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High Art, a Parisian gallery known for launching the careers of artists like Lucy Bull and Julien Creuzet, is closing its physical space after 12 years. The gallery announced on Instagram that its last exhibition closed in July and that it will transition toward collaborations, offsite exhibitions, and individual artworks. Founded in 2013 by Romain Chenais, Jason Hwang, and Philippe Joppin, High Art became a tastemaker in Paris's gallery scene, known for its challenging and often unconventional program. Many artists who showed there early, including Rachel Rose, Matt Copson, and Frieda Toranzo Jaeger, later achieved international recognition.

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ARTnews has published a guide to Black Friday and Cyber Monday deals on artists' tools and studio supplies, tracking discounts from US retailers on items ranging from tech gear like Samsung's The Frame TV and Ray-Ban Meta smart glasses to software subscriptions like Topaz Studio. The article advises readers to move fast as products may sell out, and explains the selection process involves research on art supply usage, customer reviews, expert advice, and the authors' own expertise as artists and teachers.

Who is Alma Allen, US Pavilion Artist for the 2026 Venice Biennale?

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The US Department of State has confirmed that sculptor Alma Allen will represent the United States at the 2026 Venice Biennale. Allen, a Utah-born, Mexico-based artist known for abstract biomorphic sculptures, was selected after a fraught selection cycle that included updated guidelines requiring proposals to promote American values. He was approached directly by curator Jeffrey Uslip, who will organize the US pavilion, and accepted the offer despite reportedly being advised against it by his former galleries Mendes Wood DM and Olney Gleason, which subsequently cut ties with him.

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The Portland Art Museum has completed a $116 million expansion and renovation, integrating two neighboring buildings and adding nearly 100,000 square feet of public and gallery space. The centerpiece is a 21,000-square-foot glass pavilion named after Mark Rothko, who grew up in Portland and attended the museum's art school. The project, largely privately funded, unites the original 1932 Belluschi building with the 1927 Mark Building (a former Masonic Temple) via a transparent, 24-hour pedestrian tunnel. Director Brian Ferriso led the capital campaign, which also raised $30 million for the endowment, and recruited Hennebery Eddy Architects and Vinci Hamp Architects as designers.

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Maggie Harrison, head winemaker at Antica Terra in Oregon's Willamette Valley, has collaborated with artists Julie Mehretu, Paul Pfeiffer, and Jessica Rankin to create a limited-edition box set of wines. Each set includes wines blended collaboratively and individual artworks packaged with the bottles, described as a “Museum in a Box.” Proceeds from the 150 sets benefit Denniston Hill, the artist residency founded by Mehretu and Pfeiffer. Harrison also opened an Art Meadow at Antica Terra this past summer, featuring a site-specific installation by Lily Clark, with plans for another exhibition next year.

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A long-unseen 12-foot-wide painting by Martin Wong, titled *Tai Ping Tien Kuo (Tai Ping Kuo)* (1982), will be exhibited at Art Basel Miami Beach next month courtesy of New York gallery P.P.O.W. The work, which features a rare nude portrait of the artist’s mother and stepfather, was last shown publicly in 1987 at the Asian Arts Institute in New York. It was kept in storage for decades because Wong’s mother, Florence Wong Fie, objected to its display out of modesty. The painting adopts a classical three-panel altarpiece format, blending Chinese American history with references to Western art, the Taiping Rebellion, and Wong’s own Lower East Side influences.

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Frida Kahlo's 1940 self-portrait *El sueño (La cama)* sold for $54.7 million at Sotheby's New York on November 20, far exceeding its pre-sale estimate of $40–60 million. The painting, consigned by the estate of Selma Ertegun, was won by a phone bidder handled by Sotheby's senior vice president Anna Di Stasi. The sale broke Kahlo's previous auction record of $34.9 million set in 2021 for *Diego y yo*, as well as the record for a Latin American artwork and the overall record for a work by a woman artist at auction, surpassing Georgia O'Keeffe's $44.4 million *Jimson Weed/White Flower No. 1*.

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The National Gallery of Art in Washington, D.C., has opened "Photography and the Black Arts Movement, 1955–1985," a major survey featuring some 150 images by Black photographers who documented the civil rights and Black liberation movements. Curated by Deborah Willis and Philip Brookman, the exhibition includes works by Doris Derby, John W. Mosley, Ming Smith, and about 100 other artists, capturing both iconic protest imagery and quieter, intimate moments of Black life. The show runs through January 11, 2026.

