Artists Emily and George Thompson are set to debut a joint exhibition titled “Double Feature: A Two-Person Show” at the historic Stover Mill Gallery in Erwinna, Pennsylvania. The exhibition juxtaposes Emily’s contemporary urban landscapes and architectural forms with George’s traditional landscape paintings, showcasing the creative dialogue between the couple who share a studio.
The Evanston History Center has launched "Unveiling Evanston Women Artists," a new exhibition dedicated to the historical contributions of female creators in the Illinois city. The show was sparked by a recent donation of works by the late artist Blanche Gildin, who rarely exhibited during her lifetime, and features approximately a dozen local artists including Lucile Roebuck Keeler and Rosemary Zwick. Spanning the early 20th century through the 1970s, the collection includes paintings, sculptures, and commercial illustrations that reflect the creative shifts of the civil rights era.
The South Coast of KwaZulu-Natal is experiencing a surge in artistic activity this holiday season, anchored by the popular monthly Art-in-the-Park event in Uvongo. Local art club Art by the Sea, which has fostered South African talent for over 50 years, is holding a season-long exhibition at the Southcoast Mall, while the Margate Art Museum and Sands Gallery are hosting concurrent showcases of regional painting and sculpture.
Mangkuluhur ARTOTEL Suites in Jakarta has opened a solo exhibition titled "Weaving The Unseen" by local artist Ratih Alsaira. The show, featuring ten primary works, explores the resilient strength and multifaceted nature of women, using tailoring and domestic crafts as central metaphors. It runs from February 13 to May 30, 2026, at the hotel's ARTSPACE gallery.
Bolton Museum has launched its annual Open Art Exhibition, running from February 14 to May 17. The free showcase features a wide range of media from artists, craftspeople, and students based in the borough, with three prizes to be awarded, including a Visitors' Choice Award and a Young Artist Award.
The Tar River Art Gallery in Rocky Mount, North Carolina, is hosting a winter exhibit opening and public reception on February 22, from 2:00 to 4:00 PM at the Dunn Center on the campus of North Carolina Wesleyan University. The exhibition features works from over 40 regional artists, including paintings, watercolors, pen-and-ink works, collages, assemblages, ceramic sculpture, metal art, fused glass, and handcrafted jewelry. The event is free and open to the public, with light refreshments and opportunities to meet the artists. The gallery builds on the legacy of the former Gravely Gallery, honoring Janice Gravely, and now offers expanded space for a broader range of mediums.
The Portland Art Museum has opened a new permanent gallery dedicated to Black artists, named for local artist, dancer, and educator Thelma Johnson Streat. The gallery, which opened on the first day of Black History Month, features a variety of works by Black Oregon artists, including multimedia installations, paintings, drawings, and a large photographic grid.
Bolton Museum is inviting local artists to submit their work for the Open Art Exhibition, with submissions due on January 29, 2026, at Bolton Library. Three prizes are on offer: the Young Artist award (ages 16–25, sponsored by Bolton at Home), the Visitors’ Choice award (sponsored by Bromley Art Supplies), and the Winners Prize (sponsored by the Library and Museum service). The judging panel includes Amy Brunn, Professor Kirsty Fairclough, David Gledhill, and the Manchester Young People’s Panel. All mediums except installations and live performances are accepted, and entrants must be aged 16 or over and live, work, or study in Bolton.
The Phoenix Gallery and Music Hall in Burlington, Vermont, will host the exhibition “Sensual Turns” opening January 23, with a reception from 6 to 8 p.m. The show features new work by guest curator and featured artist Elizabeth Powell, alongside pieces by artists Jenny Kemp and Bonnie Morano. Powell, a painter and printmaker, holds an MA and MFA from the University of Iowa and has exhibited at Kishka Gallery and Hexum Gallery. Morano, based in Brooklyn, earned an MFA from Hunter College and has been selected for the XL Catlin Artist Prize. Kemp, a 2015 NYFA Fellowship recipient, has shown work nationally and internationally.
