This 17th-Century ‘Supercomputer’ Could Set a New Auction Record

A rare 17th-century Mughal astrolabe, crafted in Lahore in 1612 by brothers Qa'im Muhammad and Muhammad Muqim, is heading to Sotheby's London on April 29 with an estimate of £1.5 million to £2.5 million ($2 million to $3.4 million). Weighing nearly 20 pounds and measuring the diameter of a large cooking pot, it is one of only two known astrolabes by these makers—the other resides in the National Museum of Iraq. Commissioned by Aqa Afzal, a Safavid-born deputy governor of Lahore, the instrument lists 94 cities, 38 stars, zodiac signs, and includes quadrants for trigonometry and solar calculations, blending Islamic and Sanskritic astronomical traditions.

Titian's ‘Bacchus and Ariadne’ to get a refresh with bank conservation grant

Bank of America’s annual art conservation program has awarded grants to 18 projects this year, including the restoration of Titian’s *Bacchus and Ariadne* (1520-23) at the National Gallery in London. The painting will be removed from display next month for conservation work that involves placing it on a new fabric support and repairing paint loss. Other funded projects include Rembrandt’s *The Night Watch* at the Rijksmuseum, bronze palms at the Arc de Triomphe in Paris, *Gaki Zōshi* at the Tokyo National Museum, Matisse’s *La Négresse* at the National Gallery of Art in Washington, DC, and works at the Museo de Arte de Lima and the Montreal Museum of Fine Arts.

Ary Scheffer en 2 minutes

Ary Scheffer (1795–1858) was a Dutch-born Romantic painter who became a central figure in Parisian artistic and cultural life during the July Monarchy. He was the official portraitist of the Orléans family and created deeply melancholic, spiritual works inspired by Dante, Goethe, and the Gospels. His studio at 16 rue Chaptal, in the Nouvelle Athènes district, hosted legendary Friday gatherings attended by Chopin, Liszt, George Sand, and Dickens, and now houses the Musée de la Vie romantique. Key works include *Le Dévouement patriotique des six Bourgeois de Calais* (1819) and *Les Femmes souliotes* (1827), both acquired by the French state.

Delegitimation, Denunciation and Insecurity

"Delegitimation, Denunziation und Verunsicherung"

German cultural critic Georg Seeßlen warns in his taz column of a right-wing 'war of conquest' targeting liberal cultural institutions through systematic delegitimation, denunciation, and intimidation. Meanwhile, a new Berlin artist study reveals that the average annual income from artistic work is just €6,000, highlighting a structural dysfunction in the art system. Additionally, Jonathan Meese's play 'Alaska Kid' has been canceled at the Volksbühne Berlin following the death of his mother Brigitte Meese, who was his organizer, muse, and confidante.

Memories Bathed in Color

In Farbe getauchte Erinnerungen

The Fondation Luma in Arles, France, has opened three exhibitions exploring memory and archives, headlined by Gerhard Richter's "Overpainted Photographs." The show features 120 works from Richter's private archive, some exhibited for the first time, created since the mid-1980s by dragging photographs through leftover paint in his studio. Richter, now 94, personally selected and hung the works chronologically starting from the fall of the Berlin Wall, reflecting his lost homeland and the passage of time. The exhibition also includes early sketches and oil paintings by the late architect Zaha Hadid, previously shown at London's Serpentine Gallery in 2016.

The Prototype of an Artist

Der Prototyp eines Künstlers

Timm Ulrichs, the self-proclaimed "Totalkünstler" (total artist) known for his boundary-pushing performances—tattooing himself, locking himself inside a hollowed boulder, and running naked in thunderstorms—has died at age 86 in Berlin. A pioneer of Land Art, Body Art, concrete poetry, and endoscopic imaging, Ulrichs created works that anticipated later artists like Isa Genzken, and was invited to Documenta 6 in 1977. Despite his prolific output and influence on younger generations, he often lamented being overlooked by the international art market compared to peers like Georg Baselitz and Gerhard Richter.

Drawings Dominate at a Chicago de Kooning Exhibit

The Art Institute of Chicago is presenting an exhibition focused on the drawings of Willem de Kooning, marking a rare departure from the typical painting-centric blockbuster shows dedicated to the artist. The exhibition highlights de Kooning's mastery in drawing, offering a focused look at this often-overlooked aspect of his practice.

Venice Showcases an Array of Global Art Stars During the Biennale

During the 2024 Venice Biennale, museums and foundations across the city are presenting solo and group exhibitions featuring major international art figures, including Marina Abramović, Lorna Simpson, Arthur Jafa, Richard Prince, and a tribute to Peggy Guggenheim. These shows run concurrently with the main Biennale exhibition, drawing visitors to venues such as the Peggy Guggenheim Collection and other historic palazzos.

25th Biennale of Sydney Review: From the Margins

The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.

