New art fair Arrival brings collectors to the bucolic Berkshires

Arrival, a new art fair, launched its inaugural edition on June 12 at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors from across the US. The biennial fair, running through June 15, includes panels, talks, and off-site programming at nearby museums. Galleries set up in hotel rooms, creating an intimate, domestic atmosphere. Founders Yng-Ru Chen, Sarah Galender Meyer, and Crystalle Lacouture—who together bring 60 years of art-world experience—aim to offer a respite from conventional convention-center fairs. Early sales included works by Hayal Pozanti, Chelsea Ryoko Wong, and Pae White, and the Williams College Museum of Art acquired three works from the fair.

The Wallace Collection appoints Selldorf Architects to lead masterplan to transform its historic London home

The Wallace Collection in London has appointed Selldorf Architects, led by Annabelle Selldorf, to lead a masterplan for Hertford House, its historic home. Selldorf, who recently oversaw renovations at the Frick Collection and the National Gallery's Sainsbury Wing, will collaborate with UK practices Purcell and Lawson Ward Studio. The project aims to improve access, sustainability, and visitor experience at the museum, which opened to the public in 1900 and houses over 5,500 works including masterpieces by Velázquez, Hals, and Rubens.

Remembering Koyo Kouoh, one of the most influential curators in the global art world, and one of its most original thought leaders

Koyo Kouoh, the influential curator and executive director of the Zeitz Museum of Contemporary Art Africa (Zeitz Mocaa) in Cape Town, has died at age 57, just ten days before she was to announce the title and themes of the 2026 Venice Biennale, for which she had been appointed curator of the international exhibition in December 2024—the first African woman to hold that role. Kouoh transformed Zeitz Mocaa from a fledgling institution into a globally respected museum, securing the donation of Jochen Zeitz's collection, expanding the board, and launching community-focused initiatives like the exhibition *Home is Where the Art is* (2020-21) and the online summit Radical Solidarity.

Preview: Upcoming Summer Shows at Houston Area Museums

Houston-area museums and art spaces have announced their upcoming summer exhibitions, including immersive installations, figurative group shows, and presentations addressing environmental issues. Highlights include A.A.Murakami's "Floating World" at the Museum of Fine Arts, Houston (MFAH), the first solo U.S. museum presentation for the artist duo; Francesca Fuchs's "The Space Between Looking and Loving" at the Menil Collection, which explores a personal connection between the artist's father and John de Menil; and "Figurative Histories" at the Moody Center for the Arts, featuring works by Black Texas artists examining sociopolitical histories.

Bauhaus thread weaves through expansive textile show at MoMA

The traveling exhibition "Woven Histories: Textiles and Modern Abstraction" has made its final stop at the Museum of Modern Art (MoMA) in New York. Organized by Lynne Cooke, senior curator at the National Gallery of Art in Washington, DC, in collaboration with MoMA, the Los Angeles County Museum of Art, and the National Gallery of Canada, the show features around 150 works that explore weaving through the lens of abstraction. At MoMA, the exhibition responds to the museum's historical ties to the Bauhaus, including works by Anni Albers and Gunta Stölzl, and highlights lesser-known figures like Ed Rossbach. The show also includes contemporary artists such as Jeffrey Gibson, with several having concurrent solo exhibitions in New York.

Frieze New York Diary: sparring artists are boxing clever, Whitney gets set for almighty dick pic, and Bates mansion is reincarnated

The article covers several art-world events during Frieze New York week. Highlights include a boxing match at the Prince George Ballroom for the Cultivist's tenth anniversary, featuring artists like Shaun Leonardo, Cheryl Pope, and Jesus Benavente. At the Whitney Museum, the upcoming exhibition 'Sixties Surreal' will showcase Harold Stevenson's monumental male nude 'The New Adam' (1962), owned by the Guggenheim. Other notable items include Felix Beaudry's textile piece 'Put' (2024) at the Golden Thread 2 pop-up, Cornelia Parker's 'PsychoBarn (Flotsam)' (2024) at Frith Street Gallery, and Chantal Joffe's portrait of critic Hettie Judah at Victoria Miro.

Ford Foundation Gallery and NXTHVN presents THIS IS NOT A RETREAT! NXTHVN Through the Years

The Ford Foundation Gallery and NXTHVN present "THIS IS NOT A RETREAT! NXTHVN Through the Years," an exhibition opening June 5, 2025, at the Ford Foundation Center for Social Justice in New York. The show features work by alumni artists from the first five years of NXTHVN's intensive 10-month fellowship program, which has supported 41 artists and 12 curators since 2018. Co-founded by artist Titus Kaphar and impact investor Jason Price, the exhibition is curated by Marissa Del Toro and spans drawing, painting, prints, installation, etchings, and sculpture. A concurrent group show, "The Things Left Unsaid," featuring NXTHVN's Cohort 06 Fellows, runs from May 8 to June 21, 2025, at James Cohan Gallery.

