Bridgeport Gallery Hosts Emerging Artists, Brings in ‘Big Deal’ Curator for October Show

Artist Linda Colletta has transformed her studio practice within Bridgeport’s historic American Fabric Arts building, a former lace factory, by blending painting with labor-intensive weaving. Drawing inspiration from the site’s industrial history and the teachings of Bauhaus artist Anni Albers, Colletta repurposes drop cloths and tears apart her own canvases to weave them back together. Her recent work explores the materiality of paint and the concept of "Thought Forms," a visual language for emotions influenced by early 20th-century Theosophy.

Spring/summer 2026 program

The Henry Art Gallery at the University of Washington has unveiled its spring/summer 2026 exhibition schedule, featuring a diverse lineup of solo and group presentations. Highlights include a major exhibition by Diné artist Eric-Paul Riege exploring Indigenous cosmology and institutional knowledge, a showcase of Helen Frankenthaler’s experimental printmaking alongside works by Analia Saban, and the annual University of Washington MFA and MDes thesis exhibition. The season also features "Day-to-Day: Rhythm, Routine, Resistance," a collection-based show examining the intersection of personal life and structural social forces.

TCNJ exhibit ‘What Images’ explores the art-making process in a world of digital saturation

The College of New Jersey (TCNJ) Art Gallery has opened a new exhibition titled 'What Images,' curated by faculty member and artist John O'Connor. The show features works by nine contemporary artists—including John O'Connor, John Baldessari, and Penelope Umbrico—that examine the nature of image creation and consumption in an era of overwhelming digital proliferation.

Open Studio #4 ARNALDO POMODORO. Places, Memories and Visions

Open Studio #4 ARNALDO POMODORO. Luoghi, memorie e visioni

Fondazione Arnaldo Pomodoro has launched the fourth edition of its "Open Studio" exhibition series, titled "Luoghi, memorie e visioni." This recurring program, initiated in 2022, provides the public with intimate access to the sculptor’s creative process by showcasing lesser-known themes and archival materials from his long career. The current iteration focuses on the intersection of memory and physical space within Pomodoro's monumental practice.

Raphael and the Renaissance of Divine Beauty

The New York Times explores the enduring legacy of Raphael, the High Renaissance master whose work defined the pinnacle of 'divine beauty' and classical harmony. The analysis delves into his technical mastery, his ability to synthesize the influences of Leonardo and Michelangelo, and his prolific output during his brief life in Rome.

Mitchell Art Museum at St. John’s College Unveils New Exhibitions and Spring Events

The Mitchell Art Museum at St. John’s College has announced its spring programming lineup, headlined by the exhibition "In the VIDEODROME: Abjection and Alienation." Opening March 26, the show features seminal video works by Martha Rosler and Pipilotti Rist that critique systemic injustice and the societal treatment of women's bodies. The museum is also continuing its survey of Fluxus artist Ken Friedman, which encourages community participation through instructional art scores.

Capstone exhibition celebrates Art Museum, Miami, and Ohio’s impact on the Arts

Miami University’s Richard and Carole Cocks Art Museum (RCCAM) is celebrating the 15th anniversary of its Art and Architecture History Capstone program with the exhibition "Rooted Here: Networks of Modern and Contemporary Art." The show is entirely student-curated, involving undergraduates in every stage of the process from selection to installation. Divided into four thematic sections, the exhibition explores the Midwest's influence on the global art landscape, featuring works by major figures such as Paul Cadmus, Miriam Schapiro, Nancy Holt, and Jim Dine.

Artist Bria Edwards presents solo exhibition, What We Do, We've Always Done

Artist Bria Edwards has debuted a solo exhibition titled "What We Do, We've Always Done" at the Julio Fine Arts Gallery at Loyola University Maryland. The multidisciplinary showcase features oil paintings, photography, and video work resulting from two years of fieldwork and interviews with Black equestrians across Maryland. Curated by Lauren Davidson of Museum Nectar Art Consultancy, the exhibition explores the historical and contemporary presence of Black horse riders, moving from the era of enslavement to modern-day leisure and competitive spaces.

