picasso les demoiselles davignon african catalan art 1234748344

New research by French collector and self-proclaimed 'art detective' Alain Moreau challenges the long-held belief that Pablo Picasso's groundbreaking painting *Les Demoiselles d'Avignon* (1907) was primarily inspired by African art. Moreau's paper, published in the *Bulletin of the Reial Acadèmia Catalana de Belles Arts Sant Jordi*, argues that the painting instead drew from Medieval church frescoes in the Spanish and French Pyrenees, such as those in the church of La Vella de Sant Cristòfol in Campdevànol and the Romanesque murals of Sant Martí de Fenollar. He retraced Picasso's travels and notes that the African mask exhibited alongside the painting in a 1939 MoMA retrospective did not arrive in Europe until 1935, decades after the work was completed.

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New York galleries are rethinking the traditional summer group show, moving away from ambitious, canon-redefining exhibitions toward more pragmatic, relationship-driven presentations. Dealers and advisers note that these shows now serve primarily to maintain gallery visibility during the slow August season, test emerging artists, and foster networking. The article highlights examples like "Open Eyes" at A Hug from the Art World, curated by 14-year-old Luke Newsom, which balances playfulness with serious curation, featuring works by KAWS, Urs Fischer, and Raymond Pettibon.

beijing china gallery weekend art season recap 1234744646

Beijing concluded its inaugural "Beijing Art Season" from May 22 to June 1, comprising the long-running Gallery Weekend Beijing and two local art fairs, Beijing Dangdai and Art021 Beijing. The event took place shortly after a diplomatic breakthrough in U.S.–China tariff tensions, but amid China's economic slowdown, the atmosphere was subdued: the Visiting Sector for international galleries and the large-scale group show were scrapped, and satellite events were fewer. Despite this, collectors, curators, and institutional directors from Germany, the UK, Korea, and Japan attended, with some noting China's strategic importance due to its deep collector base. French billionaire Laurent Dassault reported better market sentiment in Beijing than in Europe, while Berlin galleries PSM and Galerie Thomas Schulte made their first appearances at Beijing Dangdai, collaborating with Hua International for a "Berlin Section." The fair grew from 32 galleries in 2018 to 87 this year, reflecting local collectors' appetite for international and experimental contemporary art.

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Artist Hito Steyerl has published a new book, *Medium Hot: Images in the Age of Heat*, through Verso, continuing her long-running exploration of how images, technology, and politics intersect. The article traces her intellectual evolution from earlier works like *The Wretched of the Screen* (2013) and *Duty Free Art* (2017), highlighting key essays and video works such as *How Not to Be Seen: A Fucking Didactic Educational .MOV File* (2013), which satirizes surveillance culture. It notes that Steyerl topped ArtReview’s 2017 Power List as the most influential person in the art world, and that her latest book addresses war and violent conflict in the context of Web3, with a more decisive tone.

esther ii conductor alternative art fair reports 1234741690

During New York Art Week, two smaller art fairs—Esther II and Conductor—offer alternatives to the major events like Frieze and TEFAF. Esther II, now in its second edition, takes place at the Estonian House in Murray Hill, featuring 25 galleries from 17 cities with site-specific installations and performances. Conductor debuts at Powerhouse Arts in Gowanus, focusing on artists from the Global South and its diasporas, with a unique model that allows artists to fabricate work on-site using the venue's production facilities.

'It was my job to create the view': US artist Liza Lou on making colourful works in her windowless warehouse

American artist Liza Lou discusses her recent shift in practice, moving from her famous large-scale bead installations to a new body of work that fuses oil painting with glass beads. After years of collaborative work in South Africa and focusing on monochrome tones, Lou has returned to a solitary studio practice in a windowless warehouse in the San Fernando Valley. This new phase is defined by a "headlong love affair with colour," inspired by the hallucinatory palette of the Mojave Desert and a transition from logical drawing to a more intuitive, freestyle process.

Revisiting One of Fauvism’s Wildest Painters

The Parisian gallery Helene Bailly Marcilhac is hosting a comprehensive monographic exhibition dedicated to the Dutch-French painter Kees van Dongen. The show traces the artist's career from his early days as a leading figure of the Fauvist movement through his later developments in portraiture, still life, and genre painting. Spanning several decades, the exhibition highlights Van Dongen's evolution from the "terrifying" bold colors of his youth to the more nuanced, expressive works of his later years, such as his 1950s floral studies and racing scenes.

