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The Top Exhibitions To See In London: May 2025

London's galleries and museums are opening a wave of major exhibitions in May 2025. Highlights include a 30-year survey of South Korean artist Do Ho Suh at Tate Modern, featuring fabric corridors replicating his former homes; two blockbuster shows at the British Museum—Hiroshige's prints of a transforming Japan and an exploration of ancient Indian religious art; a tech-and-nature residency by physicist-artist Jasmine Pradissitto at the London Museum of Water & Steam; and an immersive tree visualization by Marshmallow Laser Feast at Kew Gardens. The Francis Crick Institute also hosts the final weeks of its free multisensory exhibition "Hello Brain!"

5 Artists on Our Radar in May 2025

Artsy's May 2025 edition of 'Artists on Our Radar' highlights five emerging visual artists: Julia Jo, Raina Lee, Yaya Yajie Liang, and two others. Julia Jo, a Korean painter based in New York, showed new works at the Independent art fair with Charles Moffett, featuring emotionally charged, abstract figurative paintings. Raina Lee, a Taiwanese American ceramicist, presented pocket-sized glazed stoneware at NADA and Future Fair during New York Art Week, inspired by travel and cultural relics. Yaya Yajie Liang, a Chinese painter based in London, creates oil paintings with fluid brushstrokes exploring bodily sensations and interconnectedness.

Summer shows include multiple exhibitions viewing nature through 2 artists’ work - Portland Press Herald

Multiple Maine museums are collaborating this summer to present simultaneous exhibitions of two mid-career gestural painters, Nicole Wittenberg and Ann Craven, whose work deeply engages with nature and landscape painting. Wittenberg's shows include "A Sailboat in the Moonlight" at the Ogunquit Museum of American Art (through July 20), "Nicole Wittenberg: Cheek to Cheek" at the Center for Maine Contemporary Art (through Sept. 14), and a Paris exhibition at the Fondation Le Corbusier. Craven's exhibitions span the Farnsworth Art Museum ("Ann Craven: Painted Time," through Jan. 4, 2026), the Portland Museum of Art ("Spotlight: Ann Craven," May 14 to Sept. 14), and Bowdoin College Museum of Art (starting May 22).

Adam Lindemann opens exhibition of 19th-century African sculpture and contemporary Black abstraction

Collector and dealer Adam Lindemann has opened a non-selling exhibition titled 'Urhobo + Abstraction' at his David Adjaye-designed home near the Metropolitan Museum of Art in New York. The show, running until June 13, pairs 19th-century Urhobo sculptures from the Niger Delta with works by Black American abstractionists including Ed Clark, Norman Lewis, Richard Mayhew, Merton D. Simpson, and Alma Thomas. It is the first time Urhobo sculptures have been shown together in the US, and the exhibition is anchored by five wood carvings of warriors and royalty, one from Lindemann's private collection.

Photo London reveals details of tenth anniversary edition

Photo London will celebrate its tenth anniversary edition from May 15-18, 2025 at Somerset House, which is itself marking 25 years as an international arts destination. The fair will feature a strong roster of returning and new international galleries, the return of the Discovery section for emerging galleries, and a new Positions section for unrepresented photographers championed by collectors. Special programming includes a 'London Lives' exhibition showcasing around 30 leading photographers, a solo show by Colin Dodgson presented by Belmond, a new Book Market for independent publishers, a talks programme curated by Thames & Hudson, and awards such as the Photo London x Nikon Emerging Photographer of the Year and the Photo London x Hahnemühle Student Award.

For its 10th edition Photo London aims to look beyond the notorious ‘Kate Moss Index’

Photo London, the UK's leading photography fair, is preparing for its 10th edition from 15 to 18 May at Somerset House under new director Sophie Parker. Parker, the fair's first female director and a longtime staff member, aims to move beyond the so-called 'Kate Moss Index'—industry slang for the prevalence of safe, traditional photographic subjects like supermodel portraits—by rewarding galleries that take risks with more experimental work. The fair has cycled through several directors in recent years, including Roderick van der Lee and Kamiar Maleki, but Parker brings an insider's perspective and a working-class background to the role.

