Exhibition | Kimiyo Mishima, 'FRAGILE' at Nonaka-Hill, Los Angeles, United States

This article profiles Japanese artist Kimiyo Mishima, whose ceramic sculptures meticulously replicate discarded newspapers, cans, and other trash. Mishima, who died recently, began her career with painting and collage before pioneering a technique in 1971 of silk-screening and painting thin clay sheets rolled with an udon noodle roller to create fragile, lifelike sculptures of garbage. Her work was shaped by her experience growing up in postwar Osaka and her revulsion at consumer culture's disposable nature, leading her to collect trash from the streets of New York and Paris during artist grants.

Artist Ana Teresa Fernandez exhibit, 'Under Pressure,' now on display at National Museum of Mexican Art, a call to climate action

The National Museum of Mexican Art in Chicago is currently hosting "Under Pressure," a solo exhibition by Mexican-born artist Ana Teresa Fernández. The show features a diverse range of media, including oil paintings, sculptures like a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the fragility of the environment. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to signal an S.O.S. in Morse code toward the horizon.

Iranian galleries close amid protests and communications blackout

Iranian galleries have closed or altered their hours as nationwide protests, sparked by economic turmoil and a crashing currency, escalated into violent unrest. The protests began on 28 December among bazaar traders and spread to artists and gallerists, with many shutting their doors or canceling exhibitions, some under public pressure. A government-imposed internet and communications blackout on 8 January has severely limited information, though one gallerist speaking anonymously described the closures as a unified act of solidarity across society, not merely a response to safety concerns. The gallerist noted that the economy is in its worst condition, with basic necessities unaffordable and even bubble-wrap prices fluctuating wildly. Another gallery founder confirmed that all projects are on hold, and staging exhibitions risks public backlash. Instagram account Galleryinfo.ir faced online criticism for promoting exhibitions during the crisis, while Bavan Gallery reversed its initial stance of "resilience is an art form" and announced it would hold no exhibitions.

How the Cleveland Museum of Art is using AI to draw visitors into its collection

The Cleveland Museum of Art has opened a fashion exhibition titled "Renaissance to Runway" that uses AI-generated video to animate historical garments too delicate to wear. The 2-minute, 45-second video, "Renaissance Remixed" by Francesco Carrozzini and Henry Hargreaves, shows lifelike figures in archival clothing moving through dreamlike settings, solving the problem of displaying fragile pieces without risking damage. The exhibition pairs Renaissance and Baroque artworks with modern designs from Versace, Valentino, Armani, Ferragamo, and Gucci, and is the largest of its kind at the museum.

Pulitzer Prize-winning art critic Christopher Knight is retiring

Christopher Knight, the Pulitzer Prize-winning art critic for the Los Angeles Times, is retiring after more than 40 years in the field, with his final day set for November 28. Knight spent 36 of those years at the Los Angeles Times, becoming one of the last full-time art critics at a major U.S. daily newspaper. He won the Pulitzer Prize for criticism in 2020 for his incisive coverage of the Los Angeles County Museum of Art's proposed overhaul, and received a $50,000 Lifetime Achievement Award for Art Journalism from the Dorothea and Leo Rabkin Foundation the same year. Knight also authored two books and appeared on programs like 60 Minutes and PBS NewsHour.

Limestone relief disappears from Egypt’s Saqqara necropolis

A rare limestone relief depicting the vizier Khentika painting the three seasons of the ancient Egyptian calendar has vanished from his tomb in the Saqqara necropolis. The tomb, discovered in the 1950s and used for storage until 2019, was found to be missing the relief by a British mission in May. Egypt's Ministry of Tourism and Antiquities has announced the theft and referred the matter to the public prosecutor for investigation.

Toledo Museum of Art exhibition to explore landscape of digital and generative art

The Toledo Museum of Art will open "Infinite Images: The Art of the Algorithm," a special exhibition curated by Julia Kaganskiy that explores digital and generative art from the 1960s to the present. The show features works created using custom software, algorithms, and machine learning models developed by the artists themselves, emphasizing rule-based systems and automation as part of the creative process. Associate Curator Paige Rozanski notes that the exhibition contextualizes generative art within a longer tradition of analog algorithmic processes, distinguishing it from AI-generated images produced by large language models like ChatGPT.

