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M.F. Husain | Untitled (Head of a Horse) (Circa 1969) | Available for Sale

Grosvenor Gallery has announced the availability of a significant 1969 oil painting by M.F. Husain titled "Untitled (Head of a Horse)." The work, which features the artist's signature equine subject matter with bared teeth and exaggerated features, was recently showcased at Frieze Masters 2024 as part of the "South Asian Modernists in Paris" exhibition. The painting has a documented provenance involving the Vadehra Art Gallery and has been held in a private London collection since 2007.

Obey Giant x Add Fuel Modular Frequency Shepard Fairey Fine Contemporary Art , 2026

Street art pioneer Shepard Fairey has released a collaborative screen print titled "Modular Frequency" in partnership with Portuguese artist Add Fuel (Diogo Machado). The limited-edition work, produced by Obey Giant Studios, features a fusion of Fairey’s signature propaganda-style aesthetics with Add Fuel’s contemporary take on traditional tile patterns. The hand-signed and numbered edition is currently being offered through New Union Gallery on the Artsy platform.

Irene Monat Stern | Untitled (circa 1970s) | Available for Sale

The estate of Irene Monat Stern has made the painting 'Untitled' (circa 1970s) available for sale, highlighting the artist’s unique contribution to the Color Field movement. A Holocaust survivor who settled in Southern California, Stern developed a signature technique of staining unprimed canvas with acrylics to create organic, blossom-like forms. Her work is characterized by a sense of weightlessness and spatial depth that distinguishes her from contemporaries like Morris Louis and Helen Frankenthaler.

72 Hours of Art in Salt Lake City: Museum Hopping, Spiral Jetty and Sculpture on the Slopes

Billionaire Reed Hastings, the former CEO of Netflix, has transformed Utah’s Powder Mountain ski resort into a unique 'skiable outdoor art museum.' Collaborating with landscape architect Reed Hilderbrand, the resort now features major installations by artists such as Nancy Holt, James Turrell, and EJ Hill. This development positions the resort as a contemporary companion to the region's historic land art landmarks, including Robert Smithson’s Spiral Jetty and Holt’s Sun Tunnels.

The Art World This Week: Nazi-Looted Modigliani Reclaimed, Kengo Kuma to Design National Gallery Wing, Seoul’s Centre Pompidou to Open in June, and More

The art world saw several major developments this week, headlined by a significant legal ruling regarding Amedeo Modigliani’s 'Seated Man with a Cane' (1918). A judge ruled against a holding company controlled by billionaire dealer David Nahmad, moving the Nazi-looted masterpiece closer to reclamation. Meanwhile, institutional expansions took center stage with Kengo Kuma being selected to design a new wing for London’s National Gallery, and the Centre Pompidou Hanwha in Seoul confirming a June 4 opening date.

Compton’s New Canvas: Mr. Wash and the Art of the Possible, Los Angeles

Fulton Leroy Washington, the Compton-based artist known as Mr. Wash, is spearheading a $15 million campaign to build a 14,000-square-foot community arts center and studio in his hometown. The project is being supported by his latest exhibition, "The City of Compton: Then & Now," and a showcase at Jeffrey Deitch’s Compton space titled "Don’t Turn Your Back On Us." Washington, who served 21 years of a life sentence before receiving clemency from President Barack Obama in 2016, gained international acclaim for his photorealistic "teardrop" portraits created while incarcerated.

April 2026 Opportunities: Open Calls, Residencies, and Grants for Artists

This monthly roundup highlights a diverse range of professional opportunities for artists and designers scheduled for April 2026. Key listings include the Earth 2026 Art Awards, which offers global promotion and Artsy exposure, and The Hopper Prize, which provides grants totaling $13,000. Other notable calls include the Glen Arbor Arts Center’s "American Tree" exhibition, the fiber-focused "Fiber Forward" open call for women and non-binary artists, and the prestigious Fleurieu Biennale Art Prize in Australia.

The US struggles with history, Stephen Friedman Gallery closes, Tudor Heart pendant acquired by the British Museum—podcast

The United States is experiencing significant cultural and political disputes as it approaches the 250th anniversary of the Declaration of Independence in July 2026. A recent flashpoint involved the Trump administration removing the rainbow Pride flag from the Stonewall Monument in New York, highlighting deep societal divisions over history and representation. Concurrently, various cultural initiatives are being planned to mark the semiquincentennial.

