Contemporary artists featured in exhibition examining Cherokee People and the American Revolution

The Museum of the Cherokee People has launched "Unrelenting: Cherokee People and the American Revolution," a landmark exhibition marking the 250th anniversary of the United States. The show juxtaposes 18th-century historical artifacts, such as weaponry and archival treaties, with newly commissioned works by 14 contemporary Cherokee artists. Curated by Dakota Brown, Evan Mathis, and Brandon Dillard, the exhibition challenges traditional American nationalist mythologies by centering Indigenous perspectives on the Cherokee American War and the complexities of sovereignty.

On View in the RSM Art Gallery: Ideas to Postpone the End of the World by Julia Csekö

The RSM Art Gallery is presenting a solo exhibition titled "Ideas to Postpone the End of the World" by artist Julia Csekö, running from March 19 to May 5, 2026. The show features her text-based works, including wearable welcome dresses, storied flags, and paintings from her 'Speaking Truth to Power' series. An opening reception and artist talk are scheduled for March 19.

"Glory! Glory!" exhibit showcases Black artists' perspectives on American flag

The Zhou B Art Center in Chicago is currently hosting "Glory! Glory!", an exhibition presented by Pigment International that explores the American flag through the lens of Black artists. Featuring works by figures such as Robert Lewis Clark, Reggie McFly, and Nate Austin, the collection includes provocative pieces like an 11-foot flag composed of Obama-era newspaper clippings and various deconstructed flags that signal protest and complex patriotism.

Get your skates on: artist puts ice rink in Venice palazzo

German artist Olaf Nicolai has installed a functional ice rink titled 'Eisfeld II' within the frescoed grand banqueting hall of the 18th-century Palazzo Diedo in Venice. The installation, which includes a soundtrack by the Berlin band To Rococo Rot and two lightboxes, is a reinterpretation of a work first developed over two decades ago and will be on view until February 22.

What If… Exhibition Opens at Swan Hill Studios, Shrewsbury

Installation artist Julia Rogers presents a new exhibition titled "What If…" at Swan Hill Studios in Shrewsbury, running from 22 January to 2 February 2026. The show draws inspiration from Rogers's lifelong habit of collecting lucky pennies, using this simple ritual as a lens to explore how meaning is formed and reinforced in everyday life. The exhibition opens with a private view on 22 January and is free to attend, with the artist present throughout the week.

Slawn and Opake Open 'Heroes, Villains, & Violence' Joint Exhibition in Miami

Slawn and Opake have opened a joint exhibition titled “Heroes, Villains, & Violence” in Miami, timed to coincide with Art Basel. The show explores themes of heroism, villainy, and violence through imagery from comics, film, and media, including Iron Man, Captain America, Snow White, and the Mad Hatter. Boxing serves as a recurring motif, with a real boxing ring hosting Miami fighters Uly “Monster” Diaz and Bryan “El Gallo” Duran during the opening. The exhibition runs through Dec. 31 at The Art of Hip Hop.

9 Up-And-Coming Gallerists Chart the Path To—and Beyond—Showing at Art Basel Miami Beach

Nine emerging galleries from around the world are showing in the Positions sector of Art Basel Miami Beach 2025, a dedicated platform for up-and-coming exhibitors. The article profiles several of these gallerists, including Allann Seabra and Ian Duarte of Verve in São Paulo, and Mauricio Aguirre of N.A.S.A.L. in Mexico City and Guayaquil. They discuss their gallery's growth, key milestones such as artists participating in the 36th Bienal de São Paulo, and their hopes for gaining international exposure and deepening understanding of their local art scenes.

Monumental sculpture honours women’s service in US Coast Guard during Second World War

A monumental sculpture titled "Reflection" by French-born artist Prune Nourry has been installed at Ocean Terrace Park in Miami Beach, honoring the women of the U.S. Coast Guard Women’s Reserve (Spars) who served during World War II. The 21.3-foot sculpture features a half-face resting in water, completed by its reflection, with a mangrove tree sprouting from the side of the head. It was unveiled on October 30 and is Nourry’s first public art project in the U.S. The work uses the likeness of Yeoman Third Class Nellie Locust, a Cherokee woman who served in the Spars, with permission from her family. The sculpture was created in collaboration with landscape architect Raymond Jungles.