ArtReview April & May 2026 Issue Out Now

ArtReview's April & May 2026 issue explores boundaries and limitations in art, with a focus on the 61st Venice Biennale opening amid global conflicts. The cover features Japanese-American performance artist Ei Arakawa-Nash with his husband and twin babies, whose collaborative installation at the Japanese Pavilion incorporates the unpredictability of childcare. The issue includes coverage of controversial national pavilions (Russian, Israeli, American), profiles of artists representing Mongolia and Singapore, and features on Beverly Buchanan, Arthur Jafa, Richard Prince, and Zehra Doğan's report from Rojava. It also reviews the 82nd Whitney Biennial, the 25th Biennale of Sydney, and the 15th Shanghai Biennale.

Venice Biennale 2026: How Do You Critique a Posthumous Exhibition?

The article, published by ArtReview, examines the upcoming 61st Venice Biennale (2026), titled *In Minor Keys*, which was conceived by artistic director Koyo Kouoh before her death from cancer in May 2025 at age 57. The exhibition, based on Kouoh's drafted concept and completed by a curatorial team including Rory Tsapayi, Siddhartha Mitter, Marie Hélène Pereira, Gabe Beckhurst Feijoo, and Rasha Salti, adopts a musical metaphor of "minor-ness" and aims to avoid the pitfalls of previous Biennales by focusing on soul frequencies and dissonant harmony rather than direct commentary on world crises. The author, Martin Herbert, questions how critics will respond to a posthumous exhibition of this unprecedented scale, noting that previous artistic directors like Robert Storr, Cecilia Alemani, Christine Macel, and Adriano Pedrosa have faced varied critical receptions.

How the British Museum is preparing for the arrival of the Bayeux Tapestry

Comment le British Museum prépare l’arrivée de la tapisserie de Bayeux

The British Museum will display the Bayeux Tapestry from September 10, 2025, to July 11, 2027, in its Sainsbury Exhibitions Gallery, coinciding with the closure of the Musée de la Tapisserie de Bayeux for renovation. The 68.38-meter embroidery will be shown flat for the first time in over two centuries, in a custom-designed case with low lighting and continuous visitor flow. Tickets go on sale July 1, 2026, priced between £25 and £33, with free entry for under-16s. The exhibition includes loans such as the Junius II manuscript from the Bodleian Library and coins from the Chew Valley hoard, plus an outdoor installation by Andy Sturgeon. The UK government has provided an £800 million indemnity guarantee.

Spanish Government Threatens to Fire Director of Museo Reina Sofía

Manuel Segade, director of the Museo Nacional Centro de Arte Reina Sofía in Spain, has been threatened with removal by lawmakers if he does not complete a full inventory of the museum’s over 25,000 artworks by December 31, 2025. The pressure comes from Spain’s Court of Auditors, which has criticized the museum’s cataloguing methods for years, and is backed by the far-right and the conservative Popular Party. Segade, appointed in 2023, has been overseeing a multi-year renovation and has increased the representation of women artists to 35%, though only 15% of the collection’s 26,000 pieces are by women. The museum recently refused to lend Picasso’s *Guernica* to the Guggenheim Bilbao, and a pro-Israel group filed a complaint over a Palestinian flag display and a seminar series.

Wyeth-Centric Brandywine Museum Will Be Transformed by Kengo Kuma & Associates

The Brandywine Conservancy & Museum of Art in Chadds Ford, Pennsylvania, has selected Tokyo-based architecture firm Kengo Kuma & Associates to lead a $100 million transformation of its campus. The project will expand the current 15-acre site into a 325-acre public preserve and garden with ten miles of trails, including a new 40,000-square-foot freestanding museum and a renovation of the existing 19th-century grist mill building. Kengo Kuma will add 14,000 square feet of gallery space, and the new trails will connect the two museums to the original studios of N. C. Wyeth and Andrew Wyeth.

Siteless Athens Arts Institution NEON Closing After 14 Years

The Athens-based cultural institution NEON, founded by prominent art collector Dimitris Daskalopoulos in 2012, is closing after 14 years. Operating without a permanent building, NEON organized 44 exhibitions across unconventional spaces, including ancient archaeological sites, commissioning works by artists such as Marina Abramović, Anastasia Douka, and Danh Vo. Its final project is a trilogy by artist Michael Rakowitz titled "Michael Rakowitz & Ancient Cultures," which began at the Old Acropolis Museum and will conclude later this year.

Ascendant Philanthropists Make $23 Million Donation to Met

The Metropolitan Museum of Art has received a $23 million donation from newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, made through the Rubio Butterfield Foundation. The principal gift will endow the museum's undergraduate and graduate internship program in perpetuity, which will be renamed after the couple starting September 2026. An additional donation supports the Met's new Tang Wing for modern and contemporary art, set to open in 2030.

