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Art museum paints a picture of despair

The Nelson Mandela Metropolitan Art Museum in Gqeberha is facing a catastrophic institutional collapse due to years of municipal neglect and a 64% staff vacancy rate. A recent report reveals that the museum’s priceless collection—which includes works by George Pemba, Gladys Mgudlandlu, and LS Lowry—is being threatened by leaking roofs, spreading mold, and failing fire and security systems. While the galleries have been closed to the public for over a year, the facility currently lacks a qualified conservator to address the mounting damage to its historical and contemporary holdings.

New exhibition at Trenton City Museum: African American Abstractions

The Trenton City Museum at Ellarslie has launched "African American Abstractions," a major exhibition featuring the works of James E. Dupree, Femi J. Johnson, and Kenneth J. Lewis. Curated by Janis Purcell, the showcase spans three galleries and explores the intersection of vibrant color, form, and cultural narrative. The exhibition is supported by public programming, including an abstract art workshop and an artists' roundtable discussion.

Must-See Museum Exhibits in New Orleans This April

New Orleans is set to host several major museum exhibitions this April, highlighting the city's deep artistic roots alongside its famous festival season. Key highlights include "I Am the Face" at the Ogden Museum of Southern Art, which explores the evolution of Southern photographic portraiture from the early 20th century to today, and a significant retrospective of Louisiana native Robert Gordy at the New Orleans Museum of Art.

Museum exhibit on L.V. Hull’s art and life is a visual ‘sensation’

The Mississippi Museum of Art has launched "L.V. Hull: Love Is a Sensation," the first major museum retrospective dedicated to the late self-taught African American artist L.V. Hull. The exhibition showcases Hull’s vibrant, immersive practice of transforming her Kosciusko home and everyday found objects—ranging from sneakers and fan blades to television sets—into a dense, kaleidoscopic art environment. The show is presented in partnership with the L.V. Hull Legacy Center and features individual artworks, archival ephemera, and documentary footage.

Must-See Museum Exhibits in New Orleans This April

New Orleans is highlighting its vibrant visual arts scene this April with two major museum exhibitions that offer deep dives into Southern identity and local art history. The Ogden Museum of Southern Art has launched "I Am the Face," a comprehensive survey of Southern photography and portraiture from the early 20th century to today. Meanwhile, the New Orleans Museum of Art (NOMA) is preparing to open a significant retrospective of Louisiana native Robert Gordy, marking the first major presentation of his multidisciplinary work at the institution in over forty years.

Trinity Professor’s Art Installation Comes to Connecticut Museum

The New Britain Museum of American Art has opened "The Museum of the Old Colony," a site-specific installation by Trinity College Professor Pablo Delano. The exhibition uses archival photography, sculptural objects, and text to examine the enduring impact of U.S. colonial rule in Puerto Rico since 1898. For this iteration, Delano has expanded the work to include new materials specifically documenting the history and experiences of the Puerto Rican community within Connecticut.

Two New Orleans Artists Selected for the 61st International Art Exhibition of La Biennale di Venezia

New Orleans artists Dawn DeDeaux and Big Chief Demond Melancon have been selected to participate in the 61st Venice Biennale, titled "In Minor Keys." This marks the first time since 2015 that artists from New Orleans have been included in the prestigious international exhibition, and they are the only representatives from the American Gulf South selected for this edition. DeDeaux is recognized for her pioneering multidisciplinary work, while Melancon is celebrated for his intricate beadwork and craftsmanship rooted in the Black Masking Indian tradition.

Back to Assam: British Museum agrees to loan fragile tapestry showing Krishna’s life

The British Museum has reached an agreement with the state government of Assam to loan the Vrindavani Vastra, a 350-year-old sacred tapestry depicting the life of Krishna, for a six-month period starting in 2027. The loan is contingent upon the construction of a specialized new extension at the Assam State Museum in Guwahati to accommodate the textile's extreme fragility. This marks the first time the artifact, which features the earliest known Assamese inscriptions, will return to its place of origin since it was acquired by the British Museum following the 1904 Younghusband expedition to Tibet.

