Gagosian Gallery in Beverly Hills is presenting a posthumous exhibition of works by architect Frank Gehry, opening on May 14, 2026. The show, realized in collaboration with Gehry's family and studio, features animal-themed sculptures and works on paper, including the life-size stainless steel 'Bear with Us' (2014), 'Fish on Fire' (2023), and the early 'A Pair of Snake Lamps' (1989).
Gagosian Beverly Hills has announced the first exhibition of Frank Gehry’s work since the legendary architect’s death in December. Opening May 14, the show pivots away from his architectural legacy to focus on his sculptural practice, specifically his animal-themed works. Highlights include the stainless steel sculpture "Bear with Us" (2014), on loan from the Gehry family, alongside his signature fish and snake lamps and late-career copper sculptures.
A rare, hand-signed offset lithograph invitation card from a 1985 Helen Frankenthaler exhibition at the Milwaukee Art Museum has surfaced on the market. The two-sided card, which served as an invitation for the show "Frankenthaler, Works on Paper, 1949-1984," was signed by the artist in ink during her talk at the opening reception on October 3, 1985. It is currently presented in a double-sided frame to preserve the integrity of the signature and the exhibition text.
A hand-signed original exhibition poster by the late conceptual artist Lawrence Weiner, titled "A Means to an End" (2006), has been made available for purchase through ArtWise in Brooklyn. Created for Weiner’s solo exhibition at Le Musée de Sérignan, the color offset lithograph features the artist's signature in black pen and exemplifies his career-long investigation into language as a sculptural medium. The work is priced at $700 and includes a certificate of authenticity from the gallery.
Kyoto-based textile house HOSOO has announced a collaborative exhibition with American artist Theaster Gates titled “Glorious Robe,” scheduled to run from April 11 to August 30, 2026. The showcase centers on the “Dashikimono,” a hybrid garment merging the West African dashiki with the Japanese kimono, alongside ceramic vessels and traditional obi sashes. These works incorporate motifs from the American Civil Rights Movement, including tributes to Martin Luther King Jr. and Malcolm X, woven directly into the fabric using HOSOO’s centuries-old Nishijin techniques.
A major retrospective of the Japanese-American artist Ruth Asawa is touring internationally, organized through a partnership between SFMOMA and MoMA. The exhibition spans six decades of her career, featuring her iconic suspended looped-wire sculptures alongside tied-wire pieces, bronze casts, drawings, and archival materials. The show traces her journey from her formative years at Black Mountain College to her influential role as an arts advocate and educator in San Francisco.
New historical evidence suggests that Vincent van Gogh’s iconic 'Yellow House' in Arles underwent a dramatic color change before its destruction. While Van Gogh famously painted and cherished the building for its yellow facade in 1888, two recently highlighted paintings from the late 1930s by artists Willy Guggenheim (Varlin) and George Tomaziu depict the structure with a blue exterior. This discovery, brought to light by Ukrainian artist Yuri Pikul, indicates the building had been repainted while serving as a café-bar called the Civette Arlésienne.
Conceptual artist Danh Vo discusses his multifaceted practice in a new podcast interview, exploring how his work weaves together personal autobiography, queer identity, and his experience as a Vietnamese immigrant. The conversation delves into his collaborative methods, his use of found objects ranging from religious sculptures to household items, and his upcoming exhibitions at the Stedelijk Museum in Amsterdam and White Cube in New York.
Pace Gallery has announced the representation of Korean-born, New York-based conceptual artist Anicka Yi, who joins the gallery's roster while maintaining her existing relationships with Gladstone Gallery, 47 Canal, and Esther Schipper. Yi will debut a new painting at Pace’s Art Basel Hong Kong booth this month, followed by a solo exhibition in New York in 2027 and upcoming projects at the New Museum and Storm King Art Center.
The New York City gallery scene is experiencing a significant surge of activity for the first week of March 2026, with dozens of new exhibitions scheduled to open across Manhattan. Major highlights include a survey of Edouard Vuillard’s early interiors at Skarstedt, Sigmar Polke at VeneKlasen, and a comprehensive Robert Mapplethorpe presentation at Gladstone. The week also features high-profile institutional and blue-chip gallery shows, including Carol Bove at the Guggenheim and new works by Daniel Arsham and Gelitin at Perrotin.
Space ZeroOne in New York will present "Michael Joo: Sweat Models 1991–2026," a solo exhibition of early and newly realized works by Korean American multimedia artist Michael Joo, organized by guest curator Christopher Y. Lew. The show focuses on Joo's 1990s works, which engaged with issues like the AIDS crisis and information technology, and will feature a newly realized large-scale installation, *Concatenations*, first conceived in 1990.
