The article is a critical essay by Alex Taek-Gwang Lee challenging the philosophical approach of popular thinker Byung-Chul Han. It argues that Han's accessible, 'Sloterdijkian' style prioritizes rhetorical flair and immediate recognition over dialectical rigor and material political analysis, resulting in a critique that circulates comfortably within the very neoliberal attention economy it claims to oppose.
The Vilcek Foundation announced the recipients of its 20th annual prizes, honoring Matthew Bogdanos, a former classics scholar, US Marine colonel, and assistant district attorney in New York, with the Marica Vilcek Prize in Art History. Bogdanos, who launched the Antiquities Trafficking Unit in 2017, has overseen the seizure of over 5,000 looted antiquities valued at more than $300 million from museums, auction houses, and private collectors. He declined the $100,000 cash award, directing the foundation to donate the funds to nonprofits of his choosing.
UBS's eleventh Billionaire Ambitions Report reveals that global billionaire wealth hit a record $15.8 trillion in 2025, with the number of billionaires rising 8.8% to nearly 3,000. The report, based on a survey of 87 ultra-wealthy clients, found that 27% plan to increase their investment in art and antiques, while 65% intend to maintain current levels—totaling 92% of respondents. Enthusiasm is strongest in Europe, the Middle East, and Africa (35% planning increases), followed by Asia-Pacific (25%), and weakest in the Americas (15%).
The Houston Livestock Show and Rodeo School Art Auction set new records at its 2026 event, with student artworks attracting unprecedented bids from donor groups. The grand champion piece, a painting titled 'Between Boots and Moccasins' by Pasadena Memorial High School senior Joshua Washington, sold for a record $525,000, nearly doubling the previous year's top sale. The auction, held at NRG Arena, showcases artwork selected from a statewide competition involving over 200,000 students, highlighting the program's scale and impact on young Texas artists.
Rosewood Arts Center in Kettering, Ohio, has announced the opening of its 32nd annual The View Juried Landscape Exhibition, running from June 8 through July 18, 2026. The exhibition features 48 works selected by juror Rebecca Foley from 308 submissions by 114 Ohio-based artists, with awards totaling $1,100. A free public reception and awards presentation will take place on July 18.
Martha McDonald will perform original songs on a glass armonica at the Fairmount Water Works in Philadelphia as part of 'Currents,' a new multimedia art exhibit. The show features installations by 10 local artists that animate the historic water system's underground corridors, coinciding with the 250th anniversary of the Declaration of Independence. Works include a 3D animation timeline of the Schuylkill River by Nadia Hironaka and Matthew Suib, photographic pieces by Julianna Foster, and an installation by Taji Ra’oof Nahl addressing water and honey bees. The exhibit runs through Aug. 8.
The Lynden Sculpture Garden in Milwaukee announces its May 2026 events, including exhibitions, workshops, and outdoor installations. Featured exhibitions include Faythe Levine's "Time is Running Out," which explores the legacy of Charlotte Partridge and Miriam Frink, co-founders of the Layton School of Art, and "Slow Growing in the Time of Trees" by the mycology-focused collective mycollective. A bonsai exhibit opens on World Bonsai Day in collaboration with the Milwaukee Bonsai Society and Milwaukee Bonsai Foundation, alongside free community events like Knit @ Lynden with Sara Caron.
McRae Art Studios, Orlando's oldest and largest professional artist collective, is celebrating its 40th anniversary with a spring open house on April 25 at its 10,000-square-foot converted garage space in urban Orlando. Founded in 1986 by George and Marty Whipple, the studio has hosted over 100 award-winning artists across five locations. The event features studio visits, original artwork sales, live music, and a cash bar, along with a new exhibition of self-portraits titled "The Faces of McRae" created by the current 22 member artists. The collective is also reorganizing as a nonprofit to strengthen the local arts community.
British artist and art critic Matthew Collings has sparked intense backlash for his exhibition "Drawings Against Genocide" held in Kent. Critics and advocacy groups allege that the works utilize virulent antisemitic tropes, including depictions of Jewish people consuming infants and imagery that appears to deny the sexual violence committed during the October 7 attacks.
British artist and art critic Matthew Collings has sparked significant legal and ethical debate with his exhibition 'Drawings Against Genocide.' The collection, which features imagery and text critical of Israel, has been labeled as antisemitic by various community groups and observers, leading to questions about where the line is drawn between political artistic expression and illegal hate speech under UK law.
British artist and critic Matthew Collings has sparked intense legal and ethical debate with his exhibition "Drawings Against Genocide" at Joseph Wales Studios in Margate. The show features graphic imagery, including depictions of Jewish figures consuming infants and denials of sexual violence committed on October 7, 2023. Despite calls from Israeli officials and Jewish community members for legal intervention, Kent Police have stated that no criminal offenses were identified, as the work is currently classified as political criticism rather than a direct incitement of racial hatred.
