Making in a Changing World—New Online Course on How Art Confronts the Environment in Southeast Asia

National Gallery Singapore has launched the third and final installment of its free online course series, titled "Art and the Environment in Southeast Asia: Making in a Changing World." The course examines how contemporary artists from the region—including Art Labor, Sharon Chin, Sopheap Pich, and Robert Zhao Renhui—respond to ecological issues through community-engaged and place-specific practices, using works like Chin's participatory beach ceremony and Zhao's Venice Biennale installation.

The Best Booths at 1-54 Contemporary African Art Fair, From Surrealist Fantasias to Afro-Brazilian Imaginings

The 1-54 Contemporary African Art Fair has returned to the Starrett-Lehigh Building in Chelsea, New York, featuring over 20 galleries from Africa and the diaspora, with a special focus on Brazil and Afro-Brazilian perspectives. The fair, running through Sunday, includes first-time participants from Lagos, São Paulo, Nassau, and New York, and highlights five standout booths: Sulette van der Merwe's surrealist paintings at Blond Contemporary, Modou Dieng Yacine's Senegalese wrestler-inspired works at 193 Gallery, Ekene Ijeoma's Black Forest Library community project, Rommulo Vieira Conceição's aluminum works at Aura, and the curated section "Brazil Beyond Brazil" featuring 10 artists selected by Igor Simões.

Frick Inks Three-Year Partnership with Louis Vuitton, with Support for Exhibitions and Free Fridays

The Frick Collection in New York has announced a three-year partnership with Louis Vuitton, under which the fashion house will sponsor three upcoming exhibitions, a curatorial research associate position, and a year of the museum's free First Fridays program. The partnership launches with Louis Vuitton's Cruise 2027 collection show, designed by Nicolas Ghesquière, held in the Frick's first-floor galleries on May 20. The sponsored exhibitions include “Siena: The Art of Bronze, 1450–1500” (fall 2025), “Painting with Fire: Susanne de Court and the Art of Enamel” (spring 2027), and a third exhibition on 19th-century paintings (late 2027). The Louis Vuitton Curatorial Research Associate will be Yifu Liu, currently a curatorial fellow at the Frick, who will research Asian porcelain and cross-cultural exchange between Europe and China.

The Devil Wears Prada 2 to Lenny Henry: your complete entertainment guide to the week ahead

The Guardian's weekly entertainment guide highlights two major art exhibitions opening in May 2025: 'Aleksandra Kasuba' at Tate St Ives (2 May to 4 October) and 'Zurbarán' at the National Gallery, London (2 May to 23 August). The Kasuba show is the first UK presentation of the Lithuanian American artist's proto-immersive 'spatial environments,' featuring early paintings, mosaics, and installations focused on utopian social harmony. The Zurbarán exhibition presents a blockbuster survey of the 17th-century Spanish Baroque master, known for his intense religious subjects and dramatic chiaroscuro.

The art of politics: how global conflicts are playing out in this year's Venice Biennale

Israel is making a controversial return to the 2025 Venice Art Biennale after its pavilion was locked in 2024 with a note demanding a ceasefire in Gaza. The artist representing Israel, Belu-Simion Fainaru, will present his project "Rose of Nothingness" in the Arsenale, while Russia also returns to the Biennale after its Giardini pavilion was reassigned to Bolivia in 2024. The Art Not Genocide Alliance (ANGA) has renewed calls for a boycott and is organizing strike action to disrupt the event, accusing Israel of genocide.