Major museums worldwide have announced their flagship exhibitions for 2026, featuring a diverse array of artists and historical periods. Highlights include a Frida Kahlo retrospective at the Museum of Fine Arts, Houston, exploring her rise to icon status; a survey of Ovid's influence on art from Caravaggio to Louise Bourgeois at Amsterdam's Rijksmuseum; a centennial exhibition for Mary Cassatt at the National Gallery of Art; and the largest career survey to date for Tracey Emin at Tate Modern. Other key shows feature Carol Bove at the Guggenheim Museum, Korean national treasures at the Art Institute of Chicago, and exhibitions at the Whitney Museum, the Museum of Modern Art, and the Louvre.
The Guggenheim Museums and Foundation has announced an exhibition titled "Rashid Johnson: A Poem for Deep Thinkers." The show will feature the work of contemporary artist Rashid Johnson, known for his multidisciplinary practice encompassing sculpture, painting, photography, and installation.
The article previews major New York City museum exhibitions opening in 2026, including a Carol Bove survey at the Solomon R. Guggenheim Museum (March 5–August 2), the first U.S. Marcel Duchamp retrospective since 1973 at the Museum of Modern Art, the New Museum's inaugural show in its OMA-designed expansion titled "New Humans: Memories of the Future," and a Goya exhibition at the Hispanic Society Museum & Library tied to the 250th anniversary of the United States. Each show highlights significant artistic milestones, from Bove's scrap-metal sculptures to Duchamp's readymades and Goya's war commentaries.
The Metropolitan Museum of Art will present "Lorna Simpson: Source Notes" from May 19 to November 2, 2025, the first museum survey dedicated entirely to the New York-based artist's painting practice. Featuring over 30 works, the exhibition traces Simpson's shift from conceptual photography to paintings that explore gender, race, identity, and history, including pieces from her 2015 Venice Biennale debut and her "Special Characters" series, alongside recent sculptures and collages. The show is funded by the Ford Foundation and supported by Jim and Irene Karp and John and Amy Griffin.
The art market experienced a turbulent 2025, beginning with a 12% decline in sales from 2024, following a 3% drop in 2023, as reported by the Art Basel and UBS Global Art Market Report. Major auction houses Christie’s, Sotheby’s, and Phillips saw average sales fall 6% in the first half of the year. However, the market rebounded by autumn, with strong sales at London and Paris art fairs and a 15% year-on-year increase in auction sales at the three main houses by December, according to Pi-eX. Key events included Sotheby’s failed sale of Alberto Giacometti’s *Grand tête mince* in May, followed by a record-breaking $236 million sale of Gustav Klimt’s *Portrait of Elisabeth Lederer* in November, and a $31.4 million record for François-Xavier Lalanne’s *Hippopotame Bar*.
Frank Gehry (1929-2025) is remembered as the ultimate artist's architect, a figure whose career was deeply intertwined with the visual arts. The article highlights his lifelong friendships with numerous Los Angeles artists, his design of exhibitions for them, and his creation of iconic art museums like the Museo Guggenheim Bilbao (1997) and the Fondation Louis Vuitton in Paris (2014). Gehry believed his buildings offered artists a strong alternative to the white cube, and he renovated museums such as the Geffen Contemporary at MOCA and the Philadelphia Museum of Art with a remarkably light touch. His early exposure to art through a ceramics course with Glen Lukens at USC helped steer him toward architecture.
On November 27, 2025, On Kawara's date painting "NOV. 27, 1984" from his Today series sold for HK$8.5 million (US$1.1 million) at Bonhams' Modern and Contemporary Art Sale in Hong Kong, becoming the top lot of the auction. The work, executed exactly 41 years earlier on November 27, 1984, features the date in white sans-serif lettering on a dark canvas and was acquired by a client represented by Bonhams specialist Ryo Wakabayashi, likely destined for a private collection in Japan.
Gagosian debuted a show titled “Walter De Maria: The Singular Experience” at its Le Bourget gallery in Paris, featuring The Truck Trilogy—three vintage Chevrolet pickup trucks fitted with the artist’s signature stainless-steel rods. The exhibition is part of the gallery’s “Building a Legacy Program,” launched in 2017 after De Maria’s death without a will threw his estate into turmoil. The program, spearheaded by managing director Kara Vander Weg, aims to preserve and promote artists’ legacies through educational efforts, ambitious shows, symposia, and content in Gagosian Quarterly.
Digital art has achieved mainstream acceptance in the art world, ranking third in total spending among high-net-worth collectors after painting and sculpture, according to The Art Basel and UBS Survey of Global Collecting 2025. Over half of the 3,100 respondents purchased a digital artwork in 2024 or 2025, and the average share of digital art in collections rose from 3% in 2024 to 13% in 2025, signaling a maturation beyond the NFT boom of 2022. Art Basel is launching a new section called Zero 10 at Miami Beach 2025, featuring 12 exhibitors including AOTM, bitforms gallery, and Pace Gallery, with an interactive installation by Beeple. Major museums like MoMA, Tate Modern, and Centre Pompidou have hosted significant digital art exhibitions, further boosting collector confidence.