Artist and former art critic Matthew Collings has sparked intense controversy with his exhibition 'Drawings Against Genocide' at Joseph Wales Studios in Margate. The show features provocative imagery, including a Star of David juxtaposed with Nazi symbols and depictions of IDF soldiers, which critics argue cross the line into antisemitism. The backlash intensified after Sunday Telegraph columnist Zoe Strimpel reported a hostile confrontation with the artist, leading to public condemnation from figures such as Dover MP Mike Tapp and Israel’s charge d’affaires, Daniela Grudsky.
Giant Runt, an artist-run gallery in Fort Worth, Texas, has announced an open call for a 2026 juried group exhibition. One selected artist will receive a $500 prize and a solo exhibition at the gallery in 2027. The call is open to artists of all media and locations, with the only requirement that artworks fit through a standard seven-by-three-foot door. Co-owners Cosmo Jones and Max Marshall will jury the show, which is scheduled to run from February 23 to April 11, 2026. Applications are due January 31, 2025.
The Tacon-Heaslip Gallery, a new 4,100-square-foot space at 22100 Woodward Avenue in Ferndale, Michigan, opened its doors on November 15 with a crowded grand opening. Founded by queer artist Jarrad Tacon-Heaslip, the gallery previously operated from a small studio on Hilton. Tacon-Heaslip intends the larger venue to serve as a visible, supportive hub for the LGBTQ+ community, with plans for Pride Month programming, artist collaborations, and community-centered initiatives. The gallery currently features Tacon-Heaslip's bold abstract expressionist works, which involve meticulous taping and layering processes, and aims to uplift a broader roster of artists.
Miami arts nonprofits, including Dimensions Variable and Fountainhead, received termination notices from the National Endowment for the Arts (NEA) stating their federal funding would end May 31st because their projects did not align with presidential priorities. The cuts compound existing financial strain from state and local reductions, including Governor Ron DeSantis's veto of $32 million in state arts funding and a proposed $12.8 million cut by Miami-Dade County Mayor Daniella Levine Cava, who later restored $11.5 million after public backlash. Organizations now face canceled programming, raised fees, and uncertainty about reimbursing already-spent funds.
The Museum of Fine Arts (MFA) Boston has returned two looted artefacts—a bronze relief plaque and a terracotta and iron head—to the Oba of Benin during a ceremony at Nigeria House in New York City. The works, stolen by British forces during the 1897 punitive expedition against the Kingdom of Benin, were traced to the collection of Augustus Pitt-Rivers and later acquired by investment titan Robert Owen Lehman, who donated them to the MFA in 2013 and 2018. The pieces will be handed over to Nigeria's National Commission for Museums and Monuments and ultimately to His Royal Majesty Omo N’Oba Ewuare II.
NVIDIA GTC Paris, held June 10-12 at VivaTech, will feature a curated AI art gallery showcasing seven artists and fashion designers who use machine learning to create artwork. Exhibitors include aurèce vettier (Paul Mouginot), whose series 'le travail des rêves' and 'the light that is not seen' train AI on personal childhood photos to generate dreamlike oil paintings, and Senegalese artist Linda Dounia Rebeiz, whose project 'Once Upon a Garden' documents extinct flora from West Africa's Sahel region using AI-generated imagery. The gallery aims to demonstrate how AI can serve as a creative partner rather than just a tool.
A new art gallery, The Fred Levine Gallery, is opening in Bruton, Somerset, with an inaugural group exhibition titled "Landscapes of Time and Memory." The gallery, founded in 2019 by Frederick McDonald and Zsanett Der Levine, has operated nomadically in recent years, including in London, and has now chosen Bruton as a permanent location, describing it as "a special destination for contemporary art." The exhibition features eight international and UK-based artists: Rebecca Partridge, Fernando Casasempere, Silke Weißbach, Raffael Bader, Fred Sorrell, Elena Njoabuzia Onwochei Garcia, Abigail Booth, and Peter Matthews, whose works explore the relationship between landscape, history, memory, and time.
Super Mario Galaxy è il primo vero film videoludico
The article analyzes the 2023 animated film 'Super Mario Galaxy – Il film,' arguing it represents a significant evolution in video game adaptations. The film, a sequel to 'Super Mario Bros. – Il film,' abandons traditional narrative concerns and instead structures itself like a video game, constantly introducing new characters, power-ups, and scenarios directly from the Super Mario game series, as if the protagonists are moving through game levels.
