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The Crocker Art Museum’s CEO Wants the World — and People of Sacramento — to Love His Newly Adopted City

Agustín Arteaga, the new Mort and Marcy Friedman director and CEO of the Crocker Art Museum in Sacramento, discusses his first months on the job, including extensive meetings with staff, board members, and community stakeholders. Arteaga, who previously led the Dallas Museum of Art, the Museo Nacional de Arte in Mexico City, and the Museo de Arte de Ponce in Puerto Rico, emphasizes the need to balance fundraising, donor relations, educational programming, and political transparency while maintaining the museum's relevance as the oldest art museum in the American West.

Sasha Gordon Finds Beauty and Empathy in the Shadows of the Human Mind

Sasha Gordon, a rising young artist from New York's art scene, debuted her solo exhibition "Haze" at David Zwirner's 19th Street gallery in Chelsea. The show, which drew long lines and significant attention, features hyperrealistic paintings that explore identity, memory, and the subconscious through an Asian diasporic lens. Gordon, who rose to fame during the pandemic and is co-represented by David Zwirner and Matthew Brown (Zwirner's son-in-law), discusses her evolving technique and her shift away from explicitly autobiographical work toward more open-ended, timeless figures.

Plains Art Exhibition Highlights Women Artists, Addresses Imbalance

Plains Art Museum in Fargo, North Dakota, is launching a major exhibition titled “Women Artists: Four Centuries of Creativity,” running from November 1, 2025, to March 1, 2026. The show features 77 works, including 40 from the museum's own collection—20 of which are being displayed for the first time—and 37 loans from the Reading Public Museum in Pennsylvania. The exhibition was prompted by an internal assessment revealing that only 10.5% of the museum's 6,000-object permanent collection is by women artists. It will also host the first North Dakota appearance by the Guerrilla Girls, who will give a presentation and lead workshops. Student-authored texts from Minnesota State University Moorhead complement the show.

High Wire: Calder’s Circus at 100

The Whitney Museum of American Art in New York is presenting "High Wire: Calder’s Circus at 100," a centennial exhibition celebrating Alexander Calder's iconic work "Calder’s Circus" (1926-31). The show brings together the miniature circus figures, wire sculptures, drawings, archival materials, and early abstract works, exploring how the circus inspired Calder's lifelong exploration of balance and movement, leading to his invention of the mobile. The exhibition runs from October 18, 2025, to March 9, 2026, and is co-curated by Jennie Goldstein and Roxanne Smith.

'It's about world-making': Tavares Strachan on his expansive new Lacma exhibition

Tavares Strachan's new solo exhibition, *The Day Tomorrow Began*, has opened at the Los Angeles County Museum of Art (Lacma), running until 29 March 2026. Co-organized with the Columbus Museum of Art, the show features 20 new works across neon, ceramics, bronze, painting, text, and performance, exploring invisible histories and challenging white-centric narratives. The exhibition includes a spotlight on his *Encyclopedia of Invisibility* (2018), bronze sculptures referencing the Haitian Revolution, and a neon piece contrasting James Baldwin and Mark Twain. Strachan, who trained as a cosmonaut and collaborates with MIT scientists, also unveils a permanent participatory speakeasy called *Bar Room* in Columbus.

Introducing Erich Heckel, the unsung driving force of Die Brücke

The Neue Galerie in New York is opening the first US museum exhibition dedicated to German Expressionist artist Erich Heckel (1883-1970), running from October 9, 2025 to January 12, 2026. Heckel was a co-founder of the influential group Die Brücke in 1905, alongside Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, and Fritz Bleyl. Unlike the more flamboyant Kirchner, Heckel was introverted and avoided scandal, but he served as the group's organizational driving force, organizing key exhibitions and transforming Die Brücke into a promotional platform. The show features around 40 works from 1905 to 1920, including loans from the Harvard Art Museums and the Metropolitan Museum of Art.

