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The New York Botanical Garden's 34th annual "Holiday Train Show" features miniature replicas of New York landmarks crafted from natural materials by the botanical artists of Applied Imagination. This year's edition adds two new models: the recently renovated Delacorte Theater in Central Park and the Whitney Museum of American Art's Meatpacking District flagship, designed by Renzo Piano. The Whitney replica, built over three months by artist Ava Roberts and fabrication director Kaitlin Schmidt, uses a new two-way mirrored acrylic glass technique for the windows and incorporates materials like purple smoke bush branches, horse chestnut bark, and fallen Zelkova bark. The company, founded by Paul Busse in 1991 and now run by his daughter Laura Busse Dolan, creates whimsical versions of landmarks using leaves, sticks, fungi, and other dried plant materials.

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A painting discovered in an Argentine home in August, initially attributed to 18th-century Italian painter Giuseppe Ghislandi and believed to be Nazi-looted art, has been called into question. Paolo Plebani, curator of the Accademia Carrara in Bergamo, Italy, told the Argentine newspaper Clarín that the work is actually by Giacomo Ceruti, another Northern Italian painter. The painting was previously owned by Jewish art dealer Jacques Goudstikker, who fled the Nazis, and later by former Nazi Friedrich Kadgien, whose daughters Patricia and Alicia owned the Mar del Plata home where it was found. Argentine authorities recovered the painting after placing the daughters and Patricia's husband under house arrest.

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The UCCA Center for Contemporary Art in Beijing allegedly withheld staff wages for six months from January to June, according to the South China Morning Post. The institution, founded by the late Belgian collectors Guy and Myriam Ullens in 2007, has faced financial challenges including lower ticket sales, higher international freight costs, stricter rental demands from its landlord in Beijing's 798 Art District, and difficulty collecting payments from international partners. Its Shanghai branch, UCCA Edge, has seen no activity since June after an exhibition co-presented with the Saudi Ministry of Culture. Director Philip Tinari acknowledged a difficult year for museums in China, citing a slower consumer economy, and said the UCCA is working on long-term funding solutions.

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The Great Elephant Migration, a public art project featuring 100 life-size elephant sculptures, has concluded its cross-country journey in Beverly Hills, California. The sculptures, crafted by Indigenous artisans of the Coexistence Collective in India from the invasive lantana camara weed, represent real elephants from the Nilgiri Biosphere Reserve and the Sheldrick Wildlife Trust. The herd traveled 5,000 miles via electric trucks, making stops in Newport, New York, Miami, Houston, Jackson Hole, and Montana, before arriving at Beverly Gardens Park. The artworks are for sale, with prices ranging from $8,000 to $22,000, and sales have exceeded $3 million, with proceeds supporting 22 conservation NGOs.

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The Suter Art Gallery in Nelson, New Zealand, removed an artwork by Māori artist Diane Prince after public outcry. The piece, a new version of her 1995 work *Flagging the Future*, featured the New Zealand flag printed with the words “PLEASE WALK ON ME” and was part of a solo show organized by Pātaka Art + Museum. Local resident Ruth Tipu protested by picking up the flag daily, citing distress over the flag being walked on, especially given her grandfather’s service in the Māori Battalion. The museum cited an escalation in hostile discourse as the reason for removal, while affirming support for freedom of expression.

sistine chapel reopen after conclave selects new pope 1234741578

The Sistine Chapel, a cornerstone of the Vatican Museums, will reopen after being closed to the public since April 28 for the papal conclave that elected Robert Francis Prevost as the first American pope. The closure, which lasted just over a week, allowed 133 cardinals to gather beneath Michelangelo's frescoes, including *The Last Judgment*, to select the new pontiff. The Vatican Museums, which attracted 6.8 million visitors in 2024, have not yet announced an official reopening date but have been posting related artworks on Instagram.

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London's National Gallery has acquired a $20 million altarpiece, *The Virgin and Child with Saints Louis and Margaret and Two Angels* (1500-10), by an unknown artist. The purchase, funded by the American Friends of the National Gallery of London and brokered by Sotheby's, was made from a private collection to celebrate the museum's bicentenary. The painting, first documented in 1602 in Ghent, Belgium, features iconographical oddities including a unique dragon and a bawdy scene, and is painted on Baltic oak, suggesting a Netherlandish origin despite French elements like the fleur-de-lis.