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Mel Leipzig, a painter known for his intensely detailed, realistic portraits of everyday people and places, died on November 1 at age 90. Over a career spanning more than five decades, the Brooklyn-born artist taught at Mercer County Community College from 1968 to 2013, founded the Trenton Artist Workshop Association (TAWA) in 1979, and never painted from photographs, instead practicing what he called 'designing with reality.' His work is held by major institutions including the Whitney Museum, the National Academy Museum, and the New Jersey State Museum.

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An Amoako Boafo painting, *Red Dress* (2017), has been consigned to Phillips’s upcoming modern and contemporary art day sale by actor and ARTnews Top 200 collector Jesse Williams. The work, estimated at $150,000 to $200,000, depicts Thelma Golden, director of the newly reopened Studio Museum in Harlem. It was previously featured in Boafo’s 2022 solo exhibition “Soul of Black Folks” at the Contemporary Arts Museum Houston. This marks another instance of a work from Williams’s collection appearing at Phillips, following a Noah Davis painting consigned by his ex-wife in 2024.

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Pace Gallery announced highlights for its Art Basel Paris presentation, including a major Amedeo Modigliani painting from 1918, *Jeune fille aux macarons (Young Woman with Hair in Side Buns)*, priced around $10 million. The work previews a new partnership between Pace and the Institut Restellini, founded by Modigliani scholar Marc Restellini. Restellini will collaborate with Pace on symposia in New York in 2026 and an exhibition in 2027, while his long-awaited Modigliani catalogue raisonné—authenticating 424 works—is set for publication in March 2025 by Yale University Press.

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Sotheby’s Paris raised €18.6 million ($21.5 million) from two live sales of the Manny Davidson collection this week, with a third online sale still ongoing. The collection, spanning nearly 500 lots, included rediscovered Old Masters, 18th-century gold enamel, and an automaton clock by James Cox. Highlights included Michael Sweerts’s *A young man wearing a turban holding an upturned roemer: the fingernail test* (1648–52), which sold for €1.6 million, and Joshua Reynolds’s *Self-Portrait, in doctoral robes* (ca. 1770), which fetched €838,200. The evening sale achieved 83% sell-through by lot, with most buyers from Europe and a third from the US.

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The estate of Robert Colescott, the influential American painter who died in 2009, has signed with Gladstone Gallery for representation. Gladstone will debut Colescott's work at Art Basel Miami Beach next month and mount its first solo exhibition for the artist in 2025. Colescott is best known for satirical, large-scale paintings like "George Washington Carver Crossing the Delaware: Page from an American History Textbook" (1975), which critiques the exclusion and caricaturing of Black figures in American history and art. The estate sought new representation after its longtime gallery, Blum, closed this summer. Gladstone senior partner Max Falkenstein said the gallery had long admired Colescott and that the partnership felt like a natural fit given the gallery's focus on identity and politics.

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The United States Pavilion at the upcoming Venice Biennale faces an uncertain future after a proposal by artist Robert Lazzarini and independent curator John Ravenal collapsed. The proposal, selected by the US State Department in early September, fell through when the University of South Florida’s Contemporary Art Museum declined to sign the contract, citing a shortened timeline and financial obligations. Ravenal attributed the breakdown to bureaucratic misalignment rather than ideological disagreement, while the State Department declined to comment. The selection process also shifted this year, with the National Endowment for the Arts excluding itself due to staffing transitions, leaving the State Department to handle it alone.

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Sotheby's Paris is selling "The Manny Davidson Collection: A Life in Treasures and Benevolence," a multi-owner sale of nearly 500 lots spanning Old Masters, 19th-century British paintings, 18th-century gold enamel, and decorative objects. Highlights include a rediscovered Michael Sweerts portrait estimated at €800,000–€1.2 million, a Thomas de Keyser portrait of a silversmith, and a Joshua Reynolds self-portrait study. The sale, which includes an evening auction on November 5 and an online component, was previewed by Sotheby's global head of private sales, Old Masters, Chloe Stead.

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Raquelín Mendieta, the longtime administrator of the estate of her sister, artist Ana Mendieta, died on October 24 in Miami at age 79 due to a long illness. Raquelín took charge of Ana's legacy after the artist's death in 1985, organizing a retrospective at the New Museum in 1987 and partnering with Galerie Lelong in 1991 to establish a market for Ana's work. Under her stewardship, Ana's art was acquired by major museums like the Whitney Museum and included in over 600 group shows and 55 solo exhibitions, including 16 museum retrospectives.