In pictures: following the thread at Frieze New York

Frieze New York 2025 features a strong textile and fiber art presence across multiple gallery stands. Highlights include Proyectos Ultravioleta's all-textile installation with embroidery by Edgar Calel and knitted crochet by Claudia Alarcón; Sonia Gomes's wrapped-wire sculptures at Mendes Wood DM; Carolina Caycedo's netted tribute to Zilia Sánchez at Instituto de Visión; Citra Sasmita's Kamasan canvas works at Yeo Workshop; Kyungah Ham's embroideries made in collaboration with North Korean artists at Kukje Gallery; Lee ShinJa's wearable fiber cape at Tina Kim Gallery; Grayson Perry's tapestries responding to Baroque works at Victoria Miro; and Małgorzata Mirga-Tas's fabric portraits at Frith Street Gallery. Prices range from $20,000 to $100,000.

Frieze New York Diary: sparring artists are boxing clever, Whitney gets set for almighty dick pic, and Bates mansion is reincarnated

The article covers several art-world events during Frieze New York week. Highlights include a boxing match at the Prince George Ballroom for the Cultivist's tenth anniversary, featuring artists like Shaun Leonardo, Cheryl Pope, and Jesus Benavente. At the Whitney Museum, the upcoming exhibition 'Sixties Surreal' will showcase Harold Stevenson's monumental male nude 'The New Adam' (1962), owned by the Guggenheim. Other notable items include Felix Beaudry's textile piece 'Put' (2024) at the Golden Thread 2 pop-up, Cornelia Parker's 'PsychoBarn (Flotsam)' (2024) at Frith Street Gallery, and Chantal Joffe's portrait of critic Hettie Judah at Victoria Miro.

Bauhaus thread weaves through expansive textile show at MoMA

The traveling exhibition "Woven Histories: Textiles and Modern Abstraction" has made its final stop at the Museum of Modern Art (MoMA) in New York. Organized by Lynne Cooke, senior curator at the National Gallery of Art in Washington, DC, in collaboration with MoMA, the Los Angeles County Museum of Art, and the National Gallery of Canada, the show features around 150 works that explore weaving through the lens of abstraction. At MoMA, the exhibition responds to the museum's historical ties to the Bauhaus, including works by Anni Albers and Gunta Stölzl, and highlights lesser-known figures like Ed Rossbach. The show also includes contemporary artists such as Jeffrey Gibson, with several having concurrent solo exhibitions in New York.

Tefaf New York: determination in the face of Trump’s tariff chaos

Tefaf New York returns to the Park Avenue Armory with 91 exhibitors from four continents, presenting 7,000 years of art amid uncertainty caused by President Donald Trump's recently announced tariff regime. The fair's director, Leanne Jagtiani, sent a letter to exhibitors acknowledging the "significant impacts" on the industry, assuring them of close communication with shippers and legal advisers, and advocating for the exclusion of artworks from potential EU reciprocal tariffs. While artworks are understood to be exempt, antiques and contemporary works in unconventional materials may be subject to the new tariffs, creating confusion among dealers and collectors.

Marquee May auctions in New York come at a volatile moment

New York's marquee spring auctions, beginning May 12, are facing significant headwinds from President Donald Trump's second-term policies, particularly the 'Liberation Day' tariffs and resulting stock-market volatility. Phillips deputy chairman Robert Manley confirms at least one eight-figure work was pulled from sale due to tariffs. The combined Modern and contemporary auctions at Christie's, Sotheby's, and Phillips carry an estimated $1.1bn to $1.5bn in art—the lowest total estimate for spring sales since 2010, roughly $250m lower than May 2024. No nine-figure-estimate lots have been consigned, and the number of catalogued lots is the lowest since 2007 (excluding pandemic and recession years). Single-owner collections dominate, with Christie's securing the $200m Leonard and Louise Riggio collection, including a Piet Mondrian estimated at $50m, and works from Anne and Sid Bass. Sotheby's offers collections from dealers Daniella Luxembourg and others.

In pictures: Rujeko Hockley’s Frieze favourites

Rujeko Hockley, an associate curator at the Whitney Museum of American Art, shares her personal highlights from Frieze art fair, selecting works by artists including Joey Terrill, Chitra Ganesh, Danielle Brathwaite-Shirley, Ernie Barnes, Jeremy Frey, Maia Ruth Lee, Beverly Buchanan, and Luana Vitra. Each selection is accompanied by Hockley's commentary on the themes and techniques that draw her to the pieces, ranging from new media and biographical elements to Indigenous craft and migration narratives.