‘We can all coexist’: artist Es Devlin uses selfies to unite UK in portrait of a nation

Artist Es Devlin has created a new installation at the National Portrait Gallery in London titled 'A National Portrait for the National Portrait Gallery,' made in collaboration with Google Arts & Culture Lab. The work invites people across the UK to upload selfies, which are transformed into charcoal-and-chalk-style portraits using an AI model trained on Devlin's own hand-drawn works. These portraits then appear on a constantly evolving projected carousel, blending and dissolving into one another. Devlin, known for designing visual worlds for Beyoncé, Adele, and the London Olympics closing ceremony, describes the piece as a non-verbal space for coexistence amid national division.

Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan by Piermario De Angelis

Hito Steyerl's solo exhibition "The Island" at Osservatorio Fondazione Prada in Milan explores the concept of submersion as both a geological condition and a media regime. The show takes its title from a Neolithic artificial island discovered off the coast of Korčula, Croatia, which remained submerged for approximately seven thousand years. Through video interviews, installations, and critical assemblages, Steyerl connects this submerged structure to contemporary issues of digital image circulation, algorithmic power, and the dispossession of agency, drawing on science fiction, quantum physics, biochemistry, and deep time.

Open Letter on the Imminent Departure of the Gelman Collection from Mexico

An open letter signed by hundreds of Mexican artists and cultural figures warns that the core of the renowned Gelman Collection, including eleven Frida Kahlo paintings declared national monuments, is at risk of permanent export from Mexico. The letter alleges that Banco Santander's new Faro Santander museum, through an agreement with collector Marcelo Zambrano, is misinterpreting Mexico's strict heritage laws to justify a "dynamic" but effectively permanent display abroad, which would violate the legal prohibition on the permanent export of Kahlo's work.

There Has Never Been an Apolitical Venice Biennale

The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.

Leaky Berlin Modern Museum’s Opening Delayed Until 2030

The opening of the Berlin Modern Museum, a planned extension of the Neue Nationalgalerie, has been delayed until 2030 due to significant moisture damage and microbial contamination in its foundation, floors, roof coverings, and exterior walls. Originally laid in February 2024 with a projected 2027 opening, the museum's construction costs have surged from 200 million to 507 million euros, according to Monopol. A spokesperson for the Prussian Cultural Heritage Foundation stated that repairs are underway but will push completion back by approximately eight months.

WTF Is an “A-Corp”?

Hyperallergic's daily newsletter announces that Noah Fischer's comic "Prospect Heights Ghost Story" won a 2026 New York Press Club Award, thanks to collaboration with the Economic Hardship Project (EHRP). The edition also covers anti-Trump guerrilla protest art in Washington, D.C., including an arcade game titled "Operation Epic Furious: Strait to Hell" that satirizes the White House's foreign policy. Other stories include Ridgewood, Queens emerging as a new art hotspot, a feature on Francisco de Zurbarán's religious paintings, and Paddy Johnson's guide to what an "Artist Corporation" (A-Corp) is and whether artists should start one. The newsletter also reports that the Belgian Pavilion at the Venice Biennale closed on May 8 as part of cultural workers' strike for Palestine, and that nearly half of the artists in the international exhibition plus 22 national pavilions withdrew from awards consideration in solidarity with the jury's resignation.

Mind the baby! Visitors to the Japanese Venice Biennale pavilion will be asked to look after dolls

Ei Arakawa-Nash, a Japanese-born artist who no longer holds Japanese citizenship, will represent Japan at the Venice Biennale with an exhibition titled "Grass Babies, Moon Babies." The pavilion will feature over 100 baby dolls that visitors are invited to adopt and carry, engaging in caregiving tasks such as changing a nappy. Each doll corresponds to a historically significant date tied to minority communities, linking intimate acts of care to broader historical narratives. The project also includes a collaboration with the Korean Pavilion, marking the first such partnership between the two national pavilions in Biennale history.

The Italian artist who sails from the Island of Elba to Saint Helena: talking about power and making a film

L’artista italiano che parte dall’Isola d’Elba in barca a vela per raggiungere Sant’Elena: si parla di potere e si gira un film

Italian artist Luca Vitone (born Genoa, 1964) has launched a project titled "Pro Tempore," which involves a two-month sailing journey from the Island of Elba—Napoleon Bonaparte's first place of exile—to the remote island of Saint Helena, where Napoleon died in exile. The voyage, aboard the boat Adriatica, includes four intermediate stops (Balearic Islands, Algeciras, Canary Islands, Cape Verde) and is funded by the 14th edition of the Italian Council grant, in partnership with the Fondazione Oelle. The project explores the concept of temporary power and uses Napoleon's biography and the sea as metaphors for control and instability.

