Hugo décorateur
An exhibition and accompanying book explore Victor Hugo's lesser-known role as an interior decorator, focusing on the elaborate interiors he created for his homes in Paris and during his exile on the island of Guernsey. Curator Gérard Audinet conducted extensive research to reconstruct these lost environments, which were filled with eclectic objects, artworks by friends, and prestigious gifts.
Yoann Cormier curates 'In Mali, When Animals Dance' at the Musée des Confluences, an exhibition dedicated to sogo bò, a Malian performance tradition blending theater, dance, music, and community. Rejecting static displays, Cormier uses immersive scenography—light, sound, film footage from the early 2000s by Sonia and Albert Loeb, and reconstructed masks made with the Lyon Opera costume workshop—to evoke the festive atmosphere of sogo bò, moving visitors through a simulated Malian day from afternoon to night.
Adali Schell, a photographer from Southern California with family ties to rural Ohio, is featured as a young artist nominated by Paris Chong, director of Leica Gallery LA. Schell is known for a series capturing friends with their first cars, and his work has appeared at Les Rencontres d'Arles and in publications such as The Guardian, The New York Times, and The New Yorker. The article includes Schell's personal reflection on his artistic journey, from starting with an iPod Touch camera in fifth grade to focusing on intimate portraits of family and friends.
The Other Art Fair returned for its 15th edition at ZeroSpace in Brooklyn, featuring 125 New York-based artists. Presented by Saatchi Art, the fair emphasized transparency with openly displayed prices and encouraged direct conversation between artists and attendees. Alongside traditional booths, the event included interactive elements such as hidden stamp stations, a self-portrait studio by guest artist Anna Marie Tendler, a whisky tasting counter, and workshops, creating a lively, block-party atmosphere rather than a conventional art fair.
CUATRO VOCES LATINOAMERICANAS EN TORNO AL INTENSIVO CURATORIAL DE MONTEVIDEO
Independent Curators International (ICI) held the Montevideo Curatorial Intensive in March 2026, in partnership with the ESTE ARTE fair and the Faculty of Arts at the University of the Republic (Udelar). This was the first time the program took place in Uruguay, bringing together twelve emerging curators from Uruguay, Brazil, Argentina, Chile, Venezuela, Ecuador, Colombia, and the United States for eight days of seminars, debates, and mentorship. Led by independent curator Marina Reyes Franco, the intensive included visits to local cultural spaces such as CasaMario, SUBTE, and the Espacio de Arte Contemporáneo, as well as a trip to Punta del Este to tour galleries and artist studios. The program featured presentations by international faculty including Ionit Behar, Victoria Noorthoorn, Maya Juracán, and Keyna Eleison, and concluded with a public symposium at the Museo Nacional de Artes Visuales (MNAV).
Asheville-based artist Harley Burns discusses their transition from a career in public health to a full-time painting practice centered on trans and gender-nonconforming identity in the American South. The interview focuses on Burns's triptych "Buttoning Back Up" (2025), which translates a vulnerable public performance of chest-binding into a series of oil paintings that explore the hypervisibility and invisibility of non-binary bodies.
The article lists a work titled "Layers of Time (2026)" by artist Vahe Yeremyan as available for sale on the online art marketplace Artsy. No further details about the artwork, price, or context are provided in the brief listing.
The New Britain Museum of American Art (NBMAA) has appointed Lydia Holleck as its first Hamm Family Curatorial Fellow. This new full-time position is dedicated to researching, exhibiting, and engaging the public with artwork from the museum’s permanent collection that is currently in storage and rarely seen by visitors.
This May, Chiang Mai's art scene offers a diverse lineup of exhibitions across galleries, museums, and independent spaces. Highlights include a group show on regional identity at Chiang Mai Art Museum, a calligraphy-focused solo exhibition by Jin Li at Makok Art Space, and 'Class 2 Canvas' at Fãr Studios featuring artist-educators. Mid-month brings two openings: Chitti Kasemkitvatana's 'Epilogue: A Diffraction Grating' at Gallery Seescape, exploring time and light, and Kailash Mani's solo show of outsider art at Head High Second Floor.