Palmer Museum announces call for juried exhibition to celebrate America’s 250th

The Palmer Museum of Art at Penn State has announced a call for entries for a juried exhibition titled "Dreaming American Futures: Invitational 250," running from summer through fall of 2026. The exhibition marks the United States' 250th anniversary and is open to Penn State students, faculty, staff, alumni residing in Pennsylvania, and local artists within 50 miles of State College. Submissions must address themes of activating change, bridging the divide, the pursuit of happiness, and a more perfect union, which were developed from community input gathered during a summer 2025 installation. Digital submissions of up to three works are due by February 15, 2026, with no entry fee, and a jury including artist Folayemi Wilson, curator Janine Yorimoto Boldt, and artist Roberto Lugo will adjudicate the entries.

Lots to play for: Serpentine exhibition explores censorship and connection through video games

Danielle Brathwaite-Shirley's exhibition *The Delusion* opens today at Serpentine North in London, running until 18 January 2026. The Berlin-based artist and video game designer presents a series of multiplayer video games that challenge players to confront ethical, political, and moral choices. Games like *The Unifier* require collaborative problem-solving while prompting reflection on censorship, and *The Validators* transforms an arcade shooter into a contemplative experience addressing censorship, dehumanisation, and hope. The exhibition was developed with a team of artists, researchers, technologists, and members of Brathwaite-Shirley's Black trans and queer community, and builds on the artist's ongoing work archiving Black trans histories.

Guy Gerber Makes His Fine Art Debut

Guy Gerber, a well-known electronic music DJ, made his fine art debut with a photography exhibition titled "Separate Ways" in Tribeca, New York. The show features 21 photographs where subjects' faces are obscured by mirrors, inspired by self-reflection. Curated by Katie Lister, the exhibition opened on September 9, attracting VIPs including Sergey Brin, Richie Akiva, and others. Gerber also performed a DJ set at a NYLON Membership party to celebrate the launch.

Varley Art Gallery Hosts Opening Reception for 2025 Fall Exhibitions

The Varley Art Gallery of Markham will host an opening reception on September 20, 2025, for two new fall exhibitions: "Kejie Lin: A Garden of My Own," a solo show of meticulous Chinese ink paintings by former landscape architect Kejie Lin, and "Sights of Convergence," a group exhibition featuring Jess Riva Cooper, Gabriela García-Luna, and Stanzie Tooth that explores the entanglement of human and natural worlds. The free public event includes a guided tour by guest curator Yuluo Wei, family-friendly activities, and light refreshments, with both exhibitions running through January 11, 2026.

Central Coast artists share ideas in Cuesta art exhibition

The Harold J. Miossi Art Gallery at Cuesta College hosted a closing ceremony for its latest exhibition, “High Tide,” on August 14. The event featured live jazz music, driftwood sculptures, and refreshments, showcasing works by over 60 local Central Coast artists. Artists were invited to nominate fellow creatives, resulting in a diverse display of paintings, ceramics, assemblage, digital media, and photographs. Coordinator Tim Stark described the exhibition as a reflection of the region's creative ecosystem, built on mutual trust and recognition among artists.

A Celebration of Art, Identity, and Collaboration

Malta inaugurated a groundbreaking art exhibition, 'Colours in Europe with Maltese Reflections,' on August 1, 2025, at the Skoda Showroom in Ħaż-Żebbuġ. The show features 42 hand-painted mannequins created by 37 artists from Malta, Gozo, and across the European Union, blending fashion with fine art. The opening ceremony was led by Josephine Ebejer Grech on behalf of Catwalk Productions International, founded by Paul Chetcuti, who received a certificate from Malta Records for hosting the largest collection of Maltese-painted mannequins under one artistic concept. Artist Joseph Barbara also spoke at the event, which runs until August 30, 2025.

