Work by incarcerated artists showcased in recent exhibit at IHM Sisters' gallery

The Sisters, Servants of the Immaculate Heart of Mary (IHM) Motherhouse Gallery in Monroe, Michigan, recently hosted an exhibition featuring artworks created by incarcerated individuals from correctional facilities across the state. Organized by the University of Michigan’s Prison Creative Arts Project (PCAP), the show displayed pieces made from unconventional materials like soap and graham crackers, ranging from spiritual reflections to bright, hopeful compositions. The exhibit was curated from donated works by artists who are unable to keep their pieces or sell them directly due to Department of Corrections regulations.

Community Art Shines In Latest Exhibition At Gallery

The Griffith Regional Art Gallery recently debuted "Roots & Reflections," a major community exhibition featuring over 60 works from local artists. Curated by Melanie Toscan, the show includes a diverse array of mediums such as sculpture, painting, photography, and a collaborative 3D installation. A unique highlight of the exhibition is a section of anonymous, fixed-price paintings where the artist's identity is only revealed to the buyer after the sale, adding an element of mystery to the local showcase.

Three years after, Adelakun takes 45 KókóEwà to Mydrim

Prince Saheed Adelakun has returned to Mydrim Gallery in Lagos for a solo exhibition titled "KókóẸwà" (Essence of Beauty), featuring 45 new works. The exhibition is divided into two distinct series: "Dúdúyẹmí," which celebrates the natural richness of dark skin and traditional adornments, and "Ojú Tó ń Sọ̀rọ̀," a collection of portraits focusing on the expressive power of the human gaze. Utilizing a unique and labor-intensive rope medium, Adelakun explores themes of femininity, resilience, and cultural identity.

Minto Arts Gallery welcomes new show by Moumita Roychowdhury

The Minto Arts Gallery in Harriston, Ontario, is set to host a solo exhibition by Kitchener-Waterloo artist Moumita Roychowdhury from April 9 to April 30. The self-taught artist and instructor will showcase a collection of works in watercolor, acrylic, and pastel that explore the emotional resonance of nature and human expression. An opening reception is scheduled for April 9 to launch the three-week engagement.

Malibu Artist Gay Summer Rick Opens Gallery Show March 22

The Malibu Arts Commission is launching "Heading Home," a solo exhibition of original paintings by local artist Gay Summer Rick at the Malibu City Gallery. The show, which opens with a public reception on March 22, features Rick’s signature atmospheric landscapes that blend impressionism with expressive abstraction. Her work focuses on capturing the luminous light and coastal beauty of the California shoreline using palette knife techniques.

A new watercolor by Marie-Désiré Bourgoin acquired by Orsay

Une nouvelle aquarelle de Marie-Désiré Bourgoin acquise par Orsay

The Musée d’Orsay has expanded its collection with the acquisition of a watercolor by Marie-Désiré Bourgoin. The work depicts a somber interior scene featuring an elderly woman in black seated before a commemorative display of the late painter Ernest Meissonier’s personal effects, including his Academician's sword, Legion of Honor insignia, and his final self-portrait on an easel.

Richmond Acquires an 18th-Century Terracotta

Richmond s'enrichit d'une terre cuite du XVIIIe siècle

The Virginia Museum of Fine Arts in Richmond has acquired a rare 18th-century terracotta sculpture by the French artist Jean-Baptiste Boudard. A winner of the Grand Prix de Sculpture in 1732, Boudard spent much of his career in Italy serving the court of Philip of Bourbon in Parma, which contributed to his relative obscurity in his native France despite his significant contributions to Roman and Parmese landmarks.

Hard Truths: Can an Artist Exact Revenge on a Dealer Treating Her Like a Pariah?

An artist seeks advice after severing a 25-year relationship with a gallery that enforced a restrictive two-year non-compete clause. Following the split, the artist discovered $50,000 in damaged inventory and alleged that the dealer lied to insurance companies while commissioning other artists to produce knockoffs of their work. A second inquiry involves a high-ranking art world figure distressed over being dropped from a prominent "Power 100" list, questioning whether to confront the publication.

A Bodybuilder’s 3,300-Year-Old Egyptian Stele Heads to TEFAF

A 3,300-year-old Egyptian stele once owned by bodybuilding pioneer Ben Weider is set to be a highlight at TEFAF New York this May. The limestone carving, which depicts Pharaoh Thutmose IV, was gifted to Weider in 1964 and recently surfaced at a Montreal auction before being acquired by the London-based gallery David Aaron. Alongside the stele, the gallery will present a 2,500-year-old greywacke bust of a goddess, which was recently authenticated after being dismissed as a fake due to its pristine condition and 18th-century restorations.