Dealer David Schrader’s Case for a More Fluid Art Market: ‘Volume Begets Volume’

Art dealer David Schrader is launching a new secondary-market gallery in New York with partners Marc Glimcher and Emmanuel Di Donna. He argues the current market stabilization and renewed optimism, especially in the secondary sector, provide a favorable backdrop for their streamlined, focused venture that aims to avoid the overhead of historic gallery models.

Veteran Advisor Patti Wong on How the Auction Market Is Recalibrating

Veteran art advisor Patti Wong, who left Sotheby's after three decades to start her own firm, analyzes a significant recalibration in the auction market. She notes a new discipline among auction houses and buyers following the frothy post-pandemic years, with houses becoming more selective, relying heavily on third-party guarantees, and facing greater buyer scrutiny on provenance and estimates. She also highlights the industry's expansion into new geographies like Saudi Arabia and new categories like luxury goods.

Two Monet Paintings, Unseen for a Century, Resurface at Auction

Two significant paintings by Claude Monet, unseen by the public for over a century, are being offered at auction by Sotheby's Paris. The works, *Les Îles de Port-Villez* (1883) and *Vétheuil, Effet du Matin* (1901), have been held in private collections for 115 and over 100 years respectively, with the former last exhibited in the early 20th century at Paul Durand-Ruel's New York gallery. Their combined estimates make them the most valuable Monet paintings to appear at auction in France since 2001.

A New Brooklyn Art Fair With a Global Outlook Debuts This Spring

A New Brooklyn Art Fair With a Global Outlook Debuts This Spring

A new art fair called Conductor: Art Fair of the Global Majority will hold its inaugural edition in Brooklyn from April 30 to May 3, 2026. Organized by Powerhouse Arts, it will feature 27 galleries and 17 special projects, bringing together artists and galleries from Africa, Latin America, Asia, the Caribbean, the Middle East, Oceania, and Indigenous nations.

ACA Galleries Presents 100 Years of Black Art

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ACA Galleries in New York is hosting "Continuum: Over 100 Years of Black Art," an expansive group exhibition running through March 7, 2026. The show features a diverse array of media—including painting, sculpture, textiles, and collage—by more than a dozen pioneering Black artists. Spanning from the 19th century to the present day, the exhibition highlights key figures such as still-life painter Charles Ethan Porter, collagist Romare Bearden, and contemporary textile artist Helen McBride Richter.

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The Mayor Gallery in London is celebrating its centenary with a three-part exhibition series revisiting its history. The second part, 'Celebrating 100 years – Part 2: European Art,' is on view through February 20, 2026, showcasing post-war European artists from movements like ZERO, Arte Povera, and Concrete art, including works by Armando, Lucio Fontana, François Morellet, and Man Ray.

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The Winter Show at New York's Park Avenue Armory features a standout booth by the gallery French and Company, presenting a darkly themed collection. The eclectic offerings include Old Master still lifes by Willem Kalf and Willem Claesz Heda, a Victorian ceramic peacock, a 1979 painting by Susan Rothenberg, and a "horror wall" with works like Pasko Vucetic's *Hatred and Madness* and Wilhelm Trübner's *A Gorgon's Head*, all curated by the gallery's Henry Zimet.

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A growing number of art fairs and galleries are publicly announcing a 'strategic pause'—a hiatus from their regular exhibition schedules to reassess their models. This week, Vienna's Spark Art Fair invoked the phrase to take a year off, following Berlin dealer Mehdi Chouakri's decision to suspend his gallery's exhibition program after 30 years. Last July, ADAA's Art Show coined the term when it announced a year-long break to reimagine the New York fair, and Taipei Dangdai in Taiwan followed suit days later. In December, an unprecedented number of galleries skipped Art Basel Miami Beach. The trend reflects a broader shift in the art world's willingness to openly acknowledge the need for rest and reinvention.

warren isensees pulsating abstractions put the act of looking to the test 2739914

Warren Isensee's new paintings at Miles McEnery Gallery in Chelsea, New York, explore optical structure with loosened rules, where warm and cool tones trade dominance across repeating frameworks. On view through February 14, 2026, the exhibition is the artist's third solo outing with the gallery and includes a fully illustrated publication with an essay by Stephen Westfall. The works interrupt their own logic, introducing irregular breaks that reroute the eye, creating a test of looking rather than a display of visual effects.