In a new biography, Vanessa Bell is cast as the Bloomsbury Group's leading light—and as central to 20th-century visual culture

Wendy Hitchmough’s new biography, *Vanessa Bell: The Life and Art of a Bloomsbury Radical*, argues that Vanessa Bell (1879–1961) was a central figure in 20th-century visual culture, both as an artist and designer. The book details how Bell navigated sexism through collaboration and anonymity, with works like *Dancing Couple* only attributed to her in 1999. Hitchmough, a former curator of Charleston, presents Bell’s life with a matter-of-fact tone, weaving in the complex personal and professional entanglements of the Bloomsbury Group, including her relationships with Clive Bell, Roger Fry, and Molly MacCarthy.

Dog in Rembrandt’s The Night Watch was copied from widely available book, suggests new research

New research suggests that the barking dog in the lower right corner of Rembrandt's *The Night Watch* (1642) was copied from a title-page illustration by the Dutch artist Adriaen van de Venne. Anne Lenders, curator of 17th-century Dutch paintings at the Rijksmuseum, recognized the resemblance while visiting an exhibition on Van de Venne at the Zeeuws Museum. Macro X-ray fluorescence scans of the painting's underdrawing confirmed the similarity, though Rembrandt modified the dog's posture and added a tongue to make it appear alert and barking at a drum.

Letter calls on Judy Chicago and Pussy Riot's Nadya Tolakonnikova to cancel Tel Aviv exhibition

More than 50 artists and cultural figures, many based in Israel, have signed a letter urging American artist Judy Chicago and Pussy Riot co-founder Nadya Tolokonnikova to cancel their collaborative exhibition "What if women ruled the world?" at the Tel Aviv Museum of Art. The show, which opened last week, features a digital quilt responding to the titular question. The letter, seen by The Art Newspaper, argues that holding the exhibition in Israel makes the artists "complicit" in what the signatories describe as genocide in Gaza, citing a recent UN commission finding. Tolokonnikova stated she is not involved in the ongoing project, while Chicago declined to comment. The museum defended the exhibition as a space for reflection and dialogue, not an endorsement of any political position.

Plan Your Visit to Pissarro's Impressionism

The Denver Art Museum has announced ticketing and visitor details for its upcoming exhibition "The Honest Eye: Camille Pissarro's Impressionism," running from October 26, 2025, to February 8, 2026. The show features over 100 paintings by the Impressionist master, including works from the Nelson-Atkins Museum of Art, Joslyn Art Museum, Philadelphia Museum of Art, and Ordrupgaard. Tickets are now on sale, with timed entry every ten minutes; adult nonmember tickets start at $27, while members pay $5 and children's tickets are also $5. The museum provides practical guidance on parking, entry points, audio guides in English and Spanish, and recommends quieter visiting times such as Tuesday evenings.

‘I feel a renewed passion to shape a new era’: Youn Bummo takes the reins as president of the Gwangju Biennale

Youn Bummo has been appointed president of the Gwangju Biennale Foundation, returning to the organization he helped launch in 1995. He previously served as director of South Korea's Museum of Modern and Contemporary Art (MMCA) from 2019 until his resignation in 2023, which was widely attributed to political pressure. The 16th edition of the Biennale in 2025 will be curated by Singaporean film artist Ho Tzu Nyen.

Hunterdon Art Museum presents Annual Members Show

The Hunterdon Art Museum in Clinton, New Jersey, will host its Annual Members Show from September 21, 2025, to January 11, 2026, featuring 35 artists working in ceramics, sculpture, glass, wood, fiber, printmaking, painting, photography, and collage. The exhibition was juried by Donna Gustafson, a freelance curator and critic with a PhD in Art History, who selected works from 84 artists and nearly 400 slides, noting themes of nature, identity, community, and politics. An opening reception is scheduled for September 21.

