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'Fade' review: Studio Museum Harlem's 'F' series returns

The Studio Museum in Harlem has opened 'Fade,' the sixth installment of its influential 'F' series, featuring 17 emerging Black and Afro-Latinx artists. The exhibition includes works such as London Pierre Williams's large-scale oil painting 'The Stage: He that leaves me blue, a dream (2026)' and Antonio Darden's 'Untitled (Reclining Figure) (2025),' among others. Curated to feel like an unfolding conversation rather than a traditional group show, 'Fade' explores themes of ancestry, spirituality, grief, and transformation, with sculptures, paintings, and installations that hover between memory and dream.

Cameron Art Museum to showcase Gullah Geechee culture in new Jonathan Green exhibition

The Cameron Art Museum in Wilmington, North Carolina, will host a new summer exhibition titled "Rooted in Memory: The Gullah Geechee Vision of Jonathan Green," opening June 19 and running through January 24, 2027. The show features vibrant paintings by acclaimed artist Jonathan Green, a native of Gardens Corner, South Carolina, whose work depicts family life, labor, celebration, and spirituality rooted in Gullah Geechee culture. The exhibition pairs Green's paintings with traditional crafts such as sweetgrass baskets, quilts, and Adinkra-printed cloth on loan from the Charleston Museum, the Gibbes Museum, and the South Carolina State Museum. The exhibition is part of the museum's summer season alongside "Fresh Air: Inflatable Sculptures" and "Andy Warhol: Silver Clouds."

Art for hot days: Top 10 exhibitions to see this summer in Chicago

This article presents a curated list of ten must-see art exhibitions in Chicago for summer 2025, highlighting a diverse range of artists and venues. Featured shows include a rare solo exhibition of miniature figurines by 85-year-old Argentinian artist Liliana Porter at Secrist|Beach, a group show inspired by cosmology at the Renaissance Society, and a posthumous survey of Martin Wong's brick-focused paintings at Wrightwood 659. Other notable exhibitions include sculptural works by Oren Pinhassi and Leticia Pardo at the Arts Club of Chicago, Nathaniel Mary Quinn's emotionally charged portraits at the National Public Housing Museum, and Jeremiah Hulsebos-Spofford's monumental sculptures at the Elmhurst Art Museum.

Amoako Boafo Drew on Venice’s Rich Creative Heritage for His First Solo Show in Italy

Amoako Boafo, the Ghanaian artist known for his finger-painted portraits of stylish Black sitters, opened his first solo show in Italy at the Museo di Palazzo Grimani in Venice during the 61st Venice Biennale. Titled "It doesn’t have to always make sense" and produced by Gagosian, the exhibition runs through November 22 and features Boafo's paintings alongside works by friends and collaborators, including poems by Raphael Worlasi Langani and a sculpture made with Stephen Allotey. The show also includes a video documenting Boafo's life and a "heroine wall" of portraits honoring women he admires, such as curator Koyo Kouoh.

MoMA PS1 chief curator has a vision for Art Basel’s outsized sector, Unlimited

Ruba Katrib, Chief Curator and Director of Curatorial Affairs at MoMA PS1, has been appointed curator of Art Basel's Unlimited sector for 2026. Unlimited is a dedicated platform for large-scale installations, sculptures, wall paintings, and video works. Katrib, a Syrian American curator known for bold exhibitions and amplifying emerging voices, will select around 69 projects from over 100 gallery proposals to create a coherent curatorial narrative within a 16,000 m² space. She succeeds Giovanni Carmine, director of the Kunst Halle Sankt Gallen.

The ultimate scavenger hunt for art: Check out this KDKA video of Carnegie International highlights that your family can visit

KDKA has released a video showcasing highlights of the Carnegie International exhibition, presented as an art scavenger hunt designed for families. The video encourages viewers to explore the exhibition together, turning the museum visit into an interactive experience for all ages.

A burned Altadena lot becomes an art exhibit, sourced from remnants and sounds of Eaton fire

Artist Kelly Akashi, whose Altadena home and studio were destroyed in the January 2025 Eaton fire, has transformed the burned lot at 2650 Highview Ave. into a two-day art exhibition titled "Field Set," held May 23–24, 2026. The exhibit features Akashi's sculptural works made from fire remnants and a sound installation by collaborator Phil Peters, who used custom microphones to record the ongoing demolition and rebuilding sounds. Visitors were invited to sit on speakers and feel the low-frequency vibrations, creating an immersive experience that blends art with the physical memory of the disaster.

