niche collectors, such as a Viking sword enthusiast. Other scattered examples include a silver-gilt Shield of Achilles at Koopman Rare Art and Bronze Age spearheads at Rupert Wace.
Arizona State University's Barrett, The Honors College is partnering with Phoenix Art Museum to host a one-day symposium titled "MARS: Revisited" on September 20, 2025, at the museum. The event revisits the legacy of El Movimiento Artístico del Río Salado (MARS), a Chicano arts collective founded in the late 1970s that provided a platform for Mexican American artists excluded from major Arizona museums and galleries. MARS operated for over two decades, helping launch the First Fridays on Roosevelt Row arts event and shaping Phoenix's cultural identity before closing in the early 2000s. The symposium, co-organized by professor Mathew Sandoval and curator Christian Ramírez, will feature archival research and oral histories conducted by Barrett students, with a major MARS exhibition and scholarly monograph planned for 2028.
The Oceanside Museum of Art (OMA) and the California Surf Museum (CSM) are partnering for the first time to host a dual-venue exhibition titled “Surf Art: Exploring California’s Coastal Culture.” OMA’s exhibit opens August 23 and CSM’s on September 13, featuring works including Kevin Short’s 2004 oil painting “Crosstown Traffic.” The collaboration aims to merge OMA’s art expertise with CSM’s deep surf history, with OMA investing about $25,000 and CSM about $10,000. The project has been in development for a year and includes a themed popup in OMA’s gift store.
The Walters Art Museum in Baltimore opens its first permanent exhibition of Latin American art, titled 'Latin American Art/Arte Latinoamericano,' on May 17. Curators Ellen Hoobler and Patricia Lagarde designed the galleries with accessibility in mind, featuring bilingual children's books, comfortable benches, and sensory elements like incense and musical instruments. The exhibition spans 200 objects representing 40 cultures from North, Central, and South America and the Caribbean, informed by a 12-member community advisory group of local Latino immigrants. The opening day includes a free festival with tours, performances, artist talks, and children's activities, plus a special appearance by Paco the Llama, an ancient effigy vessel turned mascot.
The Azerbaijan National Art Museum has opened an exhibition titled 'Chronicle of the City of Winds: Baku in the Works of Artists from the 19th to 21st Centuries,' organized jointly by the Azerbaijan Culture Ministry and the museum. Featuring over 80 works of painting, graphic art, and sculpture, the show traces Baku's historical, architectural, and cultural evolution from the 19th century to the present day. It includes pieces from the museum's collection alongside contemporary works, and is part of the 13th session of the World Urban Forum (WUF13), held within the Year of Urban Planning and Architecture in Azerbaijan. The opening ceremony featured speeches by Deputy Culture Minister Saadat Yusifova, museum director Shirin Malikova, and People's Artist Salhab Mammadov, as well as a musical performance by Honored Artist Nargiz Karimova and Zumrud Alizade.
Leaked transcripts from the University of North Texas (UNT) reveal that Dean Karen Hutzel attributed the abrupt cancellation of artist Victor “Marka27” Quiñonez’s exhibition to fears of political retaliation. The show, titled “Ni de Aquí, Ni de Allá,” was shuttered shortly after opening at the CVAD Gallery without an initial public explanation. The transcripts indicate that administrators feared the provocative nature of the work—specifically pieces addressing incarceration and deportation—could lead Texas Republican lawmakers to slash university funding or eliminate programs, following a pattern of ideological clashes at other state institutions.
Frank O’Hara, the poet and curator at the Museum of Modern Art, was a central figure in the mid-20th-century effort to promote American high art globally as a cultural counterpart to U.S. military and economic power. The article examines how O’Hara’s work, alongside the Abstract Expressionists and other artists, helped establish New York as the capital of the art world, projecting American cultural influence abroad through exhibitions, poetry, and institutional support.
Art House Gallery is set to present "OUR OWN LANGUAGE," an exhibition curated by Andrea McKenna. The show will feature a group of artists exploring themes of personal and collective expression through visual language.
Nadeem Sabtain's solo painting and charcoal art exhibition opened at the Arts Council of Pakistan Karachi, inaugurated by Provincial Minister for Culture Syed Zulfiqar Ali Shah and Arts Council President Muhammad Ahmed Shah. The exhibition features 40 artworks, including portraits of political figures such as Zulfikar Ali Bhutto, Benazir Bhutto, and others, with themes drawn from Sabtain's own poetry and a poem written for Benazir Bhutto's Soyem memorial.