Endless’s Street Art Calls Attention to London’s Homeless Crisis

British street artist Endless has installed a new public artwork on the corner wall of Bloomsbury Central Baptist Church in London. The piece depicts a rough sleeper in a sleeping bag with the text "210,000 Homeless today," creating a stark visual juxtaposition against the affluent backdrop of the nearby Oxford Street shopping district.

Statues Also Breathe: A Chorus of Clay and Memory, Where the Missing Return as Form.

The exhibition 'Statues Also Breathe' has opened at the Museum of African Contemporary Art Al Maaden (MACAAL) in Marrakech. Curated by Meriem Berrada, the installation features 108 terracotta heads created by artist Prune Nourry in collaboration with artisans and students. The work draws inspiration from the historic sculptural tradition of Ife in Nigeria while directly addressing the ongoing trauma of the 2014 kidnapping of the Chibok schoolgirls, using portraiture to represent the missing.

Vilcek Foundation to Award $200,000 in Grants to Nonprofits Uplifting Immigrant Contributions

The Vilcek Foundation is accepting applications for its 2026 grant cycle, offering up to $20,000 per grant to nonprofit organizations that highlight immigrant contributions in the arts, sciences, and culture. The total funding pool is $200,000, with a deadline of April 30, 2026. This initiative marks the second year of this specific grant program, expanding the foundation's long-standing mission as it celebrates its 25th anniversary.

Rocío Sáenz: Wild Order

ROCÍO SÁENZ: ORDEN SALVAJE

Mexican artist Rocío Sáenz presents "Orden salvaje" (Wild Order) at the Museo de las Artes de la Universidad de Guadalajara (MUSA), an exhibition featuring over 60 works created over three years. Spanning painting, ceramics, photography, and drawing, the collection explores the tension between beauty and horror, specifically addressing the harrowing reality of forced disappearances in Mexico. The exhibition is designed as an open studio, showcasing the artist's creative process alongside finished pieces that utilize black humor and satire to navigate themes of death and reconstruction.

The Distance Between Art and Survival in Rojava

The article is a first-person dispatch from Rojava, a Kurdish-majority region in northeastern Syria, where the author meets artists and fighters living and working on the front lines against jihadist groups. It focuses on artist Diyar Hesso, who has exchanged his camera for a rifle, and YPJ fighter Hevi, who articulates the necessity of armed self-defense for women facing a genocidal enemy. Their stories illustrate the impossible choice between artistic creation and survival in a war zone.

Jan Vorisek’s Flaccid Columns

Artist Jan Vorisek's exhibition at Arcadia Missa features sculptures titled IGBTTLTVOE (Elbow), created from mass-produced plastic moulds used for casting decorative Doric columns. The artist modifies these cheap, prefabricated objects with 3D-printed curved sections, bending them into flaccid, wormlike structures that undermine their intended classical dignity and function.

Print Quarterly Volume XLIII - Number 1 - March 2026

The March 2026 issue of the academic journal *Print Quarterly* has been published, featuring a collection of scholarly articles and reviews focused on the history of prints and printmaking. The contents include new research on artists ranging from Hans Burgkmair and Paul Gauguin to Hiroshige and Aubrey Beardsley, along with obituaries for notable scholars and reviews of recent publications and exhibitions.

Barcelona museum refuses to return Sijena murals to monastery

The Museu Nacional d’Art de Catalunya (MNAC) in Barcelona is refusing to comply with a Spanish Supreme Court order to return the 12th-century Sijena murals to their original monastery in Aragón. Tensions escalated after the museum hosted a listening party for pop star Rosalía in the same hall where the Romanesque masterpieces are housed, leading to accusations from the municipality of Villanueva de Sijena that the museum is endangering the fragile works. MNAC director Pepe Serra has dismissed these concerns as scientifically unfounded, sparking threats of a defamation lawsuit from local officials.

Australian photographer wins at world photography awards with ‘barefoot volcanologist’ image

Australian photographer Elle Leontiev has been named the Open Photographer of the Year at the 2026 Sony World Photography Awards. Her winning image, titled 'Barefoot Volcanologist,' features Phillip Yamah standing on a lava bomb at Mount Yasur in Vanuatu. Leontiev captured the surreal portrait under challenging technical conditions, relying entirely on autofocus beeps after her camera screens shorted out due to volcanic activity.

Coachella 2026 features massive maze art installation by Sabine Marcelis, among others.

The 2026 Coachella Valley Music and Arts Festival has unveiled its lineup of large-scale art installations, featuring major works by Dutch artist Sabine Marcelis, London-based architect Kyriakos Chatziparaskevas, and The Los Angeles Design Group (LADG). The program, curated by Raffi Lehrer of Public Art Company and Paul Clement, will transform the festival grounds with immersive experiences including a massive glowing maze and towering sculptural structures.