The New York Times examines whether the Costume Institute at the Metropolitan Museum of Art can sustain its operations and influence without the Met Gala, its annual fundraising gala that generates millions of dollars and global media attention. The article explores the financial and cultural dependency of the institute on the star-studded event, which has become a major pop culture phenomenon, and considers alternative funding models and programming strategies that could ensure its future.
Amsterdam is tackling overtourism by embedding art, culture, and history directly into its public spaces, streets, and transit systems, transforming the city into an open-air museum. Led by amsterdam&partners, the initiative uses digital screens, art installations, and interactive urban furniture to guide visitors toward hidden cultural gems, encouraging spontaneous engagement with local heritage. Major institutions like the Rijksmuseum, Stedelijk Museum, and Eye Filmmuseum, along with smaller venues such as Foam Museum and STRAAT Museum, are part of a network designed to distribute cultural attention more evenly across the city.
More than 300 museums and art institutions across South Korea will participate in the 2026 Museum and Gallery Week, a nationwide cultural festival organized by the Ministry of Culture, Sports and Tourism, running from May 1 to May 31. The event adopts the theme "Museums Uniting a Divided World" from the International Council of Museums, and features three main programs: "Museum × Meet" highlighting 50 signature objects, "Museum × Enjoy" with exhibitions and performances at 18 institutions, and "Museum × Wander" offering guided tours connecting galleries with historic sites.
Art Liard presents a new exhibition in London exploring nature's fragile equilibrium, featuring works that examine the delicate balance of natural ecosystems. The show includes a series of paintings and installations that respond to environmental themes, highlighting the tension between growth and decay in the natural world.
Vanessa Sage, a curator at the Figge Art Museum in Davenport, Iowa, appeared on the local TV show Quad Cities Live to promote the museum's current exhibitions and offer practical advice for visitors. She discussed highlights of the shows on view, what makes them meaningful, and how to navigate multiple exhibitions without feeling overwhelmed, including recommendations on where to start and how much time to allocate.
The Cincinnati Art Museum is opening a new exhibition titled "Elizabeth Hawes: Radical American Fashion," the first-ever showcase dedicated to the groundbreaking American designer Elizabeth Hawes. The exhibit features over 50 garments from the 1920s to the 1960s, along with sketches, illustrations, and the first publication focused on her career. Hawes, who designed for icons like Lauren Bacall, championed gender-neutral clothing and quality mass manufacturing, ideas ahead of her time. The collection was largely donated by Dorette Kruse Fleischmann, a frequent client, and was curated by Megan Nauer, the museum's acting curator of fashion arts and textiles.
Indiana University's University Collections at McCalla has opened "Capturing the Campus: T.C. Steele," a collaborative exhibition with the Indiana State Museum and Historic Sites that brings together many paintings by Hoosier artist T.C. Steele for the first time in decades. Steele, who served as IU's first artist in residence from 1922 until his death in 1926, created impressionist works depicting campus scenes, portraits of university presidents and faculty, and landscapes that capture what the campus looked like a century ago. The exhibit, which opened April 17, features paintings sorted by geographic location on campus, alongside a historic map, letters, documentaries, and 3D renderings.
The Portland Art Museum is hosting the "HeART of Portland" exhibition, featuring over 100 artworks created by students from all 81 Portland Public Schools. The showcase includes a diverse range of media, from ceramics and rug tufting to screen-printed apparel and zines, and for the first time, the student work is being displayed in a professional gallery space within the museum's main building. The exhibition, which opened on Tax Day, serves as a tangible demonstration of the results of the city's unique arts tax.
Twenty-five art students from the University of Toledo, including local Monroe County residents Keira Turvey and Sara Wisler, have curated a new digital exhibition for the Toledo Museum of Art titled “Birds in Art: Devotion and Decadence.” The project marks a significant milestone for the university's art program as it is the first time students have developed an exhibition designed to exist exclusively in an online format.
Bolton Museum is hosting a community gallery open event and exhibition organized by Pinc on April 24th. The event serves as a showcase for local creative work and provides a platform for community engagement within the museum's dedicated gallery space.
The solo exhibition "Mapped by Tide and Time" has opened in Mumbai, showcasing over three decades of work by Indian artist Vishakha Apte. Curated by Ina Puri, the show features a diverse range of mediums including painting, printmaking, paper constructions, and ceramics. The collection highlights Apte’s career-long investigation into tactile depth and material dialogue, moving away from artistic spectacle in favor of quiet, process-led inquiry.