Siri Aurdal, Artist Who Elevated Industrial Materials Into Visions of Shared Humanity, Dies at 88

Norwegian artist Siri Aurdal, known for her pioneering use of industrial materials to create socially-driven sculptures, has died at the age of 88 in Oslo. Born into a prominent artistic family, Aurdal rose to prominence in the late 1960s by repurposing materials like reinforced fiberglass and plexiglass—often sourced from Norway’s oil industry—into modular, interactive installations. Her work frequently bridged the gap between fine art and public utility, manifesting in monumental playground structures and politically charged pieces that responded to global events like the Vietnam War.

These Artists Dominated Auction Sales in 2025

The article presents a data-driven analysis of the top-performing artists at auction in 2025, highlighting specific works and their record-breaking sales. J.M.W. Turner re-entered the top ranks with a $11.9 million sale, while Jean-Michel Basquiat dominated the contemporary category with a $48.3 million result for his painting 'Crowns (Peso Neto)'. Other notable sales included works by René Magritte, David Hockney, and the ultra-contemporary artist Matthew Wong.

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Christie's 21st-century evening sale on Wednesday, November 2025, achieved a hammer total of $99.7 million on 44 lots, within the pre-sale estimate of $87.5–$127 million. With fees, the final total reached $123.6 million. The sale opened with 18 lots from the collection of Chicago philanthropists Stefan Edlis and Gael Neeson, featuring works by Cindy Sherman, Andy Warhol, Tom Wesselmann, and Diego Giacometti. A Giacometti coffee table sparked a seven-minute bidding war, selling for $4.53 million. Three artist records were set: Firelei Báez ($1.1 million), Olga de Amaral ($3.1 million), and Joan Brown ($596,500). Only one work, by Cecily Brown, failed to sell.

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Christie’s fall marquee 20th-century evening sales on Monday night generated a combined $690 million across two auctions, far exceeding the pre-sale low estimate of $534.7 million. The first sale featured 18 lots from the collection of the late Robert and Patricia Ross Weis, including works by Picasso, Matisse, Mondrian, and Rothko, while the second 62-lot sale included pieces by Calder, Hockney, Chagall, and Giacometti. Bidding wars drove 16 lots to sell at or above their high estimates, with adviser Ralph DeLuca winning several high-profile battles, including a Matisse painting for $32.3 million and a Max Ernst sculpture for $20.2 million. The sell-through rate was 97% by value and 96% by lot, with only one withdrawn lot and three unsold works.

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W. David Marx's book "Blank Space: A Cultural History of the Twenty-First Century" argues that 21st-century culture has stagnated, blaming the Internet and its economies for a lack of innovation. The book cites critics like Jason Farago and Alex Ross who lament the death of monoculture and the failure of the Internet's promised diversity, while Marx himself longs for a past era of linear artistic progress defined by -isms like Realism and Cubism. However, the review criticizes Marx's framework as rooted in a 19th-century positivist fallacy, noting that art history has never been a clean linear progression and that overlooked artists—such as Hilma af Klint and Hector Hyppolite—have always complicated the canon.

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J. Hoberman's new book, *Everything Is Now: The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop*, offers a sweeping cultural history of the downtown New York scene in the 1960s. The book centers on figures like Jonas Mekas, Andy Warhol, Yoko Ono, and Jack Smith, weaving together experimental films, happenings, music, and the chaotic energy of the era. Hoberman, a longtime critic and curator, draws on his personal connections to the scene, including his mentorship under Mekas, and will present a selection of shorts from the book at Anthology Film Archives in June.

Made in Fire Island: how artists were at the heart of the LGBTQ+ mecca

A new book titled 'Fire Island Art: 100 Years' chronicles the century-long, integral relationship between artists and the LGBTQ+ community on Fire Island. The book, edited by John Dempsey, traces the creative legacy from pre-war artists like Paul Cadmus to modern figures, highlighting how the island's unique environment fostered both sexual and artistic freedom.

Venice Unveils Stunning New Art Spaces

During the Architecture Biennale preview in Venice, two major new art spaces opened: the Nicoletta Fiorucci Foundation's new home in a historic palazzo on the San Barnaba canal, and SMAC (San Marco Art Centre), a contemporary art center on Saint Mark's Square designed by David Chipperfield. Additionally, Belgian artist Luc Tuymans accepted a last-minute commission from the Abbot of San Giorgio Maggiore to replace two Tintoretto paintings with his own large-scale works. The Fiorucci Foundation's palazzo, acquired in December 2024, opened May 10 with an exhibition by Georgian artist Tolia Astakhishvili, featuring works made from found materials and drawings on walls, alongside pieces by Thea Djordjadze and Maka Sanadze. SMAC, restored by Chipperfield, currently hosts two exhibitions: one on Australian modernist architect Harry Seidler and another on Korean landscape architect Jung Youngsun.

