charles bronson art auction 1234776112
A collection of 500 artworks by Charles Bronson, one of the United Kingdom’s most notorious prisoners, is scheduled for auction at David Duggleby Auctioneers on March 11. The works, created using crayon, ink, and pencil on prison documents, will be sold as a single lot. The collection explores themes of isolation and endurance, reflecting Bronson’s decades of incarceration and solitary confinement.
The Smithsonian's National Museum of Asian Art announced it will return three looted bronze sculptures to India: "Shiva Nataraja" (ca. 990), "Somaskanda" (12th century), and "Saint Sundarar with Paravai." Provenance research linked the works to art dealers known for trafficking looted antiquities. The museum partnered with the Photo Archives of the French Institute of Pondicherry in 2023, finding the bronzes had been photographed in Tamil Nadu temples between 1956 and 1959 and removed in violation of Indian laws. This follows the museum's December return of three Khmer-period sculptures to Cambodia, also determined to be looted.
A small protest of fewer than 50 demonstrators, organized by the Catalan National Assembly and joined by former Catalan president Laura Borràs and ANC president Lluís Llach, gathered outside the National Art Museum of Catalonia (MNAC) on Monday morning as Aragonese technicians arrived to inspect a set of contested 13th-century Romanesque murals. The murals, originally from the Sijena Monastery, were ordered returned by Spain’s Supreme Court after more than a decade of litigation, concluding that the original religious order never lawfully transferred ownership after the works were removed in 1936 following a fire during the Spanish Civil War. The inspection team, led by restorer Natalia Martínez de Pisón, began with less fragile sections using photogrammetry to assess transport viability, while MNAC officials warn that moving the more delicate frescoes could cause irreversible damage and plan to formally contest the execution order on conservation grounds.
Archaeologists on the Greek island of Paros have uncovered a Hellenistic marble workshop at the site of Floga in Parikia. The dig, overseen by the Cyclades Archaeological Society and directed by Sofia Detoratou, revealed a large number of unfinished marble statues—mainly of Aphrodite—along with clay heads, molds, seals, and a thick layer of marble dust, indicating organized sculpture production. The site shows evidence of settlement from the late 5th century B.C.E., with the workshop emerging around the end of the 3rd century B.C.E.
The Whitworth gallery in Manchester is presenting a major exhibition comparing the works of Japanese masters Katsushika Hokusai and Utagawa Hiroshige. The show traces the evolution of ukiyo-e prints from their origins as mass-produced, voyeuristic snapshots of Tokyo's pleasure districts to the profound, psychologically complex landscapes that would later revolutionize Western art.
Artist Chandra Bhattacharjee presents a new body of work titled "A Star Amongst Too Many" at the Sarala Birla gallery within the Birla Academy of Art and Culture in Kolkata. Curated by Uma Ray, the exhibition features large-scale charcoal drawings that depict marginalized figures such as ragpickers, trash collectors, beggars, and street vendors. The works use black-and-white charcoal with occasional bursts of yellow and rust—the latter symbolizing neglect—to highlight the overlooked lives of these individuals. The show runs until May 24, 2026.
Art Room on 2nd in Medicine Hat, Alberta, is presenting "Remembrance," a solo exhibition featuring the acrylic works of Jackie DeBlasio, who is also a co-owner of the gallery. The show, opening May 8, 2026, presents large-scale figurative paintings on rolled canvas with sewn edges, hung from dowels to emphasize physicality and the process of becoming. DeBlasio describes the works as exploring identity, fluidity, and the tension between structure and surrender.
The Art Museum of Eastern Idaho in Idaho Falls is opening a new exhibition titled 'Sacred Spaces: Visions of the West from the Prosaic to the Sublime' on Friday, with a public preview on Thursday night. The show features six artists, including Bryan Mark Taylor, Allie Zeyer, and David Dibble, all of whom have ties to agriculture. The works depict farm life scenes such as barns, fields, animals, and tractors, with an audio tour offering artist commentary. The Museum of Idaho is also contributing historic farm photos to complement the exhibit.
Painter Bill Gallagher opens his solo exhibition “The State of Florida” on May 2 at Jane’s Art Center in New Smyrna Beach, featuring a new body of realistic oil paintings that capture everyday Florida scenes—cafés, coastlines, parking lots, sidewalks, and public spaces. The works explore subtle tensions between presence and distraction, connection and isolation, using a classical realist approach to transform the state into a psychological stage. Gallagher, who began exhibiting in his 20s in New York, Orlando, Los Angeles, and Milan, left the gallery world for a successful advertising career before returning to painting two years ago, earning multiple awards including first place at the Artists’ Workshop NSB Members Show for his painting “Release.”
The Government of Yukon has added 11 new works to the Yukon Permanent Art Collection (YPAC), featuring artists Eugene Alfred, Misha Donohoe, Basia Hinton, Jane Isakson, Stephanie Luneta-Stevens, Jeneen Frei Njootli, Margret Njootli, Andy Pelletier, Dustin Sheldon, Maria Rose Sikyea, and Michelle Williams. Eight of these artists are represented in the collection for the first time. The pieces were selected from 134 submissions by 64 artists through an annual call for submissions process managed by the Yukon government and the Friends of Yukon Permanent Art Collection. An exhibition of the works is planned for fall 2026, and images are available on Yukon.ca.
