How do art auctions change if everything online seems like a video game?

Come cambiano le aste d’arte se online tutto sembra un video game?

The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.

Morocco is for the first time with a Pavilion at the Venice Art Biennale. Homage to the weaving of Amina Agueznay

Il Marocco è per la prima volta con un Padiglione alla Biennale d’Arte di Venezia. L’omaggio alla tessitura di Amina Agueznay

Morocco is participating for the first time with an official national pavilion at the Venice Art Biennale, presenting a monumental installation by artist Amina Agueznay. Titled "Asǝṭṭa" (2026), the site-specific work at the Arsenale's Artiglierie space explores ritual weaving and the transmission of traditional craftsmanship, using sewn panels to create a second skin over the 300-square-meter pavilion. Curated by Meriem Berrada, the project draws on Agueznay's two-decade-long research in dialogue with Moroccan artisan communities, including spinners, embroiderers, basket makers, and goldsmiths.

In an exhibition in Naples it is possible to get lost without urgency in an unstable balance. The review

In una mostra a Napoli è possibile perdersi senza urgenza in un equilibrio instabile. La recensione

The exhibition "A Gentle Collapse," curated by Marta Ferrara at Andrea Nuovo Home Gallery in Naples, explores the contemporary psychic state through a spatial and perceptual construction. Featuring works in photography, painting, engraving, and installation, the show creates a sense of instability, with meaning emerging gradually through shifts between familiar and altered forms. Artists include Dorottya Vékony, Matteo Silverii, Flora Villaumié, and Zoë Pelikan, whose works engage with themes of genetic engineering, serial accumulation, and subtle disorientation across two gallery levels.

Un nuovo centro culturale e residenza d’artista nasce in un’ex chiesa di Venezia

A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.

The Dutch Pavilion at the Venice Biennale is a political protest (also against the Biennale itself)

Il padiglione dei Paesi Bassi alla Biennale di Venezia è una contestazione politica (anche della Biennale stessa)

The Dutch Pavilion at the 2026 Venice Biennale, titled "The Fortress" by artist Dries Verhoeven and curator Rieke Vos, transforms the modernist Rietveld Pavilion into a fortress-like enclosure. Inside, a rotating group of thirteen international performers will stage a series of performances throughout the Biennale, focusing on themes of geopolitical uncertainty, social disorder, and the search for stability in an unbalanced world. This marks the first time the Netherlands has used the Rietveld Pavilion for a performance-based project.

Il duo di artisti internazionali Gawęda/Kulbokaitė sono a Roma per la prima volta con una mostra su identità e percezione

The international artist duo Dorota Gawęda and Eglė Kulbokaitė present their debut exhibition in Rome, titled "Spit and Image," at the Basement gallery. The show, on view until July 10, 2026, features sculptures, installations, and videos that explore identity construction in the digital age, using mirrors, fragmented bodies, and olfactory elements. Works like "Yield (twinning)" (2025) and "Spit and Image 1 and 2" (2025) evoke surveillance, metamorphosis, and duplication, while the Slavic vampire figure of the upiór serves as a metaphor for fluid, non-binary identities.

A collective lunch is organized in Milan to discuss the problems of the cultural sector. Here is how to participate

A Milano si organizza un pranzo collettivo per discutere dei problemi del settore culturale. Ecco come partecipare

The nomadic assembly "OMTU – Organized Meals for Times of Uprising" is heading to Milan on April 19, 2026, coinciding with the miart art fair. Organized by a coalition of independent spaces including terzospazio, Osservatorio Futura, Parsec, and Arts of the Working Class, the event features a collective lunch followed by a public discussion at the Baséll space. The gathering aims to address the systemic precariousness of the cultural sector, focusing specifically on the scarcity of affordable social and cultural spaces in Milan.

Biennale Tecnologia Begins in Turin: Five Days of Theater, Performance, Artificial Intelligence, and Distorted Futures

A Torino inizia la Biennale Tecnologia. Cinque giorni tra teatro, performance, intelligenze artificiali e futuri distorti

The Biennale Tecnologia has launched in Turin, featuring over 120 events across 20 venues, including lectures, exhibitions, and a significant performing arts program. The festival utilizes theater and audiovisual performances to translate complex technological themes—such as artificial intelligence, environmental infrastructure, and ethics—into accessible narratives. Key highlights include Marco Paolini’s exploration of the Po River at OGR Torino and the play 'Retrofuturo,' which uses a comedic time-travel premise to critique societal reliance on algorithms.