New York’s Hotel Chelsea honors the late artist Teruko Yokoi with new restaurant

New York's Hotel Chelsea is opening a Japanese restaurant named Teruko, inspired by and honoring the late artist Teruko Yokoi, who lived at the hotel from 1958 to 1961 with her then-husband, artist Sam Francis. The restaurant, helmed by chef Tadashi Ono, will feature eight recently acquired works by Yokoi and is set to open in mid-May. Coinciding with the restaurant's opening, a solo exhibition of Yokoi's work, titled "Noh Theater," is on view at Hollis Taggart gallery through June 14, showcasing over 20 works from the late 1950s to early 2000s that draw on Noh theatre traditions.

Tschabalala Self sculpture of two Black lovers will adorn exterior of New York's New Museum when it reopens

Tschabalala Self's sculptural relief "Art Lovers" (2025) will be installed on the façade of the New Museum in New York when it reopens this autumn with a new 60,000 sq. ft expansion designed by OMA. The 13ft-tall artwork depicts a Black couple kissing in a swirling embrace, inspired by Self's 2022 painting "Madly" and the architectural "kiss point" where the new building meets the original Sanaa-designed structure. The commission continues the museum's façade sculpture programme, which previously featured works by Chris Burden, Isa Genzken, and Glenn Ligon.

Asian galleries move westward: their growing presence and influence in New York

Hong Kong-based gallery Kiang Malingue is opening a new outpost on the Lower East Side of New York on May 9, joining a wave of Asian galleries expanding into the city. The 3,500 sq. ft space at 50 Eldridge Street, formerly an artist's studio, will debut with a solo show by Japanese artist Hiroka Yamashita titled 'The Lights from the Deep Mountains.' Other recent arrivals include Manila's Silverlens (Chelsea, 2022), Taipei's Nunu Fine Art (Lower East Side, 2023), Hong Kong's Alisan Fine Arts (Upper East Side, 2023), and Shanghai's Bank (Lower East Side, March 2025).

Tefaf New York wish list: objects and treasures to suit every collector’s taste

Tefaf New York presents a curated wish list of objects and treasures catering to diverse collector tastes. Highlights include Lee Bontecou's monumental mixed-media sculpture 'Untitled (1980-2001)' shown by Ortuzar and Marc Selwyn Fine Art, a rare René Magritte collage from 1926 offered by Di Donna Galleries, an ancient Egyptian bronze Osiris statue from David Aaron, and an Aboriginal painting by Mantua Nangala from Salon 94. Each piece is accompanied by price estimates and provenance details, reflecting the fair's focus on high-quality, historically significant works.

What not to miss at Frieze New York 2025

Frieze New York 2025 will take place from 7 to 11 May at The Shed, featuring over 65 leading contemporary art galleries from more than 25 countries. The fair offers collectors access to blue-chip works by major artists and pieces by emerging talents, alongside amenities such as the US debut of Korean luxury beauty brand The Whoo showcasing three South Korean female artists, and a Ruinart champagne bar with a commissioned installation by artist Sam Falls. Notable booths include Mendes Wood DM presenting a new sculpture by Sonia Gomes and works by Kishio Suga, a joint presentation by Apalazzogallery and Emalin featuring Augustas Serapinas, and Tina Kim Gallery highlighting a multigenerational selection of women artists including Maia Ruth Lee.

Do Ho Suh is searching for home in a major new exhibition at Tate Modern

Do Ho Suh's major new exhibition "Walk the House" has opened at Tate Modern's Blavatnik Building, featuring large-scale fabric constructions that recreate architectural fragments from homes the South Korean artist has lived in across Seoul, New York, London, and Berlin. The centerpiece, "Nest/s" (2024), is a monumental sewn passageway made from polyester using a historic Korean fabric technique, incorporating fine details like logos on air vents and light switches. The show also includes "Rubbing/Loving: Seoul Home" (2013-22), a 1:1 paper-and-graphite rubbing of his childhood home, alongside models, drawings, and film that explore memory, migration, and domestic space.