University of North Texas Shutters Exhibition of Artworks Critical of ICE

The University of North Texas abruptly closed the exhibition 'Ni de Aquí, Ni de Allá' by artist Victor "Marka27" Quiñonez, which was on view at its College of Visual Arts and Design Galleries. The university terminated its loan agreement with Boston University Art Galleries, removed all online mentions of the show, and covered the gallery windows with paper, offering no public explanation. The artist learned of the closure through students and received only a brief email notification.

Exhibition of Black artists reinterpreting the US flag opens without key Dread Scott work

An exhibition titled 'America Will Be!' opened at the University of Maryland's David C. Driskell Center, exploring how Black artists have reinterpreted the US flag. However, the show opened without a key work by artist Dread Scott, 'What is the Proper Way to Display a US Flag? (1988)', after the loan request was rescinded by the curators citing logistical and safety concerns.

Mexico City street market gallery makes art accessible

Artist Luis Valverde launched Galería Tianguis Neza in 2021 at Mexico City's La Lagunilla street market, selling artworks directly from artists at affordable street-market prices. The project, born during the pandemic to generate income for artists, operates every Sunday and features a rotating selection of artists, including Tania Candiani, Teresa Margolles, and photographer Pim Schalkwijk, who set up an improvised photo studio using a gelatin silver process.

Last Year’s Art Market: Only Works by Proven Artists Survived

The Korea Art Authentication and Appraisal Institute (KAAAI) released its "2025 Art Market Analysis Report" on January 21, 2026, revealing that the Korean art market grew 5.16% in total auction sales to 142.7 billion won, despite a decline in the number of lots offered. The global market saw a similar trend: combined sales at Christie's, Sotheby's, and Phillips rose 11.1% to $4.56 billion, but the number of works sold fell by 33.3%. Demand concentrated on high-priced blue-chip works by artists like Gustav Klimt, Claude Monet, Mark Rothko, René Magritte, and Jean-Michel Basquiat, while ultra-contemporary art sales plunged 39.1%.

Connection with identity through art: Christina Lynch art gallery open house Friday at Yes Arts

An art gallery opening reception for local artist Christina Lynch will take place from 5-7 p.m. Friday, Jan. 9, at Yes Arts in Frankfort, Kentucky. The exhibition, titled "Memory Palace," is inspired by Francis Yates' 1966 book "The Art of Memory" and explores themes of collective memory, printmaking, and identity. Lynch's work brings the beauty of Eastern Europe to Kentucky, drawing on her travels to Oslo, Norway, and Krakow, Poland, where she studied at the Jan Matejko Academy of Fine Arts through an EU Erasmus+ award.

'Our Living Heritage' opens at Old Gaol Museum

Stanley Grootboom, a renowned local author and artist from Knysna, South Africa, recently unveiled his latest exhibition, 'Our Living Heritage,' at the Old Gaol Museum. The opening drew an enthusiastic crowd of art lovers, cultural ambassadors, and community members. The exhibition highlights Grootboom's commitment to preserving South Africa's indigenous history, particularly the cultural heritage of the Khoi and San peoples, and features his acclaimed interactive book installation 'South African Gelieblik Stories and Songs,' which has earned national and international recognition. It also includes his powerful artwork 'The Battle,' currently housed at the Koena Art Institute at the Castle of Good Hope, and works by fellow artists Anthony Roach, Marlene Liebenberg, Gatsby Mpoyi, Zoe Fick, and Donald Hartzenberg as part of his ongoing art outreach programme.

New book highlights Vorticism’s toxic side—and puts its women pioneers back in the frame

A new book by Canadian art historian James King, titled "Our Little Gang," examines the Vorticist movement, highlighting its toxic internal dynamics and the marginalization of its female pioneers. King details how Wyndham Lewis, the movement's self-appointed leader, belittled followers like Jessica Dismorr and Helen Saunders, even painting over one of Saunders' works. The book also explores the movement's artistic tensions, balancing abstraction with representation, and features works by Lewis, David Bomberg, and Saunders.

