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A Sotheby’s special: find female artists from Southeast Asia and beyond at their very finest

The article, published by Vogue Singapore, promotes a Sotheby's auction event focused on female artists from Southeast Asia and beyond. It highlights the opportunity to acquire works by these artists at their finest, suggesting a curated selection that emphasizes the region's artistic talent. The piece appears to be a promotional feature tied to a specific Sotheby's sale, likely timed to coincide with art market trends or a dedicated auction series.

9 Art Shows to See Before They Close This Winter

The New York Times has published a curated list of nine art exhibitions across the United States that are closing this winter, urging readers to visit before they end. The shows range from major museum retrospectives to smaller gallery presentations, covering a variety of artists and themes.

Five Rising Contemporary Artists You Should Know

The New York Times has published a feature highlighting five emerging contemporary artists who are gaining recognition in the art world. The article profiles each artist's background, creative practice, and recent achievements, offering readers an introduction to new voices in visual art.

Centre LGBT+, Local Congregations Partnering for Art Exhibition

Centre LGBT+ and several faith communities in Centre County, Pennsylvania, are partnering for a new art exhibition called “Rainbow Creation,” inviting local artists to submit original works exploring and celebrating LGBT+ identity. Submissions are open until March 15, with no fee required, and works by children, youth, and adults in any medium are welcome. Selected pieces will be displayed from April 12 to June 30 at Centre LGBT+’s community center and multiple faith spaces across State College and the Centre Region. Participating congregations include Unitarian Universalist Fellowship of Centre County, St. Luke Lutheran Church, Congregation Brit Shalom, Grace Lutheran Church, St. Paul’s United Methodist Church and Wesley Foundation, University Baptist and Brethren Church, State College Friends Meeting, and State College Presbyterian Church.

Late local artist honored in special art exhibition

The article reports on a special art exhibition honoring a late local artist. The exhibition showcases the artist's work and legacy, organized by a community or regional institution to celebrate their contributions to the local art scene.

Exhibit Reclaims Space for Human Artists

Cedarville University's 220 Gallery is hosting “Painters and Paintings,” an exhibit featuring physical and digital paintings by the university's art students, open through January 14, 2026. Conceived by associate professor Aaron Gosser, the show pairs each artwork with a photo of the student artist and a personal reflection on painting in an era flooded with AI-generated images, aiming to foreground the human hand and story behind each piece.

Alserkal Avenue: Quirky cafés, art galleries and unmissable things to do

Time Out Dubai highlights Alserkal Avenue in Dubai as a vibrant cultural district featuring quirky cafés, art galleries, and other unmissable attractions. The article serves as a guide to the area, emphasizing its role as a hub for contemporary art and creative experiences in the city.

Art Gallery Shows to See in December

The New York Times has published a curated list of art gallery shows to see in December, highlighting notable exhibitions across various cities. The article provides recommendations for viewers seeking contemporary and modern art during the holiday season, featuring a range of galleries and artists.

Art on the Wall That Echoes Protests From the Streets

The New York Times article explores how contemporary artists are translating the energy and imagery of street protests into gallery and museum exhibitions. It highlights specific works that incorporate protest signs, slogans, and visual motifs from recent social movements, examining how these pieces retain their political urgency when removed from the streets and placed in institutional spaces.

In Her 90s, a Painter Finally Confronts Her Nazi Trauma

The New York Times profiles a painter in her 90s who has finally begun to address the trauma she experienced during the Nazi era through her artwork. The article details how she survived persecution and displacement as a child under Nazi rule, and how for decades she avoided directly depicting those experiences in her paintings. Now, late in life, she is creating works that confront her past, using art as a means of processing long-suppressed memories and emotions.