parties bvlgari chateau marmont

Bvlgari and CULTURED magazine co-hosted a launch party for Bvlgari's new Icons Minaudière collection at the Chateau Marmont in Los Angeles. The event, held in Penthouse 64, brought together a mix of Hollywood actors, visual artists, art dealers, and fashion insiders, with guests including Camila Mendes, Lauren Halsey, Emma Webster, and dealers Shaun Regen and Hannah Hoffman. Attendees enjoyed cocktails, dinner, and a rare pink moon sighting, and left with a co-developed mini-magazine.

gabrielle chanel la pausa restoration peter marino

Cultured reports on the meticulous restoration of La Pausa, the Mediterranean villa built by Gabrielle Chanel in 1928, led by architect Peter Marino. After Chanel sold the property in 1953 to American collectors who later donated it to the Dallas Museum of Art, the house of Chanel reacquired it in 2015. Over the following decade, Marino worked with Chanel’s heritage team, including Hélène Fulgence, to restore the villa to its original state using archival images, blueprints, and original furnishings sourced at auction. The villa, perched in Roquebrune-Cap-Martin, will now serve as a creative retreat for artists and writers.

Marietta Museum of Art & Whimsy closing for summer, but 37 other exhibitions on view at museums in May

The article provides a roundup of museum exhibitions on view in Southwest Florida during May, highlighting five new openings, eight closings, and 25 continuing shows across museums from Sarasota to Naples. Featured exhibitions include Molly Hatch's site-specific ceramic installation "Amalgam" at Sarasota Art Museum, Jillian Mayer's interactive "Slumpies" sculptures, a group show "Something Borrowed, Something New" with works by Louise Bourgeois, Chuck Close, David Hockney, Yoko Ono, Kara Walker, and Ai Weiwei, and Maria A. Guzman Capron's solo textile exhibition "Penumbra." The Marietta Museum of Art & Whimsy is noted as closing for the summer.

Spring Arts Guide 2026: The Visual Art Exhibitions Making a Splash This Season

The Spring Arts Guide 2026 highlights several major exhibitions opening in the Washington D.C. area, ranging from local photography to expansive collection surveys. Alan Sislen’s 'AMBIGUITY' at Multiple Exposures Gallery explores architectural abstraction, while the National Museum of Women in the Arts hosts 'Making Their Mark,' a traveling exhibition of the Shah Garg Collection featuring luminaries like Howardena Pindell and Joan Semmel. Additionally, the National Museum of African Art presents 'Here: Pride and Belonging in African Art,' a landmark show centering queer voices within the African diaspora.

Here's what's at Southwest Florida museums during July

Southwest Florida museums, from Sarasota to Naples, present a robust July lineup: two exhibitions open, one closes, and 24 continue. Highlights include Chris Friday's first solo museum show "Where We Never Grow Old" at Sarasota Art Museum, featuring large-scale chalk drawings and a site-specific installation exploring safe havens. Other notable shows include "Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press," with works by Martin Puryear and Kerry James Marshall; Jillian Mayer's interactive sculpture series "Slumpies"; Lillian Blades' immersive mixed-media maze "Through the Veil"; and Molly Hatch's site-specific ceramic installation "Amalgam" (2023-24). The Ringling Museum also highlights a newly acquired painting by Juana Romani.

Numerous Venice Biennale Pavilions and Artists Go on Strike in Protest over Israel’s Participation

Thousands of protesters marched through Venice on the eve of the Venice Biennale's public opening, organized by Art Not Genocide Alliance (ANGA), to demand Israel's exclusion from the event. At least 18 national pavilions—including Austria, Belgium, France, Great Britain, and Ukraine—participated in a 24-hour strike, shutting down completely or partially. Protesters chanted slogans, waved Palestinian flags, and carried banners reading "no genocide pavilions," while ANGA released a statement with 236 signatories calling for Israel's removal, citing the humanitarian crisis in Gaza.

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The Hamptons Jewelry Show (HJS) returns July 24–27, 2025, in Southampton, New York, for its eighth edition. The event brings together 80 brands, dealers, and artisans from around the world, offering high-end jewelry including signed pieces from Cartier, Bulgari, Van Cleef & Arpels, and David Webb. Curator Hilary Joy Diaz and founder Rick Friedman emphasize the show's direct-to-customer model, where collectors meet makers and dealers face-to-face, contrasting with traditional retail and art fair models.