Japanese finger-painting artist Rokkaku Ayako has opened a solo exhibition in Seoul, showcasing her vibrant, textured works created directly with her fingers. The show highlights her distinctive technique and playful, childlike aesthetic that has gained international attention.
Christie's Asian Art Week live sales in New York totaled $46,685,403, achieving 259% hammer and premium above low estimate with a 91% sell-through rate. The three sales—Japanese and Korean Art ($2.46 million), South Asian Modern + Contemporary Art ($12.38 million, 100% sold), and Important Chinese Furniture and Works of Art ($31.84 million)—saw strong bidding across categories. A Yongzheng-period falangcai wine cup led the week at $1.59 million, while a Hokusai painting of a Standing Beauty fetched $444,500 and a Vasudeo S. Gaitonde Untitled (1984) realized $2.39 million. Christie's set four artist records in the South Asian sale, including for Sheikh Mohammed Sultan and Ivan Peries.
The Heller Museum at Hebrew Union College in New York presents “Children of Ruth: Artists Choosing Judaism,” an international group exhibition featuring 17 artists who converted to Judaism. Curated by Nancy Mantell and Susan H. Picker, the show includes works by artists from New Zealand, Japan, Hong Kong, Norway, the Netherlands, Canada, and the United States, exploring their diverse spiritual journeys through various media. Featured artists include Tetsuya Noda, whose print “Diary: June 11, 1971: Bet Din for Conversion” depicts his conversion ceremony; Yona Verwer, whose “Immersion VIII” portrays her mikvah experience; and Carolyn Carson, whose “Daughters of Ruth” addresses antisemitism and belonging.
The Museum of Contemporary Art (MOCA) in Los Angeles has opened "MOCA focus: Takako Yamaguchi," the third exhibition in its relaunched MOCA focus series, running from June 29, 2025, to January 4, 2026. The show presents the first solo museum exhibition in Los Angeles for the 72-year-old Japanese-born artist, featuring a series of oil-and-bronze-leaf seascapes that synthesize motifs she has developed over four decades, blending influences from Mexican muralism, Renaissance art, Japanese Nihonga, and Art Nouveau.
Japanese ceramicist Kunimasa Aoki has won the €50,000 Loewe Foundation Craft Prize 2025 for his terracotta work *Realm of Living Things 19*, which the jury praised for its risk-taking firing process. The piece, made from thin coils of clay stacked and compressed, was fired in an electric kiln until it began to smoke, then finished with soil, glue, and pencil marks. Two special mentions were awarded: one to Nifemi Marcus-Bello for a recycled aluminum bench with bowl, and another to an unnamed artist. The prize is part of an exhibition of 30 shortlisted works at the Thyssen-Bornemisza National Museum in Madrid, running until June 30.
Japanese artist Asako Iwamizu will present a month-long solo exhibition at Nobu Hotel London Portman Square's White Box gallery starting May 1, 2025. The show features her signature "Kimekomi Art," which combines traditional Japanese kimekomi techniques with fabric scraps and remnants, using both Japanese and British textiles. The exhibition includes interactive workshops on May 17 and 18, and coincides with London Craft Week (May 12–18, 2025), a major annual festival celebrating craftsmanship. Iwamizu will also collaborate with tailors from Savile Row to create new works from local fabric waste.
Geisha and maiko (apprentices) in Kyoto are rehearsing for the annual Miyako Odori, or 'Capital City Dances.' This spring dance festival, held throughout April at the Gion Kōbu Kaburenjo theatre, features eight scenes depicting Japanese history and literature, accompanied by live shamisen music and performed against cherry blossom backdrops.
Photographer Elizabeth Sanjuan has released a new book titled 'Silent Snow,' featuring 40 monochrome images captured over four winters in Hokkaido, Japan. The work focuses on the island's snow-covered landscape, which remains white for half the year, and explores the visual and emotional qualities of this extreme environment.
The Whitworth gallery in Manchester is presenting a major exhibition comparing the works of Japanese masters Katsushika Hokusai and Utagawa Hiroshige. The show traces the evolution of ukiyo-e prints from their origins as mass-produced, voyeuristic snapshots of Tokyo's pleasure districts to the profound, psychologically complex landscapes that would later revolutionize Western art.
The article explores the Japanese art of kintsugi, the practice of repairing broken ceramics with lacquer mixed with powdered gold, silver, or platinum. This technique does not hide the damage but highlights it, transforming fractures into visible, celebrated features of the object's history.
Film producer Dorian Grinspan collaborated with a group of artists and friends to design his upstate New York home, creating a space that blends Japanese handicraft aesthetics with what he describes as 'British whimsy.' The project was a collective, evolving effort rather than a single architect's vision.