A new gallery called Hanover Creative has opened in Trenton, New Jersey, with its debut exhibition "Fiber Politic." The show, curated by Áine Mickey, features the work of five textile artists, including Patricia Dahlman and the artist known as Woolpunk, and runs from March 21 to April 25. The gallery represents a significant step for Trenton's art scene, which has historically lacked independent exhibition spaces for its many talented artists.
Artists Charlie Kirkham and Robert Walker are set to debut a joint exhibition titled "The Cost of Love" at the Rugby Art Gallery and Museum this May. The showcase features contemporary paintings that reimagine classical mythological figures—such as Narcissus, Apollo, and Adonis—to explore psychological themes of desire, transformation, and vulnerability. While both artists maintain a focus on technical rigor and the human figure, the works shift away from traditional storytelling to focus on the emotional tensions of modern life.
Artist Jeremy Okai Davis has launched a solo exhibition titled “Presence of Color” at the Harvey B. Gantt Center for African-American Arts + Culture. The show, curated by Dr. Tamara Brothers, features large-scale paintings that utilize a pixelated, neo-impressionist style to depict Black figures and historical icons like Angela Davis. The works specifically address the history of "Shirley Cards"—color-calibration tools used by Kodak that were based on white skin tones, effectively marginalizing Black subjects in film photography for decades.
The Hook Experiment in Oxford is currently hosting "Tender Ground," a lens-based exhibition featuring the work of four regional women artists: Lynda Schmid, Sarah R. Bloom, Marnie Ellen Hertzler, and Jonna McKone. Curated by Constance McBride and Lisa Baird, the show utilizes photography and found objects to explore themes of environmental instability, physical vulnerability, and the fragility of place. The works range from disjointed equine photography and nude self-portraiture in decaying spaces to documentation of the disappearing Tangier Island.
The Mint Museum in Charlotte has successfully secured a rare exhibition featuring the works of Italian Baroque master Caravaggio, culminating a complex four-year negotiation process. This landmark show marks a significant achievement for the regional institution, bringing world-class masterpieces that are seldom seen outside of major European capitals or top-tier global museums to North Carolina.
Christopher Moller Gallery in Cape Town is set to host "Echoes of Home," a group exhibition featuring the works of Mpho Feni, Lionel Mbayiwa, and Olamide Ogunade. The show explores the evolving concept of identity and heritage across the African continent, contrasting traditional ancestral knowledge with contemporary lived experiences. Each artist provides a unique lens: Mbayiwa focuses on Shona cosmology, Ogunade utilizes introspective symbolism to capture the fragility of memory, and Feni documents the communal rituals of everyday family life.
Boholano mixed-media artist Joseph “Jjawzip” Ingking has launched his debut physical solo exhibition, “April’s Fool,” at Dajon Art Studio & Gallery in Baclayon, Bohol. The showcase features a series of paired paintings and toy sculptures that explore the recurring character "Energy Kid," a figure shaped by the artist’s personal history. Utilizing vibrant colors and recycled materials, the works—such as “Fragile Freedom” and “Radiance Reimagined”—blend fantasy with social commentary on themes ranging from the fragility of peace to the vitality of creative discovery.
Artworld – Sarala’s Art Centre is hosting "Trilogy," an exhibition featuring the works of C Douglas, K Muralidharan, and Rm Palaniappan. Curated by Bishwajit Banerjee, the show highlights the shared lineage of these three artists who emerged from the Government College of Fine Arts in Chennai. While they share a common academic foundation, the exhibition showcases how each artist has developed a distinct visual language and divergent creative path over several decades.
Atelier Joliet Art Gallery in downtown Joliet is set to host a dual artist opening on April 25 featuring the works of Jeffrey Equality Brooks and Joseph Mayernik. The exhibition showcases the distinct styles of these two nationally and internationally recognized artists, who will both be in attendance for the public event. The collection is currently installed and available for viewing during the gallery's standard weekend hours.
British artist and art critic Matthew Collings has sparked intense backlash for his exhibition "Drawings Against Genocide" held in Kent. Critics and advocacy groups allege that the works utilize virulent antisemitic tropes, including depictions of Jewish people consuming infants and imagery that appears to deny the sexual violence committed during the October 7 attacks.
Trinity College's Widener Gallery is hosting its first fully student-curated exhibition, 'Reshaping Tradition: Contemporary Explorations in East Asian Art.' The show, open through April 2026, was produced by students from the 'Art History 205: East Asian Art, Now to 1850' course, who selected the artists, refined the theme, chose the works, conducted artist interviews, wrote catalogue essays, and designed the exhibition layout, all under the guidance of gallery director Lisa Lynch and professor Michael J. Hatch.