A Brooklyn Afrofuturist Art Exhibit Explores a New World With Reparations

A new Afrofuturist art exhibition titled 'Futures of Repair' has opened at 195 Morgan Avenue in Williamsburg, Brooklyn, featuring six Black artists who imagine a world where Black and Indigenous people receive reparations. The show, a collaboration between creative studio Intelligent Mischief and curator Mia Imani Harrison, includes works by Alisha B. Wormsley, Terence Nance, Ari Melenciano, and American Artist, among others. Funded by the Robert Wood Johnson Foundation, the exhibition runs through March 2026 and presents video, installation, sound, and tech-driven pieces that explore reparations from personal and communal perspectives.

100 Years of Leighton House

Leighton House in London has announced a year-long centenary program for 2026, marking 100 years since the house opened as a museum. The centerpiece is "The Arab Hall: Past and Present" (21 March – 4 October 2026), featuring three site-specific installations by artists Ramzi Mallat, Kamilah Ahmed, and Soraya Syed, a short film by Syrian filmmaker Soudade Kaadan, and an exhibition of original designs by George Aitchison, William De Morgan, and Walter Crane, alongside new research by Dr. Melanie Gibson published in a fully illustrated book. The museum is also collecting public memories and memorabilia for a Centenary Archive, and has formed an Advisory Panel to inform the exhibition.

Latter-day Saint artists ‘Lift Up the Hands Which Hang Down’ in new exhibit

The Church History Museum in Salt Lake City has unveiled 150 artworks selected for the 13th International Art Competition of The Church of Jesus Christ of Latter-day Saints, themed "Lift Up the Hands Which Hang Down" after Doctrine and Covenants 81:5. The exhibition opened on April 24, 2025, featuring works by 584 artists from 26 countries, including pieces like "Deposition" by Sarah Hawkes and "The Parable of the Gardner: The Garden of the Lord" by Pamela Salinas Bernal. Curator Laura Paulsen Howe and BYU art history professor James Swensen, a juror, highlighted how artists visualized themes of succoring the weak and strengthening others through diverse media and personal testimony.

Guernsey Liberation Day art exhibition marks 80th anniversary

An art exhibition in Guernsey marks the 80th anniversary of Liberation Day, featuring works by 12 local artists who explored the island's wartime occupation through family histories, personal recollections, and archival research. The Occupation Arts Collective organized the show, which was sponsored by Guernsey Arts.

U.S. Museums Reach Deep into America’s Past

Museums across the United States are launching a series of ambitious exhibitions and programming designed to re-examine American history through a more inclusive and contemporary lens. These initiatives move beyond traditional patriotic narratives, utilizing diverse collections to explore the complexities of the nation's heritage, from indigenous perspectives to the legacies of industrialization and migration.

A ‘Cabinet of Wonders’ on Show at the American Academy of Arts and Letters

The American Academy of Arts and Letters has unveiled a unique exhibition curated by its own members, designed to function as a contemporary "Cabinet of Wonders." The show features a diverse array of works that interact with the institution’s idiosyncratic permanent collections, blending historical artifacts with modern artistic responses. By mining the Academy's own archives and storage, the participating artists have created a dialogue between the prestigious organization's past and its present creative output.

The Age-Old Obsession With Living Forever

A new exhibition in London explores the human desire for immortality, using contemporary biohacking figures like Bryan Johnson as a starting point to examine the cultural and philosophical implications of extreme life extension.

Li Yi-Fan: Poet of the Enshittosphere

Taiwanese artist Li Yi-Fan is preparing to present work at the Venice Biennale. His video works feature a digitally animated character, voiced and puppeteered by the artist himself, which delivers improvised, punkish lecture-performances critiquing technology, algorithmic control, and the loss of human agency.