Art Publisher Owes $102.2 Million in Damages for Late Robert Indiana Works

A Manhattan jury has ordered art publisher Michael McKenzie to pay $102.2 million in damages for creating unauthorized or adulterated versions of works by the late Pop artist Robert Indiana. The lawsuit, brought by Indiana’s former business partner the Morgan Art Foundation, alleged that McKenzie produced Indiana-related junk products that infringed trademark and copyright, including reproductions of Indiana’s iconic “LOVE” design and the artworks *The Ninth American Dream* (2001) and *USA FUN* (1965). The jury found McKenzie liable for exploiting Indiana in the final years of his life, after the artist granted power of attorney to his caretaker, Jamie Thomas.

The Essential Works of Yin Xiuzhen

ArtAsiaPacific published a profile of Chinese artist Yin Xiuzhen, born in 1963 in Beijing, highlighting her career as a pivotal figure in Chinese contemporary art since the 1990s. The article revisits milestone works following the closing of her solo exhibition "Yin Xiuzhen: Heart to Heart" at London's Hayward Gallery, including early pieces like *Dress Box* (1995) and *Washing River* (1995). Yin emerged alongside the second wave of Chinese contemporary artists, including Yu Hong, Song Yonghong, Wang Jinsong, and her husband Song Dong, and was an early practitioner of what art historian Gao Minglu termed "Apartment Art." Her practice uses discarded clothing, household ephemera, and industrial materials to address urbanization, globalization, environmental crisis, and collective memory.

8 Must-See Solo Gallery Shows in May

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for May, highlighting exhibitions in New York, Chicago, San Francisco, and Los Angeles. Featured artists include Domenico Gnoli at Lévy Gorvy Dayan, John Stezaker at Gray in Chicago, Alison Elizabeth Taylor at Jessica Silverman in San Francisco, Charles Ray at Matthew Marks Gallery and Jeffery Deitch in Los Angeles, Jose Dávila at Sean Kelly, and Peter Hujar at Ortuzar, among others. The article provides details on each artist's practice and the scope of their exhibitions, such as Gnoli's largest U.S. show in five decades and Hujar's restaging of his final solo exhibition.

Abbiamo visto tutte le mostre del Roma Gallery Weekend: ecco le 10 migliori

The third edition of the Roma Gallery Weekend has concluded, with around thirty galleries forming an official association with legal status and a dedicated budget. The event featured a VIP program of breakfasts, guided tours, and performances, aiming to attract collectors, curators, and local audiences. While the quality of exhibitions was high—28 out of 33 shows were reviewed—logistical challenges remain, including Rome's sprawling layout, limited public transport, and taxi availability. The article highlights 10 standout shows, such as Petra Feriancová's archaeological-inspired installation at Gilda Lavia and Elisa Montessori's exhibition at Monitor.

La grande fiera TEFAF si tiene a New York da 10 anni. Come sarà l’edizione 2026?

TEFAF New York returns to the Park Avenue Armory from May 15–19, 2026 (with a collector preview on May 14), marking the fair's tenth anniversary. The 2026 edition will host 88 top international galleries from 15 countries across four continents, offering museum-quality selections of modern and contemporary art, jewelry, antiques, and design. Highlights include Andy Warhol's Mao (1973) at ML Fine Art, Cecily Brown's Functor Hideaway (2008) at Berggruen Gallery, and a 2026 work by Minjung Kim at Voena. The fair also extends into the Armory's historic period rooms, and the TEFAF Museum Restoration Fund will support the conservation of a Medici tapestry owned by the Minneapolis Institute of Art.

Jon Batiste, Troye Sivan, and Amy Sherald lead a Met Gala 2026 rooted in art-historical homage.

The 2026 Met Gala, held at the Metropolitan Museum of Art, centered on the theme "Fashion Is Art," marking the opening of the Costume Institute's spring exhibition "Costume Art." Attendees including Jon Batiste, Troye Sivan, and artist Amy Sherald interpreted the dress code through art-historical references, with Sivan wearing Prada to channel Robert Mapplethorpe. The event brought together fashion, art, entertainment, and high society to make a deliberate case for fashion as a legitimate art form.

Il mitico artista-ceramista italiano Nanni Valentini torna negli Stati Uniti con una mostra sulla sua storia. Le immagini

The Everson Museum of Art in Syracuse, New York, is hosting "Interspaces," a retrospective exhibition dedicated to Italian artist Nanni Valentini (1932–1985), a pivotal figure in ceramic art. Curated by Garth Johnson of the Everson Museum and Luca Bochicchio of the Museo della Ceramica di Savona, with oversight by art historian Flaminio Gualdoni, the show runs until September 6, 2026. It traces Valentini's evolution from functional pottery to conceptual wall works, featuring pieces like "I segni della terra" (1981) and "Impronta-totem" (1979), on loan from ABC-ARTE gallery. The exhibition marks Valentini's return to the U.S., where he first gained international recognition at the museum's 1958 Ceramic International, introduced by Lucio Fontana.