Glimpsing the future: William Kentridge opera has its New York premiere in Brooklyn

William Kentridge's award-winning chamber opera *Waiting for the Sibyl* (2019) makes its New York premiere in Brooklyn as part of the inaugural Powerhouse: International arts festival at Powerhouse Arts. The opera, inspired by the Cumaean Sibyl myth, features an original score by Nhlanhla Mahlangu and Kyle Shepherd, and blends Kentridge's animated drawings, collages, and sculptures with live performance. The production won an Olivier Award in 2023.

Lauren Laz Appointed to the Works Department of the Beaux-Arts de Paris

Lauren Laz nommée au département des œuvres des Beaux-Arts de Paris

Lauren Laz, a 47-year-old art historian specializing in prints and director of the Musée Angladon in Avignon since 2015, has been appointed director of the collections department at the Beaux-Arts de Paris. She succeeds Kathy Alliou in overseeing the school's vast holdings of nearly 450,000 works and volumes, which carry the prestigious "Musée de France" designation.

A JOURNEY THROUGH LATIN AMERICAN PHOTOGRAPHY AND A REFLECTION ON THE ROLE OF COLLECTING

The Miraflores Palace of Arts (PLAM) in Lima is hosting "A Collection Is a Desire," a major exhibition featuring over 100 works from the Jan Mulder Collection. This presentation is an expanded version of a landmark 2012 showcase at the Rencontres d'Arles, which was the first time a private Latin American photography collection was featured at the prestigious French festival. The exhibition includes works by iconic figures such as Martín Chambi, Graciela Iturbide, and Vik Muñiz, spanning various periods and geographical contexts.

Santa Monica Art: Husband-Wife Duo Shows at Bruce Lurie

The Bruce Lurie Gallery in Santa Monica is set to host "Observed / Imagined," a joint exhibition featuring the work of husband-and-wife duo Gary and Jody Levinson. Opening April 18, 2026, the show juxtaposes Gary’s minimalist, award-winning street photography with Jody’s intuitive abstract paintings. While Gary’s work focuses on the patient observation of solitary figures in sparse environments, Jody’s practice explores internal narratives of gender and power through a physical, multi-media approach.

How Photography Helped Build the Atomic Bomb

The feminist artist collective Slow War Against the Nuclear State (SWANS) presents the exhibition "Atomic Dragons" at Pitzer College Art Galleries. The show features works by seven intergenerational artist-academics, focusing on photography's historical role in developing atomic weapons and the enduring human and environmental costs of nuclear politics.

south dakota art professor reinstated charlie kirk comments 1234755756

Tenured University of South Dakota art professor Michael Hook, who faced termination for social media comments about the killing of conservative activist Charlie Kirk, has been reinstated after dropping his lawsuit. Hook posted remarks on September 10 calling Kirk a "hate-spreading Nazi" after the activist was shot dead, then apologized and deleted the post. South Dakota political leaders including Governor Larry Rhoden called for his firing, and USD placed Hook on administrative leave on September 12. Hook sued the university and the South Dakota Board of Regents on September 23, arguing his comments were protected by the First Amendment. Students organized a petition with nearly 22,000 signatures supporting his reinstatement. On October 3, USD president Sheila Gestring withdrew the termination notice, citing Hook's apology and employment record. Hook then dismissed the lawsuit as moot.

south dakota art professor reinstated charlie kirk comments 1234755756

Tenured University of South Dakota art professor Michael Hook, who faced termination after making social media comments about the killing of conservative activist Charlie Kirk, has dropped his lawsuit after being reinstated. Hook posted remarks on September 10 calling Kirk a "hate-spreading Nazi" and expressing indifference to his death, which sparked public outcry from South Dakota political leaders including Governor Larry Rhoden. The university placed Hook on administrative leave and moved to fire him on September 12, prompting Hook to sue the school and the South Dakota Board of Regents on September 23, citing First Amendment violations. After students organized a petition with nearly 22,000 signatures, USD president Sheila Gestring withdrew the termination on October 3, citing Hook's apology and employment record, leading Hook to dismiss the lawsuit as moot.

