Artes Mundi has officially opened nominations for its 12th edition, inviting the global art community to propose artists for the prestigious biennial exhibition and prize. Based in Cardiff, Wales, the organization seeks emerging to mid-career artists whose work engages with social reality and the human condition. Nominations are open until May 31, 2026, with the selected winner receiving a substantial prize of £40,000.
The Times Art Museum has launched a major retrospective of Henri Matisse’s printmaking, featuring 100 works that span his career from early line drawings to his iconic late-period cut-outs. Titled "Bathe in Color — A Journey of Lines, Body and Dreams," the exhibition includes significant collaborations with Paris-based workshops Mourlot Studios and Atelier Auval, highlighted by the vibrant composition La Gerbe.
Chinese artist Cao Fei is set to debut her latest multimedia project, "Dash" (known as "Super Farms" in China), at the Fondazione Prada in Milan on April 9. The exhibition is the result of three years of field research across China and Southeast Asia, where Cao documented the rise of smart farming and the integration of AI, drones, and autonomous vehicles into traditional agricultural landscapes. Her work captures a unique cultural synthesis where modern technology is sometimes integrated into ancient rituals, such as the worship of drones as deities.
The College of New Jersey (TCNJ) Art Gallery has opened a new exhibition titled 'What Images,' curated by faculty member and artist John O'Connor. The show features works by nine contemporary artists—including John O'Connor, John Baldessari, and Penelope Umbrico—that examine the nature of image creation and consumption in an era of overwhelming digital proliferation.
Wo sind die Louvre-Juwelen?
Six months after a high-profile heist at the Louvre, investigators remain in pursuit of stolen jewelry valued at approximately €88 million. While four suspects are currently in custody, the bulk of the Second Empire-era treasures remains missing, leading to fears that the pieces may have been dismantled or melted down. The investigation has shifted focus toward how the thieves obtained a sensitive 2018 security audit that detailed vulnerabilities in the museum's defenses.
Réouverture des Catacombes
The Catacombs of Paris have officially reopened to the public following a five-month renovation project. These extensive works were primarily focused on upgrading the site's infrastructure to enhance the overall visitor experience and improve the flow of traffic through the historic underground ossuary.
Angélique Delorme prend du galon au Quai Branly
Angélique Delorme has been appointed as the new Deputy Director General of the Musée du Quai Branly in Paris. She succeeds Jérôme Bastianelli and will be responsible for defining and implementing the museum's strategy, particularly in the lead-up to its 20th anniversary celebrations in June.
The Museum of Contemporary Art, Los Angeles (MOCA) is presenting a major exhibition dedicated to the work of conceptual artist Michael Asher. The show focuses on his site-specific interventions that critically examined the social, economic, and institutional frameworks of the spaces he engaged with.
Timor-Leste has announced the details of its national pavilion for the 2026 Venice Biennale. Titled "Across Words," the exhibition will be directed by curator Loredana Pazzini-Paracciani and feature works by artists Verónica Pereira Maia, Etson Caminha, and Juventino Madeira, focusing on the nation's ethnolinguistic diversity. The pavilion will be located in the Arsenale and run from May 9 to November 22.
Castello di Rivoli Museo d’Arte Contemporanea has opened Cecilia Vicuña's first solo museum exhibition in Italy, titled 'El glaciar ido (The vanished glacier).' The exhibition, curated by Marcella Beccaria and running until September 2026, features a major new site-specific commission: a monumental, horizontal 'quipu acostado' installation suspended in the Manica Lunga gallery, created from raw wool and incorporating participatory elements from local communities.
Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.
Miguel Escobar has been selected as the first winner of the Ian Rosenfeld Fund, a £7,500 annual award created by Gallery Rosenfeld. The Colombian-born artist was chosen from over 1,300 global applicants for his conceptually clear and psychologically charged paintings, which often feature animals in theatrical environments.
UK government ministers are exploring the possibility of charging international tourists for entry to the permanent collections of national museums. This proposal is part of a broader search for long-term funding solutions for the arts sector, outlined in the government's response to the Arts Council England review led by Margaret Hodge. The review also prompted commitments to simplify funding applications and protect the Arts Council from political interference.