Phillip Lai at Spike Island

The contemporary art space Spike Island in Bristol is hosting a solo exhibition by artist Phillip Lai titled "Rain / Ruin." Running from January 30 to May 10, 2026, the exhibition features a series of sculptural installations and works that engage with the architectural environment of the gallery. The presentation is documented through a comprehensive suite of installation photography by Rob Harris, capturing the spatial relationship between Lai's objects and the industrial character of the venue.

This Risograph Studio Celebrates 400 Artist Postcards Mailed Around the Globe

Glasgow-based design studio Risotto is celebrating a major milestone for its Riso Club subscription service with a retrospective exhibition at the Glue Factory. Since 2017, the club has commissioned and mailed four artist postcards monthly to subscribers worldwide, reaching a total of 400 unique works. The exhibition, running from April 11 to 19, marks the 100th mailing and showcases the full collection of prints together for the first time.

A Short Film Joins In the Timeless Swiss Masked Tradition of Silvesterchlausen

A new short film titled 'Silvesterchlausen' by writer and director Andrew Norman Wilson documents the centuries-old Swiss New Year's tradition of the same name. The film captures groups of men and boys in the Appenzell regions who don elaborate, handmade masks and headdresses made from natural materials like pinecones and moss, forming groups to yodel, ring bells, and visit homes over 18-hour days to mark the turn of the year on both the Gregorian and Julian calendars.

Michael Armitage and the Feverish Memory of Images

Michael Armitage und das fiebrige Gedächtnis der Bilder

The British-Kenyan painter Michael Armitage is the subject of a major solo exhibition at the Palazzo Grassi in Venice, part of the Pinault Collection. The showcase features new works, including the titular painting "52,000 Years," which references prehistoric cave art while weaving together themes of political unrest, the refugee crisis, and lush landscapes. Armitage’s technique is noted for its use of Lubugo bark cloth, a traditional Ugandan material that adds a tactile, irregular dimension to his complex figurative compositions.

Climate Activists Smear Palazzo Vecchio

Klimaaktivisten beschmieren Palazzo Vecchio

Members of the climate activist group Ultima Generazione targeted the historic Palazzo Vecchio in Florence, spraying its facade with orange washable paint using fire extinguishers. The protest was swiftly interrupted by security forces and Florence's Mayor Dario Nardella, who happened to be on-site and personally tackled one of the activists. Following the incident, the mayor joined cleaning crews on scaffolding to help scrub the medieval stonework with brushes and high-pressure hoses.

The Journal of Antiquarians and Galleries No. 10 Has Just Been Published

Le Journal des Antiquaires et Galeries n°10 vient de paraître

The tenth issue of Le Journal des Antiquaires et Galeries has been released, focusing on the resilience of the art market amidst geopolitical and economic headwinds. The publication highlights major spring events including Art Paris, Art Brussels, and the Paris Gallery Weekend, while introducing the newly formed Federation of Art Market Actors (FAM’Art).

Pat Oleszko “Fool Disclosure” at SculptureCenter, New York

Pat Oleszko has opened a major solo exhibition, "Fool Disclosure," at SculptureCenter in New York. The show features her signature sculptures and costumes, which are designed to be activated through performance, and includes new works created specifically for the presentation.

Julia Phillips “Inside, Before They Speak” at Barbican, London

The Barbican in London opens the first UK institutional solo exhibition of German-American artist Julia Phillips this Friday. The show, titled "Inside, Before They Speak," is installed in The Curve gallery and features newly commissioned works that span sculpture and drawing.

1-54 New York Lines-Up More Than 20 Exhibitors, with a Special Focus on Brazil

The 1-54 Contemporary African Art Fair has announced its exhibitor lineup for its New York edition, set for May 13–17 at the Starrett-Lehigh Building in Chelsea. More than 20 galleries will participate, including a mix of returning and first-time exhibitors from Africa, the Caribbean, Europe, and the Americas, with the fair running concurrently with Frieze New York and NADA New York.

USC Fisher Museum welcomes the National Archives’ Freedom Plane National Tour

The USC Fisher Museum of Art has welcomed the "National Archives’ Freedom Plane National Tour," a traveling exhibition featuring foundational American documents. Arriving via a specially branded Boeing 737 at Van Nuys Airport, the collection includes rare items such as a 1823 Stone engraving of the Declaration of Independence, the Treaty of Paris, and a secret printing of the Constitution. USC is the only university selected as a stop on this eight-city tour, which commemorates the upcoming 250th anniversary of the United States.

A View From the Easel

Hyperallergic's ongoing series "A View From the Easel" features two artists describing their unconventional studio practices. Georgina Arroyo works in a shared academic space at Purchase College, compartmentalizing her process-intensive mold-making and casting work around her job schedule. Linda Jacobson, based in her Venice, California studio for 17 years, works on multiple pieces simultaneously, currently focusing on a large commissioned painting.