US artist takes stage in Venice exhibition

U.S. artist Alma Allen, a self-taught sculptor based in Mexico, has mounted an exhibition titled "Call Me the Breeze" at the U.S. Pavilion for the Venice Biennale after a fraught selection process. The process, which removed language on diversity, equity, and inclusion in favor of promoting "American values," caused several institutions to withdraw from vying for the commission. Allen created a bronze evil eye for the pavilion's exterior to ward off bad vibes, and his show includes a dozen new works alongside pieces from the last 20 years. The prior proposal for artist Robert Lazzarini fell apart after its institutional sponsor backed out, leading to a new project with the American Arts Conservancy as sponsor and Jeffrey Uslip as curator.

How families can turn the Carnegie International into a family scavenger hunt

The Carnegie International exhibition, a prestigious contemporary art showcase held every four years, has opened at the Carnegie Museum of Art in Pittsburgh. This year, the exhibit spans four locations across the city, and the article suggests families turn it into a scavenger hunt. KDKA-TV's Kristine Sorensen interviews Dana Bishop-Root, director of education at the museum, who advises letting children lead the exploration and asking simple questions like 'What do you see?' to spark conversation. Featured works include Ginger Brooks Takahashi's perilla plant garden outside the museum, Peter Jameson's painted van, a colorful sculpture at the Children's Museum of Pittsburgh, an immersive installation by two Peruvian artists at the Mattress Factory, and an animated piece by Torkwase Dyson at the Kamin Science Center's Buhl Planetarium.

Giorgio Vasari beyond the Lives: what the exhibition at the Capitoline Museums in Rome looks like

An exhibition titled "Vasari and Rome" has opened at the Capitoline Museums in Rome, running until July 19, 2026. Curated by Alessandra Baroni and promoted by Roma Capitale, the show features over seventy works—including drawings, prints, engravings, letters, medals, sculptures, and paintings—that trace Giorgio Vasari's relationship with 16th-century Rome. Sixteen autograph works and seven drawings are among the highlights, arranged in four sections that follow the chronology of Vasari's Roman sojourns, from his arrival in 1532 under Cardinal Ippolito de' Medici to his later engagements with patrons like Bindo Altoviti and Cardinal Alessandro Farnese. The exhibition is staged in an intimate, chamber-like setting on the top floor of Palazzo Caffarelli, contrasting the small space with the vast theme of Vasari's role in papal Rome's political and cultural life.

Isamu Noguchi was never a designer, affirms High Museum of Art, Atlanta

The High Museum of Art in Atlanta presents "Isamu Noguchi: 'I am not a designer'," the first design retrospective of the Japanese-American sculptor in 25 years. Co-curated by Monica Obniski and Marin R. Sullivan, the exhibition features nearly 200 objects, including sculptural models, furniture for Herman Miller and Knoll, Akari light fixtures, and large-scale installations like Martha Graham's stage set for "Seraphic Dialogue" (1955). The show challenges Noguchi's own resistance to categorization by framing his multidisciplinary practice—spanning sculpture, design, architecture, and public art—through a design lens.

Clark Art Institute to Exhibit Priceless Art Donated by Tavitian Foundation

The Clark Art Institute in Williamstown, Massachusetts, announced an upcoming exhibition titled “An Exquisite Eye: Introducing the Aso O. Tavitian Collection,” on view from June 13, 2025, through February 21, 2027. The show features approximately 150 works from the Tavitian Collection, a major private collection of European art assembled by the late collector and philanthropist Aso O. Tavitian. Spanning c. 1450–1850, the exhibition includes paintings, sculpture, drawings, and decorative arts by artists such as Jan van Eyck, Jean-Antoine Houdon, and Elizabeth Louise Vigée-Lebrun. The collection, comprising 331 objects, was donated to the Clark and will eventually be housed in a new wing designed by Selldorf Architects, set to open in 2028.

In Minor Keys A Cacophony At 61st Venice Biennale – Miranda Carroll

The 61st Venice Biennale, titled 'In Minor Keys,' opened with a central exhibition curated by the late Koyo Kouoh, who died in 2025. The show features 110 artists and collectives, realized by a team of five curators known as 'la squadra di Koyo.' The exhibition spans the Giardini and Arsenale venues, with works including Otobong Nkanga's living facade installation, Theo Eshetu's dying olive tree, and Nick Cave's vibrant sculptures. Poems and quotes by Refaat al-Areer, Etel Adnan, Toni Morrison, and Ben Okri punctuate the spaces, encouraging visitors to pause and reflect.

Phantasmagoria review: digital sorcery at the Henry Moore Institute

The Henry Moore Institute in Leeds presents 'Phantasmagoria: Folkloric Sculpture for the Digital Age,' a major group exhibition exploring how digital technologies are reshaping contemporary sculpture. The show features works by artists including Joey Holder, Jürgen Baumann, and Danielle Brathwaite-Shirley, who fuse ancient folklore, occult practices, and modern digital tools such as AI, 3D printing, and video game mechanics. Highlights include Holder's immersive installation 'The Woosphere' with arcade-style consoles and Brathwaite-Shirley's interactive boat sculpture 'PIRATING BLACKNESS/BLACKTRANSSEA.COM.' The exhibition draws on the historical concept of phantasmagoria—18th-century theatrical spectacles using smoke and light—to critique the seductive illusions of digital capitalism.