On the Eve of Art Basel Miami Beach, a Case of the Jitters

The New York Times reports that as Art Basel Miami Beach approaches, dealers and collectors are experiencing a palpable sense of anxiety. The article captures a mood of uncertainty in the art market, with gallerists expressing concerns about slower sales, shifting collector priorities, and the broader economic climate affecting the high-end art trade. Interviews with key figures reveal a cautious atmosphere ahead of one of the year's most important art fairs.

A Rare Collection of Dutch Old Masters Gets Its First U.S. Outing

A rare collection of Dutch Old Masters, previously held in a private European collection, is making its first-ever U.S. debut at an American museum. The exhibition brings together a selection of 17th-century paintings, including works by Rembrandt, Vermeer, and other Dutch Golden Age artists, offering a unique glimpse into a collection that has rarely been seen by the public.

Art Gallery Shows to See in November

The New York Times has published a curated list of art gallery shows to see in November, highlighting notable exhibitions across various cities. The article features a selection of gallery presentations, likely including emerging and established artists, with details on locations, dates, and thematic focuses. It serves as a guide for art enthusiasts looking to explore new works during the month.

This Washington Museum Sold Some of Its Art. But at What Cost?

The New York Times reports that a Washington museum has sold off some of its art collection, raising questions about the financial and ethical costs of such a decision. The article details the sale, likely involving deaccessioned works, and explores the motivations behind it, such as funding operational expenses or new acquisitions.

French Ideas, Made in the U.S.A.

The New York Times article 'French Ideas, Made in the U.S.A.' explores how French artistic and intellectual concepts have been adapted and reinterpreted in the United States, often losing their original context or gaining new meanings. It examines specific examples from art, design, and philosophy, tracing how French movements like Impressionism, Surrealism, and structuralism were imported, commercialized, or transformed by American institutions, collectors, and artists.

5 Apps That Will Make You Love Art Galleries

The New York Times has published an article titled "5 Apps That Will Make You Love Art Galleries," which highlights five mobile applications designed to enhance the experience of visiting art galleries. These apps likely offer features such as augmented reality, audio guides, or curated recommendations to help users engage more deeply with artworks and exhibitions.

Artists invited to submit work for biennial arts exhibition

The Salina Art Center has issued a call for entries for the 2026 Mountain Plains Contemporary Art Biennial, a juried exhibition open to visual artists from ten U.S. states: Colorado, Kansas, Montana, Nebraska, New Mexico, North Dakota, Oklahoma, South Dakota, Texas, and Wyoming. Submissions must be made via CaFÉ by January 20, 2026, with a $35 entry fee for up to three artworks completed in 2024 or 2025. The exhibition encourages themes of identity, place, belonging, and transformation ahead of the nation's 250th anniversary. Awards totaling up to $5,000 will be given, including a $2,250 first prize, and the juror is Hesse McGraw.

If You Could Design Any Museum Exhibition, What Would It Be?

The New York Times poses a hypothetical question to several prominent figures in the art world: if they could design any museum exhibition, what would it be? The article features responses from artists, curators, and critics who describe their dream shows, ranging from a survey of overlooked female abstract expressionists to a retrospective of a fictional artist. Each contributor outlines a concept, the venue they would choose, and the rationale behind their curatorial vision.

UK government set to scrap English baccalaureate, which made arts education ‘the preserve of a privileged few’

The UK government has accepted a report recommending the scrapping of the English Baccalaureate (EBacc), a qualification introduced in 2010 that required students to take seven GCSEs in core subjects like maths and languages but excluded arts subjects. Under the proposed new system, arts GCSEs would be given equal status to humanities and languages, allowing students more flexibility. The review was commissioned by Education Secretary Bridget Phillipson and led by Professor Becky Francis of the Education Endowment Foundation.

Talent on show at art exhibition

The 16th annual Bucklands Beach Yacht Club Art Show opens on November 5, featuring 170 artworks by 70 local artists. The exhibition includes acrylics, watercolours, marquetry, and pottery, with free entry and proceeds supporting the club's Sailing Academy Junior Learn to Sail programme. The show is sponsored by Milford Asset Management Ltd and runs through November 9.