The 10 Best Booths at Untitled Art, Miami Beach 2025

Untitled Art, Miami Beach 2025 opened for VIP day on December 2nd under the Miami sun, featuring 160 galleries from 29 countries—a slight decrease from 2024's 176 exhibitors. The fair introduced a new Artist Spotlight sector for solo booths and a curated Nest sector led by Jonny Tanna, grouping 36 emerging galleries like Cierra Britton Gallery and Sorondo in an open-format layout. Highlights include Carvalho's booth with works by Élise Peroi, Rosalind Tallmadge, Yulia Iosilzon, and Rachel Mica Weiss, and SGR Galería's solo presentation of Colombian artist Lorena Torres. The fair's director, Clara Andrade Pereira, emphasized championing emerging talent and strengthening community.

A brush with… Mary Kelly—podcast

This podcast episode features an in-depth conversation with pioneering conceptual and feminist artist Mary Kelly, now 84 and based in Los Angeles. She reflects on her groundbreaking works such as *Post-Partum Document* (1973-77) and *Interim* (1984-89), her move to Beirut in the 1960s, the influence of May 1968, and her lifelong commitment to non-figurative art after encountering Franz Kline's work at age 15. The episode also covers her current exhibition *We don't want to set the world on fire* at Pippy Houldsworth Gallery in London, running until January 2026.

16 New Auction Records Set in November 2025

New York's fall auction week in November 2025 saw major houses Sotheby's, Christie's, and Phillips collectively bring in over $2 billion, signaling renewed market confidence after an uneven spring. The top lot was Gustav Klimt's *Portrait of Elizabeth Lederer* (ca. 1914–16), which sold for $236.36 million at Sotheby's—the second-highest price ever paid at auction and a new record for the artist. Other notable records included Frida Kahlo's *El sueño (La cama)* (1940), which became the most expensive artwork by a woman artist sold at auction, fetching $54.66 million. In total, 16 new artist auction records were set during the week.

Artes Mundi 11 Prize and Exhibition

The six artists shortlisted for the 2025 Artes Mundi 11 prize present works addressing displacement, colonial trauma, and migration amid divisive global politics. The exhibition, held at the National Museum Cardiff and other Welsh venues, features Sancintya Mohini Simpson’s subversive Indian miniature-style paintings depicting the horrors of indentured labor, alongside works by Jumana Emil Abboud, Anawana Haloba, and Sawangwongse Yawnghwe. The prize, the UK’s largest cash award for an exhibition at £40,000, continues its evolution by offering solo presentations across multiple venues.

As Art X Lagos opens, Nigeria's next generation of artists emerges

Art X Lagos, the art fair founded by Tokini Peterside-Schwebig in 2016, opens for its tenth edition from November 6-9, anchoring Lagos Art Week. The fair features a group show at Kó Art Space spotlighting artists inspired by the Oshogbo School, a 1960s Nigerian movement, and Tiwani Contemporary presents sculptural works by Lagos-based designer Nifemi Marcus-Bello, his first exhibition in Nigeria. The Guest Artists Space (GAS) Foundation, established by British-Nigerian artist Yinka Shonibare, adds talks, workshops, and cultural exchange programs, contributing to a vibrant, sprawling art week across the city.

Where to find art gallery inspiration in Luxembourg

A guide to art galleries in Luxembourg highlights year-round venues like Villa Vauban, which focuses on 17th-19th century Old Masters, and Casino Luxembourg – Forum of Contemporary Art, known for its international contemporary program and experimental approach. The article also promotes Luxembourg Art Week, taking place November 21-23, 2025 at Glacis, featuring 77 galleries from 15 countries, and the Salon du Cercle Artistique de Luxembourg from November 1-16, 2025 at Tramsschapp.

At the Atlanta Art Fair's second edition, the city showed its strengths

The Atlanta Art Fair returned for its second edition from September 25-28, 2024, at Pullman Yards in the Kirkwood neighborhood, produced by events firm AMP. The fair hosted 75 local, national, and international galleries and arts organizations, drawing around 3,500 attendees to its VIP preview and opening night. Exhibitors and organizers were more acclimated to the space than in the debut year, with a more relaxed and confident atmosphere. The fair highlighted Atlanta's unique cultural identity, emphasizing friendliness, community engagement, and a slower, less pretentious pace compared to art fairs in New York or Los Angeles.

