Georg Baselitz, the German Neo-Expressionist painter known for his provocative, upside-down figurative works, has died at age 88. Along with contemporaries like Anselm Kiefer, Baselitz led a frontal assault on the dominant Minimalist and Conceptualist art movements of the 1970s, reviving expressive, gestural painting in postwar Germany.
Yerba Buena Center for the Arts (YBCA) in San Francisco has appointed Essence Harden as senior curator, effective May 18. Harden currently serves as curator of Expo Chicago and has organized the Focus section of Frieze Los Angeles since 2024, roles they will continue with YBCA's support. An independent curator, Harden recently co-curated the 2025 Made in L.A. biennial at the Hammer Museum and previously held positions at the California African American Museum, Orange County Museum of Art, Art + Practice, Museum of the African Diaspora, and Oakland Museum of California. A Bay Area native, Harden's hiring marks a homecoming.
The Bayeux Tapestry, a 230-foot-long medieval textile depicting the Norman Conquest of 1066, will be loaned to the British Museum in London for the first time in 950 years. The historic deal between Britain and France is set to be finalized on July 9, with the tapestry expected to appear in a blockbuster exhibition about the Norman Conquest opening in September 2026. In exchange, treasures from across the U.K.—including artifacts from Sutton Hoo and the Lewis chessmen—will travel to France. The agreement will be announced by British Prime Minister Keir Starmer and French President Emmanuel Macron, and signed by British Museum director Nicholas Cullinan.
Banksy's Walled Off Hotel in Bethlehem has reopened for the first time since the October 7 attacks on Israel and the subsequent war in Gaza. The hotel, which opened in 2017 across from the West Bank barrier, functions as a guesthouse, museum, art gallery, bookstore, and spray-paint shop, with nearly every window facing the 30-foot-high concrete wall. Manager Wisam Salsaa described the reopening as a symbol of hope and a cultural platform carrying the narrative of Palestine, featuring more than 20 original Banksy works and accommodation ranging from $70 bunk beds to a $495 presidential suite.
Lu Yang's solo exhibition "Electromagnetic Brainology" opened at Kunsthalle zu Kiel, running from January 30 to March 15, 2026. Curated by Muriel Meyer, the show features a new body of work from the Shanghai-based multimedia artist, known for immersive installations blending digital avatars, neuroscience, and pop culture iconography.
È su RaiPlay il film di Pappi Corsicato sul fotografo Claudio Abate che racconta il fermento artistico di Roma tra gli Anni ’60 e ‘90
RaiPlay has released a new documentary film by Pappi Corsicato titled "Claudio Abate. L’obiettivo nell’arte" (2026), which pays tribute to the late photographer Claudio Abate (1943–2017). The film weaves together interviews, archival materials, and footage from Istituto Luce to chronicle Abate's life and work, focusing on his role documenting the vibrant Roman art scene from the 1960s through the 1990s. It highlights his collaborations with key figures such as Jannis Kounellis, Michelangelo Pistoletto, Fabio Sargentini, and the artists of the Pastificio Cerere school, capturing seminal performances, happenings, and installations that defined Arte Povera and other avant-garde movements.
A major exhibition at Palazzo Reale in Milan explores the Macchiaioli, the 19th-century Italian painting movement often seen as a precursor to Impressionism. The show brings together works by key figures such as Giovanni Fattori, Silvestro Lega, Telemaco Signorini, Giuseppe Abbati, and Odoardo Borrani, alongside tangential artists like Giovanni Boldini, Federico Faruffini, and Gerolamo Induno. It traces the movement's origins at Florence's Caffè Michelangiolo, its epicenter at Castiglioncello under patron Diego Martelli, and its evolution from the 1850s through the 1870s, when the group's democratic ideals and en plein air techniques challenged academic conventions.
An exhibition titled "Paris in Black: Internationalism and the Black Renaissance" at the DuSable Black History Museum and Education Center in Chicago celebrates the Black American artists, writers, and performers who moved to Paris after World War II to escape American racism. Curated by Danny Dunson, the show features over 100 artworks from the museum's permanent collection, including paintings by Archibald J. Motley Jr., sculptures by Richmond Barthé, Augusta Savage, and William Artis, and ephemera related to Josephine Baker. It traces the global influence of the Harlem Renaissance and the cross-pollination between Paris and U.S. cities like Chicago.