The article highlights nine standout solo gallery shows currently on view in Paris, coinciding with Art Basel and other art fairs taking place in the city. Featured exhibitions include Elmgreen & Dragset's lifelike office worker installation at MASSIMODECARLO's Piece Unique window, Jessie Makinson's new surreal figurative paintings at Brigitte Mulholland, a tribute to Robert Rauschenberg's 100th birthday at Thaddaeus Ropac, Jeffrey Gibson's first Paris solo show at Hauser & Wirth, and Mickalene Thomas's new portrait series at Galerie Nathalie Obadia, among others.
The Guggenheim Museums and Foundation has published a feature titled 'Collection in Focus | Beatriz Milhazes: Rigor and Beauty,' highlighting the Brazilian artist's vibrant, geometric abstract works held in the Guggenheim collection. The piece examines Milhazes's distinctive visual language, which blends modernist abstraction with Brazilian cultural references, and underscores the rigorous compositional structure underlying her seemingly exuberant patterns.
Chiharu Shiota is staging her first solo museum show in New York, marking a significant milestone for the Japanese artist known for her immersive thread installations. The article also provides a comprehensive rundown of recent developments across Asia's art world, including gallery expansions, new exhibitions, art fairs, and institutional news. Highlights include Mire Lee's Los Angeles solo debut at Sprüth Magers, Bluerider Art's new U.S. outpost in Manhattan Beach, and Lisson Gallery's first show with Shanghai-based artist Ding Yi in London. Art fairs such as Frieze House Seoul, Tennoz Art Week, Art Busan, Tokyo Gendai, and Art SG are also covered, alongside the relaunch of New York's Art in General under curator Xiaoyu Weng.
London's National Gallery exhibition "Van Gogh: Poets & Lovers" displayed nearly all of its loaned paintings in ornate gilded frames, despite the artist's documented preference for simple, unadorned wooden frames. Van Gogh wrote to his sister Wil questioning the need for gilding, and Paul Gachet Jr., son of the doctor who cared for the artist, called gold frames around Van Gogh's works "an act of moral barbarism." A few exceptions stood out, including six paintings from the Kröller-Müller Museum in Otterlo, which were shown in replica frames based on early 20th-century designs by Jacob van den Bosch, and a Van Gogh from Tokyo's National Museum of Western Art that was reframed in a replica of a frame once owned by Dr. Paul Gachet.
Alton Yan has been appointed as the new director of the Asia Society Museum in New York, effective immediately. Yan, previously a curator at the museum, succeeds the outgoing director and brings extensive experience in Asian contemporary art to the role.
Artnet Auctions has launched "Contemporary Icons: Part II," a summer auction now live for bidding through August 20, 2025. The sale features over 100 lots from a single private collection, including works by blue-chip artists such as Rashid Johnson, Jean-Michel Basquiat, Shara Hughes, Marilyn Minter, Tunji Adeniyi-Jones, and Jean-Baptiste Bernadet. Highlights include Johnson's "Write me In" (est. $120,000–$180,000) and Adeniyi-Jones's "ESHU" (est. $60,000–$80,000). Head of post-war and contemporary art Johannes Vogt noted the rarity of an online auction offering so many lots from one cohesive collection, with most pieces acquired in the last 15 to 20 years.
Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.
A new wave of design galleries across the United States is redefining the traditional gallery model by prioritizing community, craft, and hospitality over sterile white-cube spaces. Galleries like Tiwa Gallery in Tribeca, Marta in Los Feliz, Blunk Space in Point Reyes Station, and Landdd in Portland are hosting opening-night dinners, sound baths, flower arranging, and workshops to create intimate, home-like environments. Curator Sonya Tamaddon, an alumna of LACMA and the Peggy Guggenheim Collection, notes a shift away from formal hierarchies toward richer dialogue between designers, artists, and collectors, with hugging replacing air kissing.
The UAE's art market is experiencing a resurgence nearly two decades after the 2008 financial crash, driven by a booming economy and strategic investments. Key developments include an Abu Dhabi sovereign wealth fund, ADQ, acquiring a $1 billion stake in Sotheby's, and Art Basel announcing a new fair in Doha, Qatar, set to launch in February 2026. Meanwhile, Christie's is expanding its Dubai office, and Saudi Arabia hosted its inaugural Art Week Riyadh in April, featuring 32 commercial galleries. Despite these regional moves, Dubai remains the Gulf's commercial art hub, with Sotheby's chairman Edward Gibbs noting a 70% increase in regional bidders over five years and Christie's president Anthea Peers reporting that sales of modern Middle Eastern art trebled between 2020 and 2024.
Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for June, featuring artists from New York to Los Angeles. Highlights include Will Cotton's fantasy paintings of cowboys and mermaids at Templon in New York, Salman Toor's narrative works depicting gay South Asian diaspora life at Luhring Augustine, and Beverly Fishman's hybrid sculptural paintings addressing the pharmaceutical industry at Miles McEnery Gallery.