I Saw a Great Show in China That Would Be Censored in the United States

A major exhibition titled "The Great Camouflage" is on view at the Rockbund Art Museum in Shanghai, curated by X Zhu-Nowell and Kandis Williams. The show explores 20th-century Afro-Asian revolutionary alliances and Black feminist thought through contemporary art, featuring works by artists like Pope.L, Tuan Andrew Nguyen, and Onyeka Igwe that process these histories from feminist perspectives.

diya vij new york city commissioner of cultural affairs

Diya Vij has been appointed as the next commissioner of New York City’s Department of Cultural Affairs (DCA) by Mayor Zohran Mamdani. Vij, who most recently served as vice president of curatorial and arts programmes at Powerhouse Arts, is the first person of South Asian descent to lead the agency. She brings extensive experience from previous roles at Creative Time, the High Line, and a prior five-year tenure within the DCA itself, where she managed public artist residencies and diversity initiatives.

louvre abu dhabis manuel rabate tapped to lead indias largest private museum

Manuel Rabaté, the inaugural director of Louvre Abu Dhabi, has been appointed as the first chief executive and director of the Kiran Nadar Museum of Art (KNMA) in New Delhi. He will lead the institution as it prepares to move from its current location in a shopping mall to a massive new purpose-built complex designed by David Adjaye Associates, which is slated to open within three years.

top architecture firm accused of illegally firing union supporting staff founding editor of artforum dies morning link for january 20 2025

The National Labor Relations Board has accused Snøhetta, a prominent New York-based architecture firm, of illegally firing eight employees who supported a 2023 unionization campaign. The NLRB complaint alleges that managers tracked union supporters and improperly questioned staff about their sympathies, while Snøhetta denies the claims, attributing layoffs to business pressures predating the union drive. Separately, Singapore Art Week is spotlighting women artists from Southeast Asia, with the launch of Krystina Lyon's book "You Are Seen" and the National Gallery Singapore exhibition "Fear No Power: Women Imagining Otherwise." Other news includes the death of Artforum founding editor Philip Leider at 96, LANZA chosen for the Serpentine Pavilion, and a Louvre heist caught on newly released footage.

the asia pivot masumi shinohara

Masumi Shinohara, a Japanese-born, French-bred former luxury executive who joined Sotheby's Japan in April 2024 to lead its operations, has been promoted to managing director for Asia within his first year. He succeeded Nathan Drahi, son of majority owner Patrick Drahi, and now oversees Sotheby's expansion across the region amid a recovering global art market. The article features an interview with Shinohara discussing his transition from luxury brands (Valentino, L'Oréal, Ermenegildo Zegna) to the auction world, his childhood immersion in art through his father, and the strategic benefits of Sotheby's new permanent Hong Kong premises, Sotheby's Maison, which allows year-round auctions and thematic sales.

delcy morelos barbican london commission

The Barbican in London will present a major commission by Colombian artist Delcy Morelos, her first in the United Kingdom, from May 15 to July 31. The centerpiece is an oval-shaped pavilion measuring roughly 78 feet in circumference, constructed from soil, clay, spices, and plant materials, sited in the Barbican's outdoor Sculpture Court. It is the third public-realm commission by the Barbican and the first in its Sculpture Court. The project is supported by the London-based Bukhman Foundation, founded by Anastasia Bukhman, a new addition to ARTnews's Top 200 Collectors list.

professor terminated art history paintings muhammad

An adjunct professor at Hamline University in St. Paul, Minnesota, Erika López Prater, lost her job after showing her art history class two Medieval paintings depicting the Prophet Muhammad during an online lecture on October 6, 2022. She issued a content warning before displaying the images, which came from a 14th-century manuscript by Rashīd al-Dīn and a 16th-century work by Mustafa ibn Vali. A student, Aram Wedatalla, complained, and the university's administration, including associate vice president David Everett, decided not to renew her contract, calling the incident Islamophobic. The decision has sparked widespread debate, with a Change.org petition signed by over 2,500 scholars and a condemnation from PEN America.