長野県150周年記念／リニューアル・オープン5周年記念「再編する－NAMコレクションの現在」@ 長野県立美術館
The Nagano Prefectural Art Museum has announced a major exhibition titled "Reorganizing – The NAM Collection Today," scheduled to run from April 29 to June 7, 2026. Celebrating the 150th anniversary of Nagano Prefecture and the 5th anniversary of the museum's renewal, the show features approximately 100 works from the permanent collection alongside new commissions by guest artists Naoya Hirata, Barrack, and Tomoko Sato. The exhibition is structured into three thematic sections focusing on sculpture, the layers of painting, and the re-reading of institutional history.
Artist Roland Comtois is set to host a special reception for his solo exhibition, "Canvases of the Cosmos," at Geary Gallery in Darien, Connecticut. The event, scheduled for April 11, 2026, allows the public to engage with the artist and view his latest series of paintings, which focus on celestial themes through the manipulation of light and color.
企画展「コレクションの樹、36年目の春 ―新収蔵品を中心に」@ 芦屋市立美術博物館
The Ashiya City Museum of Art & History is launching a special exhibition titled "The Tree of the Collection, the 36th Spring: Focusing on New Acquisitions" to celebrate its 36th anniversary. The exhibition showcases approximately 100 works, including paintings, prints, sculptures, and video art, highlighting pieces acquired since the beginning of the Reiwa era (2019) alongside the museum's founding collection. Featured artists include modern Western-style painter Narashige Koide, members of the Gutai Art Association such as Atsuko Tanaka and Jiro Yoshihara, and contemporary figures like Keiji Uematsu and Yukinori Yamamura.
Stay Connected: Supplying the Globe @ 大館
Tai Kwun in Hong Kong is set to host "Stay Connected: Supplying the Globe," a major group exhibition running from February 28 to May 31, 2026. Curated by Pi Li and Yan Kwok, the exhibition features a diverse array of contemporary artists including Musquiqui Chihying, Ho Rui An, Lap-See Lam, and Li Shuang. The works span various media, from video installations like "The Smart City" to sculptural interventions and performance-based projects, focusing on themes of global infrastructure, labor, and technological connectivity.
The feminist artist collective Slow War Against the Nuclear State (SWANS) presents the exhibition "Atomic Dragons" at Pitzer College Art Galleries. The show features works by seven intergenerational artist-academics, focusing on photography's historical role in developing atomic weapons and the enduring human and environmental costs of nuclear politics.
The Azerbaijan National Carpet Museum has launched "Images Imprinted in Memory," a solo exhibition by multidisciplinary artist Madina Gasimova. Supported by the .ART domain, the showcase features 28 works produced over the last five years, including five new carpets woven using the museum's traditional techniques based on the artist's contemporary sketches. The exhibition highlights the fluidity of artistic motifs as they transition across various media, including painting, stained glass, mosaic, and digital formats, accompanied by a sound installation of the carpet-weaving process.
Cal State Fullerton recently hosted its biannual Associated Students Inc. (ASI) Art Show at the Titan Student Union Center Gallery, centered on the theme of "Memory and Nostalgia." The exhibition showcased 20 student works spanning traditional oil paintings, digital illustrations, and 3D-printed media. Awards were presented across multiple categories, highlighting pieces such as Michael Butorac’s acrylic painting "Unforgotten Friday’s" and Victor Castaneda’s digital photograph "Becoming."
Wyoming artist Zak Pullen is returning to the Nicolaysen Art Museum (the NIC) for his first solo exhibition in eleven years. The showcase features his signature comically exaggerated style and includes the first-ever public display of the complete interior oil paintings from his latest children’s book, "A Home for Steamboat." The exhibition also provides a rare look into Pullen’s creative process, featuring sketches and reference photos that highlight his meticulous approach to character-focused storytelling.
The Pence Gallery has been named the "Best Art Gallery" in the Readers’ Choice 2026 awards, celebrating its 50-year legacy as a regional arts leader in Davis, California. The gallery hosts between 15 and 20 contemporary exhibitions annually across various media, attracting over 20,000 visitors with its commitment to free admission and community-focused programming.