Artists take us down the rabbit hole in this group exhibition

The group exhibition 'Down the Rabbit Hole' at The Crypt Gallery features over 30 artists reflecting on the psychological and social impacts of the Covid-19 pandemic. Presented by the social enterprise Katya’s Space, the show honors the legacy of the late artist Katya Kan, who passed away in 2023. The works explore themes of digital addiction, isolation, and the 'dystopian' shift in reality experienced during global lockdowns, using Lewis Carroll’s Alice in Wonderland as a metaphor for this profound transformation.

CSUF student artists capture childhood wonder at biannual ASI art show

Cal State Fullerton recently hosted its biannual Associated Students Inc. (ASI) Art Show at the Titan Student Union Center Gallery, centered on the theme of "Memory and Nostalgia." The exhibition showcased 20 student works spanning traditional oil paintings, digital illustrations, and 3D-printed media. Awards were presented across multiple categories, highlighting pieces such as Michael Butorac’s acrylic painting "Unforgotten Friday’s" and Victor Castaneda’s digital photograph "Becoming."

Call for Entries Open for 56th National Juried Artists Exhibition

The St. Tammany Art Association (STAA) has launched its call for entries for the 56th National Juried Artists Exhibition, titled "The Summer Show." Open to artists across the United States, the competition offers $3,500 in total cash prizes, including a $2,000 Best of Show award. The exhibition will run from July 11 to September 12, 2026, at the STAA Art House in Covington, Louisiana, with New Orleans-based ceramicist and educator MaPó Kinnord serving as the guest juror.

All Florida Exhibition selections explore identity, history and place

The Alliance for the Arts has launched its 40th Annual All Florida Exhibition, featuring 43 artworks selected from over 450 submissions across the state. Juried by Tim Jaeger, the director and chief curator of galleries at Ringling College, the exhibition showcases a diverse range of media including hyper-realist paintings, abstract works, and free-standing sculptures. The selected pieces by 39 different artists explore cohesive themes of identity, history, and place.

Self-generated income for UK museums ‘can only go so far’ in filling gaps left by funding cuts, report says

A new report from the National Audit Office (NAO) warns that state-funded UK museums are reaching a breaking point as they attempt to offset significant government funding cuts with self-generated income. Analyzing 15 major institutions including the British Museum and Tate, the report reveals that while self-generated revenue rose by 53% since 2021-22, it remains highly volatile and susceptible to external factors like tourism costs and membership churn. Despite a recent £31m funding boost from the DCMS, over half of these institutions report being in a worse financial position than they were three years ago.

MSU Entomology Partners With Artist Jan Tichy for Darkness Exhibit at Broad Art Museum

Chicago-based artist Jan Tichy has created a new exhibition titled 'Darkness' at Michigan State University's Eli and Edythe Broad Art Museum. The project is the result of a nearly nine-month collaboration with four MSU labs, most prominently the Department of Entomology, where Tichy worked with researchers and students to incorporate insects and scientific methods like blacklight sampling into the artwork.

A New "Creative" Campus in Rennes

Un nouveau campus « créatif » à Rennes

The private higher education group Icônes is investing €33 million to construct a new 16,000-square-meter "creative campus" in the EuroRennes district of Rennes, France. Scheduled to open in 2027, the complex will feature three buildings designed by architect Philippe Dubus, including a new home for the ESMA 3D animation school, a 300-studio student residence, and coworking spaces dedicated to creative startups.

The Musée de La Poste becomes the "Musée Postal" once again

Le musée de La Poste redevient le « musée postal »

The Musée de La Poste in Paris has rebranded itself as the "Musée Postal," reclaiming its original 1946 name as it approaches its 80th anniversary. Alongside a new visual identity featuring a blue and white "M" logo, the institution is shifting its focus from a strictly corporate museum to a "museum of society" with a more universal outlook. Under the leadership of director Guillaume Goy, the museum aims to modernize its permanent collection and recover its pre-pandemic attendance figures, targeting 150,000 annual visitors.