two curatorial teams win the 2025 hyundai blue prize

Two curatorial teams have won the Hyundai Blue Prize+ 2025, an award organized by Hyundai Motor Company to support curators addressing contemporary issues in an Asian context. The winners are Hyejin and Yoonyoung Park, a Seoul-based duo whose proposal examines AI's reliance on natural resources and labor, and Yifeng Wei and Penny Dan Xu, based in Dublin and London, who invite viewers to reimagine the future of modern technology. Selected from over 160 proposals, the teams participated in a mentorship program and research trip before being chosen by an international jury. Their exhibitions will be held at Hyundai Motorstudio Beijing between mid-2026 and early 2027, with each receiving 800,000 RMB (about $110,000) for production costs.

sothebys hong kong sells 125 works from japans okada museum for 88 m so founder can settle 50 m legal bill

Sotheby's Hong Kong sold 125 works from Japan's Okada Museum of Art in a white-glove auction on Saturday, netting $88 million (plus fees). The sale set auction records for Japanese artists Kitagawa Utamaro and Hokusai, with Utamaro's *Fukagawa in Snow* fetching $7.1 million and Hokusai's *The Great Wave Off the Coast of Kanagawa* selling for $2.8 million. The collection was sold by museum founder Kazuo Okada, an 83-year-old billionaire, to settle a $50 million legal bill stemming from a long-running feud with casino magnate Steve Wynn. Okada's law firm, Bartlit Beck, successfully pursued the fee in binding arbitration after Okada contested the amount.

vaginal davis moma ps1

The article profiles artist Vaginal Davis and her exhibition "Magnificent Product" at MoMA PS1, which opened shortly after the author visited. Davis, born in 1961, is described as a transformative figure who repurposes fragments of popular culture—from classic Hollywood to gay porn—to create immersive, queer alternate realities. The show includes works like *The Wicked Pavillion* (with *Fantasia Library* and *Tween Bedroom*, both 2021) and a collaboration with Jonathan Berger titled *Naked on my Ozgoad: Fausthaus—Anal Deep Throat* (2024–ongoing). Davis's practice is characterized by a playful, femme-centered critique of mainstream culture, centering Black women and inverting traditional gazes.

glenn lowry middle east podcast interview

Glenn Lowry, who stepped down last month after 30 years as director of the Museum of Modern Art, has given a wide-ranging interview on the podcast *The Art World: What If…?!* with Charlotte Burns. He discusses the Trump administration’s threats to museums’ tax-exempt status, his upcoming advisory roles for the Islamic Arts Biennale in Jeddah and the Kiran Nadar Museum of Art in Delhi, a prospective leadership campaign for Alice Walton’s Art Bridges Foundation, and a series of talks at the Louvre titled “I Want a Museum. I Need a Museum. I Imagine a Museum.”

interest in asian art strong despite challenges art market

The autumn edition of Asia Week New York is underway, with auction houses reporting strong interest in Asian art despite broader economic challenges. Bonhams kicked off the week with sales totaling $7.3 million, including Chinese ceramics and snuff bottles, though it offered 47% fewer lots than last year. Top results included a blue-and-white jar selling for $1.75 million and a pair of famille rose dishes for $1.5 million. Christie’s sold a Vasudeo S. Gaitonde painting for $2.35 million and a Tyeb Mehta work for nearly $2 million. New US tariffs under the Trump administration have added uncertainty, particularly for cross-border consignments and purchases.

diana de rosa

A rediscovered Baroque painting by 17th-century Neapolitan artist Diana de Rosa, titled *Salome with the Head of Saint John the Baptist*, sold for £317,500 ($436,086) at Sotheby’s Old Masters and 19th Century Paintings sale in London on July 2, more than quadrupling its high estimate. The work, previously unknown to scholars, set a new auction record for the artist and was described by Sotheby’s specialist Elisabeth Lobkowicz as a powerful image comparable to Caravaggio’s treatment of the same subject.