A Genova una mostra dedicata a Giovanni Korompay, il futurista che amava i Pink Floyd
A major retrospective exhibition dedicated to Giovanni Korompay, a Venetian painter, sculptor, and illustrator associated with the second wave of Futurism, has opened at the Wolfsoniana in Genoa Nervi. Titled "Korompay, un’antologica," the show runs until November 1st and features around sixty works, including paintings, sculptures, graphic works, photographs, and documents. It explores Korompay's evolution from traditional training under Ettore Tito to his embrace of Futurist aeropainting, exemplified by works such as "Alta velocità" (High Speed), which celebrates a 1934 world speed record set by a Macchi-Castoldi MC 72 seaplane. The exhibition is curated by Alex Casagrande, Matteo Fochessati, Franco Tagliapietra, and Anna Vyazemtseva, with loans from public museums (Mart, Mambo), private collections, and the Fondazione Korompay.
The Museo dell'Ara Pacis in Rome is hosting an exhibition titled 'Impressionismo e oltre' (Impressionism and Beyond), featuring 52 masterpieces on loan from the Detroit Institute of Arts. Curated by Ilaria Miarelli Mariani and Claudio Zambianchi, the show spans from the 1840s to the early 20th century, tracing the evolution of European painting through Impressionism, Post-Impressionism, and the avant-garde. Works by Degas, Renoir, Cézanne, Van Gogh, Picasso, Matisse, Modigliani, and others are displayed across thematic sections that explore the shift from academic tradition to modern visual language.
In Spagna l’arte diventa popolare grazie a questo esperto influencer. Lo abbiamo intervistato
Miguel Ángel Cajigal, known as 'El Barroquista,' is a Spanish art historian and popularizer who has brought art history to prime-time television, radio, and social media. In an interview with Artribune, he discusses his books, including 'Otra historia del arte' (2021), his approach to making art accessible without dumbing it down, and his critique of the cult of the individual genius in art historiography. He emphasizes the collective nature of art production and reception, challenging the traditional focus on masterpieces and authorship.
Una mostra a New York riconfigura l’Espressionismo Tedesco. La curatrice ci spiega tutto
The Guggenheim Museum in New York has launched "Contours of a World," the first major U.S. retrospective of German Expressionist painter Gabriele Münter in nearly thirty years. Curated by Megan Fontanella, the exhibition features a significant selection of paintings and photographs produced between 1908 and 1920, including a rare loan from the Vatican Museums. The show follows a major 2025 retrospective in Paris and aims to present Münter as a primary figure of the avant-garde in her own right.
MASP — Museu de Arte de São Paulo Assis Chateaubriand will present the exhibition "Picture gallery in transformation: recent gifts" starting May 15, as part of its Latin American histories series. The show features two sets of silkscreen prints recently added to the museum’s collection: 51 prints (2002–2007) by the Argentine collective Taller Popular de Serigrafía, which combined art and activism during the 2001 economic crisis, and the series "Ink and blood: 1968–2009" by Mexican artist Abraham Cruzvillegas, comprising 41 facsimiles of protest ephemera from Latin American social movements. The exhibition is curated by MASP artistic director Adriano Pedrosa, curator Regina Teixeira de Barros, and curatorial assistant Matheus de Andrade.
The Seattle Art Museum (SAM) has opened "Monochrome: Calder and Tara Donovan," a new exhibition in its Calder at SAM series that pairs two matte-black Alexander Calder sculptures with works by Brooklyn-based artist Tara Donovan. Curated by Donovan alongside SAM curator Catharina Manchanda, the show uses black as its sole color to highlight materials, texture, and form. Highlights include Calder's 1949 mobile "Jacaranda" and 1976 maquette "Mountains (1:5 intermediate maquette)," juxtaposed with Donovan's sculptures made from industrial materials like plastic stir sticks, slinkys, tar paper, and mylar. The exhibition runs through January 17, 2027.
