Phallus, Vagina, Universum
Marina Abramović is presenting a major retrospective at the Neue Nationalgalerie in Berlin, shifting focus from her well-known explorations of physical pain to the erotic energy of the human body. The exhibition draws heavily on Slavic folklore and pagan traditions from her Balkan heritage, exploring how ancient rituals used sexuality and the body as tools for spiritual and cosmic connection.
Organizers of the British Art Show have unveiled the theme and artist list for its tenth edition, titled "A Chorus of Strangers." Curated by Ekow Eshun, the quinquennial exhibition will launch in Coventry on October 2, 2025, before touring to Swansea, Bristol, Sheffield, and Newcastle Gateshead through 2028. The show features a diverse roster of contemporary artists including Turner Prize winner Jasleen Kaur, Alvaro Barrington, and Precious Okoyomon, organized around three conceptual pillars: psychological, sociological, and ecological.
Vidéo : Les secrets de la licorne, créature légendaire au cœur d’une exposition au musée de Cluny
The Musée de Cluny in Paris is presenting an exhibition titled "Licornes!" from March 13 to July 12, 2026, exploring the history and symbolism of the unicorn from antiquity to the present day. Curated by Béatrice de Chancel-Bardelot, the show traces the creature's evolving depiction in literature, illuminated manuscripts, frescoes, tapestries, and contemporary art, highlighting its shifting meanings from a wild, aggressive beast to a symbol of purity, virtue, and, more recently, LGBTQIA+ pride and feminine power.
Quelles sont les œuvres d’art englouties à bord du Titanic ?
The RMS Titanic, which sank in 1912, was carrying over 300 paintings, drawings, prints, and art objects according to its cargo manifest. The most famous artwork lost was the 1814 neoclassical painting 'La Circassienne au bain' by French artist Merry-Joseph Blondel, owned by Swedish businessman Mauritz Håkan Björnström-Steffansson, which was insured for $100,000. Also lost was the legendary 'Grand Omar,' a jewel-encrusted luxury edition of the Rubaiyat of Omar Khayyam, created by the London bindery Sangorski & Sutcliffe.
Sur Arte, un documentaire décrypte le malentendu tenace autour du peintre du bonheur, Auguste Renoir
A new documentary titled "Renoir in Love" airing on Arte examines the persistent critical misunderstanding surrounding Auguste Renoir. The film, released in tandem with a major double exhibition at the Musée d'Orsay, argues that Renoir's joyful depictions of couples and modern leisure have been unfairly dismissed as saccharine, relegating him to the margins of modern art history. It presents a nuanced portrait of an artist whose work was fundamentally driven by a philosophy of love and human connection.
Rosa Loy, a German painter associated with the New Leipzig School, presents a new body of work at a solo exhibition that explores themes of togetherness, collaboration, and female solidarity through her signature figurative, dreamlike style. The show features large-scale paintings and works on paper that depict pairs or groups of women engaged in shared activities, rendered in muted earth tones with subtle surrealist undertones.
Chanel and the Solomon R. Guggenheim Foundation have announced a new transatlantic curatorial fellowship, set to launch in 2027. The Chanel Culture Fund Fellowship is a one-year program for MA- and PhD-level scholars, who will begin at the Guggenheim Museum in New York before moving to the Peggy Guggenheim Collection in Venice. The announcement coincides with the start of the Venice Biennale, and the open call for fellows will begin this fall. The fellowship includes a stipend and travel support, and is designed to complement the Peggy Guggenheim Collection's existing International Fellowship.
Artist Gisela Colón is the subject of two concurrent solo exhibitions: "Radiant Earth" at the Bruce Museum in Connecticut and "The Mountain, The Monolith" at the Museo de Arte Contemporáneo de Puerto Rico. This dual presentation marks a significant career milestone and a homecoming for the Puerto Rican-born artist, who has built an international profile over the past decade with installations from Desert X AlUla to sites near the Pyramids of Giza.
A long-lost portrait of Scottish poet Robert Burns by Sir Henry Raeburn has been rediscovered and is now on display at the National Galleries of Scotland in Edinburgh. The painting was found at a London house sale last year, consigned to Wimbledon Auctions with a low estimate of £300–£500, but sold for £68,000 after intense bidding. It was purchased by Edinburgh-based art collector William Zachs, who had it restored and brought to Scotland, where experts confirmed it as an authentic Raeburn. The work is a copy Raeburn made in 1803 of a 1787 portrait by Alexander Nasmyth, commissioned by London publishers Cadell & Davies but lost shortly after completion.
Tony Fitzpatrick, a prominent figure in Chicago's art scene, died at age 66 on October 11 from a heart attack while awaiting a double lung transplant at Rush University Medical Center. He was an artist, printmaker, poet, writer, actor, gallerist, and city booster, known for collages combining vintage illustrations, tattoo art, words, and natural motifs. His work is held by major institutions including the Art Institute of Chicago, the Metropolitan Museum of Art, and the National Gallery of Art. He also ran several Chicago galleries—The Edge, World Tattoo, and The Dime—and published a book, The Sun at the End of the Road: Dispatches From an American Life.