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President Donald Trump's tariffs on wood imports, introduced to support American manufacturers, have inadvertently disrupted the international trade in antiques and decorative arts. Memphis-based antique dealer Millicent Ford Creech notes that the tariffs unfairly penalize dealers specializing in pre-1800 pieces with no domestic equivalent, as fine art is exempt but collectible furniture and decorative items are not. Separately, the Fine Arts Museums of San Francisco (FAMSF) received a gift of 1,600 works from local collector Kirk Edward Long, rich in early modern European prints, paintings, antiquities, and decorative arts, as part of its multiyear 'Gifts of Art' initiative. Other news includes a rare jewelry box identified in Vermeer paintings, a Rembrandt drawing sold by Thomas S. Kaplan for conservation charity, and a popular 'Grumpy Guide' tour at Düsseldorf's Kunstpalast performed by artist Carl Brandi.

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The Los Angeles County Museum of Art (LACMA) held its 14th annual Art+Film Gala on November 1, drawing nearly 600 celebrities from art, film, fashion, and entertainment. The event honored artist Mary Corse and filmmaker Ryan Coogler, featured a performance by Doja Cat, and set a new fundraising record of nearly $6.5 million to support LACMA's integration of film into its curatorial programs. Separately, climate activist Timothy Martin received an 18-month prison sentence for smearing paint on a Degas sculpture case at the National Gallery of Art in Washington, D.C., in 2023—a punishment critics called disproportionate. Other news includes the permanent installation of Gaetano Pesce's final public artwork in Boston, Antony Gormley's new installation in South Korea, and a report on shifting fortunes in the Islamic art market, where a rare Safavid carpet failed to sell at Christie's London.

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On November 11, the Paul Taylor Dance Foundation will honor painter Alex Katz at Lincoln Center’s David H. Koch Theater, celebrating a decades-long creative partnership between Katz and the late choreographer Paul Taylor. The collaboration began in 1960 when poet Edwin Denby introduced them for a commission at the Spoleto Festival, leading to 16 works together including "Meridian," "Scudorama," "Private Domain," "Diggity," and "Sunset." At the gala, the company will perform "Sunset," which Katz conceived after observing soldiers in Madrid’s Retiro Park. Katz is also showing new paintings at Gladstone Gallery in New York, while the Museum of Contemporary Art San Diego hosts "Alex Katz: Theater and Dance," the first major survey of his stage work.

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Alison Knowles, a pioneering artist of the Fluxus movement, died at age 92 in New York on October 29. Her gallery, James Fuentes, announced her passing but did not specify a cause. Knowles was best known for works like *Make a Salad* (1962) and *The Identical Lunch*, which used everyday materials and simple text-based instructions to create participatory art. Her most famous piece, *Make a Salad*, consists only of its title as a directive, allowing performers to interpret it freely; it has been staged at venues from Art Basel to Tate Modern. Knowles was a key figure in Fluxus, a movement formalized in 1963 by George Maciunas that rejected traditional art in favor of performance and accessible materials.

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A rare exhibition of works by the late artist Matthew Wong, including never-before-exhibited pieces, will open in Venice during the 2026 Biennale. Titled “Matthew Wong: Interiors,” the show is curated by John Cheim and organized by the artist’s foundation, run by his mother Monita Wong. The 35-work exhibition focuses on interior spaces, both physical and psychological, and highlights Wong’s vibrant color palette and expressive brushwork, which he developed before his death by suicide at age 35 in 2019.

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Reginald Madison, a self-taught painter and sculptor from the Black Arts Movement in Chicago, has joined Uffner & Liu gallery for representation. Paul Soto Gallery now represents John Sandroni, whose work is currently on view in New York. KSS Architects completed a new Learning and Engagement Center at the Newark Museum of Art. Meanwhile, at least eight blue-chip galleries have dropped out of Art Basel Miami Beach, and Karim Crippa has been appointed director of Art Basel Paris. Christie’s four auctions held concurrently with Art Basel Paris totaled $107.4 million, with Yves Klein’s "California (1KB 71)" selling for $21.3 million, a record for the artist in France.