Paintings by the late US president Jimmy Carter, along with personal effects from his family, will be auctioned at Christie's in New York this month as part of a sale titled "We the People: America at 250," marking the country's semiquincentennial. The works were selected by his daughter Amy Carter and include scenes of a Georgia church, a still-life with a pomegranate, a waterfall, and a historical painting titled "The Hornet's Nest" (2003), with estimates ranging from $2,000 to $12,000. Also offered are a portrait of Carter by Don Powers, scarves with a peanut print, ties, a Stetson hat, a coffee table made by Carter, and a copy of Chairman Mao's quotations.
Sharon Stone, the actress turned artist, has created a new series of paintings titled "Rogues Gallery" that she claims were inspired by channeling spirits from different historical eras. The works include a portrait called "Him" (2025), which she says depicts an enslaved person who drowned in the East China Sea on a slave ship. Stone describes her process as communicating with these spirits while painting, evoking the spiritualist approach of artists like Hilma af Klint. She plans to exhibit the works in intimate, phone-free settings to enhance the ethereal experience.
An art exhibition by painter George Gavriel was removed from the Blue Iris Gallery in Paphos after the gallery’s owner received death threats. The threats began following a social media post by a candidate for the far-right ELAM party, escalating through Saturday. Gavriel withdrew the works, which often address political and religious themes, to protect the owner, who chose not to file a formal complaint. Three young people briefly entered the gallery’s basement and removed some pieces, which were later restored.
An art exhibition by Cypriot painter George Gavriel in Paphos was cancelled a day after its opening following public outcry over religious imagery. The show, titled “Antisystemic Art,” included paintings of Orthodox icon-style figures such as Christ and the Virgin Mary placed in explicit secular and sexually suggestive contexts. Political parties DISY and ELAM condemned the works as blasphemous, while the Blue Iris Gallery issued an apology and shut down the exhibition to avoid further unrest.
Miami Beach's city government runs 'No Vacancy,' an annual art exhibition that transforms around a dozen hotels and resorts across the city. Now in its fourth year, the program selects local and Miami-rooted artists—including Amanda Linares, Lee Pivnik, Pepe Mar, and Edison Peñafel—through a competitive open call to create site-specific works in public areas of participating properties such as Casa Faena, Miami Beach EDITION, and The Betsy Hotel. The exhibition has been extended from two weeks to four weeks this year, and visitors can explore the works via a self-guided tour, with over 200 artists submitting for the current edition.
Thomas Oliver Maxwell won the Ministry of Culture Award and the overall prize of £1,500 in Gibraltar's 'Our Gibraltar' art competition for his painting of Southport Gates. The annual National Day Art Exhibition, featuring 64 entries from 42 local artists across painting, sculpture, and photography categories, opened at the Fine Arts Gallery in Casemates with Deputy Mayor Nicky Guerrero and Governor Lieutenant General Sir Ben Bathurst in attendance. Nataly Zelak-Victor won first prize in painting for 'Parson’s Lodge Battery,' while Prem Mahtani took first prize in photography for a photograph of Parson’s Lodge. Judges Douglas Morello, Gabriella Martinez, and Stefano Blanca Sciacaluga evaluated the works, noting the variety of media and locally themed subjects.
The Inter Lyceum Art Competition (ILAC) 2025 took place on July 12-13 at the J.D.A. Perera Art Gallery in Colombo, Sri Lanka, featuring 747 student artworks from 10 Lyceum International School branches. The event included categories such as drawing, collage, 3D art, digital graphics, sculpture, and assembling art, and was supported by sponsors Atlas and Academy of Design (AOD). A charity art auction of selected student drawings raised funds for Thimbiriwewa Primary School, a rural school in the Kurunegala area. Chief Guest Dharshan Thavaraja and Guest of Honour Professor Jagath Ravindra attended, with a judging panel of Chandana Kumarasinghe, Anupa Indika, and W.M.A.N. Wasala evaluating the works.
The Museum of Fine Arts (MFA) Boston has returned two looted artefacts—a bronze relief plaque and a terracotta and iron head—to the Oba of Benin during a ceremony at Nigeria House in New York City. The works, stolen by British forces during the 1897 punitive expedition against the Kingdom of Benin, were traced to the collection of Augustus Pitt-Rivers and later acquired by investment titan Robert Owen Lehman, who donated them to the MFA in 2013 and 2018. The pieces will be handed over to Nigeria's National Commission for Museums and Monuments and ultimately to His Royal Majesty Omo N’Oba Ewuare II.
Three artworks by Eric Gill, a sculptor and artist who sexually abused his daughters, have been withdrawn from the exhibition 'It Takes A Village' at the Ditchling Museum of Art and Craft in the UK, opening on 5 July. The works—two depicting his daughter Petra naked in a bath and one of a nude Elizabeth—were removed after the museum consulted with the Methodist Survivors Advisory Group, a group of abuse survivors. The survivors found the pieces offensive and potentially upsetting to visitors. The exhibition will still include Gill's watercolor 'Annunciation' in a separate room, and the museum's director, Stephanie Fuller, emphasized that the decision was led by the survivors' input.