TWO NEW ORLEANS ARTISTS SELECTED FOR THE 61ST INTERNATIONAL ART EXHIBITION OF LA BIENNALE DI VENEZI

New Orleans artists Dawn DeDeaux and Big Chief Demond Melancon have been selected to participate in the 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys." Curated by Koyo Kouoh, the exhibition marks the first time since 2015 that artists from New Orleans have been featured in the main international section. DeDeaux is recognized for her pioneering multidisciplinary work, while Melancon represents the Black Masking culture of the Young Seminole Hunters, showcasing the city's intersection of contemporary innovation and ancestral tradition.

New McMullen Museum exhibition

The McMullen Museum of Art at Boston College has launched "Collaborating in Conflict: The Yeats Family and the Public Arts," a comprehensive exhibition exploring three generations of the Yeats family. Featuring approximately 200 works including paintings, embroideries, and rare manuscripts, the show highlights the collaborative yet often tense creative output of patriarch John Butler Yeats and his children, including the poet William Butler Yeats and the painter Jack B. Yeats. Many of the items on display are being shown publicly for the first time or for the first time outside of Ireland.

The Sticky Politics of Wall Texts

A critic's visit to the 36th Bienal de São Paulo led to a pointed critique of the exhibition's didactic strategy. The show, curated by Bonaventure Soh Bejeng Ndikung, featured floor-mounted placards with QR codes, poorly placed basic labels, and extremely lengthy omnibus section texts, creating a frustrating experience that oscillated between providing too little and too much information.

New Palm Springs Art Exhibition Explores the Runway as Architecture

The Palm Springs Art Museum Architecture and Design Center has opened a new exhibition titled "Fashioning Architecture," on view through August 9. Curated by executive director Christine Vendredi, the show examines the spatial and hierarchical dynamics of fashion shows—such as the front row, runway, and backstage—treating them as architectural constructs. It features photography, video, and objects including audience T-shirts from Virgil Abloh's Spring/Summer 2019 Louis Vuitton show and a LaQuan Smith dress from New York Fashion Week, alongside historical Palm Springs fashion moments like a 1939 Racquet Club show and Nicolas Ghesquière's 2015 Louis Vuitton cruise show at the Bob Hope House.

Five artists announced for India's Venice Biennale pavilion

India is returning to the Venice Biennale after a seven-year hiatus with a national pavilion in the Arsenale. The presentation, titled 'Geographies of Distance: Remembering Home,' will feature five artists: Alwar Balasubramaniam (Bala), Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The exhibition is curated by Amin Jaffer and is backed by India's Ministry of Culture and two cultural institutions.

Artist whose recent award ‘saved my career’ has first major solo museum show at SAM

Samantha Yun Wall has opened her first major solo museum exhibition, "What We Leave Behind," at the Seattle Art Museum. The show features her large-scale, black-and-white drawings that explore identity, family, and Korean folklore through surreal, portal-like imagery.

Portland Art Museum opens gallery focused on Black artists, named for local trailblazer

The Portland Art Museum has opened a new permanent gallery dedicated to Black artists, named for local artist, dancer, and educator Thelma Johnson Streat. The gallery, which opened on the first day of Black History Month, features a variety of works by Black Oregon artists, including multimedia installations, paintings, drawings, and a large photographic grid.

MSU Entomology Partners With Artist Jan Tichy for Darkness Exhibit at Broad Art Museum

Chicago-based artist Jan Tichy has created a new exhibition titled 'Darkness' at Michigan State University's Eli and Edythe Broad Art Museum. The project is the result of a nearly nine-month collaboration with four MSU labs, most prominently the Department of Entomology, where Tichy worked with researchers and students to incorporate insects and scientific methods like blacklight sampling into the artwork.

Wisconsin Artists Biennial exhibition opens at MOWA on Feb. 7

The Wisconsin Artists Biennial exhibition opens at the Museum of Wisconsin Art (MOWA) in West Bend from February 7 to April 19, featuring 52 works by 50 Wisconsin artists. Selected from nearly 500 artists who submitted over 1,200 entries, the show was juried by Nicole Jacquard, Taylor Jasper, and Melissa Oresky. The biennial awards $10,000 in cash prizes, including the MOWA Prize of $5,000 and a solo museum exhibition. An opening party on February 7 includes a reception, juror talk, and award presentation.