A first look inside LACMA’s Zumthor-designed David Geffen Galleries as museum hosts preview opening

The Los Angeles County Museum of Art (LACMA) has released new photographs of its David Geffen Galleries, designed by architect Peter Zumthor with SOM as collaborating architect. The building, a long horizontal glass and concrete structure curving along Hancock Park and Wilshire Boulevard, opened temporarily for a three-day preview last week and is scheduled to open to the public in April 2026. The 347,500-square-foot wing includes 110,000 square feet of gallery space, along with street-level pavilions housing a theater, store, bar, and education center. To mark the preview, LACMA hosted three "sonic previews" featuring composer Kamasi Washington leading over 100 musicians in a performance of his work Harmony of Difference. Architectural critic Christopher Hawthorne described the wing as "bold and compromised in nearly equal measure," while Zumthor noted that curators initially critical of the spatial layout have begun to appreciate the space and the beauty of the handmade concrete structure.

Uovo planning second, larger art storage facility in Brooklyn

Uovo, an art logistics and storage company, is planning to build a second, larger facility in Brooklyn. The proposed 240,000-square-foot building at 74 Bogart Street in Bushwick would complement its existing 150,000-square-foot space nearby, offering climate-controlled storage for art, wine, and fashion, along with private viewing galleries and project spaces. The company is seeking municipal approval to upzone a parking lot for the development and has received support from the local community board, though some residents oppose the project, citing concerns about housing shortages and rising rental costs.

2025 MFA Thesis Exhibition Transforms the Miriam and Ira D. Wallach Art Gallery

On April 26, 2025, the School of the Arts held its annual MFA Thesis Exhibition at the Miriam and Ira D. Wallach Art Gallery, featuring twenty-nine emerging and established artists. Curated by Amal Issa, the show spans a wide range of mediums including installations, videos, paintings, drawings, and sculptures, with many works exploring themes of memory, ancestry, and identity. Notable pieces include Maya Dixon's immersive installation using gourds and found objects, Daniel Castro's surreal cityscapes, and Ridwana Rahman's interactive carpet piece that invites reflection on direction and prayer.

Cincinnati Art Museum curator of fashion showcases women designers

This episode of WYSO's Studio Visit series takes listeners to the Cincinnati Art Museum to meet Cynthia Amnéus, the museum's Chief Curator and Curator of Fashion and Textile Arts. Amnéus discusses her focus on women fashion designers, highlighting iconic figures such as Rei Kawakubo (Comme des Garçons), Bonnie Cashin (Coach), Ann Lowe (who designed Jackie Kennedy's wedding dress), and the lesser-known 1930s designer Elizabeth Hawes, whose progressive views on comfort and gender-neutral clothing were ahead of her time. Amnéus also reflects on past exhibitions, including a 2017 show on Iris Van Herpen's 3D-printed sculptural fashion, and her current interest in sustainable designers like Collina Strada and Chopova Lowena.

Hired Amid Great Fanfare, Patricia Marroquin Norby, Met’s Inaugural Curator of Native American Art, Quietly Left

Patricia Marroquin Norby, the Metropolitan Museum of Art's inaugural full-time associate curator of Native American art, quietly left her position in December. Her departure followed independent investigations, including a 2024 report from the Tribal Alliance Against Frauds, which challenged her claims of Native American ancestry. Both Norby and the museum cited health concerns as the reason for her exit.

Hong Kong’s live art auctions are thriving thanks to Picasso and Nara

Hong Kong’s art auction market opened 2025 with significant momentum, characterized by a shift toward high-quality, museum-grade works and selective collecting. Major auction houses like Christie's, Bonhams, and Phillips reported strong results for blue-chip artists, highlighted by the sale of Pablo Picasso’s "Buste de Femme" for HK$196.75 million. While the market has become more deliberate, the demand for rare, impeccably sourced pieces by both Western masters and Asian contemporary icons remains robust.

UK artist resale right at 20: how successful has the pioneering scheme been?

The UK's Artist Resale Right (ARR), a law entitling visual artists to royalties from secondary market sales of their work, marks its 20th anniversary. Initially met with fierce opposition from auction houses and dealers who feared it would drive high-value sales offshore, the scheme is now largely accepted by the UK art trade, though concerns about administrative burdens compared to markets like New York and Hong Kong remain.