Richard Long Commission Opening 10 May at The National Gallery, London, United Kingdom

The National Gallery in London will unveil a new site-specific commission by British artist Sir Richard Long on 10 May 2025. Titled "Mud Sun," the five-meter-wide mud work is hand-applied using tidal mud from the River Avon and installed at the top of the grand staircase in the newly transformed Sainsbury Wing. The work has been donated by Dr. Didi Mei Yi Wong to mark the Gallery’s 200th anniversary and will enter its Contextual Collection. It is Long’s second commission for the Gallery, following "River Avon Mud Crescent" (2023).

Don’t miss these 7 fantastic new London art exhibitions arriving in May 2025

Seven new art exhibitions opening in London in May 2025 are highlighted, including Do Ho Suh's 'Walk the House' at Tate Modern, the reopening of the National Gallery's Sainsbury Wing, and the V&A East Storehouse opening. Other shows include 'Fake Barn Country' at Raven Row, 'Encounters: Giacometti' at Barbican, and 'Hiroshige: Artist of the Open Road' at the British Museum, alongside a photography takeover at Somerset House.

Female artists and new buyers breathe life into the art market

The global art market contracted by 12% in 2024, falling to an estimated $57.5 billion in sales from its 2022 peak, according to the Art Basel and UBS Art Market Report 2025 compiled by Dr. Clare McAndrew. Despite the overall decline, the number of transactions grew by 3%, driven by a broadening collector base and increased engagement with more affordable works. The report highlights a surge in interest in female artists, with galleries raising their representation to 41%, and notes that art fairs remain the most common entry point for new buyers. The Aotearoa Art Fair, opening May 1-4 at Auckland's Viaduct Events Centre, exemplifies these trends with strong Indigenous and Pacific representation, emerging artist platforms like Horizons 2025, and affordable works under $5,000 from established galleries such as Gow Langsford Gallery.

Many Hands Make Great Work at the Weatherspoon’s Student-Curated Show

Cannon Crawford-Wilson, a sculpture and ceramics student at UNC Greensboro, took Art History 490: Museums and Exhibition Spaces and helped curate the exhibition “Embodied: Finding Meaning in the Human Form” at the Weatherspoon Art Museum. Under the guidance of Dr. Emily Stamey, she and her classmates selected artworks, wrote labels, and designed the gallery layout for the Spring 2025 season, working with museum staff like preparator Susan Taaffe. The show features pieces such as Toyin Ojih Odutola's “What’s in a Mistake?” (2014) and Do Ho Suh's “Bowl with Hands.”

Art Brussels 2025 Is Keeping Up with Its European Art Fair Cousins

Art Brussels returned for its 41st edition from April 24-27, 2025, at Brussels Expo Hall on the Heizel Plateau in Laeken, Belgium. The fair featured 165 galleries from 35 countries, 38% of which were first-time exhibitors, showcasing works by over 800 artists across five curated sections: Prime, Solo, Discovery, '68 Forward, and Invited. New initiatives included The Screen, a curated video art section selected by KANAL-Centre Pompidou’s Eliel Jones and filmmaker Alex Reynolds, and Monumental Artworks, a large-scale sculpture section curated by Carine Fol. Highlights included works by Kai-Chung Chang, Guy Van Bossche, Mircea Suciu, Bendt Eyckermans, and others, alongside a special edition of the Belgian Art Prize marking its 75th anniversary.

Activity and optimism at Expo Chicago attest to the city's 'fearless' community of collectors and patrons

Expo Chicago's 12th edition opened at Navy Pier on April 24, featuring over 170 galleries from 36 countries, with a strong South Korean contingent supported by the Galleries Association of Korea and notable participation from Canada, Latin America, and smaller US cities. Highlights include a knitted men's locker room installation by Nathan Vincent at Walter Maciel Gallery and a video project by Deborah Oropallo and Andy Rappaport at Catharine Clark Gallery, alongside a tribute to veteran gallerist Rhona Hoffman, who is closing her namesake gallery after nearly 50 years.