Rediscovered David Wojnarowicz mural could disappear from view again

A large mural by David Wojnarowicz (1954-92), rediscovered in a Louisville, Kentucky building in 2022, is at risk of being concealed again behind drywall as the building is redeveloped into high-end residences. The site-specific work was created in 1985 for the group exhibition *The Missing Children Show: Six Artists from the East Village on Main Street*, organized by dealer Potter Coe to benefit the Kentucky Child Victims’ Trust Fund. The building's current developers plan to turn the mural's floor into a waiting room for a boxing gym, covering it with sheetrock, though they have guaranteed no damage. The artist's foundation and gallery, PPOW, have proposed covering it with transparent plexiglass instead, but the mural's removal is unlikely due to its size and brick surface.

Australian Aboriginal artist Emily Kame Kngwarreye exhibition at Tate Modern

The Tate Modern in London is hosting a landmark retrospective of Australian Aboriginal artist Emily Kame Kngwarreye (c. 1914–1996), running from July 10 to January 11, 2026. The exhibition features 70 works spanning her career, from early batik designs to her final acrylic paintings, and is organized in collaboration with the National Gallery of Australia, the Utopia Art Centre, and Kngwarreye's descendants. It is the first major solo exhibition of her work in Europe, highlighting her deep connection to her ancestral country and culture.

Robert Wilson, experimental playwright, director and artist, has died, aged 83

Robert Wilson, the visionary experimental playwright, director, and visual artist known for his highly stylized theatrical productions, has died at age 83. He passed away at his home in Water Mill, New York, on July 31 following a brief acute illness, according to a statement from the Watermill Center, the arts organization he founded. Wilson's most famous works include the silent opera *Deafman Glance* (1970) and the epic collaboration with composer Philip Glass, *Einstein on the Beach* (1976). He was also a prolific visual artist, creating drawings, sculptures, and video portraits, including a series featuring Lady Gaga, Pope.L, and Isabella Rossellini, and his work was exhibited at institutions such as SFMoMA, the Centre Pompidou, and the Louvre.

The new era of fashion’s art exhibitions

LACMA's upcoming David Geffen Galleries, opening in 2026, will feature over 130 costumes and textiles in its inaugural installations—more than any other time since the museum opened in 1965. The museum also plans exhibitions such as 'Fashioning Chinese Women: Empire to Modernity' (with mannequins by Jason Wu) and 'Fashioning Fashion' (1900–2025). Other major fashion exhibitions include 'Virgil Abloh: The Codes' at Paris's Grand Palais, 'Westwood Kawakubo' at the National Gallery of Victoria, and 'Schiaparelli: Fashion Becomes Art' at London's V&A. The article notes that fashion exhibitions are increasingly popular and profitable for museums, citing the Met's Costume Institute and its record-breaking Met Gala fundraising.

Why ‘devastating’ climate control rules for museum collections need a rethink

Museums are rethinking decades-old climate control standards that dictate strict temperature and humidity ranges for preserving collections. These guidelines, originally based on 1970s research for paintings in London, have been widely adopted globally despite being designed for temperate climates. Conservator Caitlin Southwick of Ki Culture argues this is a "big misunderstanding," as the standards were never intended for diverse collections like stone in Brazil or tapestries in Italy. Climate control systems now account for 60-70% of a typical museum's energy consumption, creating high costs and carbon footprints.

Once upon a time in New Mexico: 12th Site Santa Fe International focuses on the art of visual storytelling

The 12th Site Santa Fe International, titled "Once Within a Time," has opened at Site Santa Fe in New Mexico, running until January 12, 2026. Guest curated by Cecilia Alemani, director of New York's High Line, the biennial centers on visual storytelling, featuring over 70 artists and 27 historical figures. Highlights include Helen Cordero's Cochiti-inspired storyteller figurines, a film by Lebanese artist Ali Cherri at the New Mexico Military Museum, and works by literary figures D.H. Lawrence and Vladimir Nabokov. The exhibition extends beyond the main building to a dozen locations across Santa Fe, including museums, a former foundry, and storefronts.