The article profiles the traditional Japanese craft of making kokeshi dolls, focusing on the artisans in the Tōhoku region who continue this centuries-old practice. It details the specific techniques, types of wood used, and the cultural significance embedded in the dolls' simple, limbless forms.
Art in Bloom, the Minneapolis Institute of Art's annual floral showcase, returned from April 23 to 26, 2026, featuring over 160 flower arrangements inspired by artworks from the museum's permanent collection. The free, four-day event, presented by the Friends of the Institute, drew thousands of visitors and included guided tours, family activities, and expanded programming. Floral designers, florists, and garden clubs placed their interpretations alongside original pieces, with this year's centerpiece inspired by a Japanese Presentation vase from the early 20th century, once owned by railroad magnate James J. Hill.
Graduate students at the Corcoran School of the Arts & Design, part of George Washington University, have created an interactive exhibition titled “American Made” to commemorate the United States’ 250th anniversary. The exhibit, on view at the Luther W. Brady Art Gallery until May 14, combines 21 traditional artworks from GW’s collection—including photographs, pottery, and textiles—with interactive elements such as a touchscreen map and audio components. The project was developed collaboratively by students in museum studies and interactive design programs, led by professors Laura Schiavo and Sam Shelton, as part of the school’s annual NEXT Festival. Featured works include Patricia Kennedy-Zafred’s contemporary quilt “Tagged,” which addresses the incarceration of Japanese Americans during World War II.
Japanese contemporary artist yunnGold has released a new unique painting titled "The Opening" (2024) for sale through Kyoto Art Gallery. The work, characterized by its use of acrylic, fluorescent paint, and glitter, depicts a serene mountain landscape under a night sky with a shooting star. The piece is part of the artist's broader practice of creating luminous, hope-centered works that often incorporate elements of feng shui and personal resilience.
The Dallas Museum of Art has launched "The Samurai Collection, Dallas, Samurai to the Imperial Court," a comprehensive exhibition featuring over 90 works of art. The showcase includes a diverse array of traditional weaponry, armor, paintings, and decorative objects, drawing from the museum's permanent collection as well as international loans. Running through September 6, 2026, the display tracks the evolution of samurai culture from its military roots to its role within the Imperial Court.
The National Art Center, Tokyo, has opened a major exhibition titled "Curating the Nation: Japanese Art from the 1950s to the Present." The show examines the complex and often contentious process of how Japanese art has been selected, presented, and defined for both domestic and international audiences over the past seven decades.
The Millicent Rogers Museum in Taos has opened a posthumous retrospective dedicated to DeAnna Autumn Leaf Suazo, a rising Indigenous artist who was tragically killed in 2021 at the age of 29. The exhibition, titled "Honoring DeAnna Autumn Leaf Suazo," features over 20 works including large-format paintings, ledger drawings, and the first public display of illustrations from her children’s book, "Taos Pueblo Fall." The show highlights her unique aesthetic, which blended her Taos Pueblo and Diné heritage with influences from Japanese anime and manga.
The Metropolitan Museum of Art in New York is presenting "The Infinite Artistry of Japanese Ceramics," an exhibition featuring approximately 350 works that trace Japan's ceramic history from 12,000-year-old pottery to contemporary pieces. The show draws primarily from the museum's Harry G. C. Packard Collection, marking the 50th anniversary of that landmark acquisition, and includes five rotations of artworks running from January 2026 through August 2027. The exhibition places ceramics in dialogue with lacquers, textiles, paintings, and prints to explore broader cultural contexts.
The National Museum of Women in the Arts (NMWA) presented the exhibition "Ten Contemporary Korean Women Artists" from May 21 to August 25, 1991. The show featured forty-eight works in various media that blend Eastern and Western techniques, highlighting modern visions rooted in ancient traditions. It was the first major exhibition of its kind in the United States, celebrating the achievements of Korean women artists, many of whom studied during the 1970s and 1980s—a period of artistic evolution, rapid economic development, and political unrest in Korea.
The Patricia & Phillip Frost Art Museum at Florida International University is hosting the exhibition “Harmony of Nature and Art” to commemorate the 30th anniversary of the sister-state agreement between Florida and Wakayama Prefecture, Japan. The traveling exhibition, which previously appeared at the Florida Capitol’s 22nd Floor Art Gallery and the Atlantic Center for the Arts, features traditional Noh masks by master carver Hakuzan Kubo, netsuke miniature sculptures from the Frost Art Museum collection, and paintings by the Florida Highwaymen. It is organized by the Florida Department of State Division of Arts and Culture with loans from multiple institutions and private collectors.