Back into the Fray: Fall’s Must-See Museum Shows

Boston Art Review (BAR) has published a guide to must-see museum exhibitions for fall 2026, highlighting major shows across the United States. The article curates a selection of institutional presentations that are expected to draw significant attention during the autumn season, though the specific exhibitions and venues are not detailed in the provided text.

Best 16 Seattle art exhibits to see this fall

This fall, Seattle's visual arts scene is exceptionally strong, with a curated guide highlighting 16 must-see exhibitions across the city. Notable shows include Matthew Deane Parker's 'Hard Body' at Gallery 4Culture, featuring foam boulders sculpted by an artist with multiple sclerosis; Rob Rhee's 'Crossings' at the Jacob Lawrence Gallery, using dried gourds; and Stefan Gonzales's 'Unclassified Materials' and 'Quarry,' which reimagine land art through a decolonial lens. Other highlights include Rodney McMillian's 'Neighbors' at the Henry Art Gallery, 'Woven in Wool' at the Burke Museum showcasing Coast Salish weaving, and a trio of Indigenous-focused shows at the Frye Art Museum featuring Camille Trautman, Priscilla Dobler Dzul, and a survey of the late Beau Dick.

Van Gogh’s two pictures of the hospital in Arles—painted while he was recovering after cutting his ear—head to the Courtauld

Van Gogh's two paintings of the hospital in Arles, created after he mutilated his ear, are being lent from the Oskar Reinhart Collection in Winterthur, Switzerland, to the Courtauld Gallery in London for the exhibition "Goya to Impressionism: Masterpieces from the Oskar Reinhart Collection" (14 February–26 May). The works—"The Courtyard of the Hospital at Arles" and "The Ward in the Hospital at Arles"—were both acquired in the 1920s by Swiss collector Oskar Reinhart and have rarely been lent due to restrictions that have now been modified. The museum in Winterthur is temporarily closed for renovations, enabling this loan.

Culture Type | The Month in Black Art: Here’s What Happened in August 2025

The Studio Museum in Harlem announced it will reopen on November 15, 2025, after being closed since 2018 for construction of its new building on 125th Street. The museum shared details about opening celebrations, community day, suggested admission prices, and hours. In other August 2025 news, Brazilian artist Ana Cláudia Almeida joined Stephen Friedman Gallery (London/New York) alongside Quadra and Fortes D’Aloia & Gabriel; Ekow Eshun was named curator of British Art Show 10, opening in September 2026 across five UK cities; and Vanity Fair previewed the new Studio Museum building in its September issue, featuring interviews with Director Thelma Golden and artists Karon Davis and Tshabalala Self.

Shara Hughes - Weather Report - Exhibitions

David Kordansky Gallery presents "Weather Report," an exhibition of new paintings by Shara Hughes, opening September 4 through October 18, 2025, at its 520 W. 20th St. location in New York. This marks the artist's first solo show in New York in six years, featuring works such as "Rift" (2025), "Bigger Person" (2024), "Find My Way" (2025), "Niagara" (2024), "Only Slightly Rare" (2025), "The Good Light" (2025), "Pearly Gates" (2025), "Gossip" (2025), and "MaMa" (2025), all created in oil, acrylic, and dye on canvas or linen.

The 2025 Fall Arts Preview: Our picks in Art + Design

The 2025 Fall Arts Preview highlights a vibrant season in Atlanta, featuring the return of the Atlanta Art Fair (AAF) at Pullman Yards from September 25–28 with over 60 exhibitors, including local and international galleries. Key programming includes a curatorial presentation by Melissa Messina with abstract artists Krista Clark, Sonya Yong James, and Vadis Turner honoring Mildred Thompson. Additionally, the Hammonds House Museum and National Black Arts Festival present "Black Zeitgeist: Atlanta" through December 14, exploring the city's Black art legacy, while the revived art amusement park "Luna Luna: Forgotten Fantasy" opens at Pullman Yards on September 24.

Seoul According to Artist Etsu Egami

Japanese-born artist Etsu Egami, known for large-scale abstract paintings exploring language and communication barriers, has been chosen to inaugurate Korea's new OAR Contemporary Museum in Gyeongju with a solo exhibition titled "Egami Etsu: Echoes of the Earth." The show, running until September 21, features site-specific works inspired by the city's ancient tombs and the museum's architecture. Egami, who was raised across Washington, DC, Paris, and Japan and studied in Germany, Beijing, and New York, has previously exhibited at the Guggenheim in New York, Grand Palais in Paris, and Mori Art Museum. She first showed in South Korea in 2022 at Tang Contemporary in Seoul, and her work has gained recognition among Korean curators and collectors.