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The Institute of Contemporary Art San Francisco (ICA SF) will leave its current home at The Cube in December 2025 to adopt a fully nomadic, citywide model, presenting exhibitions and programs at various sites across the Bay Area starting in early 2026. Its final shows at The Cube are solo exhibitions for Masako Miki and David Antonio Cruz, on view through December 7. The museum has already secured support from the Office of the Mayor of San Francisco and lined up programs for the next year, including exhibitions at the Transamerica Pyramid Center featuring Tara Donovan and Lily Kwong, and a two-person show for Dominique Fung and Heidi Lau at Pier 24 in 2026, with a partnership planned for 2027.

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The second edition of Taipei Art Week has drawn a large crowd, anchored by Art Taipei—Asia's longest-running art fair—and the 14th Taipei Biennale. Galleries have raised their ambitions, with pop-up shows, talks, and collectors' parties filling the city. However, Taiwan's art market faces significant headwinds: art imports fell 15.2% in 2024, Ravenel's spring auction sales plummeted from $14.6 million in 2020 to $3.6 million in 2025, and Taipei Dangdai announced it would cease operations after its sixth edition. Geopolitical tensions with China have reduced Chinese collector participation and visitor numbers at the National Palace Museum.

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Two suspects have been arrested in connection with the theft of Napoleonic jewels from the Louvre on October 19, including pieces once owned by Emperor Napoleon III and Empress Eugénie. French authorities detained one man at Charles de Gaulle Airport as he prepared to board a flight to Algeria, and both suspects are in their 30s from the Seine-Saint-Denis area. A newly surfaced video allegedly shows the thieves escaping with $102 million worth of jewelry via a furniture lift; eight artifacts remain missing. Separately, Sotheby's Paris achieved record-breaking totals for Surrealist and modern art auctions during Art Basel Paris, with a Modigliani painting selling for €27 million, the most expensive work ever sold by Sotheby's in France.

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Naotaka Hiro's latest paintings, on view at Bortolami gallery in New York through November 1, were inspired by a harrowing experience seven years ago when he discovered a stranger living in the crawlspace beneath his Los Angeles home. Hiro now creates his works by lying supine with his canvas suspended just 13 inches above his body—the exact height of that crawlspace—often cutting holes through the canvas and wrapping it around himself with ropes to paint from all angles. The resulting abstractions, filled with forms resembling plants, fish gills, and veins, function as a 360-degree body scanner and a form of self-exploration.

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Tom Sachs has opened a new exhibition titled “A Good Shelf” at Thaddaeus Ropac’s London gallery during Frieze Week, featuring NASA-emblazoned ceramics inspired by Japanese tea bowls and space travel. The show runs through December 20 and includes hand-formed ceramics displayed on shelves made from rough materials like cinderblock and plywood. This marks Sachs’s return to the spotlight after a 2023 scandal in which former studio staff accused him of creating a toxic workplace, leading Nike to pause its sneaker partnership with the artist; the partnership resumed in September 2024.

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Gladstone Gallery now represents British artist Celia Paul, known for her moody figurative paintings, in collaboration with her long-time London dealer Victoria Miro. Paintings by Paul are on view at Art Basel Paris this week, and a solo exhibition in New York is planned for 2026. The announcement comes amid growing U.S. interest in Paul’s work, following her 2018 exhibition at the Yale Center for British Art and a recent profile in The New Yorker. Her auction record was set in 2023 when Self-Portrait (2017) sold for approximately $122,700 at Christie’s London.

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Gladstone Gallery now represents British painter Celia Paul, known for her moody figurative works drawn from her life. Paintings by Paul are on view at Art Basel Paris this week, and the gallery plans a solo New York exhibition in 2026. Paul has long been represented by Victoria Miro in London but lacked a New York gallery presence since a 2015 show at Gallery Met. Her market has grown following a 2018 exhibition at the Yale Center for British Art and a recent profile in The New Yorker by Karl Ove Knausgaard. Her auction record was set in 2023 when Self-Portrait (2017) sold for $122,700 at Christie’s London.

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Bonhams will auction works from the collection of late actor Gene Hackman, who died in February, across one live and two online sales this November. The sale includes fine art by Milton Avery, Auguste Rodin, and Richard Diebenkorn, as well as Hackman's own paintings, his Golden Globe awards, annotated scripts, and cinematic memorabilia. The live sale, titled “Gene Hackman: A Life in Art, Part I,” takes place November 19 in New York, with the highest-estimated lot being Avery's 1957 painting *Figure on the Jetty* valued at $500,000–$700,000.