One Fine Show: “Ai, Rebel – The Art and Activism of Ai Weiwei” at the Seattle Art Museum

The Seattle Art Museum has opened "Ai, Rebel: The Art and Activism of Ai Weiwei," the largest-ever U.S. survey of the Chinese artist and activist. Featuring over 130 works spanning performance, photography, sculpture, video, and installation from the 1980s to the present, the exhibition includes iconic pieces like *Sunflower Seeds* (2010) and *Circle of Animals/Zodiac Heads (Gold)* (2010), as well as international debuts such as a LEGO recreation of the Mueller Report. The show runs through September 7, 2025.

Put Community First and Other Lessons On Institutional Sustainability From MCA Chicago

MCA Chicago director Madeleine Grynsztejn outlines the museum's guiding principles of championing revelatory art, fostering social belonging, and aligning internal practices with community ethics. The museum's collection is treated as a living resource rather than a static treasure, with exhibitions like "Descending the Staircase" and "City in a Garden: Queer Art Activism in Chicago" reflecting evolving narratives. The MCA Art Auction, held every five years, is highlighted as a values-driven fundraiser; the 2025 edition honors Ed Ruscha with a new commission and features works by artists including Rashid Johnson, Sanford Biggers, and Sarah Sze.

Artist Alison Saar wins High Museum’s 20th annual Driskell Prize

Alison Saar, a Los Angeles-based artist known for sculptures exploring Black American experience through historic and symbolic imagery, has won the 20th edition of the David C. Driskell Prize from the High Museum of Art in Atlanta. The annual prize, which alternates between honoring an artist and a curator, comes with $50,000 and was announced during a reception at the Fifth Avenue Hotel in New York on 9 May. Saar succeeds 2024 winner Naomi Beckwith, and past honorees include Ebony G. Patterson, Amy Sherald, Mark Bradford, and Rashid Johnson.

First look: the ‘once-in-a-lifetime’ rehang at London's National Gallery

On May 10, London's National Gallery will unveil its first full rehang of the collection since the Sainsbury Wing opened in 1991. The wing has been closed for over two years to create a larger entrance foyer. Christine Riding, the director of collections and research, oversaw the rehang, which she calls a "once-in-a-lifetime" opportunity. Nearly 40% of the collection—1,045 paintings—will be displayed, including 919 from the collection and 126 on loan. The rehang is sponsored by Hong Kong-based property developer C C Land and is called "C C Land: The Wonder of Art." Works by female artists have been given greater prominence, and some paintings were conserved or reframed. The chronological arrangement from west to east remains similar, but many pictures have been repositioned to highlight artistic influences across generations.

10 Must-See Gallery Shows to Catch in New York This May

This article highlights ten must-see gallery shows opening in New York this May, timed to coincide with major art fairs like Frieze and TEFAF. Featured exhibitions include Yu Nishimura's debut U.S. solo show at David Zwirner, Thalita Hamoui's first U.S. solo exhibition at Marianne Boesky, and presentations by Willem de Kooning, Anastasia Komar, Theodora Allen, Ilana Savdie, Rosana Paulino, Alicjia Kwade, Xingzi Gu, and Moffatt Takadiwa. The roundup spans venues across the Upper East Side, Chelsea, and Tribeca, reflecting the city's vibrant gallery scene during a packed season of auctions and fairs.

Basel Abbas & Ruanne Abou-Rahme: Archivists and Activists

New York- and Ramallah-based Palestinian artists Basel Abbas and Ruanne Abou-Rahme present *Prisoners of Love: Until the Sun of Freedom* (2025), an hour-long four-channel film installation at The Bell/Brown Arts Institute in Providence. The work layers psychedelic imagery of figures in nature with spoken and written testimonies from Palestinians formerly detained by Israeli authorities, exploring themes of incarceration, surveillance, and resistance through fragmented montage and poetic text. The exhibition also includes drawings by Abou-Rahme’s father and printed screenshots of reflections on the genocide in Gaza.