Artists Across America Are Creating Stunning Floral Arrangements Inspired by Paintings, Sculptures and Artifacts

Museums across the United States are hosting "Art in Bloom" exhibitions, where floral artists create custom arrangements inspired by artworks in museum collections. The Cincinnati Art Museum recently held its show with 65 arrangements alongside pieces ranging from sculptures to oil portraits, including a sugar flower installation by Amsterdam-based artist Natasja Sadi. Other institutions like the Museum of Fine Arts, Boston—which started the tradition in 1976—and the Minneapolis Institute of Art also participate, with artists like Amy Kubas drawing inspiration from works such as a Japanese block print.

Many Hands Make Great Work at the Weatherspoon’s Student-Curated Show

Cannon Crawford-Wilson, a sculpture and ceramics student at UNC Greensboro, took Art History 490: Museums and Exhibition Spaces and helped curate the exhibition “Embodied: Finding Meaning in the Human Form” at the Weatherspoon Art Museum. Under the guidance of Dr. Emily Stamey, she and her classmates selected artworks, wrote labels, and designed the gallery layout for the Spring 2025 season, working with museum staff like preparator Susan Taaffe. The show features pieces such as Toyin Ojih Odutola's “What’s in a Mistake?” (2014) and Do Ho Suh's “Bowl with Hands.”

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The Musée du Louvre has acquired its first video work, *Les 4 temps (The 4 Seasons)*, created by Algeria-born artist Mohamed Bourouissa. The piece centers on the Tuileries Gardens in Paris, which connect the museum to the Place de la Concorde, and also references the 4 Temps mall in La Défense where Bourouissa grew up. The video will be on view in the Salle de la Chapelle from October 22 through January 19, 2026. The acquisition follows Bourouissa's year-long Instagram takeover for the Louvre, during which he posted 52 weekly videos that garnered millions of views.

Of the Love that Moves the Sun and the Other Stars: An Interview with Amalia Cross

DEL AMOR QUE MUEVE EL SOL Y LAS OTRAS ESTRELLAS. ENTREVISTA A AMALIA CROSS

The Museo de la Solidaridad Salvador Allende (MSSA) in Santiago has inaugurated a major collection-based exhibition titled "Del amor que mueve el sol y las otras estrellas," curated by art historian Amalia Cross. The show revisits the museum's unique history—from its origins during Salvador Allende’s presidency and the international "Operation Truth" to its period of exile following the 1973 coup and its eventual return to Chile. Featuring works by global icons such as Alexander Calder, Lygia Clark, and Yoko Ono, the exhibition emphasizes movement and collective action across various mediums including sculpture, video, and installation.

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The U.S. Latinx Art Forum (USLAF) has appointed artist, archivist, and curator Josh T. Franco as its new executive director, succeeding founding director Adriana Zavala. Under Franco’s leadership and alongside newly promoted deputy director Mary Thomas, the organization is shifting its mission toward fostering "convivial spaces" and organic networking. This new phase includes hosting intimate dinners across major cities to connect artists with supporters and planning a major touring exhibition featuring the 75 recipients of the Latinx Artist Fellowship.

Counterpublic Triennial Names 47 Artists and Collectives for Upcoming Third Edition, Including Glenn Ligon, Rebecca Belmore, Rirkrit Tiravanija

The St. Louis-based triennial Counterpublic has unveiled the artist list for its third edition, titled "Coyote Time," scheduled to run from September 12 to December 12, 2025. The exhibition features 47 artists and collectives, including major figures such as Glenn Ligon, Rebecca Belmore, and Rirkrit Tiravanija, alongside posthumous presentations of works by Juanita McNeely and Benjamin Patterson. Curated by a five-person international team, the triennial will activate various sites across the city, including the Mississippi Riverfront and the historically Black neighborhood of The Ville.

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LANZA atelier, a Mexico City-based architecture studio founded by Isabel Abascal and Alessandro Arienzo, has been commissioned to design the 2025 Serpentine Pavilion in London’s Kensington Gardens. The pavilion, which will be unveiled on June 6, marks the 25th anniversary of the Serpentine Pavilion program. Inspired by the English serpentine or crinkle-crankle wall, the design features a brick wall of alternating curves, a translucent roof resting on brick columns, and a second wall that harmonizes with the tree canopy. This year’s pavilion will be accompanied by a dedicated architecture program at Serpentine South, honoring the legacy of Zaha Hadid, who designed the inaugural pavilion in 2000.