frieze seoul 2025 exhibitor list

Frieze Seoul 2025 will bring together 120 galleries from over 30 countries for its fourth edition, running September 4–6 at the COEX convention center with a preview day on September 3. The fair coincides with Kiaf Seoul and is split into three sections: the main Galleries section (90 exhibitors), Focus Asia (10 solo presentations of emerging artists), and Frieze Masters (20 booths covering works from the Middle Ages to the 20th century). Blue-chip participants include Gagosian, Hauser & Wirth, Pace Gallery, and David Zwirner, alongside leading Korean galleries such as Gallery Hyundai and Kukje Gallery. Five galleries have graduated from Focus Asia to the main section, and 20 first-time participants join the main section.

asian artists under 35 are doing at auction

A new analysis by The Asia Pivot reveals that total global auction sales for Asian artists born between 1990 and 1999 dropped to $9.7 million in 2024, the lowest level in three years. The market for these young artists shows clear signs of cooling, with 696 lots sold out of 1,128 offered, a 62% sell-through rate, and an average price per lot falling 26.5% year-over-year to $13,905. Top-ranked artists like Raghav Babbar and Anna Park saw steep price declines, while a few consistent performers like Yukimasa Ida, Sun Yitian, and Chris Huen Sin-Kan maintained strong market recognition.

takahashi mizuki textile art

In a recent edition of Artnet Pro's newsletter 'The Asia Pivot', the director of CHAT (Centre for Heritage, Arts and Textile) in Hong Kong reflects on highlights from Art Basel Hong Kong, including textile-based works by Movana Chen, Huan Po-Chi, and Ade Darmawan. The article discusses the growing engagement of contemporary artists with traditional craft practices like weaving, embroidery, and dyeing, particularly during the pandemic, and notes the distinct lineage of fiber art in Asia compared to the West, where it emerged as a subgenre of Modernism in the 1960s.

dar kuen wu taiwan digital art

The article examines the rise of Taiwanese contemporary art on the international stage, focusing on its growing prominence in digital and technological art. It traces the evolution of digital art in Taiwan through three phases: video art in the 1990s with pioneers like Wang Jun-Jieh and Yuan Goang-Ming, digital media experimentation in the 2000s driven by the tech sector, and a recent phase of internationalization and interdisciplinary integration fueled by the semiconductor industry and government support. Key factors include Taiwan's hardware industry, cultural liberalization after the lifting of martial law in 1987, and sustained policy support from institutions like the National Culture and Arts Foundation (NCAF), the Taiwan Contemporary Culture Lab (C-LAB), and the Taiwan Creative Content Agency (TAICCA).

The Interview: Amar Kanwar

ArtReview interviews Amar Kanwar, a New Delhi-based artist known for films and multimedia installations that blend poetry, activism, and documentary to explore power, conflict, and social justice. Kanwar discusses his career trajectory from documentary filmmaking to occupational health research in a coal mining region, and back to filmmaking on his own terms. His best-known work, *The Sovereign Forest* (2012), addresses government-corporate collusion in Odisha, while his latest, *The Peacock's Graveyard* (2023), is a seven-channel film installation currently paired with *The Torn First Pages* (2004–08) at Palazzo Grassi in Venice under the heading "Co-Travellers." Kanwar has participated in four consecutive editions of Documenta (2002–2017) and was a curator of the 2022 Istanbul Biennial.

Amanda Heng Walks the Walk

Singaporean artist Amanda Heng, now 74, is representing Singapore at this year's Venice Biennale with her exhibition titled *A Pause*, featuring a site-specific installation and durational performance. Known for her decades-long performance *Let's Chat* (1996–), in which she cleans mung bean sprouts with participants to foster casual conversation, Heng transforms everyday domestic gestures into feminist acts. Her work reclaims the body, labor, and relationships as sites of personal autonomy. She was part of the pioneering, male-dominated generation of Singaporean contemporary artists in The Artists Village, but left due to its hierarchical structure to pursue collaborations with women artists and further studies.