Hui Noʻeau Visual Arts Center on Maui is presenting its Annual Juried Exhibition from January 16 to February 20, 2026. The open-theme show features works in ceramics, printmaking, sculpture, photography, painting, digital media, jewelry, Hawaiian cultural arts, wood, fiber, and more, juried by Denise Karabinus, Executive Director of Honolulu Printmakers. The exhibition opens with a juror walkthrough and reception on January 16, and artists from Maui and beyond were invited to submit work created within the past two years.
Dean McCrillis, an emerging painter from Rumford, Maine, is the subject of a solo exhibition titled "Dog Years" at Cove Street Arts in Portland, running through January 17. The show features oil paintings that depict distinctly Maine activities—hunting, fishing, camping—while employing layered, translucent brushstrokes to evoke the ephemerality of time and experience. McCrillis, who also works as a framer at Greenhut Galleries, uses a bright, saturated palette and techniques that make his images appear to simultaneously emerge and dissolve, capturing fleeting moments in the state's rugged landscape.
Nina Surel, a Buenos Aires-born, Miami-based artist and founder of Collective 62, discusses the historic Villa Paula in Miami's Little Haiti neighborhood. Originally built in the late 19th century for Cuban consul Domingo Milord and his wife Paula, the Neo-Classical villa features imported Cuban materials, Tuscan columns, and hand-painted ceramic tiles. After years of disrepair, a civic-minded landlord transformed it into a cultural venue now hosting the design gallery the Future Perfect, with works by artists including Autumn Casey and Faye Toogood during Miami Art Week. Surel highlights the building's layered history, ghost stories, and its significance as a misplaced architectural gem.
Winter on Cape Cod presents a challenge for local artists and galleries, as off-season landscapes often go unsold. However, several gallery owners are embracing the season with experimental programming: Liz Carney of Four Eleven Gallery in Provincetown is hosting a group show titled "Long Blue Shadow" and planning artist residencies and a "Knitney Biennial." Gary Marotta Fine Art and Schoolhouse Gallery remain open on weekends, while Susie Nielsen's Farm Projects in Wellfleet features a group exhibition of works on paper. These gallerists find that winter visitors are more engaged, fostering richer conversations and a stronger sense of community.
The Trout Museum of Art in Appleton, Wisconsin, opened a retrospective exhibition and named a lecture hall in honor of Li Hu, the late UW-Oshkosh emeritus art professor. The event, titled "A Tribute to Li Hu: Celebrating a Visionary Legacy," included a ribbon cutting for the Li Hu Lecture Hall, a panel discussion featuring former students and colleagues, and an exhibition of Hu's sculptural and painted works spanning his career. Hu, who died in 2016, was born in Shanghai, survived the Cultural Revolution, earned a degree from Shanghai University Fine Arts College, and moved to the U.S. in the early 1990s before teaching at UW-Oshkosh for nearly two decades. The exhibition is on view through January 4, 2026.
The Museum of Contemporary Art North Miami (MOCA) has opened three new exhibits as part of its 30th anniversary programming, including 'Field of Dreams,' the first solo exhibition for Miami-based fashion designer and multidisciplinary artist Diana Eusebio. The 27-year-old artist presents 38 works that draw on her Indigenous Peruvian-Quechua and Afro-Dominican heritage, using textiles and fabrics sourced from Miami, Peru, and the Dominican Republic, along with ancestral dyeing techniques and materials native to Miami.
Concord, New Hampshire's downtown galleries and art-related stores will stay open late on Friday for InTown Concord's final First Friday of 2025, themed as an Art Walk with 23 destinations including the League of New Hampshire Craftsmen, Go Native Gallery, Pompanoosuc Mills, and Glimpse Gallery. The event runs from 4-8 p.m. with live music, food trucks, and a free trolley. Concurrently, Concord artist Saad Hindal holds a gallery opening at 57 North Main Street from 12-8 p.m., with his work on display until Christmas Eve. The weekend also features a Christmas craft fair at the United Church of Penacook on Saturday and a film screening of "Pressure Drop" at the Bank of New Hampshire Stage on Sunday.