Napoleon Jones-Henderson, a key member of the AfriCOBRA collective known for creating art during the Black Power era, died in Boston on December 6 at age 82 after battling cancer. Jones-Henderson was part of the Chicago-based group founded in 1968 by artists including Jeff Donaldson, Wadsworth Jarrell, and Barbara Jones-Hogu, which synthesized African styles with Black American expressions. Despite the group's historical significance, their work was largely overlooked by major museums until recent years, with Jones-Henderson receiving his first major survey at the Institute of Contemporary Art Boston in 2022.
Crystal Bridges Museum will present an exhibition dedicated to singer-songwriter Jewel during the Venice Biennale, running from May 10 to November 22 at the Salone Verde, near Fondazione Prada. Titled “Matriclysm: An Archeology of Connections Lost,” the show is organized by Crystal Bridges curator-at-large Joe Thompson and features paintings from Jewel's “Ceremony” series, a tapestry, and three large-scale sculptures—including “Heart of the Ocean,” an eight-foot-tall piece that uses live oceanic data from NASA and Stanford University to control 60,000 programmable lights. The exhibition explores themes of feminine memory, matriarchy, and connection.
Martin Beck has created a new body of artwork inspired by the *Environments* series of LPs, which debuted in 1969 and featured long-duration nature sounds and aural abstractions. The works are on view at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, through October 5, and include wall works, video, and an exhibition design that explores how the records were marketed as lifestyle accessories and productivity aids. Beck first encountered the series through a friend's lecture at Columbia University and became fascinated by its blend of utopian vision and commercial hype.
The Toledo Museum of Art has opened the first major exhibition dedicated to Dutch Golden Age painter Rachel Ruysch, organized with the Alte Pinakothek in Munich and traveling next to the Museum of Fine Arts, Boston. The show features Ruysch's vibrant still lifes of fruits and flowers, often animated by insects, and places her work alongside that of her sister Anna Ruysch and other female scientific illustrators like Maria Sibylla Merian. Curator Robert Schindler's rediscovery of Anna Ruysch's work helped inspire the exhibition, which also draws on botanical research to catalog the global plant species Ruysch depicted, reflecting colonial trade networks.
The National Gallery in London has selected Japanese architecture firm Kengo Kuma and Associates to design a new £350m wing, scheduled to open in the early 2030s. Chosen from a shortlist of six finalists, Kuma’s design features a Portland stone exterior and will be constructed on the site of the soon-to-be-demolished St Vincent House. The extension will provide nearly double the space for temporary exhibitions and an additional 1,500 square meters for the permanent collection, connected via bridges to the existing Sainsbury Wing and Wilkins building.
Crystal Bridges Museum of American Art has unveiled a monumental Tiffany Studios window, "Mountain Landscape (Root Memorial Window)," which was previously housed in a San Antonio church. The 1917 stained-glass masterpiece, designed by Agnes Northrup, had been roped off for a decade due to insurance liabilities before the church sought a public institution to ensure its preservation and display. Following a meticulous conservation process, the nine-foot-tall window is now a centerpiece of the museum’s Visions of America Galleries.
A truck driver named Joe Macken spent 21 years building a massive, 50-by-27-foot miniature model of New York City from humble materials like balsa wood and cardboard. His daughter's suggestion to post it on TikTok led to the project going viral, which subsequently caught the attention of the Museum of the City of New York. The museum has now mounted a dedicated exhibition, "He Built This City: Joe Macken's Model," featuring the sprawling 1:2400-scale creation.
The 2026 Whitney Biennial marks a shift in contemporary art from literal messaging toward atmospheric 'mood.' This edition is characterized by an immersive aural landscape of drones and whispers, moving away from the overt identity politics of previous years in favor of a 'sincerity first' credo. Key works include Emilie Louise Gosslaux’s emotional tribute to her guide dog, Mo Costello’s community-focused binders, and Nour Mobarak’s intimate recordings of internal bodily sounds.
This article explores the history and significance of illuminated manuscripts, correcting the common misconception that they were exclusively produced by medieval European monks. It highlights five standout examples, including the Très Riches Heures du Duc de Berry, made for Jean I, Duke of Berry around 1411 by the Limbourg brothers, and the Book of Kells, created around 800 C.E. by monks of Iona Abbey. The article notes that illuminated manuscripts, defined by the decorative use of gold or silver, date back to the 4th century B.C.E. and span cultures from the Middle East to Africa and Mesoamerica, serving primarily as status symbols rather than reading material.
Art critic Ben Davis shares a personal three-and-a-half-step method for getting the most out of visiting an art exhibition alone. The process begins with a quick walkthrough of the entire show to build a cognitive map of the space and note artworks that immediately stand out. The second step involves a systematic, slower tour to read wall texts, examine individual works, and uncover connections and hidden details, with special attention to time-based media like video art.