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Gustav Klimt's portrait of Elisabeth Lederer topped the list of the most expensive artworks sold at auction in 2025, achieving $236.3 million at Sotheby's New York on November 18—far exceeding its $150 million estimate and setting a new record for the artist. The painting came from the collection of the late Leonard Lauder, who died in June at age 92. Other top lots included two more Klimts from Lauder's collection, a newly offered Basquiat, and a record-setting Frida Kahlo work, alongside notable sales by van Gogh, Rothko, Mondrian, Monet, and Picasso, with many of the highest prices achieved during the blockbuster November auctions at Sotheby's and Christie's.

top auction moments of 2025 2712941

Artnet News rounds up the standout auction moments of 2025, highlighting both triumphs and disappointments. M.F. Husain's *Untitled (Gram Yatra)* (1954) smashed expectations at Christie's, selling for $13.8 million—more than double the artist's previous record and the first South Asian Modern work to exceed $10 million. In contrast, Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922) fell short of its $50 million estimate at Christie's, missing the artist's auction record, while Alberto Giacometti's *Grande tête mince* (1955) failed to sell at Sotheby's despite a $70 million asking price, underscoring market volatility.

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A growing number of prominent art dealers across New York, London, Los Angeles, Brussels, and Reykjavik began their careers as artists, not salespeople. Figures like Jack Hanley, Sebastian Gladstone, Börkur Arnarson of i8 Gallery, and the team behind Galerie Sardine (Joe Bradley and Valentina Akerman) all transitioned from studio practice to gallery ownership. The article explores how their firsthand experience as artists shapes their approach to representing others, from patience with the creative process to building artist-centered business models.

design miami 2025 brings out creatures and comfort 2723013

Design Miami 2025 preview drew a bustling crowd with over 70 exhibitors under the theme "Make Believe." Highlights included Katie Stout's whimsical carousel featuring marine animals, Roham Shamekh's biomorphic "Roots" sofa with integrated headphones, and ATRA's futuristic "Intelligence of Evolution" seating system upholstered in Hermès fabric. The Spanish silver brand Garrido showcased collaborations with Peter Marino, while the fair's 20th anniversary edition embraced a carnivalesque atmosphere with popcorn and mirrored walls.

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New York-based artist Dana James presents her third solo show with Hollis Taggart, titled “Ink Moon,” at the gallery’s Lower East Side location. The exhibition marks a significant shift in her practice, moving from her signature soft pastels and feminine sensibility toward bolder, more gestural works featuring near-black hues, intense primary colors, and expressive mark-making. James created the new body of work while navigating an advancing pregnancy, which she says pushed her work in a more intense direction rather than the expected softer style.

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Abu Dhabi Art returns in 2025 with 142 galleries from 34 countries, introducing two new Focus sectors: Focus: Nigeria Spotlight and Focus: Modern Türkiye. The Nigeria section, curated by Tola Akerele, features seven galleries including kò, SOTO Gallery, and O’DA Gallery, showcasing artists like Samuel Nnorom, Bara Sketchbook, and Rufus Ogundele. Focus: Modern Türkiye, curated by Doris Benhalegua Karako, presents modern masters such as Fahrelnissa Zeid, Burhan Doğançay, and Gülsün Karamustafa through Istanbul-based galleries including DG Art Gallery and Projects, Art on Istanbul Gallery, and BüroSarıgedik.

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Kenny Schachter critiques the art market's doomsaying media narrative, coining the acronym Salsa (Scribes Always Love Sensational Apocalypse) to describe clickbait-driven hype. He contrasts current market anxieties with past downturns, notably the 1991-1996 recession when the market evaporated, citing a 1991 Roberta Smith article. Schachter observes that the Nahmads and Mugrabis, once feuding families, now invest together, and he recounts his experience at Phillips during his "Hoarder 6" exhibition, where young collectors showed genuine interest. He argues that the market, though wounded, remains healthy and calls for a less transactional, more patient approach to selling art.