Dallas Contemporary Appoints Interim Director & New Strategic Advisor

Dallas Contemporary has appointed John McBride as Interim Director and Jeremy Strick as Strategic Advisor. McBride, formerly Deputy Director of the Nasher Sculpture Center, will oversee daily operations, programming, and financial stewardship during a multiyear planning period. Strick, former Director of the Nasher and the Museum of Contemporary Art, Los Angeles, will advise on mission, governance, and curatorial programming. The appointments follow recent leadership turnover, including the departure of Executive Director Lucia Simek in December 2025.

KMSKA stages major Antony Gormley exhibition across museum and city

The Royal Museum of Fine Arts Antwerp (KMSKA) is opening 'Geestgrond', the largest solo exhibition by British sculptor Antony Gormley ever staged on the European mainland. Curated by Carolyn Christov-Bakargiev, the show spans all of the museum's modern galleries and extends to the roof, Museumplein, and Antwerp quays, featuring over 100 works including sculptures, installations, early sketches, notebooks, and new pieces. Highlights include 'The Heart', an intimate Wunderkammer of Gormley's process, and 'Cave', a monumental walk-in steel installation.

Lorna Simpson Comes Full Circle in Venice with ‘Third Person’

American artist Lorna Simpson has opened a major solo exhibition titled 'Third Person' at Punta della Dogana in Venice, featuring over 50 works across painting, collage, sculpture, installation, and film. The show surveys her practice from the last decade, including new works created in response to the venue, and runs through November 22. Curated by Emma Lavigne of the Pinault Collection, the exhibition also includes pieces from her 2015 Venice Biennale participation and series such as 'Ice,' 'Special Characters,' and 'Earth and Sky.'

‘Picasso-Klee-Matisse’ exhibit brings modernist masterpieces to the Museum of Fine Arts, Houston

The Museum of Fine Arts, Houston (MFAH) is hosting "Picasso-Klee-Matisse: Masterpieces from the Museum Berggruen" from May 20 to September 13, 2026. The exhibition features dozens of works by Pablo Picasso, Paul Klee, and Henri Matisse from the private collection of dealer and collector Heinz Berggruen, on loan from the Museum Berggruen – Neue Nationalgalerie in Berlin. The show is organized thematically—portraits, landscapes, still life, and the human figure—and includes paintings, drawings, collages, sculptures, and archival materials, alongside pieces from MFAH's own collection. It has already attracted over 1 million visitors on its international tour.

Tang Museum announces summer tours

The Tang Museum at Skidmore College in Saratoga Springs, New York, has announced its summer 2026 public tour program, beginning May 24 with weekly Tang Guide Tours led by trained student ambassadors. The museum will also host three curator-led tours: Rachel Seligman will lead tours of 'All These Growing Things' (June 11) and 'Sheila Pepe: When & Where We Rest' (August 27), while Dayton Director Ian Berry will guide a tour of 'Kathy Butterly: Assume Yes' (July 16). Additional summer programming includes the Upbeat on the Roof concert series, Frances Day community open house, and Family Saturday art-making events.

Wallace Chan in Venice and Shanghai

Wallace Chan will present "Vessels of Other Worlds," a monumental dual-site exhibition across Venice and Shanghai in 2026, coinciding with his 70th birthday and the 61st Venice Biennale. The exhibition premieres on May 8, 2026, at the Chapel of Santa Maria della Pietà in Venice, featuring a new series of titanium sculptures inspired by the three sacred oils of the Catholic Church, with a parallel exhibition opening on July 18, 2026, at the Long Museum (West Bund) in Shanghai, where the sculptures will be displayed at a dramatically larger scale. Curated by James Putnam, the project also includes a complementary site-specific exhibition, "Mythos," at Scala Contarini del Bovolo in Venice from April to October 2026.

“Edmonia Lewis: Said in Stone” Reconstructs a Life Across Fragments

Boston Art Review (BAR) has published an article titled “Edmonia Lewis: Said in Stone” that reconstructs the life of the 19th-century sculptor Edmonia Lewis across fragmented historical records. The piece examines Lewis’s career, her neoclassical marble works, and the challenges of piecing together her biography due to limited archival materials.