The Dayton Art Institute has opened a new exhibition titled "Time: A Journey Through Its Many Scales," which features over 50 works from its permanent collection alongside select loans. The show explores the concept of time through diverse artistic mediums, from ancient artifacts to contemporary digital art, inviting visitors to consider time's passage from milliseconds to millennia.
Finnish painter Helene Schjerfbeck's major retrospective at the Royal Academy of Arts in London has generated significant acclaim, following a successful exhibition at the Ateneum Art Museum in Helsinki. The show, which features over 100 works spanning her seven-decade career, is now traveling to European venues, including the Petit Palais in Paris.
The Missoula Art Museum has launched "Buffalo Is Our Good Medicine," a collaborative exhibition by artists Aspen and Cameron Decker. The show features a diverse array of media, including traditional ledger art, sculpture, hide paintings, and multimedia installations that center on the buffalo's vital role within tribal communities. Many of the works utilize hides harvested from the Yellowstone herd, blending historical storytelling with contemporary artistic practices.
The Hammer Museum in Los Angeles has opened a major exhibition titled 'Several Eternities,' showcasing over 100 works by contemporary Brown and Indigenous artists. The exhibition is described as featuring 'living' pieces, suggesting works that are dynamic, process-based, or engage with ongoing cultural practices.
The Millicent Rogers Museum in Taos has opened a posthumous retrospective dedicated to DeAnna Autumn Leaf Suazo, a rising Indigenous artist who was tragically killed in 2021 at the age of 29. The exhibition, titled "Honoring DeAnna Autumn Leaf Suazo," features over 20 works including large-format paintings, ledger drawings, and the first public display of illustrations from her children’s book, "Taos Pueblo Fall." The show highlights her unique aesthetic, which blended her Taos Pueblo and Diné heritage with influences from Japanese anime and manga.
The Kemper Museum of Contemporary Art has launched "The World in Kansas City," a new exhibition timed to coincide with the city's role as a host for the upcoming World Cup. Featuring a diverse array of textiles, ceramics, photography, and mixed-media works, the show highlights international artists who have established deep roots within the Midwestern United States.
The Walters Art Museum has unveiled "Medieval Mindscapes," a new exhibition featuring 22 rare illustrated prayer books from the Middle Ages. Curated from the museum’s extensive permanent collection, the show focuses on "books of hours"—portable, highly personalized manuscripts that served as intimate tools for Christian devotion in medieval Europe. Highlights include 15th-century Belgian manuscripts featuring intricate visual illusions, gold parchment, and personifications of death.
The Saint Louis Art Museum (SLAM) is launching 'Ancient Splendor: Roman Art in the Time of Trajan,' a major exhibition featuring approximately 160 artifacts including imperial portraiture, mosaics, jewelry, and frescoes. Curated by Lucrezia Ungaro and Hannah Segrave, the show utilizes theatrical design and sensory elements like scents to immerse visitors in the Roman world. The exhibition is bolstered by significant loans from prestigious Italian institutions, including the Vatican Museums and the National Archaeological Museum of Naples.
An exhibit opening at the La Grua Center in Stonington, Connecticut, celebrates the work of local artists Dennis Sirrine and Tom Frohnapfel. The show, which runs through the end of February, features their representational and abstract paintings, mixed media, glass works, and furniture, reflecting over four decades of creative exploration. Both artists moved from the Midwest to New York City in the 1980s before settling in Stonington in the 2000s. Sirrine, who manages the Velvet Mill Gallery, presents works ranging from early cityscapes to recent abstractions, while Frohnapfel, a Pratt Institute graduate, showcases his design-and-build furniture, glass blowing, and paintings.
Howard D. Moon, a longtime benefactor of the Heights community, partnered with Houston Christian University (HCU) and Heights Church to establish the Moon Gallery, a new exhibition space dedicated to showcasing local artists. The gallery was officially dedicated on December 4 with an opening ceremony inside Heights Church (formerly Baptist Temple), honoring Moon's late wife Jeanette, a passionate arts supporter. The inaugural exhibition featured works by HCU faculty and MFA students, including artist Julia Marcucci Wood and assistant professor Hillaree Hamblin, who spoke about the gallery's mission to foster community engagement and inclusivity.