The newly renovated Porter Art Warehouse in Fayetteville, Arkansas, will host its first signature exhibition, "Harold Keller: Portals," from January 15 to March 8, 2025. The show features works by Harold Keller, an artist and educator whose career spanned over seven decades, curated by Matthew Bailey from the University of Arkansas Fort Smith Collection. The exhibition includes paintings, drawings, ceramics, and artist books drawn from the largest repository of Keller's work, housed at the University of Arkansas Fort Smith, where he taught in the late 1950s and early 1960s. The Alexander Gallery, named for philanthropists Bob and Becky Alexander, opened in October 2024 after a $1 million exterior restoration by the city and a $950,000 interior renovation by Walton Arts Center.
A drunk driver crashed into Open Gallery in Long Beach on February 24, 2024, destroying the space and forcing a year of renovations, financial strain, and displacement. Owners Liz Garibaldi and Artos Saucedo, who founded the gallery in 2019 as a live-work space for screen printers, have since reopened their gift shop and resumed programming, including the current photography exhibition "Physical Memory" curated by Matthew “NORDY” Nordman. However, the building owner now wants to sell, threatening the gallery's survival.
The Museum of Fine Arts, Boston, announced it will lay off 33 employees, representing 6.3% of its workforce. The cuts, which take immediate effect, include 16 unionized positions represented by United Auto Workers Local 2110, with the union claiming it received only one day's notice. The museum cites an "unsustainable deficit" and the need for a restructuring to achieve financial sustainability.
The Thunder Bay Art Gallery's new waterfront building, originally budgeted at $38 million in 2023, is now projected to cost approximately $75 million. Executive director Matthew Hills expressed confidence the project will be completed despite the cost doubling, citing $46 million in secured funds and ongoing negotiations with provincial and federal governments. Construction is underway, and the gallery is expected to open by early 2027, replacing its current cramped space on the Confederation College campus.
Matthew Hills, executive director of the Thunder Bay Art Gallery, gave local media a tour of the partially-completed facility on the city's north-side waterfront, confirming the opening has been delayed from 2025 to 2027. Inflation, supply-chain issues, and trade wars have driven the project cost to $74.7 million, with a $22.6 million funding shortfall. City council recently released $5 million to prevent a construction shutdown, and Hills said a phased opening in 2026 is under consideration. Current funding includes $37 million from the federal Canada Cultural Spaces Fund, $5.7 million from Ontario, $5.2 million from the city, and $4.9 million in private donations.
Colorado legislators are considering a bipartisan bill to establish the nation's first Artist Corporation (A-Corp), a specialized limited liability company exclusively for artists. This legal framework aims to simplify incorporation, protect intellectual property rights, and allow artists to secure investors without ceding ownership of their creative output.
Artist Hayley Matthews is holding an exhibition of her paintings at the Lochgelly Centre, the same community center she attended as a child. The show represents a significant personal milestone for Matthews, who transitioned from a beauty business owner to a full-time artist after discovering painting during the COVID-19 lockdown.
The St. John Armenian Church in Metro Detroit is hosting a comprehensive retrospective of the artistic career of Fr. Garabed Kochakian. The exhibition, which spans his decades-long journey as both a priest and an artist, features his work in sacred art, iconography, and architectural design, including his contributions to the bronze doors of St. Vartan Cathedral in Manhattan. Originally scheduled for a shorter run, the show's popularity has led to an extension through April 24 to coincide with Martyrs’ Day commemorations.
The Rollins Museum of Art has unveiled "Souvenir," a new exhibition that explores the intersection of physical objects and personal or collective memory. Featuring works such as Cruz Castillo’s "Loss Came First"—a piece constructed from discarded lottery tickets—the show examines how everyday items, from kitsch keychains to historical relics, serve as vessels for nostalgia and reminders of the past.
WaterFire Providence has issued an open call for artists to participate in "America, Unfinished?!", a major group exhibition scheduled for the summer of 2026. Hosted at the 15,000-square-foot WaterFire Arts Center, the show seeks large-scale installations, multimedia works, and performances that explore the United States as an evolving and unresolved project. The curatorial framework focuses on themes of labor, migration, identity, and material culture within the context of the American landscape.
The Prison Creative Arts Project (PCAP) is celebrating the 30th anniversary of its Annual Exhibition of Artists in Michigan Prisons at the University of Michigan’s Duderstadt Center Gallery. The landmark show features over 800 works by more than 600 incarcerated artists across 26 facilities, ranging from traditional paintings to sculptures made from soap and found materials. This year’s edition is curated by guest artist Omari Booker, whose own work is displayed in dialogue with the incarcerated artists, and includes a collaborative musical component titled "New Art // New Music."