Virginia Aldoff-Pinay, a Cree Kokum from the Foothills School Division, has opened the Sunrise Moon Art Gallery in High River, Alberta. The gallery features Indigenous art, artifacts, and educational displays representing the Blackfoot Confederation, Métis, and Inuit cultures, along with a tea room and library. Aldoff-Pinay, who comes from a family of artists, named the gallery after a morning prayer when she saw both the sunrise and moon. The business is managed by her grandson Ethan Carpenter, and the sign was made by her daughter Vanessa.
The Cedar Rapids Museum of Art has received a collection of Oaxacan prints donated in memory of Ellen Barth, a longtime art teacher at St. Pius Elementary School in Cedar Rapids, Iowa. The donation was organized by her husband, Chuck Barth, a local artist and former Mount Mercy University instructor, who worked with museum staff and Oaxacan artists to select works reflecting the culture of Oaxaca, Mexico, where the couple spent part of each year. The museum plans to feature the collection in an exhibition, though it is booked through 2027, and will also use the works in future displays and educational programs.
An exhibition showcasing the work of Basingstoke-based artist Sam Sopwith will open on October 8 at the Osborne Studio Gallery in Belgravia, London. The show features 45 new pieces by the painter and sculptor, who specializes in portraying wild and domesticated animals. It marks Sopwith's first solo exhibition in six years and her debut at the gallery. Her clients include HRH Princess Alexandra and perfumer Jo Malone. Sopwith works in oils, pastels, charcoal, and bronze, drawing inspiration from her travels to Africa, Sri Lanka, and South Africa. She studied in Vancouver, trained under animal portraitist Neil Forster in England, and completed her education in Florence.
Three new exhibitions are opening at Moscow City Hall's Third Street Gallery and Box Gallery from October 16, 2025 to January 2, 2026. The shows include "Brooch the Subject," featuring wearable art by University of Idaho MFA candidate Chandra Drennen; "Covering the Palouse," a display of artist-designed covers from the historic Moscow Magazine/Palouse Journal; and "The Sweet Controversy," a student exhibition exploring divisive candies like licorice jellybeans and candy corn. A public reception with refreshments will be held on October 23.
Local artist Sam Farmer, a former primary school teacher from Pembrokeshire, will hold her first-ever art exhibition at the Joanna Field Gallery inside the Torch Theatre in Milford Haven this October. Titled "Under Pembrokeshire Skies: Seascapes and Stones," the show features paintings inspired by the Welsh landscape and the concept of Cynefin—a sense of rootedness and belonging. Many of the works also appear in her recently published children's book, "Little Puffin’s Pembrokeshire Home." The exhibition runs from October 4 through the end of the month.
Benalla Art Gallery is set to close its current location, but a temporary gallery will open to ensure continued access to art for the community. The article also highlights local artist Lisa Brand, whose passion for mosaics is inspiring students in Benalla and the surrounding district, with her works potentially enduring for centuries like ancient mosaics.
The Alberta Foundation for the Arts (AFA) opened its first-ever gallery in Calgary on September 10, 2025, called the AFA art house, located on the second floor of the Edison building. The space, previously used as a temporary gallery by the Glenbow Museum during its renovation, will host rotating exhibitions from the AFA’s 10,000-piece collection, including the opening show "New Views" featuring 50 works purchased in the last decade. The gallery also allows Alberta artists to display and sell their art, and will feature a solo exhibition by Samantha Williams-Chapelsky, the 2024-25 AFA Alberta Artist in Residence, beginning in October.