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Phillips held its marquee May auction in New York, achieving $52 million in total sales, down from $86.3 million the previous year. The top lot was a Jean-Michel Basquiat work owned by David Bowie, which sold for $6.59 million. Four lots were withdrawn before the sale, five failed to sell, and the sell-through rate was 77.5 percent. Despite a low-energy room, five artist records were set, including four for women artists: Ilana Savdie, Olga de Amaral, Kiki Kogelnik, and Grace Hartigan, and one for James Turrell.

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This week's art industry roundup covers a range of developments: a new wave of younger, deliberate collectors is reshaping the art market, as reported from Art Basel; the Independent art fair will relocate to Pier 36 in New York in 2026; Riga Contemporary, a new fair, launches in Latvia; and the inaugural Arrival art fair took place in North Adams, Massachusetts. In auctions, seven never-before-seen Picasso ceramic plates sold in Geneva for nearly double their estimate, while a Giacometti sculpture made the top 10 sales list. Galleries news includes Nara Roesler now representing Asuka Anastasia Ogawa, a new gallery called Open Studio opening in New York, and Andrew Edlin Gallery relocating. In museums, a government watchdog found the Trump Administration broke the law by withholding funding for the Institute of Museum and Library Services, and UC Irvine and the Orange County Museum of Art plan to merge. A legal battle over an El Greco painting withdrawn from Christie's auction is advancing, with the owner revealed as Russian billionaire Dmitry Rybolovlev.

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Mario Cristiani, co-founder of Galleria Continua, reflects on the gallery's 20-year journey in Beijing, describing how a meeting with three friends united by admiration for artist Chen Zhen led to opening a space in China. He recounts the vibrant early 2000s art scene, the transformative impact of the 2008 Beijing Olympics, and the gallery's initial five years without sales, emphasizing that success in China required credibility, consistency, and genuine cultural integration rather than commercial exploitation.

a pay to play art show in marfa sparks controversy and more juicy art world gossip 2648662

The Marfa Invitational, a small art fair in West Texas, has sparked controversy after pivoting to a new format called the "Marfa Invitational Open." The fair issued an open call to Texas-based artists, charging a $75 application fee and later requiring an additional $150 "installation fee" not disclosed in the original terms. Over 500 artists applied, but many dropped out after the hidden fee was revealed, leading to a boycott campaign. Approximately 160 artists ultimately exhibited at the Saint George Hotel last weekend. The fair had previously faced scandal in 2023 when its tax-exempt status was revoked due to cofounder Michael Phelan's failure to file required paperwork.

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Paula Tsai, a key figure in Asia's art market, discusses the evolving landscape of collecting in the region, focusing on mainland China and Korea. She notes a surge of new buyers from China, many of whom are young entrepreneurs, while the Korean market remains more mature and stable. Tsai addresses the impact of tariffs on importing art, particularly for Chinese collectors, but asserts that passionate collectors will continue to buy, adjusting timing rather than abandoning purchases. She also highlights the growing Thai market and the complexity of the Chinese market, where established collectors are cautious but new entrants keep activity high.

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Artist Antonia Showering is making her long-awaited New York solo debut with the exhibition “In Line” at Timothy Taylor in Tribeca, on view from May 8 to June 21, 2025. The show follows her London solo debut “Mixed Emotion” with the same gallery in 2022. Showering, known for dreamy, richly colored figurative oil paintings that blend abstraction and figuration, has seen her works command high prices at auction, including a 2017 painting that sold for nearly $300,000 at Phillips London. She discusses the deeply personal nature of the new work, which reflects major life changes including moving to rural Somerset, becoming a mother, and losing both grandmothers.

New Museum unveils new OMA-designed building ahead of March 21st reopening.

The New Museum in New York has unveiled its major 60,000-square-foot expansion, designed by the architectural firm OMA, specifically Shohei Shigematsu and Rem Koolhaas. The project, which took a decade from architect selection to completion, required a two-year closure and doubles the institution's gallery space. It debuts with new commissions by artists Tschabalala Self and Klára Hosnedlová ahead of its public reopening on March 21st.