An exhibition of Kazakh art has opened in Baku, organized by the culture ministries of Kazakhstan and Azerbaijan. Featuring 30 paintings from the Abylkhan Kasteyev National Museum of Art, the show includes works by masters such as Abylkhan Kasteyev, Moldakhmet Kenbayev, and Kanafiya Telzhanov, as well as contemporary artists exploring tradition, spirituality, and national identity. The exhibition will run for four months at an unspecified venue in Baku.
The Mayor’s Office of Culture and the Arts, in collaboration with the East-West Center Arts Program, will present 'Ocean of Peace,' a group exhibition featuring seven artists of Micronesian heritage at Honolulu Hale from May 8 to June 11, 2026. The exhibition centers on the 'Ocean of Peace' declaration, a political and cultural framework endorsed at the Pacific Islands Forum Leaders’ meeting in the Solomon Islands in September 2025, which envisions Pacific Island nations as sovereign and free from geopolitical conflict and coercion. Participating artists include James Bamba, Carol Ann Carl, Gillian Duenas, Kalany Omengkar, Anthony Watson, Lissette Yamase, and Manny Crisostomo, exploring themes of Indigenous Pacific knowledge, identity, and storytelling.
The Weisman Art Museum is hosting "Never Spoken Again: Rogue Stories of Science and Collections," a traveling exhibition produced by Independent Curators International (ICI). Curated by David Ayala-Alfonso, the show features works by over a dozen artists that challenge traditional museum practices, such as the use of pre-Hispanic ceramics as speaker stands to give them a literal voice. The exhibition uses diverse media—from cinefoil sculptures to tapestries from Las Vegas casinos—to critique how institutions collect, classify, and display artifacts.
Sculpture by the Sea, the iconic outdoor art exhibition at Cottesloe Beach in Western Australia, will return in March 2026 after a one-year hiatus. The 18-day event, running from March 6-23, will feature over 70 sculptures by local and international artists and is expected to draw over 200,000 visitors. The 2025 edition was cancelled due to a $700,000 funding shortfall after multiple federal arts packages ended. In response, the Federal Government committed $1.5 million for the next two years, and the State Government added $570,000 through Tourism WA and Lotterywest, which also supports an Access and Inclusion Program for visitors with disabilities. An indoor exhibition of 120 smaller works will be held at Sea View Golf Club.
An exhibition titled 'Elusive Sense: On the Fluid Boundaries of Perception' at London’s art’otel featured five contemporary Polish artists, including the collective panGenerator. Their interactive installation 'Infinity' (2020) invites viewers to kneel and endlessly scroll through nonsensical digital shapes on a screen, mimicking social media's infinite scroll. The work aims to make users feel uncomfortable and reflect on their daily digital habits, drawing parallels between trust in technology and religious belief. Another panGenerator piece, 'Hash to ash' (2017), lets visitors take a selfie that melts into ash, critiquing selfie culture and the fragility of digital photos.
Fresh Arts has announced an open call for its Space Taking Artist Residency (STAR) program, now in its sixth year. The program offers selected residents nine weeks of mentor-guided professional development followed by eight weeks of access to a 2,500-square-foot gallery space at Winter Street Studios in Houston's Sixth Ward. Residents receive a $3,600 honorarium and additional stipends, and are expected to activate the space through exhibitions, performances, or community programs. The deadline to apply is December 5, 2025.
Dunedin visual artist Ana Teofilo has opened a new gallery and studio on Prince Albert Rd in South Dunedin, the area where she grew up. The space, named after the artist, features her works including the piece "Lanu Musika" ("colour music"), a 72-panel installation created during her art school years that had been in storage until now. Teofilo plans to hold carving workshops and use the space to promote her own work and that of other Pasifika creatives.
Local stand-up comedian and portrait photographer Kevin James Thornton is opening a new creative studio and gallery called Shamala Hamala at 1306 Main Street in Cincinnati's Over-the-Rhine neighborhood this Friday. The space includes a private artist workspace with a photographic darkroom, curated exhibitions, and a gallery selling art and creative goods. An opening night celebration on Friday features a harpist, live crocheting, and work from local artists, with free walk-in access after 8 p.m., followed by open hours Saturday and Sunday.