‘Making Their Mark: Works from the Shah Garg Collection’

The article announces the exhibition 'Making Their Mark: Works from the Shah Garg Collection' at Washington University in St. Louis (WashU). The show features works from the collection of Shah Garg, highlighting a selection of contemporary artworks.

These are the 7 best art galleries to visit in Brisbane

This article lists the seven best art galleries to visit in Brisbane, Australia, as of June 2025. It highlights major institutions such as the Queensland Art Gallery and Gallery of Modern Art (QAGOMA), which hosts the Asia Pacific Triennial of Contemporary Art, and the Museum of Brisbane (MoB), which emphasizes fine art within a heritage building. Other notable mentions include Woolloongabba Art Gallery, known for its focus on contemporary Australasian art and Indigenous works sourced from community-owned arts centers.

‘I paint extreme emotions’: Rachel Jones on her riotously colourful paintings – and her obsession with mouths

Rachel Jones, a 34-year-old British artist, is preparing for a major retrospective at Dulwich Picture Gallery, her first institutional solo show in the UK and the museum's first solo exhibition of a contemporary artist in its main space. After graduating from the Royal Academy Schools in 2019, Jones was quickly represented by Galerie Thaddaeus Ropac, had work acquired by the Tate, and exhibited at Chisenhale Gallery, the Hayward Gallery, and the Hepworth Wakefield. She has since left gallery representation, expanded into sound and performance, and created a short opera titled 'Hey Maudie' (2023), now being developed into a full-length opera. Her upcoming show at Dulwich, 'Gated Canyons', will pair her large-scale abstract paintings with works from the museum's collection, and she also has a site-specific commission at the Courtauld Gallery opening in September.

Ten Museum Exhibitions Across New England Worth Seeing

Boston Art Review (BAR) has published a curated list of ten museum exhibitions across New England that are currently worth seeing. The article highlights a diverse range of shows, from contemporary art to historical surveys, taking place at various institutions throughout the region.

Michaelina Wautier review – an astounding lost artist steps out of her male contemporaries’ shadows

A major exhibition at the Royal Academy is presenting the work of 17th-century Flemish painter Michaelina Wautier, an artist whose significant oeuvre was long misattributed to her male contemporaries, including her brother Charles. The show acts as a real-time art historical investigation, using scientific analysis, scholarship, and connoisseurship to reconstruct her career and assert her authorship of ambitious works like the monumental 'The Triumph of Bacchus'.

pace closes hong kong gallery h queens 2025

Pace Gallery is closing its exhibition space at H Queen’s in Hong Kong later this month, with its final show—featuring Alejandro Piñeiro Bello—ending on October 18. The gallery chose not to renew its lease, citing that the location was no longer serving its needs. Pace will maintain its Hong Kong and Beijing offices and remains open to finding new spaces, signaling it is not fully exiting the city.

White Stripes Frontman Jack White Is Showing Art at Damien Hirst’s Gallery

Jack White, frontman of the White Stripes, is opening a sculpture exhibition at Damien Hirst’s Newport Street Gallery in London. Titled “Jack White: THESE THOUGHTS MAY DISAPPEAR,” the show runs from May 29 to September 13 and features found-object sculptures, furniture designs, notebooks, and photography. White and Hirst first met in 2021 when White was opening a Third Man Records store near Hirst’s studio, and Hirst encouraged White to mount a show after seeing his artwork.

Sur Arte Radio et dans une expo, l’enquête d’Adrianna Wallis sur les traces de sa grand-mère peintre spoliée par les nazis

Artist Adrianna Wallis (born 1981) discovers that her paternal grandmother, painter Diane Esmond (1910–1981), was a victim of Nazi looting during World War II. After being contacted by historians Patricia Helletzgruber and Sophie Juliard, Wallis learns that much of Esmond's work was systematically destroyed by the ERR, the Nazi organization responsible for art theft in occupied countries. This revelation sparks a personal investigation that becomes a podcast for Arte Radio titled "Il restera la gravité," blending documentary, autobiographical inquiry, and sound installation. Wallis delves into archives, examining microfilms and lists that detail 46 of Esmond's paintings—each methodically described and declared destroyed, such as "Woman in blue evening dress: annihilated."