The University of North Texas College of Visual Arts and Design canceled the exhibition 'Ni De Aquí Ni De Allá' by artist Victor Quiñonez just before its scheduled opening. The show, which includes works critical of U.S. Immigration and Customs Enforcement (ICE), was removed after the university terminated its loan agreement with Boston University Art Galleries, offering no public explanation for the decision.
The Margaret Stonewall Wooldridge Hamblet Thesis Exhibitions, titled "In No Particular Order: Senior Show 2026," will open on April 10, 2026, at Space 204 galleries within Vanderbilt University's E. Bronson Ingram Studio Arts Center. The showcase features the thesis work of ten graduating senior art majors: Caitlin Nitschke, Kira Tannenbaum, Lin Morales, Dorothy Chen, Paige Restel, Megan Grosse, Remi Marcus, Isaac Bevin Boakye, Izabella Burghardt, and Rubric Barredo. The opening coincides with a department-wide open house displaying work from all art classes.
The Margaret Stonewall Wooldridge Hamblet Thesis Exhibitions, titled "In No Particular Order: Senior Show 2026," will open on April 10, 2026, at Vanderbilt University's Space 204 galleries. The showcase features the thesis work of ten graduating senior art majors: Caitlin Nitschke, Kira Tannenbaum, Lin Morales, Dorothy Chen, Paige Restel, Megan Grosse, Remi Marcus, Isaac Bevin Boakye, Izabella Burghardt, and Rubric Barredo. The opening coincides with a department-wide open house at the E. Bronson Ingram Studio Arts Center, displaying work from students across all art classes.
The University of North Texas College of Visual Arts and Design canceled the exhibition 'Ni De Aquí Ni De Allá' by artist Victor Quiñonez just before its scheduled opening. The show, which includes works critical of U.S. Immigration and Customs Enforcement (ICE), was removed after the university terminated its loan agreement with Boston University Art Galleries, providing no public explanation for the decision.
Praise Shadows Art Gallery, Boston's leading contemporary art gallery, is relocating from Brookline to a 2,000-square-foot downtown Boston storefront in the Leather District. The move was facilitated by Boston Mayor Michelle Wu's office and the Downtown Boston Alliance through their 'Space for Creative Enterprise Downtown' initiative, which helped dealer Yng-Ru Chen secure a 10-year lease. The gallery opens on March 13 with a group show titled "Summoning" featuring artists like Oliver Jeffers and Jean Shin, followed by solo shows for Boston-based artists Crystalle Lacouture, Juan José Barboza-Gubo, and Brooke Stewart later in 2026.
The 36th Bienal de São Paulo, curated by Bonaventure Soh Bejeng Ndikung, has drawn criticism for its unconventional and problematic approach to exhibition didactics. The show featured floor-mounted placards with QR codes, labels placed far from the corresponding artworks, and extremely lengthy, omnibus section texts for its six chapters, creating a confusing and frustrating viewing experience.
A critic's visit to the 36th Bienal de São Paulo led to a pointed critique of the exhibition's didactic strategy. The show, curated by Bonaventure Soh Bejeng Ndikung, featured floor-mounted placards with QR codes, poorly placed basic labels, and extremely lengthy omnibus section texts, creating a frustrating experience that oscillated between providing too little and too much information.
Shrewsbury-based artist Lee Lewis has opened a solo exhibition titled 'Story' at Swan Hill Studio, featuring a collection of paintings and personal objects that explore themes of memory and personal narrative. The exhibition, which has been extended until February 28, 2026, focuses on Lewis's paintings inspired by childhood memories, observed scenes, and her Welsh heritage, and includes items like her late brother's telephone and her grandfather's handmade cricket bat.
Shrewsbury-based artist Lee Lewis has opened a solo exhibition titled 'Story' at Swan Hill Studio, featuring a collection of paintings and personal objects that explore themes of memory and personal narrative. The exhibition, which has been extended until February 28, 2026, focuses on her recent concentration on painting and draws heavily on her Welsh roots and observations of everyday life.