A library of sensations in Rome in the exhibition of Gabriele Simei: The interview

Una biblioteca di sensazioni a Roma nella mostra di Gabriele Simei. L’intervista

Artist Gabriele Simei has transformed the VOLUME! art space in Rome into an immersive installation titled "LABiblioteca Sottotevere." Curated by Silvano Manganaro, the exhibition features metal sculptures shaped like books, alongside found objects such as old lace, blankets, and tools. Simei uses acid to etch the textures of leaves gathered from the banks of the Tiber River and vintage textiles onto iron and brass plates, creating a "library of sensations" that bridges the gap between nature and domestic memory.

EastEnders' Jake Wood forced to close art exhibit amid 'abusive behaviour'

EastEnders actor Jake Wood has closed his art exhibition at Indelible Fine Arts in Brighton after a furious backlash over the inclusion of AI-generated imagery in his works. The gallery announced the decision, citing “abusive” messages directed at them and stating that the exhibition’s original message had been “lost.” Wood, known for playing Max Branning on the BBC soap, had curated the show to raise funds for Dementia UK, but controversy erupted when viewers discovered that some pieces—including portraits of Attenborough and Trump—incorporated pre-existing AI source imagery.

Atlanta gallery turns political tension into art with ‘Politically inCorrect’ exhibition

EuGene V Byrd III has curated the 'Politically inCorrect' group fine art exhibition, now open at Railroad ATL inside the Future Gallery in Atlanta. Featuring over 50 artists and 110 to 120 works across painting, photography, sculpture, and collage, the show addresses what Byrd calls an overdue conversation about art and social responsibility. Inspired by W.E.B. Du Bois, the open-call exhibition asks artists to speak their truth on political and social issues, with pieces like Faif Quin's photograph referencing the killing of Charlie Kirk and Naylon D. Mitchell's portrait 'Mama Rosa' among the highlights. The exhibition runs through May 30.

Visitors invited behind the scenes with return of Welsh art trail

Crickhowell Open Studios returns from 23 to 25 May 2026, inviting visitors to explore 26 venues across Crickhowell and Abergavenny. The free-entry trail includes artists' studios, galleries, and creative spaces showcasing paintings, printmaking, textiles, sculpture, jewellery, ceramics, and glass. Organized by the Crickhowell Resource and Information Centre (CRiC), which celebrates twenty years of community support, the event features the Open Art Competition Exhibition at Oriel CRiC Gallery, a residency by portrait artist Oriane Pierrepont, and participation from artists such as Nadia Epping, Lucy Corbett, and Lee Wright. Venues range from St Edmund’s Church to Antur Brew Co. and The Welsh Academy of Art.

Exhibition celebrating local artists to be unveiled

Five artists on the Isle of Portland will open their studios to the public as part of Dorset Art Weeks, running from May 23 to June 7 at St George’s Art Studios. The event features encaustic wax artist Lyn Kirkland, printmaker Caro Lester, jeweller Kate Arbon, mixed-media artist Georgie Moore, and multimedia artist Yollande Posthumus. Visitors can view finished works, explore workspaces, and participate in taster workshops on May 30.

No Regrets: Artists Decide To Sell Buffalo’s Legendary Hitching Post Gallery

Father-and-son artists William and Hugh Jennings have closed the Hitching Post Gallery in Buffalo, Wyoming, after 30 years of operation. The gallery, which opened in November 1993 on Main Street, was a longstanding fixture in the community, showcasing works from many area artists alongside gifts, books, and tobacco products. William stepped away about seven years ago, and Hugh recently decided to retire, locking the doors for the last time at the beginning of May. Hugh expressed no regrets, saying he wanted to focus more on his own art.

KU students, teachers to show off form-defying ceramics at Off-Site Art Gallery exhibition

University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.

Doosan Yonkang Foundation Joins as Sponsor of Korean Pavilion at Venice International Art Exhibition

The Doosan Yonkang Foundation has joined as a sponsor of the Korean Pavilion at the 61st Venice International Art Exhibition, held at Giardini Park in Italy until November 22. The pavilion, themed "Haebang Space," explores political and social changes in Korean society since liberation in 1945. Artistic Director Choi Bitna oversees the exhibition, featuring artists Noh Hyeri and Choi Goeun, along with fellows Han Kang, Kim Hoojoo, Lee Rang, Hwang Yeji, and Christian Nyampeta. This marks the foundation's first sponsorship of the Korean Pavilion as part of its visual arts support program.