A Rovereto torna EducaImmagine, il festival sull’uso dei media. Parlano i protagonisti
The EducaImmagine festival returns to Rovereto with its 2026 edition titled "Miraggi" (Mirages), focusing on the complex relationship between media consumption and the perception of reality. Led by artistic director Luca Ferrario, the event gathers a diverse group of experts—including artists, designers, psychologists, and content creators—to address the challenges of digital literacy and the potential for images to distort or amplify truth in the modern age.
A Roma c’è un festival dedicato al cinema contemporaneo e alle sperimentazioni audiovisive. L’intervista
The Ru-mòre Cinema and Audiovisual Experimentation Festival is launching in Rome’s San Lorenzo district from April 14 to 18. Evolving from the former Barkov Film Festival, the event features a diverse program of short films, screenwriting competitions, and a dedicated section for virtual reality. The festival utilizes multiple local venues, including Cinema Tibur and the Mercato di San Lorenzo, to host international works and industry panels.
Fragilità e resistenza di un’artista dell’Iran in mostra a Roma
The Galleria Anna Marra in Rome is hosting "Assemblages," the first Italian solo exhibition of Iranian artist Sepideh Salehi. The show features works that blend collage, Japanese paper, photography, and drawing to depict Iranian women living in the United States who have shared experiences of displacement and political upheaval. Salehi’s figures often avert their gaze or conceal their faces, symbolizing a "calligraphy of refusal" and a quiet resistance against the historical traumas of the 1979 Islamic Revolution and the Iran-Iraq war.
“Lo straniero” di François Ozon. Un film tra estetica delle superfici e rilettura politica
Director François Ozon has adapted Albert Camus’s existentialist masterpiece 'The Stranger' into a new feature film, premiering at the 82nd Venice Film Festival. Shot in stark black and white by cinematographer Manuel Dacosse, the film departs from the 1967 Luchino Visconti adaptation by leaning into a cold, clinical aesthetic inspired by Michelangelo Antonioni. The narrative follows Meursault, an emotionally detached clerk in colonial Algiers, whose impassive reaction to his mother's death and the subsequent senseless murder of an Arab man leads to his legal and moral condemnation.
Di testamenti e di trasfigurazioni. Intervista alla poeta Silvia Righi
Italian poet Silvia Righi discusses her latest collection, *Ex voto suscepto*, published by Pungitopo as part of the Remedia series. The book originated from a narrative concept involving the arrival of God's daughter on Earth and features a unique interdisciplinary collaboration with artist Mattia Barbieri, who provided China ink illustrations. The interview explores the collection's focus on the decaying body, the fluidity of the lyrical 'I', and the intersection of poetic language with visual art.
In Cina la sfilata di Margiela è allestita dentro una serie di container
Maison Margiela has launched a major traveling exhibition in China titled "Artisanal: Our Creative Laboratory," debuting in Shanghai before moving to Chengdu. Designed by OMA/AMO, the open-air showcase features over forty couture creations from the Artisanal line dating back to 1989, uniquely displayed within weathered shipping containers. The project aims to demystify the fashion house's secretive creative process, highlighting the techniques of deconstruction and manipulation that define the brand's aesthetic.
La vulnerabilità vista dallo sguardo di due artiste in mostra in Romagna
The Galleria d’Arte Contemporanea Vero Stoppioni in Santa Sofia is hosting "Corpi invisibili, fuori controllo" (Invisible Bodies, Out of Control), a dual exhibition featuring artists Claudia Amatruda and Carla Giaccio Darias. Part of the broader "Un Problema del Genere" festival, the show explores the concept of vulnerability through contrasting artistic methods. Amatruda utilizes photography, sculpture, and video to depict bodies in risky, natural environments that highlight relational dependency, while Giaccio Darias uses archival imagery and painting to present fragmented, anatomical forms that challenge the viewer's gaze.
A Roma la grande azienda Acea lancia la sua Fondazione per l’arte e la cultura. L’intervista
The Italian multi-utility giant Acea has officially launched the Acea Foundation, signaling a shift from being a mere cultural sponsor to an active producer and curator of cultural projects. Central to this initiative is the Acea Heritage Museum, which showcases the company’s 117-year history through a massive 12km historical archive and a rediscovered art collection valued at two million euros. The foundation aims to integrate art into corporate spaces, including a dedicated contemporary art section in its foyer and a focus on site-specific works by artist Gino Marotta.