Paris’s Centre Pompidou to Welcome Seoul Outpost in June

The Centre Pompidou is expanding its global footprint with the opening of a new satellite museum in Seoul this June. Housed in a former aquarium within the Hanwha Group's headquarters in the Yeouido financial district, the Centre Pompidou Hanwha is the result of a four-year partnership between the French institution and the Hanwha Foundation of Culture. The renovated 108,000-square-foot space, designed by architect Jean-Michel Wilmotte, will debut with an exhibition titled "The Cubists: Inventing Modern Vision," which explores the evolution of Cubism and its intersections with Korean art.

In Lugano, there are 5 exhibitions dedicated to the Orient to discover around the city

A Lugano ci sono 5 mostre dedicate all’Oriente da scoprire in giro per la città

Five exhibitions dedicated to East Asian art are currently on view across Lugano, Switzerland. Four are housed in the city's two major museums, MASI and MUSEC, while the fifth is presented by Primo Marella Gallery. The shows feature a range of works, from historical Japanese kakemono scrolls and screens to contemporary art by Chinese artists Zhang Hong Mei and He Wei, and a survey of video art from South Korea.

sothebys modern contemporary art singapore pacita abad

Sotheby’s held its annual modern and contemporary art sale in Singapore on Sunday, achieving $13.1 million across 62 lots with a 94% sell-through rate. The top lot was Adrien-Jean Le Mayeur de Merpres’s *Weavers* (1953) at $1.2 million, followed by Takashi Murakami’s *Blue Signals* (2017) at $1.06 million. New artist records were set for Pacita Abad, whose *Assaulting the eye with Ecstasy* (1984) sold for $389,400, and Singaporean artist Anthony Poon, whose *Colour Waves* (1986) fetched $129,800. Bidders came from Southeast Asia, the US, the UAE, Europe, South Korea, Japan, India, and China.

hong kong adrian cheng web3 blockchain immersive experiences

Adrian Cheng, the mega-collector and regular on ARTnews' Top 200 Collectors list, has announced his new venture ALMAD Group after resigning as CEO of his family's Hong Kong property firm New World Development Co. (NWD) last year. The company will focus on digital assets, blockchain technologies, and immersive digital experiences across entertainment, sports, and media in mainland China, Southeast Asia, and the Middle East. ALMAD has absorbed Cheng's art-meets-commerce platform K11 by AC, which includes the K11 Craft and Guild Foundation, the K11 Art Foundation, and the K11 Art Malls that pair luxury retail with exhibitions by artists like Damien Hirst and Takashi Murakami.

christies first half results 2025

Christie's reported that its auction sales for the first half of 2025 totaled $2.1 billion, identical to the same period last year, suggesting the art market may be stabilizing. However, the $2.1 billion figure marked a 22 percent drop from the first half of 2023, indicating stabilization at a lower level. The house sold seven of the top 10 works at auction, led by Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black, and Blue* (1921) for $47.6 million from the collection of Barnes & Noble founder Leonard Riggio. Luxury sales rose 29 percent, while Old Master sales increased 15 percent, but Asian art and Classics fell 28 percent and 32 percent respectively. The Americas led buyer activity at 45 percent, followed by EMEA at 34 percent and APAC at 21 percent.

amid market uncertainty asian art posts standout results

A review of the top 20 auction lots sold globally in the first quarter of 2025 reveals that four of the five priciest works were either by Asian artists or sold in Asia, a shift from the dominance of Western works in London and New York during the same period in 2023 and 2024. Notable sales include a record-breaking Yuan dynasty calligraphy by Rao Jie at Sotheby’s Hong Kong for $32.2 million, Tyeb Mehta’s *Trussed Bull* setting an artist record at Saffronart in Mumbai, and M. F. Husain’s *Untitled (Gram Yatra)* becoming the first Indian Modern artwork to exceed $10 million at Christie’s New York. However, the total value of the top five lots fell to $73.7 million, down nearly 14% from 2024 and 46% from 2023, amid a broader downturn in Asian art sales, particularly in China.