Discarded Things Alive Again: The Maeck Sculpture Foundation Grand Opening and Tour

The Maeck Sculpture Foundation opened in Burr Oak, Iowa, with a public tour led by artist Steven Maeck. The park features sculptures made from salvaged industrial materials like steel wheels and grain bins, transformed into balanced, lyrical forms. Maeck, who spent 25 years as an itinerant rug dealer before committing to sculpture full-time, described his work as modern sculpture rather than junkyard art, emphasizing form, rhythm, and spatial relationships over material origins.

Exhibition | Daniel Crews-Chubb, 'The Belt of Venus' at Patricia Low Contemporary, Venezia, Venice, Italy

Daniel Crews-Chubb presents 'The Belt of Venus,' an exhibition of six new monumental paintings at Patricia Low Contemporary in Venice. The works draw inspiration from the atmospheric phenomenon of the same name, using its ethereal pinkish glow as a color palette. Crews-Chubb explores pareidolia—the brain's tendency to see faces in abstract forms—pushing his long-standing interrogation of the human figure into increasingly abstract territory. The paintings reference classical mythology, including the Roman goddess Venus, and incorporate fragmented forms reminiscent of ancient statuary, serving as memento mori.

Exhibition | Shota Nakamura, 'Apple' at Karma, Los Angeles

Shota Nakamura's exhibition 'Apple' at Karma in Los Angeles presents a series of new paintings that explore familiar subjects—fruit, shells, sailboats, landscapes—through a dreamlike, tonally nuanced lens. The Berlin-based Japanese artist focuses on the tonality of light, using closely-valued hues to investigate relationships between color, luminosity, and illusion. Works such as 'Landscape with Apples' (2026), 'A Black Dog', and 'Violin Player' demonstrate his method of combining personal photographs, memory, and art historical references into compositions that balance representation with formal abstraction, often referencing modern Japanese painters like Zenzaburo Kojima and Morikazu Kumagai as well as Mark Rothko.

Things To Do In Singapore For The Culturally Curious

Singapore's art scene is hosting several diverse exhibitions this April, ranging from a cat-themed group show at Tokonoma to Chok Si Xuan’s solo exploration of technological materials at Starch. Other highlights include a collaborative exhibition at Fluxus House Gallery featuring emerging artists Tay Ying, Zhixin Sheng, and Winnie Chua, which examines the nuances of early adulthood through personal correspondence and imagery.

Top Five Booths Not to Miss at Expo Chicago 2026

Expo Chicago 2026 marks a strategic shift under the new leadership of director Kate Sierzputowski and curator Essence Harden, moving away from purely commercial dealer interests toward a more artist-centric and curatorial approach. This year's iteration features a streamlined selection of galleries, allowing for greater depth and focus on individual practices. Notable highlights include Pablo Delano’s poignant installations at Embajada exploring Puerto Rican history, a diverse group showing at Marc Straus Gallery featuring artists like Marie Watt and Lucia Hierro, and a collaborative presentation by São Paulo galleries Bianca Boeckel and Verve.

At Perrotin Paris, Bernard Frize Pushes Against His Own Self-Imposed Constraints

Bernard Frize’s latest exhibition, "Les 26," at Perrotin Paris marks his 21st show with the gallery and a continued exploration of his rigorous, process-driven abstraction. The exhibition features his signature interlocking grids and geometric latticework, created using wet-on-wet brushstrokes locked in resin, alongside tempera paintings on glass that follow strict linear rules. By utilizing utilitarian titles and avoiding representational forms, Frize seeks to decenter his own subjectivity, allowing the physical act of painting and the resulting optical tension to lead the viewer’s experience.