Holly Herndon and Mat Dryhurst, known for their work in digital art and experimental music, have curated a group exhibition titled "Strange Rules" at Palazzo Diedo in Venice alongside Hans-Ulrich Obrist. Their contribution includes a collaboration with Tufts University biologist Michael Levin, featuring live planarian worms modified to grow two heads through bioelectric manipulation. The interview discusses their concept of "protocol art," which seeks to expose and reclaim the underlying systems—from algorithms to biological protocols—that shape artistic production.
A major exhibition titled "Vasarely Don't Go Home!" opens at NEO Contemporary Art Space in Budapest, marking the 120th anniversary of Victor Vasarely's birth. Curated by Zsolt Petrányi, the show runs until 19 September and examines Vasarely's influence on Hungarian experimental and neo-avant-garde art of the 1960s and 1970s. Featuring over 60 works, the exhibition is organized around three themes—construction, grid structures, and illusion—and connects to parallel Vasarely shows at the Museum of Fine Arts and the Hungarian National Gallery. The title references a 1969 protest where artist János Major carried a sign reading 'Vasarely go home!' during Vasarely's exhibition at Műcsarnok.
Marc Chagall's lithograph *Île Saint-Louis (1959)*, a limited-edition print in colors on Arches paper signed and numbered by the artist, is being offered for sale through an online auction hosted by LLB Auction on Artsy. The work, estimated at €10,000–€15,000, is part of a Contemporary Art Spring 2026 sale and carries a starting bid of €9,000. The listing includes provenance details, a condition report option, and a buyer's premium.
Times Square Arts has announced the Summer 2026 Midnight Moment program, featuring three artists: Sonia Boyce (June), Tromarama (July), and Maia Chao (August). Boyce's 'Transform' presents a kaleidoscopic film of Andean ancestral movements, presented with the Queens Museum. Tromarama's 'Turn On #2' examines technology's impact on reality and the environment, presented with The Kitchen. Maia Chao's 'Studies for American Idle' draws from a 2025 site-specific performance in Times Square. The works will be shown nightly from 11:57 pm to midnight on nearly 100 electronic billboards.
Gió Marconi Gallery in Milan, Italy, is presenting 'Ron Nagle. Phantom Banter,' the first solo exhibition in Italy dedicated to West Coast sculptor Ron Nagle. The show features eleven ceramic sculptures produced between 2024 and 2026, along with recent drawings, highlighting Nagle's refined small-scale works and his process of translating drawings into three-dimensional objects. Nagle, born in 1939 in San Francisco, apprenticed with Peter Voulkos in the 1960s and became a key figure in the California Clay Movement, influenced by artists like Ken Price.
The Mississippi Museum of Art (MMA) presents "Photography and the Black Arts Movement, 1955–1985," a landmark exhibition exploring the role of photography in fostering Black visual culture and identity during the civil rights and Black Arts Movement eras. The show features approximately 150 works by over 100 artists, including Dawoud Bey, Gordon Parks, and Carrie Mae Weems, drawn primarily from the National Gallery of Art's collection, and runs from July 25 to November 8, 2026, as the final stop on a national tour.
Alejandra Phelts presents her new exhibition 'Echoes of Movement' at the Crain Art Gallery in Crowell Public Library, opening with a free public reception on May 9, 2026. The show features paintings that explore the body as a space of transformation, drawing on Phelts' background in music, philosophy, and sewing. Phelts, a Mexican border artist, shifted from studying philosophy in France to fine arts after realizing art was a necessity, and her work has been shown internationally, including at the Venice Biennale and the Louvre.
Auckland Art Gallery is preparing to open "Forever Tomorrow: Chinese Art Now," a major exhibition of contemporary Chinese art curated by Hutch Wilco. The show features works from the White Rabbit Collection in Sydney, including a massive 7-meter-high stone sculpture by Xu Zhen, paintings by Shang Liang, and photography by Pixy Liao, who recently won a 2026 Guggenheim Fellowship. Wilco spent three years organizing the exhibition, which includes playful sculptures, paintings, and multimedia works, with significant logistical challenges in transporting large pieces from China.