Spanish Artist Juan Saliquet Explores Urban Soul in Art Exhibition

Spanish artist Juan Saliquet opened a solo exhibition titled "Archaeology of a City: Almaty" at Esentai Gallery in Almaty, Kazakhstan, on September 5, running until October 15. The show, organized by the Embassy of Spain in Kazakhstan and ART FUTURE, culminates Saliquet's international residency with the Spanish Agency for International Development Cooperation (AECID). Through photography, Saliquet captures Almaty's urban details—architecture, graffiti, reflections, and street fragments—treating the city as a living archive layered with memory and identity.

national constitution center director resigns 2746658

Jeffrey Rosen has resigned as director of the National Constitution Center in Philadelphia after 12 years, sparking allegations of political interference. While the board cited a leadership crisis following an external review of workplace conditions, board member and former judge J. Michael Luttig claims the ouster was a politically motivated "regime change" orchestrated to align the institution with President Trump’s vision for the upcoming America 250 celebrations.

trump cultural offensive or offensive culture 2631792

This episode of the Art Angle podcast, co-hosted by Ben Davis, features art critic and journalist Brian Boucher discussing the impact of Donald Trump's return to office on American culture. Since January, Trump has launched a cultural offensive through executive orders and policies, including canceling humanities grants to fund a 'heroes' sculpture garden, targeting the Institute of Museum and Library Services, taking personal control of the Kennedy Center, and shuttering DEI offices nationwide. Boucher, who has extensively covered these developments for Artnet, joins the podcast to analyze the administration's first 100 days and the risks posed to the arts.

How Tate's Emily Kam Kngwarray show is revealing the fraught market dynamics of Aboriginal art

Tate Modern in London is hosting a major solo exhibition of Emily Kam Kngwarray, the celebrated Aboriginal artist who rose to fame in the late 1980s and early 1990s. The show, first presented at the National Gallery of Australia in Canberra, features works from the height of her career, deliberately omitting some of her final paintings due to concerns about the circumstances under which they were created. Curators Kelli Cole and Hetti Perkins highlight how Kngwarray's rapid success attracted dealers and entrepreneurs who exploited the artist and her community, revealing an opaque market system that took advantage of artists' inexperience and poor socio-economic conditions.

Required Reading

This week's Required Reading from Hyperallergic features a photo by Saber Nuraldin, a finalist for the World Press Photo of the Year, depicting Palestinians climbing an aid truck in Gaza during famine caused by Israel's blockade. The article also includes Elena Megalos's essay on the American Museum of Natural History as a site of motherhood, and reports on Meenu Batra, a legal interpreter arrested by ICE, and the New York Times blocking the Internet Archive from crawling its site.

Why Does Italy No Longer Qualify for the World Cup or the Biennials?

Perché l’Italia non si qualifica più né ai Mondiali né alle Biennali?

Artist Oscar Giaconia draws a provocative parallel between the decline of Italian football and the diminishing presence of Italian contemporary artists in major international forums like the Venice Biennale and Manifesta. He argues that both sectors suffer from a systemic failure to nurture young talent, characterized by a lack of strategic scouting, a preference for foreign trends, and a bureaucratic deafness that stifles growth.

Clouds and Their Multiple Meanings Take Center Stage at an Exhibition in Piacenza

Le nuvole e i suoi molteplici significati finiscono al centro di una mostra a Piacenza

The XNL Piacenza contemporary art center has launched "Oltre le nuvole. Beyond the Clouds," a multidisciplinary exhibition running through July 5, 2026. Curated by Chiara Gatti, Paola Pedrazzini, and Gianmarco Romiti, the project explores the cloud as a symbolic and shifting element across art history, literature, cinema, and music. Featuring works by twenty contemporary artists including Piero Manzoni, Mario Schifano, and Leandro Erlich, the show integrates site-specific installations with a 3D auditory landscape and theatrical performances.

Leading Art Gallery Opening in Landmarked Aspen Block Building

M.S. Rau, the 113-year-old New Orleans-based gallery specializing in fine art, antiques, and jewelry, has signed a long-term lease to open a permanent second location in Aspen’s historic Aspen Block Building at 307 S. Galena Street. The new two-level, 2,200-square-foot space is set to debut in January 2026, featuring works by Renoir, Picasso, and Magritte, alongside pieces from luxury houses such as Tiffany & Co., Van Cleef & Arpels, Fabergé, and Cartier. The expansion follows a successful seasonal pop-up in Aspen last year and marks the gallery’s first year-round secondary location since its founding in 1912.

Exhibition | Celeste Rapone, 'Hyperarousal' at Esther Schipper, Esther Schipper Berlin, Germany

Esther Schipper Berlin presents 'Hyperarousal', Celeste Rapone's first exhibition with the gallery, featuring three new paintings that explore the intersection of sensuous stimulation and nervous tension. The works depict female protagonists in narratively dense, ambiguous scenes that allegorize millennial angst, using techniques like alla prima painting and color-based formal constraints. Key pieces include 'While Waiting' (2025), showing a figure with pepper spray and a digital camera, and 'Den' (2026), where intertwined figures follow a self-defense tutorial on an iPad.