The Frick Collection is presenting a single-picture exhibition of Parmigianino's portrait 'Schiava Turca' (circa 1531–34), on loan from the Galleria Nazionale di Parma. The painting, whose title means 'Turkish Slave,' depicts a woman in elaborate headdress and chains, whose identity has long been a mystery. Curator Aimee Ng proposes a new interpretation: that the sitter is the poetess Veronica Gambara, based on her confident demeanor and the Pegasus emblem symbolizing poetic inspiration. The article also recounts Vasari's anecdote about Parmigianino's absorption in his work during the 1527 Sack of Rome, and explores the painting's connection to Mannerist ideals of beauty.
Marilyn Jackson, president and CEO of the American Alliance of Museums, argues that Americans overwhelmingly trust and support museums, with 96% wanting federal funding maintained or increased. She criticizes the Trump administration's first 100 days for gutting staff and grants at the Institute of Museum and Library Services and other agencies, and for issuing an executive order called 'Restoring Truth' that restricts how museums can portray history, creating fear of retribution for factual research.
The article examines the recurring theme of unhappy brides in 19th-century painting, focusing on works like Vasily Pukirev's *The Unequal Marriage* (1862) and Auguste Toulmouche's *The Reluctant Bride* (1866). It notes how these depictions of devastated brides and depressing nuptials have gone viral on social media, with 21st-century audiences—especially women—relating to the emotional tenor of the images despite the historical distance.
Hito Steyerl's solo exhibition "The Island" at Osservatorio Fondazione Prada in Milan explores the concept of submersion as both a geological condition and a media regime. The show takes its title from a Neolithic artificial island discovered off the coast of Korčula, Croatia, which remained submerged for approximately seven thousand years. Through video interviews, installations, and critical assemblages, Steyerl connects this submerged structure to contemporary issues of digital image circulation, algorithmic power, and the dispossession of agency, drawing on science fiction, quantum physics, biochemistry, and deep time.
Bergen Kunsthall has launched "Iter Subterraneum," a group exhibition inspired by Ludvig Holberg’s 1741 satirical novel about a man who falls through a cave in Bergen into a subterranean world. The show features ten international artists, including Robert Gabris, Anicka Yi, and Cecilia Fiona, whose works span video, sculpture, and performance. By pairing historical editions of Holberg’s book with contemporary installations, the exhibition explores themes of displacement, collective existence, and the blurring of lines between human and non-human life.
Native Chicagoan architect and artist Mark Acciari reflects on the architectural identity of Chicago from the distance of Mexico City. Using the iconic imagery of a Chicago-style hot dog as a metaphor for the city's construction, he explores how the city's legacy is often reduced to the 'skeleton frame' of early modernism by critics, while ignoring its more playful, symbolic, and postmodernist undercurrents.
The acclaimed Venezuelan electronic musician Arca, born Alejandra Ghersi, is transitioning into the visual arts with her first institutional exhibition at the Institute of Contemporary Arts (ICA) in London. Titled "Angels," the body of work consists of visceral, heavily textured paintings created using a chaotic mix of oils, acrylics, melted plastic, and latex. Ghersi turned to the physical medium as a therapeutic response to professional burnout, using the permanent nature of painting to process personal trauma and reconnect with the raw creative enthusiasm she felt before her music career became a global profession.
The Yale Center for British Art presents 'Painters, Ports, and Profits,' an exhibition of 115 items spanning a century of art and history, focusing on the East India Company's commercial empire. The show includes paintings, prints, drawings, books, and artifacts such as a 37-foot watercolor scroll of Lucknow (1826) and works by Indian artist Gangaram Chintaman Navgire Tambat, who emerges as the artistic star with 20 pieces. It also features prints of the company's opium factory and 'The Opium Fleet Descending The Ganges' by Walter Stanhope Sherwill, highlighting the company's role in the Opium Wars with China.
Norwegian artist Siri Aurdal, known for her pioneering use of industrial materials to create socially-driven sculptures, has died at the age of 88 in Oslo. Born into a prominent artistic family, Aurdal rose to prominence in the late 1960s by repurposing materials like reinforced fiberglass and plexiglass—often sourced from Norway’s oil industry—into modular, interactive installations. Her work frequently bridged the gap between fine art and public utility, manifesting in monumental playground structures and politically charged pieces that responded to global events like the Vietnam War.
Newly released documents from the Justice Department's Epstein files reveal that New York art collector and Galerie magazine founder Lisa Fayne Cohen and her husband, real estate developer Jimmy Cohen, were in close contact with financier and convicted sex offender Jeffrey Epstein in 2015 and 2016. The emails show Cohen seeking Epstein's advice and arranging to photograph his Paris apartment for her magazine, which later featured the residence anonymously in its second issue.