Spouses of Pacific Islands Forum (PIF) leaders visited the National Art Gallery in Honiara on Monday as part of the official program for the 54th Pacific Islands Forum Leaders Meeting. Hosted by Madam Jocelyn Manele, spouse of the Solomon Islands Prime Minister, the delegation toured exhibitions featuring shell money, wood carving, and lava-lava textiles, and engaged with local artisans demonstrating traditional crafts. Acting Curator Julie Fakaia noted that the exhibition showcased gallery collections and live demonstrations, including shell money making and weaving from Rennell and Bellona. The spouses also purchased handmade items from the Solomon Islands Artisans, with traditional gifts exchanged during the visit.
On August 27, the Ackland Art Museum at the University of North Carolina hosted a panel titled "Artist Conversation: Radical Ceramicists in North Carolina," featuring three female ceramicists: Hitomi Shibata, Isys Hennigar, and Jessica Dupuis. The event was part of programming around the museum's exhibition "Radical Clay," which highlights work by female Japanese ceramicists. Panelists discussed the historical marginalization of women in ceramics—Shibata noted that in 1990s Japan, studios refused to hire women, while Hennigar explained that until the early 20th century in North Carolina, female artists were only allowed to be decorators, not master ceramicists. The conversation also explored how ceramic pieces reflect their geographic origins and the importance of local artistic communities, such as Seagrove, N.C., which has the largest community of potters in the U.S.
The St. Albert Art Gallery is opening a new exhibition featuring Herra Khan's work "Triangular Prism," a gouache on handmade vasli paper. The exhibition is set to debut, as announced in a brief article by Sasha Pietramala published on September 3, 2025.
Artists Enclave, a Denton arts networking organization based at UNT CoLab, hosted the "Tierra Verde" Juried Exhibition throughout August 2025. The show featured over 60 artworks by Texas artists exploring the intersection of art and activism, with pieces addressing environmental issues, protests, political beliefs, and social stigmas such as menstruation. The exhibition opened on Aug. 1 with a reception attended by over 175 guests, featuring live music by Rachel Yeatts, and awarded prizes to artists including Aileen Khuu, Jose Angel Hernandez, Anadara Braun-Good, Lauren Doorish, and Genie Baranoff.
Thirty local artists, primarily from Northwest Philadelphia and members of the Northwest Village Network (NVN), will hold an exhibition at the Center on the Hill in September. The show features collage, painting, drawing, mixed media, and photography, with participants ranging from seasoned professionals to newcomers. Artists include Ron Lieberman, a former New York Times illustrator; Sara Allen, who photographs her aging body; and Dr. Claire EB. Robinson, a retired OB/GYN turned photographer. The exhibition is hosted at the Presbyterian Church of Chestnut Hill, which houses the Center on the Hill, a program for active adults.
The article highlights a series of upcoming art exhibitions and festivals in Springfield, Illinois, running from late August through September 2025. Key events include the Springfield Art Association's 37th Annual Edwards Place Fine Art Fair, the solo watercolor exhibition “Perceptions of Nature” by Donald Landry at the Hoogland Center for the Arts, and the “NOIR V: Resilience” exhibition at the Illinois State Museum. Other featured shows include “Confluence” and “PLEIADES” at the SAA Collective, and the “Statewide: Illinois Artist Showcase” at the M. G. Nelson Gallery. The Fae Folk Art Collective also presents its fourth festival, Mythical Creatures, at Union Square Park.
Bad Bunny's months-long concert residency in Puerto Rico, titled "No me quiero ir de aquí," has inspired a free art exhibition called "De Aquí Nadie Nos Saca" in the Santurce barrio of San Juan. Organized by the Latinx advocacy group Mijente and the art collective AgitArte, the exhibition features local Puerto Rican artists and organizations and serves as a spiritual companion to Bad Bunny's album "Debí Tirar Más Fotos." It highlights the island's everyday societal struggles, resistance movements, and cultural preservation amid colonialism and gentrification, with contributions from the theater collective Papel Machete, which created a giant puppet featured in Bad Bunny's music video for "La Mudanza."