New Monographic Exhibition to Debut at New Orleans Museum of Art

The New Orleans Museum of Art (NOMA) will debut "Hayward Oubre: Structural Integrity," the first monographic exhibition dedicated to American modernist Hayward L. Oubre, Jr. (1916–2006). Organized by the Birmingham Museum of Art, the show features 48 sculptures, paintings, and prints, including Oubre's notable wire coat hanger sculptures, and runs from January 30 through May 3. Oubre, a New Orleans-born artist, was the first BFA graduate of Dillard University and later chaired art departments at Alabama State University and Winston-Salem State University, shaping a network of Black artists in the South.

Long lost portrait of Scotland’s great poet Robert Burns goes on show for first time

A long-lost portrait of Robert Burns by Henry Raeburn, painted in 1803, has gone on public display for the first time at the National Gallery of Scotland in Edinburgh, just in time for Burns Night on 25 January. The painting resurfaced in a house clearance in Surrey and was auctioned in Wimbledon in March 2025 with a guide price of £300–£500; collector and Burns enthusiast William Zachs purchased it for £68,000 after a tense bidding war, gambling on the Raeburn attribution. Experts including Patricia Allerston and Duncan Thomson have since confirmed the work is authentic, and it is now exhibited alongside Alexander Nasmyth's 1787 portrait of Burns.

Ackland Art Museum to Open Two Major Exhibitions Exploring Identity and Color

The Ackland Art Museum in Chapel Hill will open two new exhibitions on January 30, 2026. "Bill Bamberger: Boys Will Be Men" presents introspective portraits of male students from Durham School of the Arts, exploring masculinity through photography and audio interviews. "Color Concentrated: A Salon-Style Show from the Robertson Collection" reimagines modernist works from the museum's collection in a dense, single-wall installation inspired by 19th-century Parisian Salons.

Alfred Ceramic Art Museum to host “Fihankra,” exhibition by Eugene Ofori Agyei, former Turner Teaching Fellow at Alfred University

The Alfred Ceramic Art Museum will host “Fihankra,” an exhibition of ceramic sculptures by Eugene Ofori Agyei, opening February 12 and running through July 19. The works, created during Agyei’s tenure as Turner Teaching Fellow at Alfred University, incorporate Adinkra symbols from Ghana’s Akan ethnic group, wooden benches, batik fabric, yarn, and found objects to explore themes of diaspora, cultural adaptation, and belonging. A reception will be held from 5 to 7 pm on opening day, and the exhibition will be accompanied by the 2026 Perkins Lecture featuring a conversation between Agyei and independent curator Larry Ossei-Mensah.

Art@Countway Exhibition Closing Ceremony: Call & Response

The Countway Library at Harvard Medical School is hosting a closing ceremony for the art exhibition "Call and Response: A Narrative of Reverence to our Foremothers in Gynecology" on January 21. Developed by the Resilient Sisterhood Project, the multimedia exhibition highlights the exploitation of enslaved Black women—Anarcha, Betsey, and Lucy—in the origins of modern gynecology, focusing on experiments by Dr. J. Marion Sims in the 1840s. The event will feature speakers including artists Jules Arthur, Dr. Michele David, Michelle Hartney, and others, along with community organizers.

Artist recreates snapshots of 1950s resort with colorful quilts, paintings at WAM

The Wichita Art Museum (WAM) is presenting a new exhibition by an artist who recreates snapshots of a 1950s resort using colorful quilts and paintings. The works draw on vintage photographs to evoke the leisure and social life of mid-century American resort culture, rendered in textile and paint.

‘Painted Worlds: Color and Culture in Mesoamerican Art’: A colorful journey through time, culture and belief

The Nelson-Atkins Museum of Art has opened 'Painted Worlds: Color and Culture in Mesoamerican Art', a major exhibition featuring over 250 works spanning nearly 3,000 years, from pre-Hispanic times to the present day. Curated by Kimberly Masteller, the show is the first presentation of Mesoamerican art at the museum in nearly 40 years and includes textiles, ceramics, paintings, murals, and codices organized by color categories—white, blue/green/yellow, and red/black—to explore the cultural and spiritual significance of color in Mesoamerican traditions.