Ed Atkins

Tate Britain presents a major retrospective of British artist Ed Atkins, running from 2 April to 25 August 2025. The exhibition features over 60 works across eight rooms, including video installations, embroideries, and sculptural pieces such as 'Death Mask II: The Scent' (2010), 'Hisser' (2015), 'Old Food' (2017-18), and 'Pianowork 2' (2023). Atkins, known for exploring existential dread through digital and handmade media, wrote the exhibition labels himself—a device curator Polly Staple says questions the authority of museum text. The show traces Atkins' evolution alongside advancing technology, from early post-art-school works to CGI self-portraits and installations incorporating costumes from Berlin's Deutsche Oper.

New gallery Slip House to open in 1,000sqft, three-story former carriage house during Frieze Week.

Slip House, a new gallery co-founded by Ingrid Lundgren and Marissa Dembkoski, will open to the public on May 9, 2025, during Frieze Week. Located in a 1,000-square-foot, three-story former carriage house at 246 East 5th Street in New York's East Village, the gallery's inaugural exhibition features a multigenerational roster of artists, including historic works by Jack Whitten and Claude Viallat alongside contemporary pieces by Anne Hayden Stevens, Lizzy Gabay, Max Guy, and others. Former Sprüth Magers Director Jessica Draper co-curates the debut presentation. The space includes a second-floor fireplace and kitchen, and a third-floor live/work area that will host a rotating artist residency, with co-founder Dembkoski living onsite during the first year.

Rose Art Museum Expands Collection with Sam Hunter Committee Acquisitions of Works By Dhambit Munuŋgurr and Yu-Wen Wu

The Rose Art Museum at Brandeis University has acquired works by artists Dhambit Munuŋgurr and Yu-Wen Wu for its permanent collection, selected by the Sam Hunter Emerging Artist Fund Committee. Munuŋgurr's piece, Bäru (2024), is a larrakitj memorial pole reimagined with white clay and ultramarine, while Wu's Recitations (2024) is a wall installation made from Taiwanese tea, gold, and red thread. Both works will debut in the exhibition Fabricated Imaginaries: Crafting Art opening August 20, 2025.

At 90, Rhona Hoffman Is Closing Her Chicago Gallery—but She Isn’t Retiring Yet

Rhona Hoffman, the 90-year-old Chicago gallerist, is closing her eponymous gallery at the end of May 2025 after nearly five decades in operation. The final group show, “Not Just A Pretty Picture,” ends April 26. Hoffman, who opened her gallery in 1976, gave early platforms to artists like Sol LeWitt, Mickalene Thomas, and Carrie Mae Weems, and is especially known for championing women artists such as Cindy Sherman, Barbara Kruger, and Jenny Holzer. She was also made an honorary member of the Guerrilla Girls after documenting her exhibition history of women artists. Hoffman plans to remain in Chicago, curating shows and working with artists, but will not use the term "pop-up" for her future activities.

Fresh blood for an ancient medium: 10 young painters to watch this spring

This article profiles ten young painters to watch this spring, highlighting their innovative approaches to the ancient medium of painting. Featured artists include British painter Francesca Mollett, whose abstractions have exceeded market expectations with works like 'Two Thistles' fetching over GBP 250,000 at auction; Samuel Hindolo, whose mysterious figurative and abstract paintings have caught the attention of critic Hilton Als; and Stanislava Kovalčíková, whose provocative mythological works were exhibited at Aspen Art Museum and who runs the independent space The White Ermine in Düsseldorf. Other artists mentioned include Evelyn Plaschg, who transforms mundane objects into unsettling meditations, with a solo museum exhibition opening at HALLE FÜR KUNST Steiermark.

RADICAL SOFTWARE: WOMEN, ART & COMPUTING 1960–1991

Kunsthalle Wien presents "Radical Software: Women, Art & Computing 1960–1991," a landmark exhibition foregrounding the pioneering role of women in early digital art. Organized with Mudam Luxembourg, the show brings together over one hundred works by fifty artists from European and U.S. collections, spanning painting, sculpture, installation, film, performance, and computer-generated works. The title references the 1970 magazine "Radical Software" by Beryl Korot, Phyllis Segura, and Ira Schneider, which envisioned decentralized access to information. The exhibition traces digital art from mainframe experiments in the 1960s through the microcomputer revolution, highlighting artists like Charlotte Johannesson, who traded a tapestry for an Apple II in 1978.