Pulp singer Jarvis Cocker and Kim Sion to curate 2027 Hepworth Wakefield show.

Musician Jarvis Cocker, best known as the frontman of the band Pulp, and his wife Kim Sion, a creative consultant, will curate a group exhibition titled “The Hodge Podge” at The Hepworth Wakefield in the UK in 2027. The show will feature a diverse range of artworks across different eras and media, focusing on artists who challenge conventional definitions of art. This marks Cocker’s first curatorial project at a major institution.

Valie Export, Avant-Garde Icon and Feminist Trailblazer, Dies at 85

Valie Export, the Austrian avant-garde artist known for her radical feminist performances, films, and sculptures, has died at age 85. Her gallery, Thaddaeus Ropac, announced her death, noting her groundbreaking work in the 1960s and 1970s introduced a new form of embodied feminism to Europe. Export, born Waltraud Lehner in Linz, Austria, changed her name in 1967 and became known for provocative works such as "Aktionshose: Genitalpanik" (1969) and "Tap and Touch Cinema" (1968–1971), which challenged voyeurism and the sexualization of women's bodies. She also co-founded the Austrian Filmmakers Cooperative in 1968 and was commissioned by the Austrian Broadcast Corporation for her film "Facing the Family" (1971).

Gabrielle Goliath’s "Elegy" Comes to Venice

South African artist Gabrielle Goliath’s installation "Elegy" was initially censored by South Africa’s Culture Minister Gayton McKenzie, who blocked it from the country’s pavilion at the Venice Biennale over its focus on Palestinian grief. After public outcry and support from several organizations, the work was instead installed in a Venice church, where critic Aruna D’Souza describes it as "hauntingly beautiful and achingly tender." The article also covers related news: a smear campaign against British-Nigerian photographer Misan Harriman for his Palestinian solidarity, and a list of summer art books.

Our Summer Art Reading List

Hyperallergic's summer art reading list features a curated selection of art books, including Kory Stamper's 'True Color' about the Merriam-Webster color definer, Megan O'Grady's essay collection on art as necessity, and 'O'Keeffe-isms' drawn from Georgia O'Keeffe's writings. The list also highlights art detective mysteries like 'The Case of the Disappearing Gauguin' by Stephanie Brown and provenance stories from the San Antonio Museum of Art, alongside upcoming Yale University Press titles on Anni Albers, Dorothea Tanning, and Edward Steichen. Additional coverage includes an exhibition of Jack Kerouac's letters and photographs in NYC, and the Printed Matter art book fair in Los Angeles.

A Contemporary Art Haven Just a PATH Ride Away

Luis Emilio Romero, a Jersey City native, moved from Bushwick to the Monira Foundation's residency at Mana Contemporary in Jersey City, where he now paints intricate, textile-influenced patterns in a calm basement studio. Mana Contemporary, a 2 million-square-foot former tobacco warehouse converted in 2011 by Moishe Mana, Eugene Lemay, and Yigal Ozeri, hosted its Spring Open Studios on May 17, with over one-third of its 300 artists participating—the largest turnout in years. The event featured installations by TLaloC, sculptures by John Chamberlain, and an exhibition of artist books, "Open Book(s): Observations," presented by Pierogi Gallery, Mana, and the Monira Foundation. Pierogi co-owners Joe Amrhein and Susan Swenson also brought their Flat Files containing nearly 4,000 works to Mana for six months to a year.

Still in Sound

The Clyfford Still Museum in Denver, Colorado, has opened a new exhibition titled "Still in Sound," which pairs abstract paintings by Clyfford Still with original sonic interpretations by contemporary sound artists. Co-curated by Bailey Placzek, the museum's curator of collections, and British multidisciplinary artist Ben Coleman, the exhibition features works by artists Maria Chávez, Maya Dunietz, Kalyn Heffernan, Matana Roberts, and Michael Schumacher. Each artist selected a Still painting and composed a sound piece in response, with the compositions playing in shuffled order to create a non-linear, immersive experience. A digital guide offers full recordings, and Denver artist Phillip David Stearns designed an interactive component based on Still's pastel drawings. The exhibition runs through February 2027.

How Dayanita Singh Got Into Venice’s Archives

Artist Dayanita Singh mounted a major exhibition titled "ARCHIVIO" at the State Archives of Venice, which opened to the public as an exhibition venue for the first time in its history. Without institutional funding or a public relations budget, Singh relied on a "friendship economy" to install her signature "photo-pillars"—images of Indian archival documents bound in red cloth. The show attracted visitors despite the lack of traditional promotion, as documented in an interview with Hyperallergic Editor-at-Large Hrag Vartanian.