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The article examines Gustav Klimt's iconic painting *The Kiss* (1907–1908) within the turbulent sociopolitical context of Vienna before World War I. It describes the city as a hotbed of ethnic tensions, anti-Semitism, and artistic ferment, where Klimt, alongside figures like Sigmund Freud and Gustav Mahler, explored repressed sexuality and decadence. The painting is presented as a symbol of this era, blending Symbolism, Japanese art, and Art Nouveau, and reflecting Klimt's role as a co-founder of the Vienna Secession, which broke with traditional aesthetics to pioneer modernism.

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In 1995, artist Red Grooms created the Tennessee Foxtrot Carousel, a working carousel featuring 36 figures from Tennessee history, installed at the base of Nashville's Broadway. After financial troubles forced its closure in 2003, the Tennessee State Museum acquired and dismantled it in 2004, storing it for years. Though the museum moved to a new $160 million building in 2018, the carousel remained in storage. Now, the museum has issued a request for information seeking partners to restore and operate the carousel, as reported by the New York Times.

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The estate of Jean-Michel Basquiat is releasing a new screenprint titled *King Alphonso*, available from Pace Prints starting November 5. Produced in an edition of 60, the print reproduces a 1982–83 drawing in acrylic and charcoal, referencing the Spanish monarch Alfonso XIII, known as “El Africano.” The work will be stamped and signed by Basquiat’s sisters, Lisane Basquiat and Jeanine Heriveaux, administrators of his estate. The announcement follows recent estate activities, including the 2022 “King Pleasure” exhibition in New York and the designation of Great Jones Street as “Jean-Michel Basquiat Way.”

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A London court heard that Edgar Davids, the former Netherlands soccer star known as “the Pitbull,” was defrauded by a trusted friend who allegedly stole his $255,000 art collection. Nabila Habiby, who had keys to Davids’ mansion, removed 37 artworks—including 33 pieces by Paul Insect and two by Ron English—and pawned them for loans totaling just $42,800. When she failed to repay, pawnbrokers sold the works at auction. Davids only discovered the theft in 2017 after a buyer in Hong Kong contacted him via Instagram. Habiby admitted to two counts of fraud and faces up to 34 months in prison.

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The 36th São Paulo Bienal, curated by Bonaventure Soh Bejeng Ndikung and his team, explores the theme of humanity through six chapters, from the primordial to the transcendent. The exhibition features works by artists such as Precious Okoyomon, Frank Bowling, Aline Baiana, Gervane de Paula, Frankétienne, and Sharon Hayes, with a focus on textiles, sound, and jewel-toned aesthetics. The curators draw inspiration from avian migration and estuaries, structuring the show like tributaries connecting "the river to the sea," a phrase echoing Palestinian sovereignty without explicit mention. Highlights include Okoyomon's installation of dirt and plants, a career-spanning Frank Bowling survey, and Gervane de Paula's playful wood carvings that reveal subtle, provocative details upon close inspection.

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Phillips auction house has filed a lawsuit against David Mimran, a film producer and son of billionaire Jean Claude Mimran, alleging he failed to pay $14.5 million for a Jackson Pollock drip painting (ca. 1948) that sold at a New York auction in November 2024. Mimran had agreed to a third-party guarantee for the work, which sold for $15.3 million with fees, but according to Phillips, he sought an extension and then claimed he could not pay. The auction house is seeking nearly $15 million including interest.

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Luka Dončić, the newest star player for the Los Angeles Lakers, quietly funded the restoration of a mural depicting Kobe Bryant and his daughter Gianna (Gigi) Bryant after it was vandalized in downtown Los Angeles. Dončić donated $5,000 to a GoFundMe campaign organized by artist Louie Palsino, who created the mural titled "Mambas Forever" at 14th and Main Streets. The donation covered the full cost of restoring the defaced artwork, which honors the Lakers legend and his daughter who died in a 2020 helicopter crash.

The great Anselm Kiefer arrives in Valencia for an exhibition. There is a rare work for the first time in Europe

Il grande Anselm Kiefer arriva in mostra a Valencia. C’è un’opera rara per la prima volta in Europa

German artist Anselm Kiefer is coming to Valencia for the first time, inaugurating the temporary exhibition program at the CAHH – Centro de Arte Hortensia Herrero. The show, curated by Javier Molins, will run from April 29 to October 25 at the Palacio de Valeriola, featuring Kiefer's works in dialogue with the permanent collection. A highlight is "Danaë," a monumental painting over 13 meters wide that depicts the interior of Berlin's Tempelhof airport and references the myth of Danaë; this work has only been shown once before, in New York in 2022, and is now on view in Europe for the first time.