Iranian galleries close amid protests and communications blackout

Iranian galleries have closed or altered their hours as nationwide protests, sparked by economic turmoil and a crashing currency, escalated into violent unrest. The protests began on 28 December among bazaar traders and spread to artists and gallerists, with many shutting their doors or canceling exhibitions, some under public pressure. A government-imposed internet and communications blackout on 8 January has severely limited information, though one gallerist speaking anonymously described the closures as a unified act of solidarity across society, not merely a response to safety concerns. The gallerist noted that the economy is in its worst condition, with basic necessities unaffordable and even bubble-wrap prices fluctuating wildly. Another gallery founder confirmed that all projects are on hold, and staging exhibitions risks public backlash. Instagram account Galleryinfo.ir faced online criticism for promoting exhibitions during the crisis, while Bavan Gallery reversed its initial stance of "resilience is an art form" and announced it would hold no exhibitions.

Exhibit Showcases Georgia Wood Artists

The Marietta Cobb Museum of Art (MCMA) in Georgia is presenting its first juried exhibition focused exclusively on wood art and woodworking, titled "Georgia Wood Artists: A Juried Exhibition." Curated by Madeline Beck, the show features works selected from over 150 submissions by artists living in Georgia, including Arnold Abelman, Jody Pollack, Abraham Tesser, Thomas Williams, and Doug Pisik. The exhibition highlights a range of techniques such as carving, woodturning, marquetry, intarsia, joinery, and epoxy woodworking, and runs from January 10 to March 22, 2026.

Acquisitions round-up: a rare early Italian portrait of a Black man, a record-breaking Kiddush cup, and a limewood sculpture of the Madonna

The Uffizi Galleries in Florence have acquired Giacomo Ceruti's "Il mendicante moro" (1725–30), one of the earliest known portraits of a Black man in Italian painting. The Toledo Museum of Art has purchased a rare 11th-12th century Kiddush cup that set an auction record for Judaica at Sotheby's for $4m. The Bode-Museum in Berlin has acquired a limewood sculpture of the nursing Madonna from the Circle of the Biberach Master, which was restituted to the heirs of Jakob Goldschmidt in 2023 and sold at Christie's in 2024.

Storm over closure of South Africa’s much-loved Irma Stern Museum

The Irma Stern Museum (ISM) in Cape Town, South Africa, was abruptly closed in October 2024 after the University of Cape Town (UCT) and the Irma Stern Trust ended their 56-year partnership. The museum, housed in Stern's former home The Firs, displayed her collection of artifacts and her own works. The closure sparked public outrage over lack of transparency, with staff removed without clarity and the announcement made only after pressure. The trust, owned by Nedgroup Private Wealth, plans to relocate artworks to a new storage facility and repurpose The Firs, but no reopening date has been set.

The Met’s Renovated Galleries for British Decorative Arts and Design to Open on March 2, 2020

The Metropolitan Museum of Art will open its newly renovated British Galleries on March 2, 2020, as a highlight of the museum's 150th-anniversary year. The suite of 10 galleries, spanning 11,000 square feet, features nearly 700 works of British decorative arts, design, and sculpture created between 1500 and 1900, including new acquisitions and three meticulously conserved 18th-century interiors. The galleries have been completely renovated for the first time since their establishment in the late 1980s, with a new entrance and a re-erected 17th-century staircase from Cassiobury House.

Intuit Art Museum Showcases Self-Taught Artists, Work About Migration in ‘Catalyst: Im/migration’

The Intuit Art Museum in Chicago has extended its exhibition “Catalyst: Im/migration and Self-Taught Art in Chicago” through March 22, 2026. Featuring nearly two dozen artists, the show highlights the creative contributions of migrants and immigrants alongside the rise of self-taught art in 20th-century Chicago. Among the works is Pooja Pittie’s interactive piece “What We Build to Belong,” a hand-knotted net-like structure where visitors can add notes, drawings, or string. The museum is hosting a free community day on Feb. 7, 2026. The exhibition includes artists from diverse backgrounds, such as the late Tae Kwon “Thomas” Kong, who made collages from packing materials at his convenience store, and Charles Warner, a carpenter who created wood-carved cathedral models. Three artists came to Chicago from the South as part of the Great Migration.