The Collaborative Museum

ArtReview's feature 'The Collaborative Museum' presents a diagnosis of the current state and future of museums from professionals within the field. The article highlights concerns about cultural amnesia in the United States, the need for diverse and accessible art spaces beyond large institutions, and the critical role of museums as public spaces for remembrance and reflection.

The Negative Aura of Catherine Christer Hennix

Catherine Christer Hennix's exhibition at Malmö Konsthall presents an austere yet expansive body of work that weaves together mathematics, mysticism, and sound. The artist's practice is characterized by a focus on absence, silence, and negative space, creating an immersive environment that challenges conventional sensory engagement.

In che modo la rigenerazione sta provando a cambiare l’Italia? Risponde la newsletter Render

Artribune's newsletter "Render" is set to release its 57th issue on May 11, featuring stories on urban regeneration projects across Italy. Highlights include a new library under construction in Latisana near the train station, a square-shaped island in the Venice lagoon transformed into an exhibition space after decades of abandonment, participatory tactical urbanism initiatives in Torre Annunziata funded by a Ministry of Social Policies and Labor grant, and a post-war complex in Rome poised to become a cultural hub. The issue will also profile the Peruvian architecture duo Barclay & Crousse ahead of their exhibition at the Politecnico di Milano and include a reflection on contemporary green spaces inspired by a visit to a private English park.

Il duo di artisti internazionali Gawęda/Kulbokaitė sono a Roma per la prima volta con una mostra su identità e percezione

The international artist duo Dorota Gawęda and Eglė Kulbokaitė present their debut exhibition in Rome, titled "Spit and Image," at the Basement gallery. The show, on view until July 10, 2026, features sculptures, installations, and videos that explore identity construction in the digital age, using mirrors, fragmented bodies, and olfactory elements. Works like "Yield (twinning)" (2025) and "Spit and Image 1 and 2" (2025) evoke surveillance, metamorphosis, and duplication, while the Slavic vampire figure of the upiór serves as a metaphor for fluid, non-binary identities.

The Invisible Pain: The Story of the Asylum in Alessandro Bencivenga's Latest Film

Il dolore che non si vede: il racconto del manicomio nell’ultimo film di Alessandro Bencivenga

Director Alessandro Bencivenga’s new film, L’invisibile filo rosso, debuted out of competition at the 82nd Venice Film Festival, offering a poignant look at the Pergine Valsugana psychiatric hospital in the 1950s. Based on extensive archival research, the narrative follows a young nurse from Ischia who witnesses the hidden horrors and human dignity within the asylum. The film features a notable cast including Massimo Bonetti, who portrays the real-life figure Giovanni Giulio Anesini, and Ornella Muti as Ida Dalser, the persecuted first wife of Benito Mussolini.

At the Feast of the Revolution: A Film to Tell the Story of Gabriele D’Annunzio’s Fiume Enterprise

Alla Festa della Rivoluzione. Un film per raccontare l’impresa a Fiume di Gabriele D’Annunzio

Director Arnaldo Catinari’s new film, *Alla Festa della Rivoluzione*, explores the 1919 occupation of Fiume led by the poet-soldier Gabriele D’Annunzio. Distributed by 01 Distribution and set for a mid-April release, the film depicts the city-state as a visionary laboratory where art served as a structural foundation and social hierarchies were temporarily dismantled. The narrative follows three fictional characters—a spy, a government official, and a deserter—whose lives intersect amidst the political and aesthetic fever of the D’Annunzio enterprise.

WAYS OF REMEMBERING YAHUARCANI AND MUNOZ AT MASP

The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.

Young Artists Explore Memory in ArtWorks Exhibition “Splendor in the Grass”

Artist-in-residence Julia Lipovsky leads a group of six emerging artists aged 16 to 24 in ArtWorks' Gallery Fellowship Program, creating an exhibition titled "Splendor in the Grass" at the Your Name Here Gallery. Inspired by Jackie DeShannon's 1968 song, the artists used its lyrics as prompts to produce works in various media, including India ink drawings and painted paper collages, with a focus on journaling and personal reflection.