Doosan Yonkang Foundation Becomes First-Time Sponsor of Korean Pavilion at Venice Biennale

The Doosan Yonkang Foundation, the philanthropic arm of South Korean conglomerate Doosan, is sponsoring the Korean Pavilion at the 61st Venice Biennale for the first time. The pavilion, titled "Liberated Space: Fortress and Nest," runs from May 9 to November 22 at the Giardini park in Venice, and explores political events and historical transitions in Korean society from 1945 to the present. Participating artist Noh Hye-ri is an alumna of the foundation's Doosan Art LAB program, and artistic director Choi Binna serves as a supervisor of the Doosan Curator Workshop, highlighting the foundation's direct investment in nurturing artistic talent.

TWAC presents ‘ENTWINED’ Exhibition by Artist-Educators Bob Mosier and Karen Fearon

The Woodlands Arts Council (TWAC) presents 'ENTWINED,' its first exhibition featuring a married couple, artist-educators Bob Mosier and Karen Fearon. The show, on view from May 12 to August 6, 2026, highlights their individual practices—Mosier's intricate thread paintings that evolve into three-dimensional fabric sculptures, and Fearon's expressive drawings, paintings, and assemblages rooted in intuitive mark-making. Both artists incorporate found and reclaimed materials, and their work explores light, form, and the yin-yang of creative process. An opening reception is scheduled for June 18, 2026.

Mirror Silk Art Exhibitions

Shaniqwa Jarvis's solo exhibition 'Only Love Can Break Your Heart' opens at Public Gallery in London on 30 April 2026, featuring twelve works across silk, mirrored surfaces, aluminum, and collage. The show includes suspended silk panels in front of mirrors, floral imagery, portraiture, abstract compositions, a moving image work combining archival footage and recorded audio, and a second book titled 'GUTS' published by Super Labo with an introduction by curator Essence Harden.

New London exhibition uses architecture to explore the experiences of Iran’s American diaspora

Arash Nassiri's first institutional solo exhibition, 'A Bug's Life,' has opened at London's Chisenhale Gallery. The show features a moving-image commission set within a sculptural installation, following an insect puppet protagonist through a cavernous mansion in Los Angeles. The mansion is a 'Persian Palace'—a hybrid of Iranian and French Empire architectural styles that emerged in 1960s-70s Iran and was recreated by wealthy Iranian exiles in Los Angeles after the 1979 revolution. Nassiri, who is Tehran-born and Berlin-based, uses the film to explore themes of disorientation, displacement, and the ambiguous dual belonging of Iran's American diaspora.

Harold Keller exhibition opens in newly renovated Porter Art Warehouse gallery

The newly renovated Porter Art Warehouse in Fayetteville, Arkansas, will host its first signature exhibition, "Harold Keller: Portals," from January 15 to March 8, 2025. The show features works by Harold Keller, an artist and educator whose career spanned over seven decades, curated by Matthew Bailey from the University of Arkansas Fort Smith Collection. The exhibition includes paintings, drawings, ceramics, and artist books drawn from the largest repository of Keller's work, housed at the University of Arkansas Fort Smith, where he taught in the late 1950s and early 1960s. The Alexander Gallery, named for philanthropists Bob and Becky Alexander, opened in October 2024 after a $1 million exterior restoration by the city and a $950,000 interior renovation by Walton Arts Center.

SOBO Art Gallery's Young Creatives Showcase to open Oct. 2

SOBO Art Gallery in Orlando will host the Young Creatives Showcase on October 2, featuring artwork by high school and college students. The showcase, co-founded by Victoria Pestrichello, Branton Urbieta, and Fritz-Lee Saint Paulin, includes a collaborative piece that artists have been building together, as well as individual works in various media such as photography, pencil, and acrylic. Pestrichello, a UCF student, contributed handprints to the collaborative Dalmatian painting, while her own abstract piece, "Conosci il nemico? Do you know your enemy?", was inspired by negative news coverage.