A Radical Post-Impressionist Movement Returns to Paris

Waddington Custot gallery has opened a new Paris location in Saint-Germain-des-Prés with the inaugural exhibition "The Nabi Shock." The show presents works by key figures of the late-19th-century Nabis movement, including Émile Bernard, Pierre Bonnard, and Edouard Vuillard, alongside contemporary artists like Fabienne Verdier and Pierre Knop to illustrate the movement's ongoing influence.

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Artnet News has compiled a selection of artworks created in anticipation of Pope Francis's first visit to the United States. The works include Anthony VanArsdale's portrait for the North American College in Rome, a new addition to the 'Franks' mural at Philadelphia's Dirty Franks bar, a massive photo-realistic mural by Van Hecht-Nielsen overlooking Madison Square Garden in New York, a large-scale mural by Caesar Viveros for the Philadelphia Mural Arts Program, and a controversial, officially licensed portrait by Perry Milou. Other featured pieces include an illustration by Omkar Shivaprasad and a vandalized mural in Bolivia by William Luna and Guillermo Rodriguez.

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British artist Michaela Yearwood-Dan has opened her first solo exhibition in China, titled “RECESS,” at the Longlati Foundation in Shanghai. The show features paintings and ceramics that explore themes of play, fluidity, and cultural identity, drawing on influences from Chinese calligraphy and tai chi. In an interview, Yearwood-Dan discusses her childlike approach to making the work and her desire for viewers to feel a personal connection. A concurrent exhibition, “Georgia Gardner Gray: Metal Madonna,” is also on view at the foundation.

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A 16th-century portrait of Thomas Howard, the 4th Duke of Norfolk, by Hans Eworth sold for £3.2 million ($4.2 million) at Sotheby’s Old Masters sale in London on December 4, setting a record as the most expensive Elizabethan portrait ever sold. The painting was purchased by the art advisory Clore Wyndham on behalf of the Duke of Norfolk and the trustees of Arundel Castle, where it will be displayed. The work, painted in 1562, depicts Norfolk at the height of his political power, dressed in opulent Tudor fashion, and is one of only two known portraits of him.

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Barbra Streisand posted on Instagram expressing regret over selling Gustav Klimt's "Ria Munk on her Deathbed" (1912), which she owned for 30 years. The post came three days after another Klimt portrait set a record at auction. Streisand bought the painting in 1969 for $17,000 and sold it in 1999, explaining she had shifted her interest to Frank Lloyd Wright and the Arts & Crafts movement.

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The Julia Stoschek Foundation, one of the world's largest collections of video art, will present its first major U.S. exhibition at the Variety Arts Theater in downtown Los Angeles. Titled "What a Wonderful World: An Audiovisual Poem" and curated by Udo Kittelmann, the show opens February 6, 2026, pairing contemporary video works by artists such as Marina Abramović, Dara Birnbaum, Cyprien Gaillard, Arthur Jafa, Jesper Just, and Lu Yang with historic films by Luis Buñuel, Walt Disney, Alice Guy-Blaché, Winsor McCay, and Georges Méliès. The exhibition spans 120 years of filmmaking and will occupy a historic 1920s Venetian-style landmark that once housed L.A.'s first women's clubhouse and a vaudeville theater.

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Scope Art Show Miami has announced its 2025 edition, themed "Be Here Now," which will take place December 2–7. The fair will feature 95 galleries from 18 countries and territories, including over 30 first-time exhibitors, along with large-scale installations, performances, and collaborative activations. Highlights include a reprisal of The Better Together Bar by Chris Allen Darsow and Al Hamm, a monumental installation by Victor Quiñonez (Marka27) titled "Elevar La Cultura" (2025), Shepard Fairey's "Phone Booth" presented by Mortal Machine Gallery, and Dan Witz's hyperrealist painting "Crown Heights" (2025).

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English painter John William Waterhouse created three paintings based on Lord Alfred Tennyson's poem "The Lady of Shalott," depicting a cursed woman from Arthurian legend. The article explores Waterhouse's deep admiration for Tennyson, noting that he filled his copy of Tennyson's works with sketches. It reveals that Waterhouse painted the story in reverse chronological order, starting with the final scene in 1888, then the moment of temptation in 1894, and finally the lady's lament in 1915. The article also identifies the model for the first painting as likely Waterhouse's wife, artist Esther Kenworthy Waterhouse, and describes symbolic details in the work, such as the snuffed candles foreshadowing death.