Steven Jahnke, the former treasurer of the Hearthstone Historic House Museum in Appleton, Wisconsin, has confessed to embezzling $70,000 from the institution. He faces a criminal charge of theft in a business setting after board members grew suspicious of transactions for personal expenses like cruises, vacations, vehicle repairs, and Amazon purchases.
The article examines the history and critical reception of Henri Rousseau's 1897 painting *The Sleeping Gypsy*. It details the painting's creation, its initial exhibition at the Société des Artistes Indépendants, and its subsequent journey through the art market—from being lost and rediscovered at a coal dealer's to being sold by dealer Daniel-Henry Kahnweiler and collected by John Quinn, before ultimately entering the collection of The Museum of Modern Art in New York.
The University of Texas at Austin abruptly closed an exhibition at its Visual Arts Center after a single day because it included a piece critical of U.S. Immigration and Customs Enforcement (ICE). The artwork, a neon sign reading "Fuck ICE" by artist Tammie Rubin, was part of a group show curated by the university's own art faculty. The administration cited concerns about the work's "vulgarity" and potential to distract from the university's educational mission as reasons for the closure.
The Allegheny Art Galleries opened a faculty art exhibition featuring works from three art department professors. Associate Professor Heather Brand presented three photographic series, including "Under Glass, Over Time," "Recursive Light," and "After Utopia," exploring themes of scale and contained worlds. Associate Professor Clare Kambhu displayed a series of oil paintings inspired by her time teaching in New York City public schools, focusing on imparting a human presence to impersonal educational spaces through her technique.
Faculty at the University of North Texas College of Visual Art & Design have issued an open letter to university leadership, protesting the sudden and unexplained closure of artist Victor "MARKA27" Quiñonez's solo exhibition, 'Ni de Aqui, Ni de Allá,' just nine days after it opened. The letter demands an explanation for the cancellation, which occurred before a scheduled public reception, and cites university policies protecting artistic expression and academic freedom.
The University of North Texas abruptly closed the exhibition 'Ni de Aquí, Ni de Allá' by artist Victor "Marka27" Quiñonez, which was on view at its College of Visual Arts and Design Galleries. The university terminated its loan agreement with Boston University Art Galleries, removed all online mentions of the show, and covered the gallery windows with paper, offering no public explanation. The artist learned of the closure through students and received only a brief email notification.
Sotheby's will auction ten works donated by Royal Academicians during its London spring sales to raise funds for the financially struggling Royal Academy of Arts. The sale, with a cumulative high estimate of £2.6 million, includes major works by El Anatsui, Sean Scully, William Kentridge, Tony Cragg, Georg Baselitz, Anish Kapoor, Mimmo Paladino, and Jeff Koons.
An exhibition titled 'America Will Be!' opened at the University of Maryland's David C. Driskell Center, exploring how Black artists have reinterpreted the US flag. However, the show opened without a key work by artist Dread Scott, 'What is the Proper Way to Display a US Flag? (1988)', after the loan request was rescinded by the curators citing logistical and safety concerns.
Sotheby's is auctioning ten works of art donated by Royal Academicians and honorary RAs, with an estimated total value of up to £2.6 million, to provide financial support for the Royal Academy in London. The lots, including pieces by El Anatsui and Sean Scully, will be featured in the auction house's flagship March contemporary sales.
The University of North Texas abruptly cancelled the solo exhibition "Ni de Aqui, Ni de Allá" by artist Victor Quiñonez in its College of Visual Art & Design Gallery just nine days after its opening. The university covered the gallery windows with brown paper, removed all promotional material from its website and social media, and informed the artist via a misspelled email that it had terminated its loan agreement with Boston University Art Galleries, which originated the show. The artist was not notified in advance and learned of the closure from students.
The Brooklyn Fine Art Print Fair (BFAPF) will hold its second edition at the Grand Hall of Powerhouse Arts in Gowanus, Brooklyn, from April 9–12, 2026. The fair expands its scope to include academic printmaking departments from across the United States, self-representing artists, and a subsidized program for emerging artists, alongside established galleries and publishers. New exhibitors include 10 Grand Press and Petzel Gallery, while international participants like D & S Fine Art Editions from France return.