Ari Emanuel to buy Frieze from Endeavor

Endeavor has announced the sale of Frieze, the leading art fair and media brand, to a new company founded by Ari Emanuel, Endeavor's former chief executive. The deal, reportedly valued at nearly $200 million, includes all seven Frieze art fairs, the magazine Frieze, and its gallery sharing initiative No.9 Cork Street in London. Emanuel, who co-founded Endeavor, created an as-yet-unnamed global events company backed by investors including Apollo Global Management and Redbird Capital Partners. The acquisition is expected to close in the third quarter of 2025, and Frieze's leadership, including CEO Simon Fox, will remain in place.

月を射る @ KAG

KAG in Tokyo is presenting a group exhibition titled "月を射る" (Shooting the Moon), running from May 19 to August 16, 2026. The show takes its starting point from a prose poem of the same name by Korean poet Yun Dong-ju (1917–1945), who wrote it in 1939 under Japanese colonial rule and later died in a Fukuoka prison. The exhibition spans pre-war and wartime educational films, propaganda, performance, and contemporary fieldwork, featuring works by artists such as Inoue Kan (Lee Byung-woo), Choe Seung-hui, Kamei Fumio, Yoshimi Yasushi, Atsugi Taka, Fujii Hikaru, Yamamoto Seiko, T.T. Takemoto, Morita Reine, Gataro, and Shirakawa Masao. It examines the management models formed by the former empire and the spiritual structure of colonialism that underlies contemporary issues, centering on works that carry the "memory of censorship"—banned, deleted, or denied existence by national, administrative, or social norms.

Kazuko Miyamoto @ Take Ninagawa

宮本和子 @ Take Ninagawa

Kazuko Miyamoto is the subject of a comprehensive solo exhibition at Take Ninagawa in Tokyo, running from February 14 to April 11, 2026. The showcase features a diverse array of the artist's signature string constructions, maquettes, and drawings, spanning several decades of her career from the early 1970s through the late 2000s. Key works on display include her intricate string maquettes from 1973 and large-scale geometric explorations like "Study of Lines in Ring #3" and "Mariana."

Amid confrontation with the US, an Iranian museum exhibits anti-war art by American artists

Amid escalating tensions between Iran and the United States, the Tehran Museum of Contemporary Art opened an exhibition of anti-war artworks by American artists. The show features pieces by prominent American artists that critique war and violence, drawing local visitors who are engaging with the works despite the political climate of anti-American sentiment in the streets.

Artists sought for binational Border Biennial art exhibit

The El Paso Museum of Art (EPMA) and the Museo de Arte de Ciudad Juárez (MACJ) have launched an open call for the eighth edition of the Border Biennial/Bienal Fronteriza. Scheduled to open in September 2026, the exhibition invites artists living within 300 miles of the El Paso-Juárez border to submit works under the theme "Imagining the Border." This iteration will expand its scope to include multi-sensory art, poetry, and spoken word, with 30 selected artists displaying works across both international venues.

Get a first look at the immersive art exhibit that takes over 80 rooms in a shuttered downtown L.A. hospital

The 'Hospital of Emotions' is an immersive art exhibition occupying 80 rooms across four floors of the shuttered St. Vincent Medical Center in downtown Los Angeles. Running from May 27 through July 31, the 45,000-square-foot show features over 70 artists whose works are organized into emotional departments such as grief, fear, hope, joy, and sadness. Installations incorporate the hospital's existing fixtures—surgical lights, beds, IV bags—transforming former medical spaces into interactive art experiences, including a life-size Twister game, ceramic egg-covered walls, and neon-lit beds.

Tugboat Printshop Marks 20 Years of Making Meticulously Crafted Woodblock Prints

Tugboat Printshop, founded by Valerie Lueth, is celebrating its 20th anniversary. The studio specializes in meticulously hand-carved woodblock prints, often using up to five distinct blocks layered with colorful ink to create detailed images of flora and fauna. Editions are typically limited to around 100 prints. To mark the milestone, the shop is offering a limited-time discount on original woodcut prints, and Lueth continues to share behind-the-scenes images on Flickr and Instagram.

A War Souvenir for Düsseldorf

Un souvenir de guerre pour Düsseldorf

The Kunstpalast museum in Düsseldorf has acquired a war-related painting by Bordeaux-born artist William Laparra, who was mobilized in 1917 into the French camouflage section during World War I. Laparra served as a brigadier-chief in the 1st group of the 10th Army at the Chantilly workshop, a unit created in 1915 by figures including Eugène Corbin, Louis Guingot, and painter Guirand de Scévola, who developed earth-toned uniforms and painted canvas to conceal artillery from German aircraft.