Stirling Art Collection awarded National Significance status

The University of Stirling's Art Collection has been designated a Collection of National Significance by Museums Galleries Scotland, joining four other collections receiving the honor on International Museums Day. The collection comprises over 800 prints, paintings, and sculptures, many displayed across the campus, particularly in the A-listed Pathfoot Building. Founded on a policy set by Principal Dr Tom Cottrell in 1967 to allocate 1% of building costs for art, the collection has grown through purchases and donations, including 14 works by Scottish Colourist J.D. Fergusson gifted by Margaret Morris. The collection team runs exhibitions, workshops, and an Artist in Residence programme to integrate art into university life.

Taipei Fine Arts Museum unveils 'Surrealism: The World in Dialogue'

Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.

‘The Generative Universe’: Keith Tyson returns to LA with new exhibition at Hauser & Wirth

Keith Tyson, the Turner Prize-winning British artist, returns to Los Angeles with his first exhibition in the city since 2009, titled “The Generative Universe,” on view at Hauser & Wirth from May 28 to August 16. The show spans 30 years of his career, featuring paintings, sculptures, drawings, and mixed media works that explore generative systems—artworks created through rule-based structures shaped by mathematics, technology, nature, and the artist's own choices. Central to the exhibition is Tyson's early computer program “Artmachine,” which he developed in the 1990s to generate prompts for his own creative process, contrasting with today's AI image generators that respond to human prompts.

Bright future for the next generation of artistic talent

Hong Kong Secretary for Culture, Sports and Tourism Rosanna Law Shuk-pui visited Venice to support the Hong Kong Collateral Event at the 61st Venice Biennale, themed “Fermata: Hong Kong in Venice.” The exhibition features artists Kingsley Ng and Angel Hui, with five installations exploring poetic rhythms in everyday life, curated by the Hong Kong Museum of Art (HKMoA). Law also viewed American artist Nick Cave’s sculpture *Amalga (Plot)* and announced the Venice Biennale Internship Programme 2026, which will send six arts-background interns to Venice for a six-week residency.

Helen Frankenthaler at Kunstmuseum Basel

Kunstmuseum Basel has opened a major exhibition of Helen Frankenthaler's work, running from April 18 to August 23, 2026, featuring over 50 large-format pieces spanning six decades. The Helen Frankenthaler Foundation loaned 37 works for the show. The article also notes recent auction results, including Christie's offering of 'The Last Minute in April' (1974) for an estimated $2–3 million, and Sotheby's sales of 'St. John' (1971) for $2.1085 million and 'Perseus' (1983) for $2.804 million. Previous European exhibitions of Frankenthaler's work are listed, including shows at Museo di Palazzo Grimani, Museum Folkwang, Palazzo Strozzi, and Museum Reinhard Ernst.

Peggy Guggenheim in London: The Making of a Collector

The Peggy Guggenheim Collection in Venice has opened "Peggy Guggenheim in London: The Making of a Collector," the first major museum exhibition focused on Guggenheim's brief but influential 18-month tenure as a gallerist in pre-war London. From January 1938 to June 1939, her gallery Guggenheim Jeune at 30 Cork Street mounted twenty exhibitions, including Vasily Kandinsky's first UK solo show, the first British group collage exhibition, and a controversial sculpture show debated in Parliament. Organized by Gražina Subelytė and guest curator Simon Grant, the show brings together approximately one hundred works—paintings, sculptures, prints, photographs, puppets, and archival material—many reunited for the first time since their original presentation.

In Venice, Wallace Chan’s Titanium Sculptures Offer Introspection and Reckoning

Wallace Chan, a Chinese sculptor and gem master, has opened a new exhibition titled “Vessels of Other Worlds” at the Chapel of Santa Maria della Pietà in Venice during the 61st Venice Biennale. The show features large-scale titanium sculptures that explore themes of life cycles, mortality, and introspection, with the artist drawing inspiration from the sounds of the city, including Vivaldi’s music from a neighboring church. Chan, who has presented works at two previous biennials in Venice, also marks his 70th birthday this year with a concurrent show at Shanghai’s Long Museum in July.

First look: Berggruen's collection of masterworks by Picasso, Klee and Matisse make U.S. debut at MFAH

The Museum of Fine Arts, Houston (MFAH) is hosting the U.S. debut of a major collection of masterworks by Pablo Picasso, Paul Klee, and Henri Matisse, assembled by the Berggruen family. The exhibition brings together iconic paintings, drawings, and sculptures from one of the most renowned private collections of modern art, offering American audiences a first look at works that have rarely been seen outside Europe.

The pioneer of organic textile sculptures, Magdalena Abakanowicz, is taking over Helsinki Art Museum

Helsinki Art Museum (HAM) presents "Magdalena Abakanowicz: Crossing Boundaries," the first Finnish exhibition of the Polish artist's monumental fiber works, running from May 6 to August 30, 2026, at the Tennis Palace. The show features 58 works spanning six decades, including her iconic Abakans—suspended woven forms—and headless burlap figures, along with documentary screenings and a new Finnish-language publication.