OSU Department of Art Faculty Exhibition highlights natural world and technology

The Ohio State University Department of Art Faculty Exhibition is currently on view at the Urban Arts Space, featuring works by 23 full-time, tenured, tenure-track, and visiting faculty. The exhibition spans from historical artifacts to cutting-edge technology, with many works focusing on the natural world or technology. Highlights include virtual reality experiences and David John King's "Here Hear," which combines tiny objects on a rotating platform projected onto a wall via video camera, drawing from the artist's dreams and memories.

What to See in Galleries in October

The New York Times has published a guide titled "What to See in Galleries in October," offering readers a curated selection of gallery exhibitions to visit during the month. The article likely highlights notable shows across various cities, featuring both emerging and established artists, and provides practical information for art enthusiasts planning their gallery visits.

She Sees Beauty in Black Men at Work. She Won’t Apologize for That.

The New York Times profiles an artist who creates works celebrating Black men in labor, depicting them with dignity and strength. The artist refuses to apologize for her focus, which she sees as a corrective to historical erasure and negative stereotypes.

Where Private Fortunes Treat the Public to Sumptuous Art

The New York Times article explores the growing trend of private collectors and foundations establishing their own museums to showcase their art collections to the public. These institutions, often funded by immense private fortunes, offer lavish exhibition spaces and high-profile shows that rival traditional public museums, blurring the lines between private ownership and public cultural access.

The Art Prodigies of the Nirvana Era Look Back on the ’90s

The New York Times article features a group of artists who emerged as prodigies during the 1990s, reflecting on their formative years and the cultural landscape of the Nirvana era. These artists, now established figures, discuss how the grunge movement, shifting social dynamics, and the art world of the '90s shaped their early careers and creative identities.

China Institute Gallery Turns a Setback Into an ‘Urgent’ Contemporary Showcase

China Institute Gallery in New York has transformed a logistical setback into an opportunity, mounting an urgent contemporary art exhibition that showcases works by Chinese and Chinese American artists. The show, organized on short notice after a previously planned exhibition fell through, features a range of pieces addressing themes of identity, diaspora, and cultural heritage, reflecting the gallery's pivot toward more current and pressing artistic conversations.

As the Nation’s Birthday Approaches, Museums Lead the Way

The New York Times article highlights how museums across the United States are taking a leading role in commemorating the nation's birthday, with special exhibitions, public programs, and curated displays that explore American history, identity, and cultural heritage. These institutions are using their collections and expertise to offer nuanced perspectives on the country's founding, often incorporating diverse voices and critical reflections alongside traditional patriotic narratives.

A Full Season of Art to See at Museums and Galleries Across the U.S.

The New York Times has published a comprehensive guide to art exhibitions across the United States for the upcoming season, highlighting major museum shows and gallery presentations from coast to coast. The article curates a selection of must-see exhibitions, covering a range of contemporary and historical artists, and provides practical information for art-goers planning their cultural calendar.

Call for local artists to design cover of Guernsey Short Story Anthology

The Guernsey Literary Festival and Art for Guernsey are inviting local artists to submit cover designs for "Time & Tide," the Guernsey Short Story Anthology, a new publication celebrating writers connected to the Bailiwick. The competition is open to artwork of any medium inspired by the anthology's theme of personal memories, imagined futures, and island life rhythms. The anthology will be published by Blue Ormer and launched at the Guernsey Literary Festival from 24 April to 3 May 2026, with a submission deadline of 30 November 2025.

Joy and Pathos, Gods and Glitter Meet at San Francisco’s Asian Art Museum

The New York Times reports on a new exhibition at San Francisco's Asian Art Museum that juxtaposes traditional Asian art with contemporary works, exploring themes of joy, pathos, divinity, and spectacle. The show brings together ancient sculptures, paintings, and ritual objects alongside glittering modern installations, creating a dialogue across time and culture.