Gallery showcases artists in their element

Qualia Contemporary Art in Palo Alto is currently hosting two concurrent exhibitions, "Emergence" and "Tidal Traces," featuring the work of Yulia Pinkusevich, Cathy Lu, and Stella Zhang. The shows explore the four classical elements—fire, earth, air, and water—through a diverse range of media including large-scale ceramic incense sculptures, paintings incorporating charcoal and ash, and mixed-media works inspired by oceanic tides.

Spain’s galleries are protesting against high taxes—can Arco Madrid help voice their concerns?

The 45th edition of Arco Madrid, Spain’s premier contemporary art fair, is set to host 206 galleries from 36 countries at the Ifema convention centre. While the fair remains a vital commercial hub, it is currently overshadowed by a nationwide protest from Spanish galleries against the country's 21% VAT on art purchases. This tax rate is among the highest in Europe, significantly outpacing neighbors like Portugal and France, leading to concerns about international competitiveness and the classification of contemporary art as a luxury elite product.

Artist Tammy Nguyen’s New Show Finds Heaven on Earth

Artist Tammy Nguyen presents her new exhibition "A Comedy for Mortals: Paradiso" at Lehmann Maupin New York, running from June 5 to August 15. The show is the final installment of a three-part series inspired by Dante's Divine Comedy, following earlier presentations in Seoul (Inferno) and London (Purgatory). Nguyen, a 40-year-old painter, professor at Wesleyan, and founder of Passenger Pigeon Press, creates dense, polymathic canvases that weave together imagery from Dante's celestial journey with contemporary references, including Frankenstein, President Eisenhower's military-industrial complex warning, and drones. The exhibition explores paradise as a journey of endless knowledge, while also delving into darker historical events like the 1815 Mount Tambora eruption.

Esther fair brings global galleries to Manhattan’s Estonian House

The Esther art fair, founded by Estonian dealers Olga Temnikova and Margot Samel, is holding its second edition at the Beaux-Arts Estonian House in Manhattan through May 10. The boutique fair features 25 galleries from the US, Europe, and Asia, including James Fuentes, Sargent’s Daughters, Pangée Gallery, Kogo Gallery, Ivan Gallery, Sophie Tappeiner, and Bank. New additions include on-site fashion designers Julia Heuer and Laivi creating custom t-shirts. Participation fees have risen from $1,500 to $2,500, allowing the founders to hire staff, but the fair remains vulnerable to global shifts such as US trade policies and immigration crackdowns that affect art shipping and artist travel.

Open Letter on Auction of “Tributes” to the Russian Avant-Garde

An open letter signed by art historians, curators, and researchers protests an upcoming auction at Stanley's Auction House in Zaventem, Belgium, scheduled for April 23, titled “Tributes to the Russian Avant-Garde & Constructivists.” The second sale is organized in cooperation with Drouot, a major French auction platform, and offers approximately one hundred works from the so-called Toporovsky collection, which has been linked to a scandal involving forged Russian modernist paintings at the Museum of Fine Arts Ghent. The alleged suppliers, Igor Toporovsky and Olga Toporovsky, face criminal charges including the sale of 171 forged works for about €20 million, with court proceedings beginning in May in Ghent. The signatories argue that the auction, with works priced around €300 each, is deeply troubling given the pending legal case and the undisclosed consignor identity.

Bard President Leon Botstein (Finally) Resigns, Following Epstein Revelations

Leon Botstein, president of Bard College since 1975, announced his retirement on Friday following the release of an independent report by the law firm WilmerHale, commissioned by Bard's board of trustees. The report found that Botstein had not been "fully accurate" in his public accounts of his relationship with convicted sex offender Jeffrey Epstein, revealing visits to Epstein's private island, personal messages, a joint watch purchase worth $56,000, and invitations to campus. While no illegal conduct was identified, the report raised serious concerns about Botstein's leadership and judgment. Botstein will step down on June 30 but remain at Bard as a professor.

European Commission Tells Venice Biennale to ‘Clear Its Name’ Regarding Russian Pavilion or Risk Losing $2.3 M. Grant for 2028

The European Commission has issued a 30-day ultimatum to the Venice Biennale, threatening to withdraw a €2 million ($2.3 million) grant for the 2028 edition unless the organization addresses concerns regarding the Russian Pavilion's inclusion in 2026. The Commission alleges that hosting a government-funded delegation violates EU sanctions and provides a cultural platform for Russian state interests amidst the ongoing war in Ukraine. The Biennale's president, Pietrangelo Buttafuoco, must respond by May 11, just two days after the exhibition's public opening.