Hiroshima City Museum of Contemporary Art (Hiroshima MoCA) has opened the call for entries for the second edition of its biennial open-call exhibition "Hiroshima MoCA FIVE 25/26." The deadline for submissions is July 25, 2025. The theme for this edition is "memory." Five artists or groups will be selected by the museum's curators and a special juror, Hattori Hiroyuki (associate professor at Tokyo University of the Arts and director of the Aomori Contemporary Art Centre), to create and exhibit new works with museum support. Each selected artist receives a 400,000 yen activity grant, and additional prizes of 200,000 yen will be awarded for the Hiroshima MoCA Prize and the Special Juror Prize. The exhibition runs from December 20, 2025 to March 1, 2026.
Botanica, the Wichita botanical garden, is preparing to open a large-scale outdoor sculpture exhibition titled 'Origami in the Garden' on Saturday, running through September 26. Created by artists Kevin and Jennifer Box of Santa Fe, New Mexico, the show features 18 works inspired by the Japanese art of paper folding, including sculptures of a bison, horses, a pegasus, and rising cranes. The exhibition is included with general admission, and Mother's Day offers free entry for moms. Additionally, Botanica is hosting 'Symphony in the Gardens' on May 15 with the Wichita Symphony Orchestra, themed 'American Landscapes' in honor of the nation's 250th anniversary.
The Seoul Museum of Craft Art opens two special exhibitions on Tuesday, both centered on the Korean Empire (1897-1910), a brief period when Korea sought to modernize through craft and industrial innovation. The larger exhibition, “The Hybrid,” marks 140 years of diplomatic relations between Korea and France, gathering 24 objects from European collections—23 from France and one from Germany—some not displayed in Korea in over 120 years. The second, “Folded Time, Unfolded Memory: Andong Palace,” focuses on the royal women who lived on the museum’s grounds, particularly Empress Sunjeonghyo and Princess Kim Deok-su. Museum director Kim Soo-jung described the two shows as “almost like an omnibus,” connected through the Korean Empire period.
The Museum of Oriental Art in Venice is presenting "MUSHI 虫. Dragonflies and Other Insects in the Painting of Stéphane Dubé," a solo exhibition featuring twenty-seven gouache works on paper. Curated by Marta Boscolo Marchi, Sachiko Natsume, and Giulia Passante, the show is organized into three thematic sections focusing on dragonflies, moths, and dead snakes. These contemporary works are displayed in dialogue with traditional Japanese artifacts from the museum's permanent collection, such as netsuke and military items, highlighting the symbolic significance of these creatures in Eastern culture.
Starbucks Japan is launching a new concept store, the Starbucks Cafe & Art Gallery Yanaka Gotenzaka, in Tokyo’s historic Yanaka district on March 28. Housed in a two-story wooden building designed by a local architectural firm, the space will function as both a coffee shop and a rotating gallery dedicated to showcasing young, emerging talent through themed and public exhibitions. The inaugural show features works by Karin Hosono, Shotaro Sanada, and Yu Sora, with select pieces available for purchase.
The Society of Fulham Artists and Potters (SoFAP) is holding its free autumn exhibition at Fulham Library from 9 to 16 November. Around 65 local artists will display paintings, sculptures, and Japanese-inspired ceramics, including works by Sylvie Joly, Zohreh Paykani, Izzy Hutchison, and Amanda Withey. All artworks are for sale, with the society's chair Rowena Vaughan highlighting the event as a celebration of community creativity.
Ukrainian cultural institutions and artists are actively restoring and creating art despite ongoing Russian attacks targeting the country's cultural identity. The Nahirna 22 arts collective in Kyiv, which runs 30 artist studios, was hit by air strikes in August that killed at least 23 people, damaging studios and forcing relocations. Meanwhile, the Mykhailo Boychuk State Academy of Decorative Applied Arts and Design in Kyiv, named after a Modernist executed in 1937, was struck by a Russian missile in 2024. Contractors in July 2025 recovered surviving works from the academy's archives, including paintings, textiles, ceramics, and student pieces, with support from UNESCO, the Japanese government, and Ukraine's culture ministry. A new conservation training program and exhibitions like Body/Fragility demonstrate ongoing cultural resilience.
Slippery Rock University (SRU) hosted a joint art exhibition with Saga University from Japan, featuring student and faculty artwork. The exhibition, titled "Drawing: Endlessly Fascinating, Not an End Result," opened with a reception on September 15, 2025, at the Martha Gault Art Gallery on SRU's campus.
A group of Nashville artists opened the exhibition "A Night in Tokyo" at Kreate Hub, a South Nashville coworking and studio space. The show featured Japanese-inspired artwork and memorabilia from around a dozen local artists, including anime-themed pieces, a replica Tokyo apartment, Japanese food and drink, and vintage Nintendo games.