The Museum of Fine Arts, Houston, has released a comprehensive exhibition catalogue for 'Frida: The Making of an Icon,' which investigates the posthumous transformation of Frida Kahlo from a niche painter into a global cultural phenomenon. The publication features eleven scholarly essays that deconstruct the various identities attributed to Kahlo—from the political activist and feminist martyr to the disabled artist—while debunking common myths regarding her relationship with Surrealism and her husband, Diego Rivera.
A recent Christie's online auction, 'Modern Collector: Design and Tiffany,' featured a range of iconic 20th-century chair designs that achieved significant sale prices. Highlights included Gaetano Pesce's 'Nobody's Perfect' series chair selling for $6,350, Hans J. Wegner's 'Valet' Chair for $8,255, and a set of four Ludwig Mies van der Rohe MR10 chairs for $5,334.
A major retrospective of pioneering sculptor Geles Cabrera has opened at the Museo del Palacio de Bellas Artes in Mexico City, celebrating her centennial year. The exhibition, titled "Partituras Corporales," spans seven decades of her work, featuring nearly 100 sculptures in materials from volcanic stone to plexiglass, and highlights her radical focus on the expressive, often erotic, human body. It follows her recent receipt of Mexico's highest artistic honor, the 2024 Bellas Artes Medal in Visual Arts.
The fifth AlUla Arts Festival has opened in AlUla, Saudi Arabia, running until February 14. The festival features land art, workshops, dance, and musical performances set against the ancient oasis landscape. Highlights include the return of Desert X AlUla with 11 site-specific installations by local and international artists, curated under the theme 'Space Without Measure' inspired by Kahlil Gibran. The exhibition 'Arduna' marks the pre-opening of the upcoming Contemporary Art Museum of AlUla, a collaboration with Centre Pompidou. The AlJadidah Arts District also hosts numerous initiatives, including photography exhibitions at Villa Hegra and concerts by the AlUla Music Hub.
The Vancouver Art Gallery (VAG) has received a landmark donation of 131 works by 78 artists from an anonymous Hong Kong-based collector, named the Art Continuum Hong Kong (ACHK) collection. The gift, the largest contribution of Hong Kong art in the gallery's history, spans painting, sculpture, printmaking, film, installation, and lens-based media from the 1950s to the present, chronicling social, political, and cultural change in Hong Kong. It includes works by internationally recognized artists such as Luis Chan, Irene Chou, Tsang Kin Wah, Wesley Tongson, Sin Wai Kin, and Wucius Wong, as well as Hong Kong-born, Vancouver-based artists like Howie Tsui and Lam Tung Pang. The VAG will present an exhibition of the donation alongside its permanent collection in 2027, coinciding with the 30th anniversary of Hong Kong's handover from the UK to China.
Miami's Museum of Graffiti, located in the Wynwood neighborhood, is hosting a new exhibition that chronicles the origins and development of graffiti and street art, timed to coincide with the annual Art Basel fair and its satellite shows. The museum, founded six years ago by Alan Ket, bills itself as the first museum in the world dedicated to graffiti and street art. The exhibition features works by artists like JonOne (Jon Perello), who began tagging New York subways as a teenager, and highlights key moments such as the 1973 Razor gallery show, which helped legitimize graffiti as an art form.
D'Stassi Art has opened "Miss Subway NYC," a landmark solo exhibition by trailblazing graffiti artist Lady Pink in Shoreditch, London. The show features a full-scale recreation of a graffiti-covered NYC subway station, displaying original works, new commissions, archival pieces, sketches, and ephemera from her early career. Lady Pink, one of the first women to break into New York's graffiti scene, began tagging trains at 17 and exhibited at MoMA PS1's landmark 1981 show "New York/New Wave" alongside Jean-Michel Basquiat and Keith Haring. The exhibition's title references the historic Miss Subways beauty pageant, and includes a self-portrait of Lady Pink as Miss Subways 2025.
The estate of the late collector Henry S. McNeil Jr. is bringing his significant collection of Minimalist art to auction at Christie's in New York this spring. The trove, assembled over decades and lived with in a Philadelphia townhouse, includes major works by Carl Andre, Dan Flavin, Donald Judd, and Sol LeWitt, and is expected to fetch around $30 million.